Reid My Mind

TR:
–at low volume
It’s time to get hype
–Clip from Yao from Mulan: I’m gonna hit you so hard, it’ll make your ancestors dizzy.
–Rhythmic electronic music fades in and becomes louder.

We’re back on the scene, crispy and clean and if you’re Hip Hop and from my generation especially, then you know what I mean!

My name is Thomas Reid and I’m the host and producer of this here podcast.

–“Reid My Mind Radio” echoes

I’m feeling good. Feeling accomplished as we wrap up this season: Doing Your Thing With Disability.

If you’ve been rockin’ with Reid My Mind Radio, you’re very familiar with our commitment to those adjusting to blindness.

We often talk about the power of people in that adjustment.
The value of their stories and experiences which include the direct lessons as well as how it expands our own beliefs of what is possible.

Today, I hope you all will recognize the additional value and power in individuals who have a shared identity, experience, goals, working together in support of one another.
Not letting you rest on your strengths alone, but encouraging you to go beyond with all that you have.

Today, I’m in my Hip Hop mode so we’re gonna call it what it is, your crew, your squad!

Family, let’s get ’em!

Audio: Reid My Mind Theme Music

Question:
Yo, this is Question man! Artist and producer coming out of East Point, primarily a hip hop, r&b EDM.

I am a biracial kid with dreadlocks wearing a long sleeve blue shirt and some sweatpants right now. Chillin in my home studio just vibing out.

Question:
I’ve been blind all my life. I was born with optic nerve hypoplasia. I don’t have any vision in my right eye. And I have like, a little bit of vision in my left eye so I read Braille. And I use a lot of accessible and adaptive technology.

TR in Conversation with Question:
Did you go to mainstream school?

Question:
I did both. I went to mainstream school really up until eighth grade. And then I went to Georgia Academy for the Blind until I graduated.
I feel like if you go to a blind school, your whole life or a school for the blind, you’re gonna be a little bit sheltered to certain cultural aspects.

TR:
The concern that I’m sure many people have in enrolling a Blind child in a mainstream school is what Question found helpful.

Question:
It’s a little bit easier to kind of duck off, find your own crowd. It’d be a whole lot going on, you know, games and homecoming, and like different organizations, different things where you’d be staying after school clubs and all type of that. They had that on a minimal scale at a Blind school because they want everybody to be included.
But it’s just different so you know you do be a little bit sheltered if you don’t make a point to step outside of that school for the blind.

TR:
Inclusion is great, but we also need a chance to find out who we are as an individual. Becoming our true selves. Music was a part of that discovery for Question. In fact, it’s his interest in different genres that inspired his name.

–Sample: So you’re a philosopher?

TR in conversation with Question:
Question. What’s the name about?

Question:
I study a lot of different things. I just really look at myself as a student and as a fan of a lot of different genres.
Hip Hop people like Logic, people like The Roots, De La, Tribe, even Kanye, to a degree have just like a certain aura to the music and to what’s going on. So that’s definitely one of the aesthetics that I have as a part of my material.

TR in Conversation with Question:
I think I read you kind of referred to yourself as a hippie.

Question:
Yeah, for sure

TR:
Less 1960 or early 70’s hippie, and more like a Tribe Called Quest, De La Soul style!

TR in Conversation with Question:
Tell me a little bit about your introduction to music and then specifically rap. I don’t know if rap was first.

Question:
Yeah, I think rap was first. So to break it all the way down, my mom is white, my dad is black. I was with my mom a lot of the time. You know, she a single parent. I know my dad, everything cool.
My mom is a crazy Hip Hop head. She really the one that put me on a lot of the first music I was listening to.
So she raised me up going to concerts. She went to see Goodie Ma, when she was pregnant.
She was listening to like The Roots and Biggie, and just people in that era. Jay Z, Bahamadia, Helter Skelter.
She was just like, around a lot of artists that was in ciphers. She was just like, connected to that culture. She wasn’t in music herself but she just always knew that was a vibe. So it low key like curated that energy in me, like right from jump.

TR in Conversation with Question:
Helter Skelter? Okay. That’s a name I don’t hear being dropped that often.

Question:
She definitely deep into it. She my manager.
Because of that she’s now grown in her understanding of the industry. Five years ago, it was nothing but just like being a fan, being just appreciative of everything. But now, because of just the way things move, it’s become like a professional thing.
TR:
It began however with a natural interest and love for the music.
At three years old he was copying melodies and beats heard on the radio using toy keyboards. Always asking those he was with to turn on the radio, play a CD, he wanted music.
He learned drums and percussions, taught himself keyboard.
After hearing a song by Ludacris and Trina that featured a violin, he wanted to join the orchestra but was dissuaded from pursuing the instrument.

Question:
“Nah you can’t do it because the string part is too hard for people to read. And if you try to read the Braille, like, you can’t read it and play it at the same time.”

And then they was like, “you could do the drums.”

And it was like, I already do the drums. Like, I had been playing drums from young to I have like, Jim Bayes and congas. I got a drum set in my house.
I was kind of like, nah, I wanted to do strings. I wanted to do violin. So they didn’t let me do it. It’s kind of weird.

TR:
Fortunately, that didn’t stop Question from pursuing music. He continued to be inspired from those things within his reach.

Question:
I used to remember, like, listening to CDs in a stereo of Rick Ross, Wayne, Jay Z, whatever. And then I could like, burn my beats to a CD and just go play it in that same stereo. And it’s like, I’m on a CD. It didn’t really matter how good it was because it was me. And I had done this and I had brought something that was in my head into a form that everybody else could interact with, whether they liked it or they don’t. It’s like, now it’s here. And it wasn’t before. And that’s like a crazy thing. To me to this day.

TR:

Whether you’re a kid or not, sometimes, the things we think about or aspire to seem mysterious or out of reach. Remove the veil, and we begin to realize that it is attainable.
That can definitely provide the fuel needed to work on the craft.

–Soft Rock&Roll starts to play

TR in Conversation with Question:
Talk to me about some of that work. You’re spending a lot of time in your room, you got some equipment you’re producing, talk to me about some of your early stuff, and how you’ve seen that change over the years.

Question:
I was in about middle school when I started really producing and getting into recording myself and exploring effects and making beats and all that type of thing.
That’s when I really got my first computer and really just got competent using a screen reader just navigating the internet and doing things independently.

TR:
You see how this young brother just dropped that on y’all?

That’s the work I refer to. I don’t care what work, art or hobby you’re trying to do, if you’re someone who is Blind or Low Vision and you haven’t adapted to your technology, you’re limiting yourself.

Question:
I made my first beats on a sound recorder program. In Windows, I just took my iPod and hooked it up to my computer and then I play songs that had some drums at the beginning and I take like the hi hat from one of them to clap from another one, take the kick, and then like make a pattern.
I take Beethoven sample out in a folder on our own XP computer and just make a beat, paste the sample in a different way. Take little parts of it, chop it over the drums, and then I record over it. But I was just making little freestyles and the quality was crazy bad because it was just sound recorder.

TR:
Hearing that difference didn’t discourage him. Rather, it drove him to improve his sound.

Question:
I started hearing a difference between what I was making and what my inspirations was making. Like, at that time I was a kid. Soulja boy was out going crazy. So I had like his albums. His was one of the ones that I was like taking the drums from. So I would listen to what I made and be like “why it dont sound like the same thing? I just got the drums from right here so what’s going on?”
You know what I’m saying? So like I started figuring out like, Okay, if I get a better program, if I learn what different things mean, I started learning about like compression, and just like being around people.
I would get around my friends. And they might say something, say a term like, oh, did you use a compressor on this? And I might be like “yeah,” knowing damn well I don’t know nothing about no compressor.
Then I go look, and I see what the compressor is, in the program I’m using and I started messing with it, figuring out the difference. What does it do? What does it change? Then I figure out how to incorporate it.

TR in Conversation with Question:
What were you using in the beginning? I know that’s not in sound recorder.

–both laugh

Question:
I went from Sound Recorder up to Sony Sound Forge eight.

TR:
Ok, not everyone geeks out on audio production, like me!
What you need to know is that there were, let’s say better tools for the job. But, those tools weren’t accessible to Question.
It’s as though he was making a smoothie by hand while others had their sophisticated electric blender.

Question:
If you want to do something bad enough, you’re gonna find a way to do it. It’s not the clippers, It’s the barber.
You can always find a way to make it happen.

TR:
When you’re passionate about something, you don’t think about time.

Question:
I got lost in it.
I started making music, whole music out of one sound. Like take a sine wave, which is just like a tone. It’s like the tone that they use to bleep somebody out on TV. I take like a long version of that, and figure out how to make drums out of it and make a base out of it and make melodies out of it and chords and everything just in Sound Forge. Not even like a keyboard.
Learning how to basically match my peers and people who are making beats with just Sound Forge. And eventually, what I figured out is that process that I was using in Sound Forge just took too long to beat build. So I switched to Reaper.

TR:
Upping his game to Reaper, a multi track digital audio workstation, improves the time it takes to produce, increases his access to plugins and effects, but his studio is far from optimal.

Question:
I’m gonna be so real bro. We’re not selling beats like that yet. All of that is coming, you know what I’m saying. I’m gonna get to that. But right now, we just doing what we got to do.

TR in Conversation with Question:
Yo, I love that you said that. Because, you know there’s a lot of people who are like, “when I get”, fill in the blank, “when I get my technology,” “when I get that piece of software,” you know, some people would have been like, “oh, I can’t mess with this whole Sound Recorder” but nah you starting and you work on what you have. What’s that all about?

Question:
I do believe in saying when, but only in certain circumstances, like I believe in when over if, you know what I’m saying. It definitely is when instead of if. You’re going to get there, but you have to work to make yourself get there.

I believe in a lot of manifestation and I believe a lot in practicing what you need to do to get to where you’re trying to go. So you have to kind of learn what you want, you have to figure out where it is that you want to end up what you’re trying to head for. And then just make sure that you take the steps that you can take and reason every day to put your life on that path and move in that direction.

When I was young, I didn’t even really know that. But I just wanted it so bad. Like I just knew, because it was something that I was good at. It was something that I naturally was winning in. And so I just knew I wanted to push further. Because like, why would I give up on that? It made me feel good.

TR:
Question’s art includes beat making, production, and rapping. He began freestyling at 5 years old.
For the uninformed, freestyling is the rapper form of improvisation. Making up rhymes off the top of your dome. (Your head).

–Question’s rhymes play on the background

Question:
I see a whole lot of divisiveness amongst us, but I have to address obvious problems and address inequality.

I identify as a black man. There’s still a lot of work that we have to do on a lot of fronts. But right now, there‘s a lot of people paying attention. So I do appreciate that.

TR in Conversation with Question:
Do you talk about anything like that in your music?

Question:
Yeah, I’m honestly getting into that more.
I’m a young kid still. You could be 25. And you can be like, stressed, and then there tired of the world. And, like, know so much from your life experience, that you feel like you’re 40. Or you can be 25 and you can just be like, having the best time like, party and every day, just like enjoying them having fun feeling like you 18. I feel like I’m both depending on the day. I’m trying to put more of that in my music. And as I evolve, you know, the music evolves too.
I’m a very energy based person. So I like to be in the energy of whatever I’m making. And so for me, like stepping away from something is like tough.
If it’s good enough I feel like that energy will be there waiting for you.

— Question’s music fades back in then fades back to the background

TR in Conversation with Question:
Performances? Do you perform on stage?

Question:
I love performing. I recently just got to perform with a live band up in New York. The homies June and the Pushas. We did like and hour set freestyling and with some original jams in mind, and it was just sick to see a band like reinterpret my jams and like real professional musicians, drummer going dumb, you know the guitar, it’s like shredding.
Crazy on the joint. It’s like an out of body experience. I’m just able to go nuts.

TR:
That opportunity to make music and then share that creation with an appreciative audience, giving you immediate feedback, must be exhilarating. But like anything in life, there’s real pros and cons.

Question:
Honestly, a lot of times, there are many cons to get to many more pros.
There’s a lot of rejection, there’s a lot of people who tell you yes, and they play the waiting game with you.
It’s a lot of like, going through situations, and waiting on certain outcomes and having to just like, adapt and adjust on the fly.
There is a lot of like paperwork.

As a producer, you do a lot of cataloging, you get things in order. If you have your beats organized in a certain folder by like what tempo they at, you know, how fast they are, what key they are, what VOD they are, what artists they’re for, you can literally like, send your catalogue to certain labels and to certain artists while you sleep and make money residually.

TR:
Of course , there’s all sorts of pros and cons no matter the career. Question offers some words that apply to us all.

Question:
You have to be very grounded in a sense that you got to take time for yourself, and remember who you are, you got to remember what you love, who has helped you.
For me, it’s a lot about just spending time in nostalgia. If you know your history, then you remember like, why you’re doing it.

TR:
Question understands the value of having a team. That includes his mom, also known as manager during business hours.

Question:
The artist’s job is to focus a lot on creation and creativity, and figuring out the next moves and how to steer the ship.
But at the same time, I think it is important for artists and all creatives to know the business and to be involved in the business and to be fluent in what’s happening because that is a major part of what you’re doing. And that controls a lot of what you’re able to do or not able to do.
That can get real deep and that can play a big role in anxiety.
If you’re trying to create, if you are trying to focus on sending a message and an album, celebration or you know, whatever it is that you’re focused on, but you have like, the possibility of not being able to release this music looming over your head, and you’re dealing with, like, numbers and figures and different things, it can make you question what you’re doing.
Stress too much. But it’s a necessary part of what you go through.
So you got to find a way to compartmentalize it or balance it. If you go through that, that’s forward motion. Nobody who is nobody has these problems.

TR:
The concept of having a team goes beyond managing his own career. For Question, it’s about…

TR in conversation with Question:
Blind and Famous! What’s that all about?

Question:
Yo gang gang! Man, that’s the movement. That’s the mob, that’s the team. That’s my family.

Honestly, I always knew that that was something I had to do something I wanted to do something that for me, was important to what was going on. The greats that I study, everybody, they reach back, and they help out and they show love.
BIG, he got Junior mafia, if you look at Pac, he got the outlaws. TI, he got Grand Hustle. If you look at Ye, he got Good Music.

All of these people, they start with family, people that they came up with recording with and then obviously it branches out and are able to find talent from around the world and to curate people that they haven’t known, which is the same way that it started with Blind and Famous.

–rhythmic pop music begins

TR:
Are you socially ReidSponsible

–sample: “I don’t even know what that means.” “No one knows what it means!”

It’s true, no one knows what it means. Not even me. I just think it sounds cool.

That’s right, it’s time to announce the winner of the March Twitter Giveaway.

–mouths drumroll

@SandraManwille, you, are socially ReidSponsible and will be receiving your very own Reid My Mind Radio coffee/tea, man or any beverage you want to put in it, mug!

Thanks to all those who participated. And a big shoutout and thanks to Annie who by the way is ok!

Now back to the episode…

–Music ends with a bouncing base…

TR:
There’s a point in any conversation when you realize what is really meaningful to a person. You can hear the excitement in their voice, you can feel their energy shift. Raising the topic of Blind and Famous with Question, it was definitely time for him to turn up!

Question:
Me and my boy, DaMasta and my boy Migo Traffic.

We all went to school down here at GaB in Georgia. And we used to just freestyle.
We will be just like in a dorms, recording on laptops. Literally on laptop mic. You can hear a fan in the background. But all the kids, they’ll be playing the music around school and we’ll perform and people knew us and we knew we was going up from that minute.

It wasn’t even Blind and Famous back then.

TR:
They each continued working on their art. Even after graduation they remained close.

One day, Question and DaMasta were serving as engineers on a song for Migo Traffic, who used the phrase Blind and famous.

Question:
And I said, bro, we need to take that, like that’s the title. That’s it. And we just turned it into a movement, started putting out mixtapes. We had a lot of blind supporters and fans and they started letting people know what it was and it was like, Yo, what’s this movement? What’s going on?

–sample of a song: “What goes on? Well…”
TR:
Allow me to present Blind & Famous.
Of course, you already met my man, Question…

Question:
Coming out of Atlanta, the hippie, kid, man, artist and producer, curator of Blind and Famous, but one equal participant of this collective. I’m gonna pass it to my brother, my slime, DaMasta.

–rap song from B&F plays in the background

Da Masta:
I’m originally from Washington County, a little country town in Georgia. I’m the second curator of B&F.

Question:
And he is an artist. He’s hella melodic. He really on his own wave. He’s unique, I always credit him with saying that he has his own sound that’s not like anybody else I really know.

Da Masta:
I’m also an upcoming producer as well.

TR:
Next up!

–rap song begins and fades to the background

MattMac:
Yo, what’s happening? My name is Matt Mac.
I am a music producer and recording artist based out of Garden Hill First Nation up in Canada.
I’m First Nation born. I make music full time for sure.

Question:
You can go stream all his projects right now on Spotify. He’s going nuts.

— “Play the Hero Remix” MattMac Featuring Question & Label “Blind & Famous Volume 5

Label:
Label, born and raised in Jersey, I am a radio show host, podcaster. I also sing, rap. And I’m getting back into the producing side of things.

Question:
J Mouse, out of Arizona but he travels internationally. With a couple bands actually.

J Mouse:
Been a part of this collective for like two years. I do a lot of stuff in the music industry.

Question
He is a producer, primarily R&B, drill, hip hop, trap. He’s a musician.

J Mouse:
I play guitar, piano, bass, I’m a drummer, harmonica. I used to play saxophone too. I’m an engineer so I master, I do a lot of mixing. Pretty much everything, mostly within the music industry.

Question:
J mouse is like a genius, he crazy.

TR:
Let’s jump across the pond to the latest member of the crew.

P Dex:
I’m P Dex in the lab, aka the laziest producer in the world, all the way in the UK from Liverpool. Learning to do engineering and all that stuff. Mainly just doing a lot of producing.

Question:
The drill genre has been taken a lot of places by storm over the past few years. UK drill, New York drill, Australian drill. And the UK, really is who kind of innovated and advanced it.
And Dex brings us a lot of knowledge and know how, and just like, really being in that scene and connect. Shows us what’s really going on.

— Gold Fingers Sample

GoldFingas:
What’s going on? This is GF, GoldFingas.
I’m a producer. I’m also a musician. I play keys, drums. I’m a mix engineer as well. I do mixing and mastering and all that stuff. So between all of us we got everything pretty much we need in house.
I’m down here in Virginia. I’m on that Missy, Timberland type vibe. You know that boom bap stuff.
I’m the oldest member of the group. I’m in my 40s.
I’ve known question, man, since he was like 14?

Question:
No cap.

GoldFingas:
Something like that.
Me and him used to mess around in Sound Board and he showed me a few things. Ever since then I knew that this kid was gonna do something.

TR in Conversation with BNF:
And this is the whole squad, right? Is anybody missing?

Question:
Yeah, Migo traffic is missing.

TR:
I love that name! I assume he has a friendly flow or perhaps his style makes other rappers slow down or stay in their lane.
Unfortunately, the brother who first dropped Blind and Famous in a verse couldn’t join the cipher.
Alright, it wasn’t really a cipher, there was no exchange of bars or raps, but honestly, if this were in person, it would have been on. And I’m telling you right now I keep a hot 16 ready to go, just in case!
Exchanging beats, rhymes, hooks, song concepts, that’s what they do! Together, making music, remotely.

Question:
We use something like this, like a conferencing app, but the one we use is called TeamTalk. It’s real common in the blind community. We basically just go in there, and we’ll send the audio from our computer through so that if we make a beat, if we playing beats, everybody that’s using that program can hear what we’re doing.
So we’ll just bounce ideas back and forth.
We got a group text too! It’s real family oriented.
We talk a lot, through the day, people just put beats in there, put songs in there.
And then it’s like, okay, I want to get a feature on this, I want to collab on this.
TR:
The magic of collaborating is that each person brings their own creativity and idea to the track.
Label explains more about the process.

Label:
If a beat is sent, it’s open to anybody. Kind of a first come first serve type of deal. And then we all kind of come together and say “alright I think these people will sound good on it.”
It’s a thing of pushing each other. And then we use an online platform like Dropbox, and we just drop sessions back and forth to each other.
The use of technology has been absolutely beautiful to be able to get a lot of these things done.

GoldFingas:
Because we know each other so well, we know what type of tracks each other likes. As far as like if he you know, if I wanted Question to feature on something, I know, what type of stuff you know that he’s into.
And then we also kind of branch out like, we’ll try something, he’ll try something different. The creative process is organized, but it’s all over the place at the same time. So many moving parts going at once, but it’s organized chaos. I love it, though.

–laughs

Question:
We all have like hella projects going at one time. We’ll have like a few different ideas. We start making songs. And then like, we might have, Matt got a project that’s ‘bout to come out under his management. So it’s like, alright, everybody, let’s sit down, let’s write for Matt. Let’s produce for Matt, let’s make sure Matt got everything that he need. Let’s make sure that he feels good about where he’s at.
Because the thing that we always want to do is make sure that each person is getting their fair shake and getting, you know, the love from everybody as far as like, collaboration, promotion, appreciation, it’s that real reciprocal type of thing.

TR in Conversation with BNF:
That’s fire, man.

— Continues talking underneath Voice Over…

TR:
I had to ask the squad to take me through an example of the process using an actual production.

Question:
Matt, what about Run It?

–drill/rap song begins

MattMac:
That beat was produced by P Dex and the J Mouse over here.

P Dex:
Originally, me and Johnny were having a session. We were just chillin. And then I had an idea, which is the main melody that runs through the whole track. And then I said, “this is a real nice drill beat.” So I started it off and then I sent it to Johnny.

J Mouse:
When I heard PDex’s idea, I sat down, started coming up with some ideas and just kind of happened. This particular beat I do like so much and it just came out so smoothly.

P Dex:
And then he did his magic on it and as we were doing it, Matt Mac came and he heard it. And we were like “you should do something with it.” But he was, you know, hesitant because he’s never done anything in that genre.

Question:
He passed it to me.

P Dex:
Yup

Matt Mac:
Question.

Question:
Matt and I work closely on a lot of verses and on a lot of songs. So me having done a lot of drill jams in the past, he just got with me in a session and kind of let me know how he wanted to attack and where he was coming from.
I think he had the idea for the hook already. And then we just filled it in, you know, with some words and he kind of let me know what he wanted to say, where he wanted to come from.
Every time I work with any artists on the song, as a songwriter or a producer, I always want to embody their energy and their complete message. So you always getting a lot of MattMac.

Label:
Now the song is playing on Canada radio. I mean it just blows my mind how one simple thing where an artist in this collective was hesitant to do it, ends up being a song on terrestrial radio.

Matt Mac:
It’s also been played on Sirius XM too, which is fire.

P Dex:
It’s funny because it originally started all the way over here in Liverpool. Then went to Johnny in Phoenix, and then went to Question in Atlanta, and then went to Matt Mac in Canada.

Matt Mac
I reached out to my management and I was like, “we have this fire song, bro, and it only has one verse.”
And “Okay, this is pretty fire. I think I might have someone in mind.”
He got me connected to K Jones. He’s not a part of the collective. He’s actually someone who’s doing his thing here in his city, specifically, Winnipeg. It’s where most of my music videos are shot right now. Big shout out to Winnipeg. He got on the second verse and he’s been doing some fire numbers.

Label:
40 thousand views on YouTube.

Question:
You can go listen to it on Spotify too. It’s doing the same type of crazy joint on Spotify too!

Matt Mac:
That particular song was a whole team effort. This is so fire, being able to work with these guys.

TR in Conversation with Question:
When it comes to the collective thing, B&F…

Question:
Gang.

TR in Conversation with Question:
Talk to me about some of the pros and cons of working with a collective.

Question:
Yeah, man. Working with a collective helps in a lot of ways,
I believe that when you have a project, it’s always a good idea to get more than a couple perspectives on it, because the more people that you allow in that have a bit of an accomplished ear, they can let you know things that a listener is going to let you know.
If you can work on a project with a team, it allows you to really focus on your strengths, and people can highlight things that you might not know. You can point out things, and you get a lot of versatility because people bring ideas from all sides of the world.

TR:
There’s the added bonus of learning from one another. That could be new genres, styles, process and more. DaMasta mentioned he decided to begin doing more production.

DaMasta:
Man it is phenomenal. I feel like I’ve been listening to these guys a lot. It helps like with different sound selection and stuff. I get influenced in the producing side and also the audio engineering.

Question:
He picks it up quick. People go through this trash phase, like I talked about a lot, when you first start out making beats or doing anything, you’re trash. But he kind of was able to get the ear for the sound selection a lot faster than a lot of people.

GoldFingas:
It set him up for success.

Question:
Personally knowing Q the longest, I’ve always wanted to see him make beats because he always had dope suggestions. When I was making beats, he’d be like ay put this in there, add this. And it’s like, bro, like.

GoldFingas:
He be doing the most. He over here back seat driving.

TR in Conversation with BNF:
Take the wheel, take the wheel.

DaMasta:
It’s truly a blessing, man. I really enjoy it. It helps with a lot like stress or anything. Like I could just make a beat or make a song, and I just feel better.

TR:
Team, family with any sort of group, you’re going to have disagreements.
While, there’s no hierarchical structure to B & F, I asked GoldFingas as the the person with the most life experience in the squad, if he had a specific approach to problem solving.

GoldFingas:
You really got to exercise a lot of diplomacy. Instead of putting somebody down for what they can’t do, take what they can do and try to strengthen that.

TR:
Bars!

Question:
The cons, really like, it can be hard to organize sometimes. Being virtual, we don’t really have the time to get in the studio and just like chill or have a meal or just chop it up the way that I like to build with a lot of artists.

TR:
Spending time with one another in person helps build the relationships. This increases trust which can help that creativity flow.
Question is hoping there will be opportunities for the squad to build and create under one roof. He’s made music in person with DaMasta and Migo Traffic of course. Prior to Matt Mac traveling out to Atlanta, the two used the NFB national conference as a way of connecting to make music.
The technology for making music now so portable, a hotel room can be a decent substitute for the studio.
GF, AKA GoldFingas, not only uses his knowledge and experience as a producer and musician to create, he’s teaching as well.

GoldFingas:
I actually am an instructor for a company called IC music, based out of Chicago.
Shout out to Byron Harden and the crew over at IC music making things happen.
We educate blind individuals. And I think we’re actually about to start taking everybody sighted, blind, it doesn’t matter. We train them on music technology.
We teach you everything from how to use your Mac computer, all the way up to mixing and mastering, we teach you about the business.

TR:
Today there are so many more options for working with audio. both on the Mac and PC side. In fact, you even have some pretty good options on your iPhone or Ipad.
My personal choice continues to be Reaper on the PC.

Label:
It’s Label. I also want to give credit to a lot of people in the blind community from all over the world, who take time out to create accessible scripts, and add ons for screen readers that do specific things, and read screens that we otherwise wouldn’t have been able to read.
To be able to make these little scripts and add ons for us to use stuff like Reaper and get the full functionality. As if we were in a real studio working off of desks with Pro Tools, I mean, it’s just beautiful and amazing.

GoldFingas:
ProTools is also accessible.

TR:

And yes of course, today Pro Tools is accessible on the Mac, so that’s an option for many.

Even just within the past five years or so, more companies specializing in music hardware and software like virtual instruments and plugins are getting on board with accessibility. Here’s GF.

GoldFingas:
So we have people like
Native Instruments, Arturia, Ableton, these companies are approaching us and actually listening to us, listening to our needs.
And working through it and making these things accessible.
You’re absolutely right, five years ago, I wouldn’t have been able to even touch Machine and make beats and stuff.
Nowadays I could, that’s primarily what I use to make beats is Machine from Native Instruments.

Question:
Very slowly, the standard is becoming accessibility out of the box. Seamless accessibility. VoiceOver on the iPhone is a great example.
I think in another decade, people are going to be taking disability culture that much more seriously.

TR:
Often the conversation of access is about our consumption. But we’re makers too!
Access to the tools gives more of us the chance to creatively tell our stories, share our experiences and contribute to culture.
Culture can resonate through society. Influencing things like policy which can enable even more inclusion and affect more change.
Question joined up with another Reid My Mind Radio Alumni, Lachi, to even further expand his influence and that of all musicians with disabilities. The organization is called RAMPD, that’s R A M P D or
Recording Artists and Music Professionals with Disabilities

–TR voice fades into Question saying the organization’s name.

Question:
Recording artists and music professionals with disabilities.
I’m one of the founding members.
We basically trying to make sure that everybody is paying attention and taking heed to what people with disabilities need.
And we’re also trying to be a resource for people with disabilities so that they have somewhere that they can feel appreciated, accepted and find ways to tap in with the industry and get professional opportunities and places to work.

It’s a lot of professionals down with us. People that are already down with the Grammys and with the Recording Academy.
Accomplished musicians they got music out. It’s nothing to sneeze at. Make sure y’all pay attention to RAMPD and follow us @RAMPDUP_
Show love. We showing love back.

TR:
That love extends out in the form of advice to even younger artists developing their craft right now, in middle and high school.

Question:
The best thing I can say is like, have fun and try to really go to your limits. Push your limits a little bit.
Influence each other, big each other up, support each other.
Make sure everybody eating. Make sure everybody got a way to express what it is they’re doing. Because even if somebody is not an artist, they might know how to promote, they might know how to be a camera man.
Some people have low vision. Like Migo Traffic he’s one of the best that we know at promoting and just on social media because he’s real good with the graphics. He’s real good at knowing what people want to see , knowing how things are gonna come across. So there can be a different spot for all the homies.
If somebody’s gonna be there doing something, make sure they’re doing some don’t let people be around just like not contributing to nothing.
We are all influenced by the people we keep around us.

TR in Conversation with Question:
That’s dope..
You might have some aspiring rappers/musicians who are blind listening, like, damn, yo, I want to be down! How do you curate people into B & F?

Question:
We look for people that’s real hungry.
It’s just a matter of like, having some music that we can hear or having a way for us to hear your talent.
If we feel like you got a dope energy and something that’s really, really raw, you know what I’m saying, really ill, then we definitely gonna rock with you. Even if it’s not a thing where we can rock with you all the time in the collective, we collaborate with a lot of different people.
Everybody doesn’t fit the aesthetic of the collective. Or they might not want to be down with the collective, they may have their own movement. I ain’t trying to force nobody in or nothing.
Right now, people don’t have no paper sign, we might do a deal at some point for an album just to make sure everybody get the right type of income. I never wanted to feel like nobody can’t go off and get their own money. I always respect people’s own hustle.

TR:

The squad has been putting out EP’s every December and is currently up to BNF 5.

Question:
On our YouTube channel, Blind and Famous.

You can check the whole playlist, listen to the jams.

TR:
In addition to working on more music collectively as well as on their own, they’re hopeful for the day they can get out on the road for live performances.

Question:
We are a collective, We aren’t really a music group or a band.
We got a lot of jams together. But like, there’s room for everybody to shine individually. But that collective and that that full body is still very important. I would love to do you know, a whole showcase or a tour or something, you know, where everybody has a set and where we can feature each other and kind of everybody gets to direct what’s going on within their own space.

TR:
For those in my generation, the collective concept probably brings to mind Native Tongue. You know, Tribe Called Quest, De La, the JB’s. For younger listeners perhaps Internet Money.

MattMac:

They have like, a whole bunch of like producers on their team and they have like whole bunch of like artists on their team. And that’s like what we are. And I could definitely, like see a lot of similarities to us because Internet Money, like works with each other a lot. And they go back and forth with like loops, and beat collabs. And like with us, they’re an internet collective meaning. They were doing all that online.

TR:
Look I can’t lie y’all, I really enjoyed the energy of talking to the B&F squad.
This was one of those times where, I’m telling you, I wish the interviews were taking place in person.
I’m thinking it would have been a full blown cipher. Just freestylin over some beats… hmm!
— Beat starts…

TR in rap mode:
Yeah, gotta do it.

If you’ve been here before maybe it’s your first time
A little something special from Reid My Mind
Contact information, mic 1 2 check
Shout out Blind and Famous, ‘nuff Respect!
if the people want to find you, where do they go
Tell ‘em DaMasta

DaMasta:
I got you bro.

Y’all can find me on YouTube @Damasta1901 That’s D A M A S T A 1901
Twitter is @Q_DaMasta1000 And Instagram is @QDaMasta all together.

TR in rap mode:
First Nation born, my man is reppin that
Up next?

MattMac:
My name is MattMac

You can find me on youtube Matt Mac M A T T M A C. You can follow me on Instagram at MattMac online

TR in rap mode:

Producer and a rapper with much more to share
Ayo Label where you at?

Label:
@RomeroOnAir

TR in Conversation with BNF: 58:05
Where are you on the air bro?

Label:

I do two morning shows. I do a morning show for a online classic hit station. It’s actually a big powerhouse for the live 365 platform. It’s called eagle online radio and then I also do a top 40 Morning Show for a station out in Gainesville Florida. 105.7 Play FM.

So follow me @RomeroOnAir on all social media platforms Twitter, Tik Tok, Instagram @RomeroOnAIr. r o m e r o on air.

TR in rap mode:

GF from V A, with the gangsta lean
— Sample: “Gold Finger”
Nahmean!

GoldFingas:
I’m working on opening up a commercial studio here in the area.
It’s a studio and a rehearsal space. As well as a multipurpose venue.
When everybody gets big BNF has a place to record so we good.

TR in rap mode:
Here’s how you spell it, no need to guess.

GoldFingas:
G O L D…

TR in rap mode:

F I N G A S

GoldFingas:

On Instagram it’s the same thing @GoldFIngas1976

TR in Rap Mode:
Now, one had to leave , before we were done
J Mouse, my man’s always on the run
he’s a touring musician travels near and far
On twitter, @JCSteelGuitar
Across the pond, where the connection failed
He’s in Liverpool so he got to prevail
They call elevators, lifts. The vacs a jab
What’s your name, bruv?

P Dex:
Im PDex in the Lab

TR in rap mode:
The vibe is chill, no fret no fuss
Find them on Twitter @BlindFamous
The squad’s real, never artificial
–Young Hippie…
Sample from Scarface: “Who put this thing together?”

Question:
On YouTube @QuestionOfficial.
I got three EPS coming.
The first one on a hip hop vibe. The second one on the Drill vibe. The third one on like that melodic rage vibe. So y’all stay tuned, tap in with the kid.

I’m on Twitter, Instagram @QuestionATL

TR:
Question, Damasta, Migo Traffic, Matt Mac, Label, GoldFingas, J Mouse, and PDex in the Lab AKA
Blind and Famous.
You are all official, members of the Reid My Mind Radio family!
— Airhorn
What a perfect way to close out this season, Doing Your Thing With Disability!
Like adjusting to blindness, disability in general, it’s not something we actually do on our own.
When you have a squad, a team a family that you can call on to lift you up when necessary.
Doesn’t that sound like a better experience?
I’m inspired by these young cats doing their thing. It doesn’t appear to be dictated by anyone but them, together. I can’t wait to hear more from all of them as they continue on their journey.
So look, this is family now y’all, join me in sending positive energy their way.
As mentioned, this is the last episode of the Doing Your Thing with Disability season.
We will be back in June with the next season.
In the meantime, if you’re not subscribed, you should really ask yourself what you’re doing with your life.
All you have to do is hit the button that says subscribe or follow in your favorite podcast app.
Tell a friend and tell them to tell another friend to do the same!
We have transcripts and more on ReidMyMind.com.

Alright, now if you’re family, I need you to stop what you’re doing right now. I’m dead serious.
If you family, I need you to stop what you’re doing right now and say it with me…
That’s R to the E I D…
— Sample: (“D!” And that’s me in the place to be!)
Like my last name.
— Reid My Mind Outro
Peace!

Question:
Gang, Gang!

Hide the transcript

— Music begins, a piano chord with a vibes roll leads into a upbeat groove.

TR in Conversation with Toni:

Hey, Toni, can you hear me?

Toni:

Yes!

TR in Conversation with Toni:

How you doing?

Toni:

I’m good how are you?

TR in Conversation with Toni:

I’m good

Toni:

we finally got to do the interview.

TR in Conversation with Toni:

yeah yeah I’m scared to say that, I’m gonna wait till it’s done (Laughs)

Toni:

I was just I had something else that came…

TR in Conversation with Toni:

Uh oh!I’m losing your connection I don’t know if you can hear me but I can’t hear you Can hear me but I can’t hear you.
Okay it says you’re unmuted, it says your video is on, try turning off your video and let’s see if that saves some bandwidth

Toni:
Thomas

TR in Conversation with Toni:

There you go.

TR:

Things happen when there supposed to

For example, maybe this is your first time listening to the podcast.
I don’t know what brought you here, but I’m glad you made it.

My name is Thomas Reid and I’m the host and producer of this podcast.

We’re in the midst of the Young Gifted Black & Disabled series.
This was inspired by an episode of the same name I produced last year with my brother AJ Murray.
I really encourage y’all to check that out.

While that episode along with close to 150 others are in the past, they’re not old or stale.
We add a bit of seasoning for flavor, but there’s no preservatives.
The dishes we serve up here are always fresh and good for your mind and body.

So you see, you’re right on time!

Audio: Reid My Mind Theme Music

Let’s get it!

Toni:

My name is Tony Hickman. I am a tall slim, melanin dominant black girl with long dreadlocks and yeah I am excited about this interview.

TR in Conversation with Toni:

So now I usually don’t start with this question, but where were you born Tony?

Toni:

I was born in New York City.

TR in Conversation with Toni:

Can you be specific?

Toni:

I was born in the Bronx,

TR in Conversation with Toni:

Yeh! say that one more time for me…

Toni:

I was born in the Boogie Down Bronx. Morisanna Hospital. I was raised in New Orleans Louisiana.

TR in Conversation with Toni:

No doubt you can’t hide that.

TR:

Over the year’s, Toni’s been known under some other names.

Toni:

when I was on Suave House, which is a record label where I have done gold and platinum musical performances, my rap name used to be Slim Goodie.

Everybody in the industry that knows me they still call me Slim like everybody call me Slim so it’s crazy if I would have got fat right they’ll still call me Slim.

TR:

That really does sort of make you think about the importance of a name. It can be really about who you are at one particular moment in time.
Yet, it can also be about who you are meant to be.

Toni:

A lot of people like in the conscious community call me Alika. Some people in the conscious community come up with other names for themselves and I think that’s okay too because sometimes we have to define who we want to be in this world and When we’re given our government names it’s not always where we are you know, so I get it but yeah, Alika is actually my real middle name.

My dad gave me Tony and my mom gave me Alika.

Alika means beautiful warrior.

TR:

On social she’s known as the Real Ms. Toni Hickman. Perhaps there is an impostor out there, but I’m thinking it’s more like representing her ability to share her truth. Keeping it real! Namean!

An early sign of that is in her poetry which she began at 9 years old.

Toni:

I had went through a lot of things with my mom and my father’s splitting up and so I would write this poetry to help me. It was philosophy, even at a young age.

It was like, I wish I was a bird so that I could fly away, but I am just a child, so therefore, I have to stay.

TR:

When her school put on a talent show, Toni teamed up with some friends and started rapping.

Toni:

We was the Bally Trooper Adidas group, and we had a beatboxer and my home girl and me. And we won the talent show. And from there, I was just like, Oh, yeah, this is what I’m supposed to be doing right here.

TR:

That first performance was not really indicative of how Toni wanted to rap.

Her partner wrote the rhyme. Which was about Now & Laters.

Toni:

I was just like, Okay, I need to be doing this all the time. But I can write my own raps. And from there, I always wrote my own lyrics.

MC Lyte, Salt N Peppa. That was like my big influences at that time as far as female hip hop. But honestly, my reality was a little bit different.

I grew up kind of, like, always looking out for myself. I’ve been on my own since I was 15. I’ve been doing music professionally since 16.

TR:

Writers of any sort are encouraged to write about what they know. Toni wrote about her environment.

Toni:
My environment was watching people die, like right in front of my face, people getting shot and killed.

And so I started rapping on the negative side of that, like, I was T Capone, I was Al Capone’s daughter.
I was the gangsta hip hop. And I gradually started going into stories of like, why this wasn’t a good choice, or why even being in that environment can get you stuck.

TR:

With a rap name like T Capone, well you’d assume not all of the stories were positive.

Toni:

It wasn’t just about killing. I can only remember one song I did that and they went platinum, but it was about killing. And that didn’t sit well with me. Like, during the process, it was dope, the song was called armed robbery. But then afterwards, when I listened to it, like my soul was just like, no, Toni , this is not your path, you have to correct and that’s something that happens in life, like, you know, we don’t come in this world knowing exactly what we need to do or what direction we need to go. And it’s only from these harsh lessons, that we get to learn our true purpose.

TR:

Telling stories with messages, was her thing.

Toni:

Like Scarface or Tupac. They used to actually call me a female Tupac because that’s really kind of how I related to the world.

And then even after that, I started going into Slim Goody.

Slim Goodie had messages in her music and that was very important for me Even then, even though I didn’t even know my whole way. I just knew that it had to have something that somebody could learn from.

TR in Conversation with Toni:

Being compared to like a Tupac and Scarface, where do you think you got that? Were you reading as well as writing at a young age?

Toni:

My mother raised me as a reader. She was putting books in my face, like, As a Man Thinketh”, “Back to Eden”.

My mother was like this person who everybody would come to if they were sick or had an issue, and my mother would be the one to give them a solution. Like, she was known as the medicine woman in the church.

Now I do that as well.

TR:

During the time she was rapping under the name Slim Goodie,
Suave House moved Toni from New Orleans to Atlanta.
The record label however was experiencing their own change as their premiere artists 8 Ball and MJG were leaving the label.

Toni:

When you put your project in somebody else’s hands, and it’s no fault of anyone, but if you put your project in somebody else’s hands, you have to wait on their hand and move right. So if something happens with their hand, their hand get cut off or something like that thing, you’re stuck because you’ve put your dreams in somebody else’s hands. That situation happened to me. And so I eventually got out of the label legally, and started doing my own thing and started working with big artists like Jagged Edge, Petey Pablo

TR:

That got the attention of the infamous Suge Knight.

— Audio from the 1995 Source Awards…
“Any artist out there want to be an artist, want to stay a star, don’t want to have to worry about the Executive Producer trying to be all in the videos, all on a record, dancing, come to Death Row.” Suge Knight

TR:

Yes, that Suge Knight, from Death Row Records.
He liked what he heard and reached out to Toni.
Of course she was aware of his reputation which includes
allegedly hanging rapper Vanilla Ice off a balcony during let’s say contract negotiations.

Toni:

He called my phone personally right That was still huge for me that I was on the phone with him.
He was like yeah, I want to fly you out to Cali and you know we’re gonna do this because I love this song. This is a dope song.

Then three days later, I had my first brain aneurysm.

When I look back at it now its like, you definitely was not supposed to go out there.

TR:

Toni recovered from that aneurysm and moved on with her career.
About a year later, while celebrating the release of a new project back home in New Orleans, she felt ill.
It was another aneurysm.

Toni:

But this one actually burst in my head. Most people die when that happens. But they rushed me to the hospital. I had to wait for my mother to come from Atlanta and give them permission to operate on me. They told her I had a 5050 chance of living or dying.

When she gave them permission, they went in my head and started operating. But while they were in my head, I had a stroke on the table because my body went into shock, and it pushed my pressure up.

When I came to, which was a minute, I think I was out for a couple of days. But when I came to I couldn’t speak. And I couldn’t spell water. I couldn’t say water. But I noticed what I wanted.

TR:

She wanted to live! Even if she didn’t realize it at that time.

Eventually she was moved to a rehab facility in Louisiana.

Toni:

I had this song playing in my head, (Toni sings …)feels like I’m hopeless.

And every time I was thinking in my head, I just burst out crying because that’s what I felt. I just felt hopeless. Like, I had no hope. And I have been doing music all my life. And so I was like, What am I doing now?
Okay, now, the industry definitely is not focused on people with disabilities. And so, like, What am I supposed to do?

— Music begins, an eerie menacing slow Hip Hopbeat

One of my nurses came in and she said, Well, what you need to ask is, how did you have two brain aneurysms and a stroke and you’re still alive?
So that’s the real question you need to ask yourself. That stuck with me for the rest of my life.

TR:

Toni describes herself as very stubborn during this period.

Toni:

I had this energy on me that was like, I’ll be damned, that’s the only way I can describe it.
I just never gave up on myself. I had to either be hopeless, or I’ll be damned. And I chose the I’ll be damned.

I just had this energy where I was like, this cannot be my reality, I have so much more in me, this can’t be it.

I have so much more in me, like, just can’t be it.

TR:

She made her own rules.
Like refusing to remain in bed even when she couldn’t walk.
Eventually she began walking with a cane and was transferred to the Shepperd Center in Atlanta.
A rehabilitation facility that helps young people with brain injury.

Toni:

There were people in there and they were just like giver uppers, and I hate that that can happen. But some people when they fall or something has happened seemed to defeat them, they travel in that energy, they choose to stay in that energy of just being defeated, instead of fighting. And for me, I just didn’t see the being defeated, being my option, I wanted to fight for my life.

TR:

The physical, that was just part of her fight.

Toni:

I had to deal with the outside world and walking differently and not being able to wear heels or being self conscious about what I look like, and being judged by what I look like.

Before I was this six foot model type looking girl.

— Music Begins, a bouncy up-tempo, high energy Hip Hop beat!

“I got a little a, a little something I want to lay on y’all.” !”

TR:

Hey did you know; Reid My Mind Radio, is on Facebook and Insta Gram. We’re going to do some things on these platforms so stay tuned. You can find us on both FB and IG @ReidMyMindRadio.

On Twitter I’m at tsreid

Don’t forget you can also ask your smart device to play Reid My MindRadio by T.Reid on your preferred podcast provider.

Make sure you say that full statement including, T.Reid.

— A hint of “This Christmas” by Donny Hathaway

The holidays are among us. If you’re looking for a way to give yourself a present while supporting what I’m hoping is your favorite podcast… one of your favorites? A podcast you’re kinda diggin’?

Anyway, go on over to ReidMyMind.com and hit that link that says Shop.

Purchase a shirt, hoodie or any item to show your rockin’ with Reid My Mind Radio! Or maybe you want to show your support for Flipping the Script on Audio Description. or of course, Young Gifted Black & Disabled.

All support is truly appreciated.

You can find Reid My Mind Radio wherever you get your podcasts. That’s the perfect place to follow or subscribe so you don’t miss an episode.

Tell a friend to do the same. Let them also know that we have transcripts and more at ReidMyMind.com. Just make sure you tell them; That’s R to the E I D

“D” and that’s me in the place to be. Slick Rick) Like my last name.

Now back to the episode. ———-

— DJ Scratch leads into
— Crippled Pretty, by Toni Hickman

Lyrics:

I was kind of wishing I was dead
They shaved off all my hair to do surgery on my head
And then my eyes turned dark and my world got black
I never thought my life would take a turn like that

My world is Cripple Pretty

I’ve seen the sun and…
I’ve seen the rain and…
Life is beautiful
I can’t complain, man
… song continues under the conversation.

TR:

Toni didn’t want to be seen in public

Toni:

A friend of mine, he was just like you done lost your confidence What happened? And then I was like, I didn’t lose anything. I’m telling him that but he was right. I hated that he was able to identify that with me that pissed me off. I’m supposed to hide it.

— Music begins, a melancholy ambient piano melody

I had to get all my hair shaved off during this process.

I went and got braids in my hair so I can just feel beautiful.

One day I was in the mirror and I was taking the braids out. And I had this energy that came over me, and it was just like, I love you. And so I’m looking in the mirror, and I’m crying to myself. And I’m just I love you, I love you just how you are like, I love you. And even to think about it. Now it’s bringing tears to my eyes, because that was the moment when I decided that I had to love myself internally. Before I can really reflect that in the world. You know?

TR:

Yeh, I do.

In fact, I think a lot of us do.
What I think could be helpful is figuring out how to access that energy.

Toni:

I think it’s in all of us, but we have to tap into it.

When I was in the mirror, and I was crying to myself, and I had to tell myself, I love myself. That was definitely God energy. And that was definitely learning what self love really means. Because everybody talks about you got to do the self care and the self love, but self love really comes in when you are down at your bottom. And you can’t even figure your way out and you have to find your way of understanding what self love means. That was my turning point.

TR:

She took the braids out.

Toni:

I put my two palm palms in my head naturally. And I was like, Look, this is me, you gonna have to accept me as is. I started going to the gym, the local YMCA in Atlanta. And I was working on myself so hard that they put me on the wall is like just being so determined to grow and succeed.

I don’t care what your issue is. You feeling like you need to go Get your nails and your toes done, whatever makes you feel beautiful. It’s okay to, to go in that energy because that inspires the same energy that makes you feel that self care and this self love.

I do it because it makes me feel better not for anybody else. I do it for me.

TR:

While she says her gate is off, Toni became strong enough where she no longer needed a cane and was able to return to the studio.

Unrelated to disability, today she chooses to record from home.

Yet we know, disability can introduce some change into our lives.

Toni:

Oh everything changes. As a melanin dominant person, or black person in our world, there have been so many ways to see how, as black people, we have been discriminated against, but disability takes it to a whole other level.

I’m not saying that it takes away from discrimination as black because if you’re black and disabled, like that’s a double whammy.

What I realized is this community of people with disabilities First off, is so strong, like there’s so many strong spirits , disabled activists.

I was kind of just trying to figure out my way, and Krip Hop came to me.

TR:

The Krip Hop Nation was started by Leroy Moore and Keith Jones in 2007.
It’s a worldwide association of artists with disabilities campaigning for equality through concerts, tours, workshops and much more.
Leroy reached out to Toni on the early social media app, My Space.

Toni:

When Leroy came to me, I was just like, yes. I have spoken at different events with Leroy. We’ve just done a lot of great things.

TR in Conversation with Toni:

There are many people within the world of hip hop who have a disability, but they don’t all identify it as such. So I’m sure Leroy has approached some people. And their reaction was probably not like yours, right? Like, no, I’m not disabled, you know what I’m saying? So what is it? How did you come to identify as disabled?

Toni:

I’m not gonna hide it. That was one of the things of like, self love. I can’t hide what has happened. I didn’t feel like I needed to, like, I felt like I needed to speak for this community versus hide.

I know rappers in the industry right now. They’ve never shine light on it, because they know how the industry looks at that. And it’s unfortunate, because this is something that needs the light. The disability community needs inclusion.

TR in Conversation with Toni:

Do you think that can change within hip hop, specifically?

Toni:’

I’m not sure.

At first, my goal was to be a part of the industry without being like, an activist.

I just wanted to be that slim girl that was rapping. But now my goal is not to be a part of them, my goal is to be a part of change. And even if my voice can redirect, to change them in some kind of way, then I’ve still fulfilled my purpose. Because at the end of the day, all Hip Hop artists have some form of duty.

I told you, I started with the poetry. And it’s always been philosophical. So we’re channeled,

Nipsey Hussle talks about this too. We get this energy that comes through us, we don’t know where these lyrics come from. They come through us and that is how we express. Those that channeling for negative, that is not helping our environment, but if we choose to channel and help our environment, then we are really being what we’re supposed to be on this earth.

TR:

There’s real purpose in sharing stories about disability and our experiences through
lyrics, musicianship, dance, art!
So it’s really great to se Toni and fellow Krip Hop artists
George Tragic and co-founder Keith Jones, receive recognition for their work
in the Netflix documentary Rising Phoenix.

Toni:

The documentary is about the Paralympics, and all of these amazing people who have stories.

it is a story of just pure, I’ll be damned. I’m gonna do this.
TR:

Daniel Pemberton, the music director for the film wanted to make sure the project included disabled musicians.
That first just meant hiring disabled orchestral instrumentalist.

Toni:

Then he decided that he wants to have like, a hip hop song attached. And so they got in touch with Leroy, who is the founder of crip, hop, and Leroy got in touch with us. And they kind of wanted me to add the energy of the singing into it, because they had listened to our projects.

I speak from the heart always, and I work on people always being able to feel that emotion that I have and so they wanted me to add the energy of the song.

I had more than what was there. And then the director came back, he’s like, Well, you know, maybe we take this off and just use this. And that’s how we ended up with the hook.

I’m a Rising Phoenix, I’ll rise above you.

— Song mixes in with the lyrics…

Toni:

And that is pretty much the story of what you have to do when you have a disability, you have to gain this, I’ll be damned attitude, and fight for your equality.

TR:

Not only is Toni singing the hook, but she drops a verse as well.

Toni:

I was just happy to be a part of the movie because just that alone was so powerful.

We had no idea that it was gonna win an EMMY.

I was just floored.

— News footage…
“A lot of people online are criticizing the award show with the hash tag #EMMYsSoWhite, trending on Twitter. No Black actors won big awards despite a record number being nominated. 49 by the way.”

Toni:

This goes back to that inclusion thing. This song was so amazing that it won an EMMY.
That’s the statement that I want to make because, I’m Black.

TR in conversation with Toni:

Mm! Yeh!

Toni:

We won because of this song so don’t say that we were not include it you need to think about us you need to understand that we are included

TR in conversation with Toni:

Yeh, that’s that “well they’re not Black they’re disabled.”

Toni:

That’s what i’m talking about!

TR:

Sometimes y’all, when you’re Black and disabled, It feels like well, am I not Black enough for ya!

— Sample from Billy Paul “Am I Black Enough”

TR:

Despite all that, Toni has an EMMY. And naturally, it’s in her studio.

Toni:

it’s beautiful. It’s absolutely beautiful.

TR:

Toni’s working on a new project right now!

Thakur>

Toni:
Thakur is definitely a project that I must confess is confrontational. But it is focused on I guess, bringing in the deep thinkers and, and also helping people understand that, like, in the process of us looking outside of ourselves, for someone to save us, we also have to look internally and tap into our God’s self and work on saving ourselves.

TR in Conversation with Toni:

What’s the controversy though?

Toni:

Well, the controversy, I mean, even in Christianity, we’ve been taught to pray to a white God, and look for white gods to save us.

And so in that process, we have given away all of our power. For us to access who we truly need to be, we have to redirect how we look at God.
God is everywhere. God is in the trees, the grass. God is energy. But we also manifest that energy. And so we have to also just see how looking at a white God, who has also been the same image as our slave master has damaged our psyche.

TR:

The Cure , spelled T H A K U R is Toni’s new group.

Toni:

It’s just me and my homeboy.

I was doing a lot of big things before I went in the hospital. And he was one of the people that just kind of came in and was there before and after. He’s a really dope artist, he’s a dope producer. But also a person that has just been influencing me to just keep going regardless of the standards that the music industry tries to put on artists, like age, disability or whatever. He was one of those people that just was always in my corner and encouraging me to you know, live my greatest life.

He’s Big Yo!

TR in Conversation with Toni:

When we’re talking about disability. I love to hear about the friends in the family who really were holding people down, before and after. I always feel like they deserve a real special shout out. So shout out Big Yo, for real!

Toni:

Yes, shout out to Big Yo!

TR:

You can check out Thakur’s first release titled Telepathy right now on YouTube.
By the time this episode is released, their second single Daylight should be available and an album soon to follow.

Toni:

it’s just really to enlighten and that’s what my whole journey has been about. Understanding my own truth while I can relay My message to others.

TR:

Krip Hop and rap in general is just one vehicle Toni uses to improve her environment through positive change.

Toni:

I started speaking for the American Heart Association, and this other organization called young stroke. And young stroke focuses on people with brain injury, aneurisms, that happen at a young age.

TR:

She writes books.

Toni:

The doctors told me to keep chemicals out of my hair for at least two years. And so when I researched why I found that you know, a lot of these chemicals can lead to cancer, aneurysms, all kinds of things and we don’t even think about it because as melanin dominant people, for so long we have just tried to fit into the status quo of what America or the world in society portrays as beauty and so we’ve been putting these perms and stuff on our hair and that understanding that our roots are definitely supposed to be out and that’s what we’re supposed to wear. I wrote a book called Chemical Suicide.

TR:

She has another titled ” A Man’s Cry for Health”.
It’s a response to a lack of information and attention placed on men’s health.

Toni:

It’s hard for them to focus or even bring attention to their health issues because society makes it look like they are less than a man if you have issues or you’re weaker or something and that shouldn’t be the case we need to pay attention to our men as well.

It doesn’t just help men because it talks about all ailments that us humans have but we’ve even raised our boys to think like you never cry you’re never supposed to cry you’re never supposed to shed tears and the reality is yeah you know one of my spiritual teachers he’s like you know if we weren’t supposed to cry we wouldn’t have tear ducts.

You don’t dwell in that energy but it’s okay for men to cry. It’s okay for you to let out that emotion.

TR:

She’s even working on the story of her journey. Toni:

I started on it. And then I stopped and I started again.
It’s my book. Just everything that I have been through and going through the changes of loving myself

My goal is to eventually get it turned into a movie or a series.

TR:

I’ll spare you all my audio description lecture and my selfless pitch to narrate.

Music, poetry, writing, Toni’s about creating.

Toni:

I paint, I’m constantly working on stuff just trying to see where I’m supposed to be. You know my purpose.

TR:

It’s why she shares the lessons she continues to learn throughout her journey. What she calls Alika Lessons.

Toni:

The Alika lessons can vary.

I don’t really think about direction. I just get on there with lessons that I constantly learn to help me grow. And I understand that whatever can help me grow is probably going to help somebody else.

TR:

The content she shares on Facebook, Instagram and YouTube isn’t tailored to any specific identity.
However, I think it does center the experiences of women.
And fellas, you may want to listen to learn a thing or two.

Toni:

The importance of loving yourself, but also the importance of understanding that it is okay for you to be properly pleasured.

This is not a disabled thing. Women have a tendency to kind of Like fake an orgasm because they are not truly being pleased because their spiritual connection is not there with their partner.

They’ve just bypassed that to please their partner instead of focusing on pleasing themselves.

TR:

Pleas ing oneself begins with seeing that inner beauty.
Being comfortable and loving that person in the mirror.

That first poem she wrote as a child;
choosing to be true to herself and write meaningful honest lyrics;
healing on her terms;
embracing her disability;

All of these things, on her time.

You should take some of your time to check out Toni’s music, purchase her books and art; Visit
ToniHickman.com

Toni:

that’s T O N I H I C K M A N.com

My social media is the real Tony Hickman except for Twitter on Twitter, I’m just Tony Hickman

TR:

Oh, no, she’s never [emphasis on just ]just Toni Hickman!

She is the real Toni Hickman, which happens to be the name of her YouTube channel.

TR in Conversation with Toni:

So since I got the real Tony Hickman online not that fake imposter running around out there you know say we got no time for that fake one so since I got the real one on that I just want to let you know that because you were so open and you shared everything and when folks do that right here with the family, with the Reid My Mind Radio family we let you know that you miss real Tony Hickman are now an official member of the Reid My MindRadio family

— Airhorn!

Toni:

Happy to be a member

TR in Conversation with Toni:

I really do appreciate you and you know I’ve been looking forward to this for a while and I’m glad we finally did it Tony we got this done Congratulations, to us!

TR:

Yes, congratulations to us as we celebrate… Young Gifted Black & Disabled

Audio: Reid My Mind Outro

Peace

Hide the transcript

Audio: Oprah Winfrey’s 2020 Vision…
Oprah: “OMG! It’s about to happen (Crowd cheers) So of the nine visionaries joining us on the WW presents ah 2020 Vision Tour: Your Life in Focus, there’s only one man,

TR: Yeh, yeh!

Oprah: but when it’s one of the most recognizable,

TR: Mm!

Oprah: big hearted,

TR: that’s real

Oprah: delightful, fun,

TR: Ha, ha!

Oprah: strong

TR: Hey!
people on the planet, he’s all you need. Please welcome Dwayne the Rock Johnson!
Audio: Record Scratch

TR: What the… Fine, who needs them, when I got the Reid My Mind Radio Family!

Audio: Reid My Mind Theme Music

TR:

2020 is Ableist AF!

— Music begins with a bass boom into a bouncing Hip Hop beat —

I’m talking about this idea of perfect vision, used as a metaphor for a flawless; plan or strategy, objective or goal and yes even sight.

Audio Samples…

So much of this is perception, which is subjective. Assigning the label of perfect to something automatically creates a ranking system or hierarchy.

It’s not surprising that so many people in 2019 and earlier, decided that 2020, the number associated with perfect vision, was an indication of a better time to come in their lives. The time to create or invoke that plan. Maybe get into shape, return to school, start that new career. Whatever it was, 2020 began with real optimism.

In my early days of adjusting to becoming Blind, I can recall declaring random days, months and year as my time. The right time to start fresh. To look at the future with real hope seeing only opportunity.

I too kicked off 2020 with this energy for very specific reasons. That includes personal opportunities that were presenting themselves. Nothing grandiose but some that I could eventually see as the early steps in building a solid foundation.

One of the themes of 2020 has to be adjusting. Reid My Mind Radio has been focusing on this for years.
Victoria Clare, an artist in the UK, helped me kick-off the year with her story of adjusting to Blindness or as they like to say, sight loss.

Audio: Bumper
— Audio clip from: “Adjusting to Vision Loss – A Creative Approach with Victoria Clare” begins —
VC:

I went out in my Dad’s shed, I got a big old’ block of wood, stole some of his chisels, used his mallet and started creating. It was amazing. I turned my world around because it made me realize alright, I’ve been diagnosed with this sight loss but nobody’s taken away the skills that I’ve always had. They’re still there.

— Audio clip ends —

Audio: Bumper

TR:

More on her latest artistic endeavor a little later!

February came around and I was feeling pretty good. I was swimming on a regular basis – which truly means a great deal to me. That itself is an access story for another time.

I also got the chance to introduce you to my man, Ajani AJ Murray! In his episode Starting with Imagination, we see that no matter the disability, the idea that begins with our thought or imagination can sometimes be delayed by access. Notice I said delayed, not halted or deferred.

— Audio clip from: “Ajani AJ Murray – Starting with Imagination” begins —

AJ:

I always had this dream of being an actor. It was something that was always looming in the back of my mind. It was always in my spirit, but I didn’t know how to physically make the connection. I couldn’t necessarily afford acting classes at the time and I wasn’t in high school at the time to be a part of an acting club.

That idea of working within your reach continued. In the episode Climbing Accessible Heights with Matthew Shifrin, Matt talked about his work with Lego and the objective of his advocacy to give that access to others.

Audio: Bumper

— Audio clip from: “Climbing Accessible Heights with Matthew Shifrin” begins —

MS:

I just wanted people to have this resource because I’d benefited so much from it. Not all Blind kids have people that could write instructions for them. Everyone deserves to be able to build and to learn from what they’ve build.

— Audio clip ends —

Audio: Bumper

TR:

Sharing our experiences with others is so important. Dr. Mona Minkara from Planes, Trains and Canes used the power of show not tell, to capture the wide range of responses to a Blind person traveling alone. And as we know, those reactions are filled with nuance.

— Audio clip from: “Taking A Ride with Planes Trains and Canes” begins —
[TR in conversation with MM:]

Wait up. You said he was nice?

MM:

I’m saying he was nice yes. (Laughing)

[TR in conversation with MM:]

Did you feel that way in the beginning? From the video, I took this guy like he was being condescending.

MM:

Oh, he was totally being condescending. I think it’s just the norm there to kind of treat people with disabilities like we are a bunch of 5 year olds.
— Audio clip ends —

TR:

Traveling is less about the destination than the journey. In the episode John Samuel: Guided By Angels, we see it’s about who you’re traveling with and what you do once you arrive!

Audio bumper
— Audio clip from “John Samuel: Guided By Angels” begins —

[TR in conversation with JS:]

And you just happen to be standing next to her. There’s such a pattern with you.

JS:

I know man; I can’t make this stuff up. I got angels all over the place.
— Audio clip ends —

TR:

While many people were progressing with their 2020 Vision plans, looming underneath it all was Covid 19. We were advised to take individual precautions; wash your hands, don’t touch your face, use hand sanitizer and somehow that translated to get as much toilet paper as you can!

I invited my wife Marlett on to compare what we experienced as a family adjusting to blindness and what the world was going through in the midst of the pandemic.

— Audio clip from: “A Peak at Finding A New Normal” begins —

Marlett:

Social distancing, that’s funny to me because no one really came around We understood about social distancing people were doing that to us for quite some time. Distancing themselves from us.

[TR in conversation with Marlett:]

Damn!

Marlett:

Well it’s true.
— Audio clip ends —

— Audio clip ends —

— Music ends —
TR:
If 2020’s perfect visual acuity has shown anything, it’s the inequity in our society.
Covid 19 zoomed in on the drastic differences in healthcare.

— Audio clip begins from “Corona – So Many Parts” —
Audio: Instrumental “Quiet Storm” Mobb Deep

Audio: Covid19 related News montage

– “The Pandemic seems to be disproportionally affecting people of color”
– “African Americans have been hardest hit by the virus. Despite accounting for 14 percent of Michigan’s population they represent 41 percent of its Covid victims.
— Audio clip ends —

TR:

In this same episode, Corona: So Many parts, I went on to compare the adaptations made in society in response to the Corona with those people with disabilities have been seeking for years.
— Audio clip from: “Corona – So Many parts” begins ”

All of a sudden!

Audio: Gazoo (from The Flintstones)

Have you noticed all of the corporations now accommodating their employees with work from home access?
The online conferences and entertainment now available.
Everything getting done online.

If inaccessibility is manmade then maybe man can fix it,
Audio: “That’s right!” from Harry Belafonte’s “Man is Smart Woman is Smarter”

TR:

Huh!

Audio: “That’s right!” from Harry Belafonte’s “Man is Smart Woman is Smarter”
— Audio clip ends —

TR:

Swindler, Scam artist, Liar, Snake oil peddler, Divider, yet in this past election, many have and continue to support him and his white house administration.
. Some of those supporters I’m sure have the absolute worst intentions. They are white nationalists. But there are some who have simply been played. And one of the rules that we need to remember is everyone gets got at some point in their lives.

I shared a story where I was duped into being a part of a dog and pony show disguised as a demonstration and discussion about Blindness.

— Audio clip from: “Live Inspiration Porn – I Got Duped” begins —
Well, in this particular case, while the dog and ponies sat up in front and this one off to the side a bit, the sighted donors were led into their temporary world of vision loss.

Reluctantly at first, one after the other each slowly began trying on the glasses.

“Oh my”…. “wow”
“where did you go Jeanie?”

And then the real fun began as they exchanged glasses with one another. Laughing as they realized how little they could actually see. Unable to find things they placed on the conference table. The host joking as she moved their cups of coffee.

Meanwhile, the dogs and ponies sat up front. While the jackasses continued with their disability experiment.

Empathy, I didn’t see that. But a check was written.

I don’t remember how the event finally ended, but I do know that was it for me. I checked out. There may have been some additional conversation but I doubt I had much to say to anyone after bearing witness to that display of ableism. I vowed to never be a part of anything even remotely like that.

I could easily imagine each of the donors around the table going home fulfilled and thinking “I should really count my blessings, because there’s always someone worse off in the world.”
— Audio clip ends —

— Audio clip from: “George W. Bush Fool Me Once” begins —

GWB: there’s an old saying in Tennessee, I know it’s in Texas probably in Tennessee but it says fool me once… (long pause) shame on…, shame on you. (long pause) Fool me can’t get fooled again!
— Audio clip ends —

TR:

You know, learn from your experiences

— Music begins – A bouncy energetic Hip Hop beat —
TR:

Hey! Do you enjoy listening to this podcast?
Do you have a topic you want to recommend?
Reach out.
email ReidMyMindRadio@gmail.com or call 570-798-7343 and leave a voice mail. Like this;

Voice Mail:

I’m calling because I listened to the Reid My Mind and I thought that episode on Charles Blackwell was just fantastic!

TR:
That was actually Mr. Blackwell himself playing a little joke on me. He said I could use it and I would either way because he doesn’t have a computer so he won’t find out!

If you do have a computer or a phone that is online and you want to stay updated to what’s happening here;
Subscribe wherever you get podcasts!
Transcripts & more are over at ReidMyMind.com.
That’s R to the E I D
(Audio: “D and that’s me in the place to be” Slick Rick)
Like my last name.

And now back to the episode
—
Audio Bumper:

“Come on chop chop, the Doctor will see you now!”

TR:

Well not really. But let me break down 20/20 as a fraction signifying normal vision.

The numerator, (the top number in the fraction), , represents – 20 feet. The denominator represents the distance in feet where a “normally” sighted person can see that same thing.

So, someone with 20/20 vision is seeing as expected.

A person with 20/200 can see from 20 feet away what a normally sighted person sees from 200 feet.

When it comes to an awareness of police brutality, Black people been having 20/20 vision. I’d add Indigenous and many people of color as well. I’d even add woke White people somewhere on the spectrum.

But too much of America has been hovering around that 20/200 acuity. They’ve been legally Blind to police brutality forever. There’s no lens to help them see the systematic racism not only in the police departments across this nation, but also throughout our society. At least not long enough to actually do something about it.

The Covid 19 pandemic created the environment enabling the magnification of the brutal killing of George Floyd, the murder of Brionna Taylor and the injustice that followed.

I wanted to be hopeful that the initial attention and outrage would be a catalyst for real change throughout society. I talked about how these events have and continue to impact me and my family. I even talked about it in the realm of Blindness advocacy!

— Audio clip from: “Let Me Hear You Say Black Lives Matter” begins —

TR:

All the organizations that are either of or for the blind want the same thing; independence, security opportunity for all Blind people. Who does this really include? For some, blindness skills training isn’t going to be enough to have an opportunity to reach that goal.

For me personally to believe these organizations and others are really about independence for all, I’m going to have to see them lead the way. That leadership needs to come from those in power right now.

I’m going to need to hear them simply say it; “Black Lives Matter”

Audio Montage of individuals saying “Black Lives Matter!” Concludes with all simultaneously saying it.
— Audio clip ends —

TR:

I’ve been thinking about these intersections and specifically about the experiences of Black disabled people no matter the disability.
So I teamed up with RMM Radio alumni AJ to co-produce and host Young Gifted Black & Disabled! Along with our guests, Rasheera Dobson and D’arcee Charington, we talked about all sorts of issues including the lack of Black disabled images in the media.

— Audio clip from “Young Gifted Black and Disabled” begins —

Rasheera:

I get a little sad. I never saw anyone like me. I never saw a girl with disabilities in Essence magazine. Struggling with low self-esteem growing up I think it had a lot to do with the fact that I was reading Essence magazine, Ebony magazine Jet magazine reading the stories of Toni Morrison and hearing the Black struggle but I never read about the disability struggle.

It Matters, it really does.
— Audio clips ends —

TR:

Yet D’arcee shared how there’s so much to be proud about.

— Audio clip from “Young Gifted Black and Disabled” begins —

D’Arcee:

I was just thinking of the Morpheus quote from The Matrix Reloaded, which I recently saw. When he was in Zion, when he was talking to everyone trying to calm them down and what he said is; what I remember most is after a century of struggle I remember that which matters most.

Audio from Matrix Reloaded: “We are still here!” Crowd roars in applause!

That resonates so deeply with who I am as a person.
— Audio clip ends —

— Audio clip from “Young Gifted Black and Disabled” begins —

AJ:

The full story of the black experience hasn’t been written yet.
There are plenty more chapters yet to be explored.
— Audio clip ends —

TR:

That exploration includes the experiences of people like Artist, Poet, Writer Mr. Charles Curtis Blackwell and his words of hope and inspiration.

— Audio clip from: “Charles Curtis Blackwell – Words of Meaning Empowerment & Inspiration” begins —

CC Blackwell:

I realized ok, God gave me this talent and with this talent he’s kind of helped raise me up from that bed of poor self-esteem. Lift me up and encouraged me and inspired me. And I have to take care of this talent. I have to nourish it, be kind to it, treat it right and try to use it.

— Audio clip ends —

Audio Bumper:
Uplifting music with a beat could work to close out from here.

TR:

With over 250,000 people lost from Covid in the US alone and millions affected, it’s hard to say anything good came out of the pandemic.

I did however have to acknowledge the accessible content coming from the team that brings you the Superfest Film Festival. Director of the Paul K. Longmore Institute on Disability
center Cathy kudlick talked about the types of films featured at Superfest.
— Audio clip begins from : “Superfest Disability Film festival: Going Above & Beyond”

Cathy:

“… we highlight what we think is disability 201 – films that share the creativity and the ingenuity or the unexpectedness or the intersections of disability with other kinds of identities.
— Audio clip ends —

TR:

Associate Director of the Longmore Center and Superfest Coordinator, Emily Beitikss talked about the festival’s commitment to access including Audio Description.

— Audio clip begin from: “Superfest Disability Film festival: Going Above & Beyond”
Emily:

So much of our work is working with these film makers to teach them, think about the problem and have tough conversations as we do it so that hopefully people are thinking about it in advance of making their films.

— Audio clip end —

TR:

Including AD as an ongoing topic of discussion fully aligns with the objective of this podcast. It’s never just about entertainment. Media isn’t just about entertainment. Access isn’t just about entertainment!

This year we featured a bit of a history lesson on Audio Description. Rick Boggs of Audio Eyes took us through the involvement of Blind people in AD from its inception.
— Audio clip from: “Viewing Audio Description History Through Audio Eyes with Rick Boggs” begins —

Rick:

What I’m proud to say about Audio Description is Audio description as created by Blind people. And every innovation and advancement in Audio Description that has really contributed to what it is now was made by Blind people.
— Audio clip ends —

TR:

We continued with IDC’s Director of Audio Description Eric Wickstrom on what makes quality AD
— Audio clip from: “Audio Description with IDC: Good Enough isn’t Good Enough!” begins —

Eric:

There’s too much good enough is good enough. For us and our standards at IDC, no we’re not striving for good we’re striving for great!
— Audio clip ends —

TR:
A big part of that great is in the writing. Head Writer Liz Guttman shared her passion for AD.
Liz
— Audio clip from: “Audio Description with IDC: Good Enough isn’t Good Enough!” begins —

Liz:

I go to work every day and I get to write, think hard about the best way, the most vivid and concise way to convey something that’s on screen. So that someone who’s listening to it will get the same feeling that I have watching it. And to help bring us all in to the same level. Especially since I have become more familiar with the Disabled and Blind and Low vision community. I have friends in that community now. I care about their experience.

— Audio clip ends —

TR:

In Flipping the Script on Audio Description, we expanded the conversation to be a bit more critical and inclusive of those involved in AD from varying perspectives.

Like Media Accessibility Provider, Alejandra Ospina

— Audio clip from: “Flipping the Script on Audio Description” begins —

Alejandra:

I do Close Captioning and I do transcription and I do translation and Audio Description and so I like to imagine the things I’m doing all sort of promote access to content. I don’t consider myself as often a content creator but I like to facilitate people getting to see or hear or know what they’re watching.
— Audio clip ends —

TR:

In the second installment we heard from four Voice Over artists also narrating AD. We talked a bit about the inequities and the importance of authentic voice representation. Inger Tudor well she just broke it down to the very last compound!

— Audio clip from: “Flipping the Script on Audio Description Part Two – Voice matters” begins —

TR:

I know some people hear this and say, why should it matter? Shouldn’t anyone with a suitable clear voice just be able to voice characters or narrate films no matter their race, ethnicity, gender etc.?

Inger:

Hold on a minute. Four hundred years, we haven’t had the opportunity to do a lot of stuff, take a seat for a moment because I guarantee you your seat for a moment will not end up being four hundred years. Then when we get to the place where everybody can do everything that’s fine, but we’re not there yet and we need to catch up so give us a minute, ok?

[TR in conversation with Inger:]

There it is!

— Music ends with a base drop that pulsates and slowly fades out.
— Audio clip ends —

TR:

We went outside of the US in the third installment. No real surprise, the guidelines used in Canada and the UK tend not to include race, color or ethnicity in Audio Description.

Fortunately, there’s people such as Rebecca Singh of Superior Description Services in Toronto who are changing that.

— Audio clip from: “Flipping the Script on Audio Description Part Three – Moving Beyond Just US” begins —

Rebecca:

I feel like I owe it to the listener and the listener is not necessarily a middle class cisgender white female or a male and sometimes I feel like from some of the teaching and reading and some of the history from what I’ve seen of Audio Description and words, it’s really taking one particular perspective. That is exclusionary and also not fair to people who are Black and Indigenous or people of color.
— Audio clip ends —

TR:

2020 doesn’t seem very fair.

The success achieved by other countries in their handling of this virus shows this pandemic, could have just been a thing! way too many lives lost that could have been prevented if we all spent a bit more time adjusting.

If only we learned from our past – you know 2020 hindsight? Oh wait!

Audio: 2020 Hindsight, Dilated peoples

Big shout out to all of the Reid My Mind Radio family. Whether you been rocking with me for just a few episodes or 100 plus!

One of our family members and alumni, Victoria Clare reached out during the pandemic to see if I’d be interested in collaborating with her on a song she was writing. She wanted to include a rap break and thought I could make it work. I said yes!
The song is available just about wherever you buy or stream music. It’s called By Any Means – it’s an upbeat dance track written to empower and inspire women who reach that point when they need to go inward and pull out that strength. I’ll link to the track on this episodes blog post.

If you like what’s been happening here on the podcast please pass it on. I know there’s a lot of people who would benefit from meeting others impacted by all degrees of blindness and disability.

Some have asked if there’s a way to financially contribute to the show.

If you are so inclined, you can donate via PayPal to ReidMyMindRadio@gmail.com.
All funds go to supporting the podcast.

Finally, I want to close this episode a bit differently in memory of someone I lost this year. A teacher of mine who said as a teacher he was there to quench our thirst but would eventually melt away. He was wrong! He ain’t going anywhere!

When we finished our conversations he’d say “May we remain” I think of that now like a little prayer.

Reid My Mind Radio Family, I wish you all a very joyous holiday season and great things in 2021!

May We Remain!!

Audio: Reid My Mind Outro

Peace!

Hide the transcript