Reid My Mind

TR:
Happy Holidays Family!

Ok, so this is the actual last episode of the year. Although I consider these sort of extra. To me the real nourishment, the value are the people you meet every two weeks. Those are the people you should know. Me, I’m just the guy who enjoys bringing them to you.

Oh, if you’re new here, please be sure to check out the meat and potatoes, those other episodes I referred to. And allow me to introduce myself to you I’m Thomas Reid host producer and the extra garnishment on the plate and I guess I’m the Chef who serves it all up! I’m also the pro at running the heck out of a metaphor.

Audio: Reid My Mind Theme Music

TR:

In 2018, I started thinking about taking this podcast to what I considered a next step. That’s moving from a passion project, aka a total personal expense to a sustainable venture; at the very least having the expenses covered.

At the most, I’d expand the podcast in scope and frequency. That would include multiple producers and other talent. Specifically, blind or low vision producers and those with disabilities.

That shot was with the Google PRX Podcast Creators Program.

When Google announced they were getting into the podcast business, they also decided to team up with PRX, the Public Radio Exchange to help find and train podcasters that were creating for diverse or marginalized communities.

I figured, I meet these qualifications! I applied.

I made it to the semifinals but ended up not making it all the way. I was encouraged to try again during the second round of the program this year. I did.

Out of something like 10,000 entries, I’m happy to report that Reid My Mind Radio made it to the finals. We didn’t win, but we sure enough didn’t lose!

The PRX team invited two other runner up teams and myself to join the 6 winning teams in Boston for a podcast training boot camp. It was very cool. I met some great podcasters from around the world including Brazil, Columbia, India, Lebanon and Spain. And then some much closer including the only winning team from the US in New York/New Jersey and the other two runner ups from Boston and Oakland.

A big shout out to all of the teams including the PRX training team. It was cool to be among other podcast creators.

Audio: “What’s Your Name?”

One of the things that I’ve been thinking about is the name of this podcast. I know it doesn’t exactly communicate the goal of the show. Obviously, there are better names that I could come up with that would make for better Search Engine Optimization especially for those searching Apple Podcast based on a topic like; adjusting to Blindness or disability.

On the last day of the Google PRX Podcast Creators Program Training Boot Camp, each team had to present their show to a panel of podcast industry experts.

Audio: Mark Intro…RMMRadio

That was my intro, you know I got hype right?

Anyway, some of the feedback I expected was around the name. A lot of people actually were interested in hearing more about the personal experiences. That’s something I’ve been told on several occasions, but have resisted for various reasons.

If I do eventually decide to re-brand what we do here, I will definitely keep Reid My Mind Radio and maybe start to share more of my personal experiences and maybe comment more about blindness and disability related events and issues.

What do you think about me changing the name of the show going forward? Maybe re-branding and repurposing Reid My Mind Radio?

let me know if you would be interested in listening to this type of thing. ReidMyMindRadio@gmail.com or 570.798.7343.

All in all, it was a good year for the podcast.

This is where I should insert flashbacks from this year’s episodes. You know a wrap up.

Then, as I was sleeping I had a thought or maybe it was a dream. Maybe

Audio: Dream harp

Audio: Reid My Mind Radio 2019 Rap Up

Music begins…

TR Talking:

So I figured this year 2019 we should do like a wrap up. It’s Christmas time right? Well not a wrap. Really it’s an rap.

“Coo Caw” Bird wings flapping…

I did bring somebody to help me out. Close out the year, you know, in a special way

Music Crescendo….

My baby girl, Raven Reid, get ’em, hah!

Chorus Raven Reid sings…
It’s Twenty Nineteen
And it’s the end of the year
Here’s some episodes
that you should really hear
2020’s on the way
We don’t have long to go
Do the right thing, Subscribe
Reid My Mind Radio

Verse – TR:
First ep in 2019, I was talking opportunity
Just feeling positive for you and me
Next was the first of more to come
The topic, Audio Description ,
“Read by Roy Samuelson” (Audio from Audio Description)

Episode 3 was right on time
Yes, celebrating 15 years of being blind

Black Disabled History was episode 4
Straight from Krip Hop called my man Leroy Moore
(Audio: Leroy Moore says “Krip Hop!)

Now William Greer, he was referred to me
He’s from the film fest, cinema touching disability

Access is Art, you should know what I mean
If not check Episode 6 with my friend Cheryl Green
(Audio: Cheryl says, “It’s about equity!”)

Shout out Alice Wong amplifying
(Audio: Alice says “Disabled voices of color”)
That’s why Disability Visibility.com is like no other

We say Representation matters, they say what’s the fuss
I’ll remember in the dark, hashtag LetUsPlayUs?

Chorus Raven Reid sings…
It’s Twenty Nineteen
And it’s the end of the year
Here’s some episodes
that you should really hear
2020’s on the way
We don’t have long to go
Do the right thing, Subscribe
Reid My Mind Radio

Verse 2 – TR:
Day Al Mohammed produced and directed the Invalid Corps
She does policy, writes books and a whole lot more
(Audio: Day says: “Invalid Corps”)
Elizabeth Sammons is an author touring the country in an RV
At least that’s where she was when she spoke with me!

I Always rep the BX, New York City
Shout out to Prince Bri, Power Not Pity
(Audio: Power not Pity opening music…)
Is there room for the blind on the AD scene
Ask blind consultant, her name’s Colleen

Audio Description there’s more to the game
like describing Sports, Conferences, right Kat Germaine
(Audio: Kat Germain says “Yes”)
Next 3 eps feature the spark event
Sue talked about it and she’ll be back again!
(Audio: Sue says” We’ll sit down for another one”)
Mom and author Kristin Smedley was there live
She says It’s not just her kids but we can all thrive.

She started Captivating, Bold Blind Beauty Oh Boy!
Third time on the podcast, what’s up Steph McCoy
(Audio: Steph laughs…)
Chorus:

TR: “Take it to the bridge”

Bridge Raven Reid Spoken Word…

Since 2014 when this podcast was kicked off
It was geared to anyone feeling vision loss

See, those newly adjusting, it’s their own abilities they question
Reid My Mind Radio is changing perceptions

If you haven’t done so yet, hurry, act fast
Subscribe at ReidMyMind.com or wherever you get podcasts!

Make sure you spell Reid, R E I D
The podcast making blindness funky!

Verse 3:

Question, are Leaders made or are they born
The answer comes from AFB’s Megan Aragon

Landing your dream job is more strategy than luck
Coach Nancy gives some game plus she gives a duck
(Audio: “Quack, Quack”)

Audio description & physically integrated dance
Alice Sheppard, Laurel Lawson, Audimance

Man, this year flew by, like 1 2 3
Closing it out, my Bro Joe Strechay,
(Audio: Apple TV Plus)
See!

TR: “Daddy Daughter let’s go!”

Chorus – Raven Reid & T.Reid: (Repeats)
It’s Twenty Nineteen
And it’s the end of the year
Here’s some episodes
that you should really hear
2020’s on the way
We don’t have long to go
Do the right thing, Subscribe
Reid My Mind Radio

TR:
That was fun!

Merry Christmas, Happy Chanukah, Happy Kwanza Happy Three Kings Day whatever you celebrate or don’t.

All the best to you, Reid My Mind Radio Family from the entire Reid family.

And of course, so there’s no confusion, that’s R to the E I D, like my last name!

Audio: Reid My Mind Radio outro

Peace

Hide the transcript

TR:

What’s up Reid My Mind Radio Family!
Welcome back to another episode.

If you’re new here, welcome! You’re among friends. My name is T.Reid host and producer of this here podcast.

Every two weeks I’m either bringing you stories about or profile of people impacted by blindness, low vision and disability. Occasionally, I bring you stories from my own experience as a man who became blind as an adult.

You can check out the last episode if you want to know more on that.

today we’re recognizing and saluting Black History Month.

That’s next up on Reid My Mind Radio !

Audio: Reid My Mind Radio Theme Music…

Audio: “Like It Is” with Gil Noble featuring John Henrik Clarke

# Black Disability History
Gil Noble:
Black History Month as it’s called. From whence does it come? How old is it?

John Henrik Clark:
What we now call Black History Month formerly Negros History Month and I call Africana History month started around 1927 by Carter G. Woodson who had found the Association for the Study of Negro Life now the Association for the Study of African American Life and History, had found this organization in Chicago in 1915. He began the week in order to call special attention to the contributions that people of African descent made not only to America but the world.

TR:

That was renowned historian, the late great Dr. John Henrik Clark appearing on “Like It Is” with host Gil Noble. This was a
public affairs television program in New York City that focused on issues relevant to the African-American community.

I grew up watching this show with one of my personal all-time great Black mentors Mr. Reid, my Daddy.

Black History Month celebration unfortunately usually consists of the same references;
Martin Luther King Jr., Rosa parks and the usual version of the Civil Rights era.

One thing however that rarely gets attention; Black disability.

Today, we’re going to change that a bit.

I thought it was time we had our own celebration of Disabled Black History.

Let’s begin by , paying honor to two historic Black Americans that you should have heard of, but may not be aware of their disability.

Audio: African flute music…

Please welcome, Raven Reid!

Raven:
Harriet Tubman (1822–1913).

Ms. Tubman is best known as an abolitionist.

Risking her own life to help lead enslaved African people to freedom.

Since age 12, Ms. Tubman was disabled after a severe beating by her slave master.

As a result she experienced seizures from epilepsy as well as vision loss.

Yet, she tirelessly traveled back and forth through slave country multiple times via what became known as the underground railroad.

Audio: Flute fades out into a more modern sounding flute with accompanying instrumentation.

Fannie Lou Hamer (1917–1977)

Ms. Hamer was a civil rights activist who helped African-Americans register to vote.

She co-founded the Mississippi Freedom Democratic Party and was involved in the Student Nonviolent Coordinating Committee.

Like many poor blacks at that time, she was sterilized without her knowledge or consent.

Ms. Hamer had polio as a child.

She protested in the face of heavy opposition and was beaten in a Mississippi jailhouse, which caused kidney damage and a limp.

She is known for saying, “I am sick and tired of being sick and tired!”

Ms. Harriet Tubman, Ms. Fannie Lou Hamer we honor you!

TR:

Once again, that was my baby girl, Raven Reid.

Thank you to Vilissa Thompson over at Ramp Your Voice.com. You should go on over there and check out the great articles on Black Disability History and more.

# Leroy: Black History Month

Audio: “Audio Call” Voice Over speech from iPhone

[TR in conversation with LM:]
Happy Black History Month brother.

LM:

Thank you. You too.

TR:

If you’ve been riding with RMM Radio for a while, you may remember Leroy Moore Jr. A disability activist, writer, author, artist and one of the founders of the Krip-Hop Nation.

The Krip-Hop Nation’s all about educating the media industry and the public about the talents, history, rights and marketability of Hip-Hop
artists and other musicians with disabilities.

It wouldn’t be right to have an episode on Black history from the disability perspective without Leroy.

Leroy schooled me on some noteworthy disabled Black people in history.

In addition to the many early Blues artist, he dropped a bit of science on Reverend Cecil Ivory.

LM:

I love his story!

He was a brother back in the 50’s and 60’s.

He organized his whole town to do this counter sit in. He was also an NAACP Chairman at the time.

TR:

Falling out a tree as a child, resulting in a broken back Ivory became a wheel chair user following an additional fall later in his life.

In 1960, Ivory organized a sit-in at a South Carolina lunch counter

LM:

And so he was sitting there and the cop told him he had to move. He said well I’m not taking up a seat because I have my own seat.

They took him to jail but couldn’t book him because the booking place was downstairs.

TR:

One of the few times that inaccessibility works in our favor.

LM:

The National Black Disability Coalition is putting together this whole exhibit around Black Disabled people in history. We’ve been working on it for the last two years.

TR:

The exhibit will include people like the Blind Jazz singer Al Hiddler who sang with Duke Ellington’s orchestra and later marched with Dr. King.

Soul singer Robert Winters and

Audio: “Check this out!” DMC from “Here we Go live at the Funhouse” Run-DMC

even one third of the legendary rap group Run-DMC

Audio: Run….(from King of Rock)
LM:
DMC

Audio: DMC… of the party. The D is for doing it all the time, the M is for the rhymes that are all mine. The C is for cool, cool as can be …
Run – and why you wear those glasses…

DMC – so I can see!

— The above is playing while TR talks over…

TR:
DMC wrote all about his experience with Depression and mental health disabilities.

Stories highlighting the contributions of people like Reverend Ivory and others when Leroy was attending grade school in the 1970’s were limited. In fact, that’s probably generous.

LM:

We just didn’t see nothing.

We just got so pissed! Me and two other Black Disabled men, boys at the time, wrote letters saying that there’s no Black Disabled nothing on TV, radio…

TR:

Those letters? Well, they aimed high!

LM:

Jesse Jackson, The Urban League, The NAACP

I knew back then that I had to do it outside of school because the school wasn’t offering anything. It started my quest to really learn about my history as a Black Disabled man.

[TR in conversation with LM:]
Did you ever hear back from any of those organizations that you wrote to?

LM:

Form letters saying dear such and such sorry there’s nothing out there.

We can’t do nothing for ya!

LM & TR laugh!

Audio: Flavor Flav “I can’t do nothing for yo man”

TR:

So Hip-Hop!

LM:

Now at 51 years old still doing this.

# Leroy Graphic Novel

He’s doing it alright. He’s the author of Black Disabled Art History 101,
Black Kripple Delivers Poetry & Lyrics

Now, hot off the press is
The Krip Hop Graphic Novel Volume 1 published by Poor Press.

LM:

Yeh, I’m so excited to have this come out.

TR:

Familiar enough with comic books and graphic novels Leroy recognized the lack of representation of Black Disabled Women characters.

LM:
You have Misty Knight that came out in 1975.

Came back to life in Luke Cage. For me, when comics “include” disabled characters they just include them. It’s a diversity kind of thing. I wanted to flip that and say no Krip Hop graphic novel tells you that disability has always been there in Hip-Hop. It’s not inclusion, we’ve been there.

TR:

The novel’s protagonist is a young Black Disabled girl who uses a wheelchair.

LM

This young lady from New York her mother tells her the stories about the old time in Hip-Hop in New York.

She gets more and more confident when she finds Krip-Hop on the internet.
TR:

Traveling through the city, the reader joins the young girl as she participates in various events.

LM:

Black Lives Matter protest, Open Mics…

TR:

As she continues to learn more about Krip-Hop her power increases.
That super power?

LM:

Her wheelchair turns into Hip-Hop.

[TR in conversation with LM:]

Now when you say her chair becomes Hip-Hop , so I’m like oh man, she got two turntables … laughs!

LM:
Yeh, definitely.

[TR in conversation with LM:]

That’s what it is? Laughs.

LM:

Yeh, laughs… She got two turntables , she’s scratching’ yep! She also has a spray can you know graffiti. She dances in the wheelchair, yeh!

[TR in conversation with LM:]
So you got all the elements?

TR:
For those outside of the culture, you may think rap music and Hip-Hop are synonymous. But they’re not.
Hip-Hop is made up of five elements;
1. DJaying – This is the genesis. There’s no rap, there’s no Hip-Hop without the DJ.
2. Emceeing – the rappers who controlled the microphone and the crowd.
3. Break Dancers – the original B boys & B girls… acrobatic floor moves, electric boogie or what some call popping’ and locking’… where folks were doing the moonwalk way before Michael Jackson.
4. Graffiti – Probably more difficult to explain if you never seen the amazing moving art murals on the 2 or 5 train for example, running from the Bronx to Brooklyn and other boroughs.

“I’m feeling very nostalgic right now!” BX stand up!

The story also includes other disabled characters like a sort of guardian angel for the protagonist, and some real Hip-Hop pioneers with disabilities.

There’s even a bit of time travel. And we meet Leroy himself.

LM:

As a little kid outside of the cipher..

TR:

Taking a page right out of Leroy’s personal history during the early days of the New York Hip Hop scene.

Traveling on a Greyhound bus from Connecticut to the Bronx to check out and maybe join the rap ciphers. Picture a circle of young rappers honing their rhyme skills. Each of them ready to take their turn to impress the other rappers with their latest lyrics or flow – that’s their cadence or rhyme pattern.

Now here comes a young Leroy

LM:
Kids used to see me coming with my walker. The kids would say ok, you can’t go into the cipher because you’re too cripple. So you’ll be our watch man for the police. Anytime I saw the police I used to shout “Po Po”. They used to scatter. Police used to see me and just like kick my walker because they were so pissed off.

TR:

No longer looking out for the police, but Leroy is still the Watch Man.

Now making sure those with disabilities aren’t relegated to the sideline.

When you think about that early experience, it gives you a sense of the depth of his love for the culture.

That appreciation of history explains why he chose to name the protagonist Roxanne, as in Roxanne Shante – probably the first female MC to gain real notoriety.

recalling Leroy’s grade school experience where the lack of Black Disabled representation sparked what became a lifelong mission to find Black Disabled ancestors, leads us to that very important, but often forgotten fifth element of Hip-Hop.

[TR in conversation with LM:]
It sounds like there may be knowledge of self built right in.

LM:
Yes, exactly! That’s the whole concept of the book because once she gets the confidence about herself then her powers get stronger.

# Leroy Krip Hop Update

Audio: Hip Hop don’t stop…

TR:

Like Hip-Hop Krip-Hop don’t stop.

Maybe this is Leroy’s super power. He continues working on letting the world know that people with disabilities have and will continue to represent the culture in every aspect.

Krip Hop Nation has two events coming up in 2019.

LM:

We’re having an all-women’s event here in Berkley at the Premium Cultural Center.

That’s going to happen on march 30th. We’re highlighting ADA 420. She’s a rapper from Detroit but she’s from the Bay area.

TR:

the event will include about 7 other artists representing a variety of art forms.

LM:
Dancers, singers, spiritual workers. So it’s going to be dope!

TR:
In addition to the event, The Krip Hop Nation is putting out a CD featuring women artists with disabilities.

[TR in conversation with LM:]

So Krip-Hop Nation is pretty active on the African continent, correct?

LM:

Yeh, thank you for bringing that up.

We’ve been really connecting to our African brothers and sisters for the last 10 years.

Krip-Hop went to South Africa in 2016 and we did a tour. We hit up like 8 cities in 4 weeks.

TR:

When it comes to all aspects of disability, we often assume that living in a developed nation brings the most opportunities and equality.

LM:

I’ve only been to South Africa. I’ve interviewed artists from all over Africa and it seems to me that America needs to catch up to African countries when it comes to supporting Black Disabled musicians. Especially physically disabled musicians.

[TR in conversation with LM:]
It seems as though America is comfortable at this time accepting musicians who are blind

We know Stevie Wonder, Ray Charles, Jose Feliciano and there’s the others.

LM:

You got the Blues with all the Blind artists.

[TR in conversation with LM:]
But even going back, it’s like when it comes to physical disabilities you don’t see you don’t see that. I’m trying to think who, did I ever see any artists with physical disabilities… at all!

LM:

Especially on the mainstream stage.

You got Bushwick Bill, the rapper who’s down with the Ghetto Boys

TR:

Of course it’s not until we’re off our call that I remember two well-known soul singers, Curtis Mayfield and Teddy Pendergrass who both acquired a disability after their initial success.

Audio: “Only You” Teddy Pendergrass & “Pusher Man” Curtis Mayfield

TR:

The Krip-Hop Nation continues to push forward and create platforms for artists with disabilities throughout the diaspora.

Like a festival scheduled for July 2019 featuring several disabled artists.

LM:

Artists from Uganda, Tanzania, the Congo. All coming here from Africa.

It’s happening in July. We’re doing a tour in the Bay area. We’re going to get a chance to talk about what’s going on in Africa around people with disabilities. Really collaborate.

One artist that’s coming from South Africa , he’s bringing a mayor of a town in South Africa. They want to see what Krip-Hop is doing They’re thing about doing an international arts festival in South Africa next year.

TR:

The Krip-Hop Nation Graphic Novel is currently available in print form. I’m hoping we’ll see a digital version in the future.

You should check out the first episode featuring Leroy talking about Krip-Hop Nation & a documentary about Joe Capers – another notable historic Black man. Capers owned and operated an early accessible analog recording studio where some of Oakland’s Hip-Hop and R&B artists recorded. People like The Digital Underground, Tony, ToniTone , EnVogue and MC Hammer.

Audio: “It’s Bigger than Hip Hop”, Dead Prez

TR:

As this episode comes to an end, so does Black History Month.

However, that doesn’t mean we can’t continue to highlight not only the accomplishments but also the issues currently and disproportionately impacting the Black Disabled community like;
access to healthcare
police brutality and the school to prison pipeline.

Once again a big shout out to Leroy Moore and the rest of the Krip Hop Nation. Thanks to;
Ramp Your Voice.com
Raven Reid
This episode included some beats from Chuki Music the link will be on the episode page.

There’s lots of clips and old episodes of Like It Is on Youtube including interviews with Malcolm X, Bob Marley and so many more.

Do you have a favorite historic black disabled person you think we should know about?

Want to recommend a topic or person for the show?

Hollaback…

We have the comments section on the blog, ReidMyMind.com.
The email; ReidMyMindRadio@gmail.com
The Reid My Mind Radio Feedback Line where you can leave a voice mail: 1 570-798-7343

I would really love voice messages that I can share on the podcast. If you don’t want to call, you can grab your smart phone and record a voice memo and email the finished recording to ReidMyMindRadio@gmail.com.

I’d love to hear and share the voices of those who are listening. If you want to send a message but don’t want it shared just say so and it’s all good.

You too can help make Black history…
Subscribe!
Apple Podcast, Spotify, Google Podcast Sound Cloud, Stitcher, Tune In Radio or wherever you get podcasts.
Visit www.ReidMyMind.com

So there’s no confusion, that’s R to the E I D like my last name!

Peace!

Hide the transcript

TR:
What’s good everybody?
This is a special episode so I’m going to jump right in…
it’s no mystery , the title of the episode says it all.

If you’re in my age group You remember when older folks said rap was a fad and
black radio didn’t play the music!

You remember when MTV played videos and they weren’t black artists let alone rap music.

Yes, this episode is featuring that Doctor Dre from YoMTV Raps and many other things like the Hot 97 morning show.
With that in mind! There’s only one way for me to kick-off the podcast…

Yeah, I’m gonna do it!

[Audio: From The Hot 97 Morning Show with Ed, Lisa & Dre
Music…
“What’s up yawl, whatcha got to say, who’s on the phone with Ed, Lisa & Dre?”]

TR:
Yo, TReid’s the name, and right now’s the time
Welcome to the podcast called Reid My Mind!

Cheah!

[Reid My Mind Intro]

TR:
Significant vision loss can force a person to face real doubts and questions.
Such as;
Why did this happen to me?
What do I do now?

Andre Brown has chosen to answer the last question by launching a fight;
well really a fight back.

It’s more than vision loss.

In  2008 Andre was diagnosed with type 2 Diabetes.

He experienced multiple complications of the disease including Charco – foot Syndrome which he says can cause a collapse of the ankle.

DD:
My vision loss came as a progression of that and not taking care of myself properly.

my vision loss was a gradual thing where I  started seeing little things across my vision. Little lines and you know things jumping.

TR:
After These lines often called floaters,  multiple surgeries to repair detached retinas,
Andre was left with some light perception.

DD:
Diagnosed as Diabetic Retinopathy but  as the Doctor said  to me , he said that’s what’s   blocking your vision, you have scar tissue in the back. He said we can’t do anything about  it until we stop the Diabetes. So once that happens then  we can do a different procedure or two to see if we can make the sight  come back.
I’ve spoken with a lot of different people and everyone has told me that my sight  returning is a very strong possibility, especially with what I am doing now.

TR:
What he’s doing now?
Simply put, he’s fighting back!

This fight is just as much for others as it is for himself.

Andre’s in a unique position to take on this job.
You see he’s been working in support of the careers of others for years.

Andre Brown, is better known as Doctor Dre, a pioneer  in Hip Hop culture and entertainment.

Starting out in WBAU, the Adelphi University radio station in Long Island,
Doctor Dre would eventually go on to record music with his group Original Concept.

He D Jayed for the Beastie Boys.

He was involved in getting one of Hip Hop’s most prolific and influential groups, Public Enemy on to Def Jam records.

Most people know him as part of the Ed Lover and Doctor Dre Duo who
hosted “Yo MTV Raps” every weekday
between 1989 and 1995; As well as
extremely successful radio morning shows in New York City between 1993 and 1998.

DJ, musician, actor, author… and now
Doctor Dre is  in a position to bring real attention to two of today’s
very significant health crisis ;
Diabetes & Vision loss.

DD:
Well we have the program that’s called Doctor Dre’s The Fight Back.

Taking the situation and being able to talk to other people and say, I can show you through  what I’m going through  that we all can change. We all can grow.

I’m finding other people that have different or similar experiences and being able to share that. So the fight back is
how do we reach out and get so many resources to work with you to try to actually change your situation.

TR:
Changing the situation by providing access to information  including;
medical, lifestyle and technology.

DD:
I’m doing a lot of Holistic medicine along  with traditional medicine to work with my Diabetes  and just to change my diet. Just putting that under better control

I’m playing the Guinea pig so everyone can  see it.

TR   [In conversation with Dre]
When you say   you’re playing the Guinea pig what does that mean?

DD:
Sometimes you have to go out and someone has  to go oh hey does that work, well I’ll try it  let’s see

I’m not bringing guarantees, I’m trying to bring choices.

What we’re doing is trying to bring those choices to the fore front. so there no longer just whispered in a corner or you have to pull this up on the Google thing… know we’re gonna say no, here’s a bunch of things here, find a way to find something that works best for you. Here are some things that are very easily at your beck and call.

And when you have options, there’s so much more you can do.

TR:
Real life style changes that affect the way we think about nutrition.

DD:
And that’s one of my goals in The Fight Back, is to change bad thinking.  The mother of 4 who works three  jobs with four kids and they have to run to McDonald’s because they  want those Happy Meals; I want to change the Happy Meal to a life meal.

TR:
Lifestyle choices are like adjusting to vision loss; it’s personal.

DD:
you do what you feel the most comfortable doing  and you work from that position. Everybody’s an individual about it. There’s no one magic thing for one person. There’s a lot of great things out there and I  am discovering those things to help  me accomplish doing other things. I’m very open to learning.

TR [In Conversation]:
What types of things are you discovering?

DD:
I have a phone I could talk to and it  speaks and dials  and talks to me.

The technology now is catching up. I believe like Netflix has where they actually have  a program that is designed so when you’re watching a program it describes everything so you get the full affect.
I’m discovering it one at a time but I don’t know the name of everything I just go wow that exists , that’s a good idea, that’s a really good idea.

TR [In Conversation with Dre]:
that’s Audio Description.

DD:
Yes.

TR [In Conversation with Dre]:
Just for full disclosure, I’m blind myself.

DD:
Oh, ok!

TR [In Conversation with Dre]:
The experience is unique and different for everyone. So I’m trying to gauge what is your experience and how other people can relate and learn… whatever that is because that’s what experience is all about. There for everyone.
DD:
Exactly.

Well with me I understood simply when it was starting to happen  I said don’t panic.
I’ve become a person that reaches for solutions. And rather than falling into , oh my god I can’t believe this is happening  and go into depressed mode I said no  this may happen, this is what you may need to prepare to start doing. And I started preparing myself for it. I said you know what I said you know what  this may be, but darkness  won’t last forever. I said  you have God behind you  and God has already told you  this isn’t forever, this is to slow you down  this is just to make sure  that you can listen and hear what I have to say. And I started listening and hearing what he had to say  more than I started talking.

I embrace it. And in embracing it he has put me on a path  to help other people and to reach out and express myself not  just about the type 2 Diabetes not only about the blindness but  about when something goes on and there’s a struggle sometimes embrace your struggle to find your solutions.
It doesn’t mean it’s a guarantee for a cure or a guarantee to a perfect answer  but what it does is says you know what  I’m more than what’s going on with me.
I can also work with this.

If you have a good relationship with your family, friends and  other people and reaching out. I learn every day from so many different people  and I pay attention and I  try to pass on some of the knowledge of what I get  so that people can help themselves

TR:
The Fight Back is a give and take; a collaboration.

TR [In conversation with Dre]:
So what is The Fight Back, what does that look like? in the world. Is that like a  web portal

DD:
It’s going to be a website… we’re building as we speak because I didn’t want to just put something out there … like it’s easy to say we’re going to do that  and throw it out there and  people just think that’s it, that’s it… no so I said , first thing we’ll do  is I’ll go out and start talking , build different interviews up and now it’s starting to take different testimonials  from different people  and it’s attached to other situations  also , you know I’m working with  a friend of mind from a company called Rally Wing and they had family who had diabetes and their discussing stuff with me.

Another gentlemen by the name of Marvin Mizell who is Jam Master Jay’s brother  has a company called JMJ Foundation  for the youth. He has Sickle Cell and Diabetes so connecting with his thing. there’s a bunch of people that I have connected with  and I said you know what maybe I should be that focal point to bring people together. and see if we can actually work, not just to a cure and better treatments ,but to better understanding  and better conversations

So going out now and talking to different people and listening to what their saying  how they fought back
that’s what this fight back is all about.

Bring those stories to light.
Bring this action to light!
And be a little educational, be a little entertaining, be informative, and be supportive
That’s where the strength is!

TR [In conversation with Dre]:
Is the reality show still a thing?

DD:
We went out there we talked to different places, everyone was excited, yeh we want to do this, yes Dre we love it. And as more we kept talking, my idea disappeared and it became this other thing. It was like that’s not what we’re talking about .

I have a little experience in creating television programs.
We’re creating our own show. Creating our own messaging, making our own venue because the technology allows us to do this.

How do we take all these different instances and work together. Instead of just having a website, a page, you know do this  and get this. No, I want you to come on, I want you to see these different testimonials to be able to reach out to like you and to say hey I want you to talk to him because your experience can help some other people. Your conversation can help someone else who may be feeling down and go hey wow it isn’t as bad as I thought or it could be really bad so we’re going to try and reach out. Go see people shake hands, kiss babies, do whatever needs to be done. We’re going to run the ultimate campaign! The campaign of life of wellness and happiness. That’s a campaign where you just can’t be elected. there is no electoral college for that!

TR [In conversation with Dre]:
[Laughing!!]

DD:
I’m sorry! I’m so sorry!

TR [In conversation with Dre]:
Don’t apologize for that. That’s real!
[Laughing!]

DD:
My things are based on love
People want to sit back and talk about this guys this and this one’s that. Hate, hate!
I said, you know what man, hate carries weight! With love you can soar!
And I got nothing but love man!

TR:
When the site is completed, you will be able to learn more at Doctor Dre TFB.com.

There’s a quote I like to refer to that’s attributed to a Greek philosopher or motivational speaker depending on who you believe…
It’s not what happens to you, but how you react to it that matters.

Doctor Dre,  reacting with love
to make information more easily available , bring
health choices to the forefront,  create a place where
others can share their experiences, all while
remaining faithful and encouraging;

In this fight, there can be only one winner; nothing but love!

This is Thomas Reid, for Gatewave Radio;

Inserted from DD:
“Bring those stories to light. Bring this action to light! And be a little educational, be a little entertaining.”

Audio for independent living!

[Audio: Dre drop a load on em’, from “You down with MTV”]

TR:

Podcasts allow for longer exploration and intimate conversation.
In a way, I hinted to this in the Gatewave story edit.

There’s power in conversation between two people
exchanging knowledge about their shared experience.

Some things you really only feel comfortable talking about with someone who you know gets what you’re saying.
You don’t want to have to explain yourself.

The conversation could just be two people kicking around philosophical ideas.

often it’s , just talking about real practical sharing of information.
Like when Dre mentioned posting to Facebook:

DD:
One of my friends growing up he said I saw you on Facebook and I’m going how is he doing this? Isn’t he blind? And he’s like, he’s actually posting and doing this and that… I said, I have somebody doing that. The way I post is my son posts for me. He’ll put stuff up  that I need written or said or whatever we want to put on my Facebook page. So that’s fine. That’s how that works.

TR [In conversation with Dre]
You could do it yourself too you know right?

DD:
Please, I’m listening

TR [In conversation with Dre]
Ok so you have the iPhone and the app on the iPhone is , I mean it’s all accessible. It sounds like you mainly probably use Siri, the dictation?

DD:
Yes, I use Siri right now.

TR [In conversation with Dre]
So  you don’t use the keyboard at all, you never tried to use the keyboard?

DD:
No!  (Surprised!)

TR [In conversation with Dre]
Oh, you can absolutely. Do you have Voice Over turned on?

DD:
You know what,  I’ve been trying to go to the Apple store to sit there and have them explain everything that can be done , I do not probably have it turned on, no.

TR [In conversation with Dre]
Ok!

TR:
Sometimes we assume that people are supposed to just know things…
Those who do, need to be more open and welcoming in order to make that information available.
At the same time remain open to receiving new ideas.

Three words that tell me Dre is going to be fine
no matter what the end result of his vision loss turns out to be;

DD:
“Please, I’m listening!”

TR:
Please, I’m listening!

Dre doesn’t know me.
He’s been around the world and has access to people and privilege.

DD:
Having reached out to people like Stevie Wonder.

TR:
Now, who am I to challenge something that Stevie says. I only say that because what Stevie means to me.

Adjusting to blindness though, is different from living with blindness all your life.

For example, I grew up only seeing out of one eye.
The challenge to me was different compared to someone who loses an eye
later in life and never had monocular vision.
I could share some information about things they should know,
but prior to blindness I wouldn’t have been able to relate to that loss.
That adjustment is the challenge. Growing up only knowing one thing is a different experience.

Meanwhile, I too could probably benefit from some of their discoveries.

Dre knows there’s so much more to learn and is open to that information for himself and others.

Our conversation though, went deeper.

Like when I wanted  Dre to know about an aspect of blindness
that is experienced and the ramifications that are felt by too many.

TR [In conversation with Dre]

We started the conversation with a little bit about  blindness and with the things people do and do not know, right. There’s all this technology, there’s so much you know going on and one of the big big issues  when it comes down to the blind community . The image of people who are blind in terms of how that’s perceived in society,  there’s a lot of negative connotation when it comes to blindness that I realized that I had and as I met other people  you know, blind at birth or blind afterward, there’s an incredible resource out here that is not being taken advantage of. So within the blindness community and within the disability community, unemployment is 70 percent.

DD:
Yes, it is!

TR:
So many people don’t even understand that. Even in just in terms of how people can do things and the abilities that are there it’s just not known. In part of what you’re doing you may not have or may have thought about it, you are going to be a representative  of that to some degree. Whether or not you like it or not, right, people are going to look at you and they now look you as he’s blind and therefore when they think of other people who are blind they will think of you. And so the things that you’re doing are going to send a positive message  not only to people who are sighted but also to other people who are blind who may have  bought into that.

I just ask you to ponder that, you know!

DD:
I hear what you’re saying. It’s very funny that you say those things. Funny not laughing wise, funny as it’s very interesting how we do that … I now the same way  I was put upon  and told do you believe you can get your sight back, I’m going to ask you those questions to… do you believe you can get your sight back?

TR:
Now, I had lots of people say they were hoping and praying I get my sight back, but
No one outside my immediate family has ever directly asked me that question.

I know a lot of people might think that question shouldn’t have been asked.
But it was part of our conversation so in no way was I offended or upset by that. This was a conversation between two people experiencing vision loss.

This isn’t some random person asking me on the street.

My answer and Dre’s response forced me to think about how I look at that question.

My answer… next time on Reid My Mind Radio!

[Laughing….]

Just playing!

TR [In conversation with Dre]
Nah! My situation is totally different.

DD:
Mmm hmmm!

TR [In conversation with Dre]
Number 1 my cancer is a genetic cancer. I was born  with a cancer called Retinoblastoma. I lost my left eye  as a child. The tumor overtook that eye.  I had at that time, this was in 68, well 69, radiat5ion. Thirty five years later that radiation caused another huge tumor  to grow in the back of my right eye and so I had no real choice because it was right on the optic nerve and so when it’s on that optic nerve, the next step is the brain So my choice was do I take that out  and live? Now mind you my wife was pregnant with our second child, we just moved from the Bronx to the Poconos in a house… so my right eye was removed.  There’s no coming back from that.

DD:
Ahh, yes.  You can’t get an eye transplant?

TR:
No, there’s no such thing as an eye transplant. The amount of nerves  that are in the eye  is unlike any place else. But that’s ok!  I didn’t have a choice and that’s ok, you know because I  my family, I have my little girls you know and so  my thing was like you  stepping back from the industry, my thing was I’m raising my girls you know. I’m a keep working and do whatever I can and be a  you know a help to other people  be a you know, productive member of society  and all of that and I can do that when I’m blind. I like to say the only thing I can’t do is drive.

DD:
Well that tells me a funny story that  I thrown out to Stevie Wonder about doing a movie I used to tell when I was doing interviews and I still do but know people go like you’re really going to do that and I said yeah I’m going to do that. I was being interviewed and they said Dre you gonna do any more movies and I said yeah I’m going to do movies. I said right now I’m in conversation with Stevie Wonder , we’re doing this movie called Just Drive the Damn Bus! And everyone fell out. They said for real. I said yeah and in that movie you’re going to see  Stevie and I drive the bus.

TR:
Uh huh!

DD:
They were like, how are you going to do that?  I said that’s the point, you gotta see the movie. And I was joking about it right?And then I started working with  one of my partners and we started  coming up with a concept of the movie and  it was like, this could work. I said, it’s a movie! I said, but do you understand what would happen and he said  but how are you guys going to act in the movie? I said  the same way other people act  in a movie, you hit your mark, you say your lines you keep moving, that’s not an issue.

TR:
Right.

DD:
Stop making an issue of a non-issue.  And then I told, a matter of fact I told  I was talking to LL Cool j and I told him about it and he  fell out laughing. He said you’re serious. I said I’m dead serious, your gonna do that.
I don’t walk around with dark glasses on. My son says Dad put the glasses on  stop walking around… I said no people need to see my eyes the way they are. So what, it doesn’t matter.
I say this to say this to you. We may not know the technology that will exist to help you gain sight when you need it, but I believe in my heart with what you just told me and what just trinkled through me is you and I our meeting is not coincidental  and I can’t promise this, but I just have this feeling  in my gut you’re gonna get your sight, because you need to see your kids.

TR [In conversation with Dre]
[Exhales!]

DD:
I know you’re saying, how can that be done? I don’t know. I don’t have that answer yet. That answer may come next year, that may come in five years, we don’t know. When I put those goals in front of me  it gives me something to shoot for. Reality or not, that’s why I say  that thing about the movie,  just drive the damn bus… Bill said, you are nuts, you’re outta you… I said no I’m not. I said because we can do anything if you put your mind to it.  Remember seeing Star Trek the Next generation

TR [In conversation with Dre]

yeah, yeah, with Jody…

DD:
LaVar Burton! He put on a visor and  he could see. But when he went to do the movies  LaVar didn’t want that visor on his face they pulled it off and put something on his eyes…we don’t know what’s coming!

TR [In conversation with Dre]
Right!

DD
Now if I could get in a DeLorean and go sixty years forward and grab it and pull it back  and say here put this on it works

TR [In conversation with Dre]
[Laughing….]

DD:
I don’t know!

TR [In conversation with Dre]

Right, right!

DD:
But we’re back to what the Fight Back is all about, choices!

TR [In conversation with Dre]

What you just said  helped me because the obstacles in front of me are not  necessarily just based on sight. And that goes into a really deeper conversation, but when you said  you get something from  that, there’s no way  I would want to take that away from you!

TR:
I’m not a dream killer and never want to be that!

Believing in the ability to regain sight doesn’t mean  not believing in the abilities of people who are blind.

Often though, that seems to be the message we hear from different organization in their fight against blindness.

The NY Times a few weeks ago ran an article with the headline;
The Worst that Could Happen? Going Blind, People Say
The article itself discussed some of the fears, and ways to prevent or slow
certain types of eye diseases, but
it did nothing to help ease that fear for
those who are facing  that in their present or future.

That’s not cool!

They only looked at vision loss from the medical perspective  ,
prevent the disease and there’s no longer an issue!

But there’s the society side!

That fear is what leads to people not wanting to in anyway associate themselves with blindness.
That fear and miseducation leads to that 70 percent unemployment.

But Dre’s not saying that.
His approach appears to be inclusive, holistic as in a full picture.

He’s straight up keeping his options open
I can support that!

Let’s do some shout outs!

First of all Doctor Dre,
thank you brother for the conversation,
for the courage and willingness to bring options to the people!
I hope to hear more about the Fight Back in the near future.

These next two shout outs come with a recommendation…
Audio: The Cipher Show theme[]

If you are a hip hop fan and like to hear background stories
from artists, journalists and those on the business side…
you need to check the cipher show.
Host Shawn Satero was kind enough to help make this interview happen.

It’s one of my favorite podcasts.

At least once every episode you will hear a person being interviewed say, Wow, you really did your research!”

you’ll hear it at least once an episode which lets you know it’s a quality show.

Shout out to Shawn and the Cipher show!

Shout out to Bill Adler who helped coordinate this with Dre.
BTW, Sir, please continue producing that Christmas  Mix Tape,
my daughter and I look forward to that Cipher episode each year.
No comments folks, I like the different cultural Christmas music and I ain’t ashamed to say it!

If your listening right now on Sound Cloud hit that follow button.
You can subscribe  via any podcatcher on your phone or tablet,
Apple, Android it doesn’t matter we’re outchere!

We’re on Stitcher and Tune In.

Got feedback?
Hit me at reidmymindradio@gmail.com … Remember Reid, is R E I D.

Thanks for listening!

Peace!

Hide the transcript

TR:
What’s good family!
Happy Black History Month to everyone…
even if you don’t feel that’s something you celebrate or even really acknowledge.
The simple truth, if you are on this planet,
chances are great that you have been impacted by African American people. There’s so much from the world of invention, science and culture. An unfortunately, that’s not discussed during the other 11 months of the year.

Today’s episode includes a recent piece for Gatewave Radio that shows how sometimes people are like pieces in a puzzle. If one piece is missing, that full puzzle can never be complete.

Following the Gatewave piece you will hear more from two brothers who in their own way are expanding Black history. And ,  making sure we know, that includes people with disabilities.

Are You ready?
[Audio: “I know you’re gonna dig this!”]
[RMMRadio Intro]

[Audio Mix: “En Vogue, Tony Tony Tone, Digital Underground and MC Hammer!]
TR:
Today, the question, Who is Joe Capers?

In the 1980’s and 90’s  artist’s like , En Vogue,
Tony Tony Tony,
Digital Underground,
MC Hammer
all had a few things in common.
They all were based in Oakland,
each made their way to the top of the charts
and Joe Capers.

In order to find out who is Joe Capers,
I spoke with two gentlemen from California’s Bay Area.
First up, Leroy Moore, originally from the east coast, raised in Connecticut and New York City.

LM:
I’m an activist, journalist and author. I also started what’s called Krip-Hop Nation with a K. It’s an international network of musicians with disabilities. My disability is Cerebral Palsy. I had it since birth.

I found out about Joe Capers when I was doing radio. KpFA out here  in Berkley. They had a radio show about people with disabilities. Joe Capers was blind African American man here in Oakland in the 70’s, 80’s and 90’s. He had one of the first accessible home studios at that time.
TR:
That’s a full recording studio in the basement of his home. All sorts of Oakland artists from MC Hammer to En Vogue and others you may have never heard of recorded at Joe’s studio

Leroy learned of another person who could help further answer the question… who is joe capers?

Naru:
I got a call from Leroy one day, he said “Naru you knew Joe Capers?” I was like yeah Joe?

TR:
Meet Naru Kwina , an Oakland California  based artist and teacher. .

Naru:
Joe was just the coolest guy with the biggest smile.
Joe played the base, the drums the keyboards so he was a master musician.

TR in conversation with Naru:
Was Joe doing more of the production? Was he just kind of the studio owner? What was he actually doing?
***

Naru:
Listen brother! His studio was called “J-Jams Studio: Joe did everything.  He had his mix board in Braille. He recorded, he engineered he mixed, he produced. He did everything that you could every possibly do in the studio. And he had the greatest ear I have ever been around and I’ve  been doing music over 40 years of my life. If you had one note or one little thing off he knew and he would call you on it. You know because he was blind you thought you’d  get away with stuff.

TR:
Joe was a professional and  demanded that those  in his studio acted the same. Naru, who is also a rapper, and went by the name Quick back then, recalls the time when Joe instructed him to memorize his lyrics and not use written notes in the recording booth.

Naru:
I’m in the booth one day and I had my little paper… like nah he ain’t gonna know… [laughs] he was like bruh, I could hear the paper rattling in the booth. And he sent me home. He sent me home and told me not to come back until I knew my lyrics.

So he was really dedicated to the music and that dedication is still with me and when I started having my own studio and production I always said nope don’t come in here with no paper, learn your lyrics.
[Laughs] So I got that from Joe!

TR:
Learning more about Joe, Leroy was surprised others didn’t know him.

LM:
Oh my god, this man needs to be recognized in Oakland because he really changed the Oakland sound of Hip-Hop and Soul.

TR:
During that conversation between Naru and Leroy the idea was sparked.

Naru:
When I said you know somebody outta do a film about Joe, he [Leroy] said why don’t you do it. I said man, I’m not a film maker man… he said but  yeah you know people. Reluctantly, I took that upon myself.

TR:
there’s lots involved in the process.

Naru:
I just contacted people who had cameras, mics and I had to contact all the artists. I literally probably have  6 or 7 hours of interviews. Everybody from MC Hammer, Digital Underground, Dwayne Wiggins from Tony tony Tone and other people who just knew Joe on a personal level or recorded with Joe… who were closer with Joe. Some of the more interesting interviews are from people you would never heard about who Joe touched in a particular  way. I could just say that he’s still here with us because all the people he touched and how many people still  think about Joe.

TR:
What began as a 15 minute documentary about the career of Joe Capers has morphed into much more. Running his own studio known as J-Jams wasn’t solely a business venture. This was back in the error when recording music professionally required significant investment.
Large studios charged hundreds of dollars an hour for studio time.

Naru:
Joe was changing like between $20 or $25 an hour r. The quality of sound was on par with anything coming out of these big studios. Joe knew the music that we were doing.  He understood it better than some of the engineers who were  in these big studios who were used to . doing rock music or folk and country. Joe  understood the R&B  and the Hip-Hop… the need for that bottom.

TR:
While the music might be about that base, for Joe it included the chance to offer help and encouragement.

Naru:
He was also a teacher. He would take young kids off the street from time to time. Some people were actually living with him. He would teach young kids  to engineer. Pretty much gave at least  two people I know roofs over their heads until they got their act together. They might have been out doing some street business and he didn’t really want that.  So he was trying to teach people another way to make money and be successful.

LM:
Joe Capers taught newly blind people independent living skills.

TR:
Making a documentary takes a lot of patience and research. It also takes creativity. Not only in the traditional sense as in the filming and writing, but also in the approach to resolving real  challenges that inevitably arise.

In order to make up for a lack of video footage of Joe and artists in the recording studio, original animation is being incorporated into the film.

And I am pleased to report that plans are included for audio description, making the film more accessible to those with vision loss.
When complete the film will be distributed by way of local public television, online, film festivals and live screenings.
Events developed around the release of the film will include a live concert focusing on emerging artists including those with disabilities. The concert will be an annual event taking place in August. in Oakland, this now has significant meaning.

Naru:
I wouldn’t say we, I helped but Leroy was the most instrumental…

LM:
Every August is now Joe Capers month in Oakland. That’s the first  Black Disabled man that’s been recognized  by the city of Oakland.

TR:
Here’s how you can help contribute to the success of this film

Naru:***
I’m working on some more funding  right now that’s why  it’s slow going. Everything’s been like a labor of love  out of my pocket. And Leroy put some money in as well.

I have a nonprofit, it’s called Alternative Minds Foundation and so all our stuff is going through there with this film. It’s a 501-3C so everything is a tax write off for people who want to do that.

LM:
www.alternative-minds.com

Naru:
And just later on just telling people about it when it comes out. That’s probably the best way you could help spread the word.

TR:
It sounds like these two are the right   choice for telling Joe’s story.
Leroy, through his work with Krip Hop nation, an international network of musical artists including
rappers, dj’s, producers, dancers, spoken word artists and others, all with disability; have already presented an award in recognition of Joe’s contributions. This award was presented to his family in Georgia.

Naru who had a personal relationship with Joe, while not as familiar with blindness, did gain what some may see as a simple lesson, but in fact is one that advocates have spent a life time trying to convey.

Naru:
My understanding about a person who was blind  is very limited and probably very skewed. Being around Joe was very refreshing. He was just a regular person, did regular things. Loved to joke and laugh, play tricks on you  and all of that stuff. He was just like we say, a regular Oakland Cat!
[Laughter fades out]

TR:
This is Thomas Reid,

LM:
Oh my God, this man needs to be recognized.

for Gatewave Radio.
Audio for independent living!

[Audio: Taken from Rap Battle on MTV
“There’s no charity in a rap battle!”, Sway]

TR:
The first time I thought about Hip Hop and disability was just prior to me losing my sight.  It was the fall of 2003, I believe it was MTV2 who was airing a rap battle. One of the contestants included young rapper by the name of Blind Fury.  I remember thinking his opponent was corny. He got stuck on the blind and disregarded the fury.

Blind Fury by my account was indeed better and should have won that battle.  He was more lyrical,
had a method for finding out visual details about his opponents and  he had multiple flows.  I realized the perception of Blind Fury’s talent was based on his disability.

Why would blindness limit the ability to rap? It’s vocal, what’s the big deal.
Yes, battle rap might require the ability to quickly gain information about your opponent, but Blind Fury was making that happen too.

Eventually Blind Fury took his place in history with his success on  BET’s 106 and Park’s Friday Freestyle.

[Audio: From Wild Style… “South Bronx Subway Rap”, Grandmaster Caz ]

The truth is people with disabilities have been involved with hip hop since its origins.

Leroy prior to his interest in rap was into rock and heavy metal.

LM:
Ozzie Osbourne, Metallica, ZZ Top…
***

TR:
He was then introduced to Rapper’s Delight, from the Sugar hill Gang.

[Audio: rapper’s Delight, Sugar Hill Gang]

LM:
Back then you bought the record and tried to learn all the lyrics.

This is gonna be cool!

At that time I had a walker . So picture me  with my walker going to the subway to the Bronx. Here I am this skinny guy with a walker and everybody around me has muscles,  break dancing and all that stuff.
I was just a writer back then . I dabbled in poetry.  I always told myself that I want to get in the cypher
TR:
If you’re not familiar  with the ciphers,  rappers would get together to rhyme  with one another. A time to test your newly written verse or maybe freestyle. Picture a circle of rappers passing the imaginary microphone to one another. It’s a meticulous process. You wait your turn. And you better be ready because you are going to get instant feedback on your 16 bars, or your verse. This is the place where you truly hone your skills.
While the ciphers were often about seeing who had the better skills, these
groups of mainly African American and Latino young men attracted the attention of the police.
Becoming more familiar with Leroy’s presence, he was soon declared “The  Watch Man”.

LM:
Because you’re disabled  you can watch out for the cops. The cops won’t do nothing to you . When the cops came  I used to yell you know, “po po”  and they used to scatter.  They’d just leave me there with my walker  and the cops used to get so pissed off.

TR:
Leroy played his position . He listened to more and more music.

LM:
When Run-DMC came out and did “Walk this Way”  and mixed rock with rap I was like alright this is it!

TR:
[Audio: It’s Like That, Run-DMC]

Right before I was scheduled to speak with Leroy, I read an interview he did with Daryl McDaniel’s better known as DMC of Run-DMC fame.

Now, when I heard [It’s Like That] as a young teenager, I lost my  [Censored Beep] mind!

TR in conversation with Leroy:
What was that like meeting DMC?

LM:
Oh my God, you know, I told him I grew up with you… he’s like no no we grew  up together!
For me it’s one of the highlights of my journalism career.

I saw that DMC had a book out about his depression. I also knew that back in I think the late 80’s he had a voice disability. I was like ok, DMC needs to know about Krip-Hop.

TR:
And more people need to know about Krip Hop.

In general, people are uncomfortable with disability. They don’t understand what to say to a person, how to act, maybe there’s some fear of even thinking about disability…
You know what I’m talking about because chances are you experienced it from at least one side or both.

Leroy never did participate in any of those early Bronx ciphers, but Hip Hop did get into him.

One important aspect of art and culture, is seeing yourself represented on the screen, on the canvas or stage and in the music.

As a black disabled man, that doesn’t happen that often.

LM:
My father had a huge Blues record collection and of course as we know Blues artists were blind… like Blind Willie Johnson.
[Audio: “It’s Nobody’s Fault but Mine”, Blind Willie Johnson]

My father liked Robert Winters. Robert Winters had Polio  and walked with crutches…
[Audio: “Magic Man”, Robert Winters]

Wow,  there’s disabled Black  men that do music!

I think it played a really big part of where I am today with Krip-Hop.

This year is our 10th Anniversary and we have loose chapters…

TR:
These include countries within Africa, the UK, Germany and Spain.

[Audio: “Tales of the Krip-Hop”, Rob da Noize Temple]

With the network formed by Leroy and co-founder Keith Jones, the two being disabled activists, the focus continues to be on education and advocacy.

LM:
So we saw Krip-Hop as a way to bring awareness around the history of disabled musicians from the Blues to Hip-Hop and really educate and to push the Hip-Hop arena  around Ableism thinking around disability and to really say that disabled musicians have been here since the Blues.

TR:
Krip Hop Nation produces live events featuring all sorts of artists with disabilities including; dj’s, emcee’s, spoken word artist, dancers and more.
They have put out 4 CD’s including their latest.

LM:
Our 10th Anniversary CD just came out on CDBaby.com. It has Wonder Mike  from the Sugar Hill Gang, DMC from Run-DMC.

TR:
Two names you are probably familiar with, but some might be new…like;

George Tragic
[Audio: “Industry Epidemic”, George Tragic]

Wheelchair Sports Camp

[Audio: “Hard out Here for a Gimp”, Wheelchair Sports Camp]

Toni Hickman
[Audio: “Cripple Pretty”, Toni Hickman]

Rap music and hip hop culture ironically was birthed to some degree from
exclusion and isolation.
Young kids from the South Bronx who  didn’t have access to much
including instruments so turn tables and beat boxing became its  replacements.
Barred from the downtown discos and night clubs; the community centers and parks became their place to party.

[Audio: “This Can’t Be Life”, Prinz D]

Hip Hop is a culture that created an outlet for expression.
It’s common themes consist of stories about overcoming adversity,
rebelling against  oppression, yet the disability experience goes mainly unheard.

Obviously this isn’t exclusive to rap ,
but this music with its infectious beats and rhymes is perfectly suited for Communicating all types of information with
the intention of educating.
Whether changing commonly held beliefs or getting young students to recall all types of information.

[Audio: “Hip Science”, Naru Kwina]

That’s where Naru saw a way to use his love for hip hop and combine it with his love of teaching.

While working as an assistant teacher he had the challenge of trying to teach science to kindergartners.

Naru:
The kids were like “uh!”

At recess I heard them all outside, they were singing this song off the radio; the lyrics were horrible. [Laughs…]
But, man, they knew the whole song….
And a lightbulb went off like huh!…
If I could turn these lessons into music like that and get these kids excited I wonder if they would learn these lessons like they learned that song?

So I did a series of songs  about the body and gave them to my students, the CD’s to the parents  to take home and listen to and then we did some in class. I mean they caught it so fast, it was amazing.

And so I was just using it in class and people kept telling me you need to market  this… you need to do this you need to do  that…
I ended up applying for my first grant. It’s a grant called  the Creative Work Fund. It was a partnership with this organization called the African Scientific  Institute out here in Oakland. We got the grant. $35,000 grant. I was able to produce a play, the CD and pay a lot of people in my community as well to perform  and got other artist involved to  record with me. That’s about 10 years ago. I’m still doing it to this day. Outperforming , online sales. It became half of my career. I’m still an after school teacher but I do a lot of Hip Science. I enjoy it!

TR in conversation with Naru:
What was that reaction like from the other teachers? Were they cool with this or did you get any negative feedback from them?

Naru:
They were amazed. First of all I don’t think any of them knew I rapped. I don’t know why but I kind of kept that part of my life separate  from working with the children and never realized that was one of my strengths.
I should have been using it all along.
I never even thought it would be anything like that. I just wanted my kids to learn.

TR:
And it wasn’t just his kids that were learning.
Shortly after releasing the CD series he received a call from a company interested in the product.
Naru:
This company, it’s called Overbrook Entertainment and they wanted to buy [laughter] my whole business. I’m like what? I’m not selling my business. And it turns out that was Will Smith’s company. He was in town  in San Francisco  shooting the Pursuit of Happiness  and I don’t know how  he got my CD’s  but his kids were listening  to it. I never finished the negotiations because  they were talking about they wanted to have all the marketing … I wasn’t looking to sell. It was like  this  is my baby right here!

I was like wow, I know I’m doing something now if their trying to buy  my company man! [Laughs fade away…]

***

TR:
Doing something now, well that sounds like Naru’s default mode…
He creates music with his daughter who herself is a singer and rapper at the Oakland School for the Arts.

Naru:
Matter of fact, the first song she ever wrote with me  she was 3. It was called love is the thing It’s featured on Rosie O’Donnell Family is a Family documentary. We did a video for it and everything. It was real cool!

TR:
Over several summers, the two have written a book that’s now complete and he and his daughter are creating an accompanying soundtrack.

Naru:
It’s called Panela’s Journey. It’s a very fanciful tale of a young girl who’s struggling with her identity  in the world and  her place in the world and wondering why the world is the way it is. She seeks refuge in a fanciful place.
That  one should be coming out soon as well. We’re gonna have some augmented reality, apps that go along  with the book.

TR:
Continuing to put out his own music, his latest project should be out soon.

Naru:
Naru and Strong Soul and we are The Living Room Legends!

TR:
I have some links on the blog… Reid my mind .com if you want to check out more on both Leroy and Naru.

Salute to both of these brothers for the good work their doing, truly expanding the culture.

I don’t know about you but I feel like I have to start producing some    more content!

n that note, make sure you subscribe to this podcast.
Go to your podcast app of choice and search for Reid My Mind Radio… that’s R E I D.
You can also follow me on Sound Cloud soundcloud.com/t-Reid.

[Audio: RMMRadio Theme]
Thanks for listening.

Peace!

Hide the transcript

TReid:
What’s good everybody, back this week with another episode of Reid My Mind Radio and I’m very excited to bring you this latest piece produced for Gatewave .

You may think the title says it all, but there’s more…

Take a listen and I’ll be back with some thoughts.
[“Ladies First”, Queen Latifah]
[Reid My Mind Radio Musical Intro]

TReid:
Young Ant in the building!

YA:
Young Ant in the building!

Treid:
Uh Oh!

So the way I look at this; Antynette is the person, Young Ant is the rapper!

YA:
[Laugh!] Yeah, that’s right!

TReid:
Alright, so first who is Antynette?

YA:
Antynette is a young lady who has been through a lot in a little bit over a year and half and is trying to find her through it with adjusting and coping and in different techniques that I’m learning and trying to find different avenues of expressing how I’m feeling.

[Intro to “Count your Blessings” by Young Ant]

TReid:
Beautiful!
I lost my sight about 13 years ago. And so…

YA:
Really!

TReid:
Yeh so one of the things that I like to hear from people adjusting to blindness is that they don’t first start with who they are with the fact that they are blind. You said you are a young lady!
Now, tell me who’s Young Ant?

YA:
Well Young Ant is a motivational rapper!

TReid:

Maybe that’s not what you expected to hear from an upcoming rapper.

Or perhaps your image of what it means to be blind
makes it difficult to understand how this young lady
who lost her sight only a little over a year ago can talk about counting her blessings.

Well, we’re about to challenge your perception today of both
what it means to be blind and what it means to be a rap artist.

Antynette Walker, 19 years old, lost her sight in the middle of her senior year in high school.

Marsell:
Antynette was born prematurely and she had eye surgery done on her eyes at the age of 1 to correct her vision. They told me that her eyes will be just perfectly fine; in which they was over the years.

TReid:
This is Marsell Walker, Antoinette’s mother.

At 11 years old Antynette began losing her vision.
Living in Atlanta at the time Marsell began searching for a reason for her daughter’s vision loss.

Marsell:
We started taking her to different doctors, getting different tests run and no one could tell us a reason why this was happening to her eye. They just kept prescribing different glasses for her eyes and after the years went on we just started coping with her losing vision in her left eye at the age of 11.

TReid:
In 2015 Antoinette began experiencing complications in her right eye.
Still seeking that diagnosis, the family moved to Minneapolis where she was first being treated at the University of Minnesota.

marsell:

He really didn’t see any dramatic changes within her vision from when she started seeing him. And she was going in complaining about the blurriness and spottiness and these were the same symptoms and things that she was going through at the age of 11 when she lost her vision in her left eye.

He somewhat tried to make it feel like she was hallucinating and it was all in her head and she knew off hand that it wasn’t so she asked me to get a referral to a newer doctor which is at the Mayo Clinic in Rochester.

TReid:
Seen by Ophthalmologist’s, Neurologist and other specialists at the Mayo Clinic, doctors had a very different opinion from the original doctor at the University of Minnesota.

Marsell:
That’s when they did notice her vision was changing dramatically. And he couldn’t even figure out why that previous doctor would tell us he seen no changes.

TReid:
Despite all of the tests that came back negative and the eventual diagnosis of Optic Neuropathy

Marsell:
She woke up not being able to see anything and that point he asked for us to do Steroids with Antynette for about a week… it didn’t work!

TReid:
That day she woke up blind, was Christmas 2015!

TReid in conversation with Marsell:
I mean, you’re her mom, and you’re watching your daughter lose her sight.

Marsell:
Yeh!

TReid:
What was that like for you?

Marsell:
It was really, really stressful. I have always been that parent who where if something is wrong with your kids you find a way of fixing it.
Your kids feed off of your energy, so I had to keep being positive. I’ll go in my room I’ll cry, I won’t let her know I was crying. I’ll come back out and as if nothing happened, but you know I didn’t know what to do. I was just numb!

TReid:
This was her senior year in high school.
Antoinette should have been thinking about the prom, her future.
Now she had to return to school after Christmas break, to a whole new way of life.

TReid in conversation with Young Ant:
What was that first day of school like for you?

YA:
Well, it was hard. Everything was much louder, it was just harder to navigate through crowds and different hallways. It was so much anxiety the first day going back because it was just new way of life, new environment, everything was just all brand new.

TReid in conversation with Young Ant:
What was the reaction of your classmates?

YA:
Everyone was shocked. Everyone was surprised . People more so didn’t believe it because they were just like last time I saw you you were able to see now you’re blind. More people were stand offish kind of and some people were supportive because some people knew what I was going through and knew that it was gonna happen and because we were that close and we talked about it frequently. But some were rude. I think that was mainly because they didn’t know how to take it and they didn’t know what was a proper reaction.

TReid in conversation with Young Ant:
That’s a mature response from you in terms of how you responded to those people who were being , you know, negative.

YA:
There’s going to be some people that you know, they don’t know any better or their parents didn’t teach them any better so there gonna you know make fun or say things that are inappropriate, but you gotta just learn to ignore it. Some people are for you, some people are against you. Not everyone is gonna be on your side.

[Song: “Team Ant”, by Young Ant]

TReid:
On the same side; like on a team!

Team Ant! That’s the official name of Young Ant’s crew, her support system her family.
working with her throughout this new journey.

Team Ant consist of her Dad,Aldo…

Marsell
He’s focusing on making her greater. He’s there hands on. It’s her message, but he knows a lot about rap so he has a big input on her delivery.

TReid in conversation with Marsell:
And are you playing the role of manager/marketer? What’s your role?

Marsell:
I am “Momager”

TReid in conversation with Marsell:
Momager
, ok! {Laughs}

Marsell:
[Laughs] It’s a new word for me

TReid in conversation with Marsell
I like it!

Marsell:
Hooking up photo shoots and videos hooking up studio time and reaching out to different people to try and get her story out there. And her father is the one that comes and oversee everything and makes sure it sounds right.

TReid::
The oldest of 4 siblings, setting an example for them is really important to Antynette.
She’s working hard at improving all of her skills. That’s Braille, navigating with her white cane, independent living skills and learning to use a screen reader and computer.

Traditionally, One of the most important aspects of being a rapper is writing your own rhymes.
At least, if you want any true rap Aficionado to take you seriously.

I had to ask…

TReid in conversation with Young Ant:
Are you writing your own rhymes right now?

YA:
Yeh!

TReid in conversation with Young Ant:
You’re like yehhhh!

YA:
[Laughs]

TReid in conversation with Young Ant:
How do you feel about the writing? Does that mean something to you as opposed to having others write your rhymes?

YA:
Yeh, Because before I went blind I was a big writer. I wanted to be a novelist. I used to write short stories and poems and different things of that sort. So I feel like you know with me losing my sight it doesn’t mean that have to stop doing what I love doing. Now I have to be more repetitive when I’m writing the stuff so I can remember it.

TReid:
In any art form, early influences can help develop an artist’s own unique style.

YA:
My father is a rapper so I kind of grew up around music and rap music. Growing up around him, listening to him rap. Growing up in Atlanta, Georgia I just grew up listening to it. Artists like Biggie Smalls, Tupac and Run-DMC and you know Snoop Dogg

TReid in conversation with Young Ant:
Very nice!.
See, I made my kids, both of them, they had to learn some early Run-DMC… I’d make them learn the lyrics…

YA:
Laughs…

TReid in conversation with Young Ant:
For real! I ain’t joking!

YA:
Right, get to the roots!

TReid:
Based on the artists mentioned I’d say Young Ant has some knowledge of rap music’s pioneers. She likes lyricists, music with a message and showmanship.

YA:
I like to call myself a motivational rapper. I’m mainly aiming to inspire, to motivate, to let everyone know that no matter what you’re going through and no matter what happens that doesn’t mean that your life stops just because you’re diagnosed with a certain thing or something traumatic happens in your life. People in society tell you that you can no longer go on. You can be whatever you want to be and you can do whatever you want to do if you set your mind to it. All my music is positive and clean. You know fun, uplifting and motivational.

TReid:
She’s gearing up for some live performances later this year. Like the South by Southwest festival in Austin Texas and Coast to Coast in Atlanta.

TReid in conversation with Young Ant:
How do you navigate the stage?

YA:
Usually, I go on before to get a feel for the stage you know to see how big it is to see what I’m working with. And then you know once I get a feel for how big or small it is , I kind of just you know [exhale!] let loose!

TReid:
Young Ant is just getting started and open to collaborating with other artists.

YA:
I would love to do a song with Stevie Wonder. That’s like the top of my list.

TReid in conversation with Young Ant:
Hold on, you’re a Stevie fan too!

YA:
Whatttttt?

TReid in conversation with Young Ant:
You’ve always been a Stevie fan?
I love Stevie… yeh! Even before…

TReid in conversation with Young Ant:
Now I’m gonna test you. You’re talking to a real Stevie head right now. Tell me what you like. Give me a song.

YA:
[Sings Isn’t she lovely, isn’t she wonderful]

TReid in conversation with Young Ant:
Ok!

YA:
I like Superstitious! That’s that’s my jam!

TReid:
There’s definitely something wonderful about this young lady.
Maybe it’s the inner strength that shines through her words and personality.
The determination that’s helping her adjust to blindness and pursue her goals.
She has the courage to make her way in quite honestly what’s a male and able bodied dominated genre
in the entertainment industry
which by the way, has never been that open to disability.

Young Ant though has a team.

[Song: “Team Ant”, by Young Ant]

A support system that’s lead by the two people who love her most, mom and dad.

[Song: “Count your Blessing” by Young Ant]

That’s an asset whether adjusting to blindness or starting a music career.

To listen to this track called Count your Blessings go to Sound Cloud and follow her on social media.

Let them know Momager!

Marsell:
Young Ant, first blind female rapper. You can find her on YouTube as Young ANT. On Twitter , Sound Cloud, Instagram as YoungAnt1121. Her Facebook page is Team Ant.

I’m Thomas Reid…

[Audio YA: I kind of just you know, let loose!]

TReid:
For Gatewave Radio, Audio for Independent Living!

[Sound of Record rewind]
This is why I like producing this podcast.

As a father of two incredibly gifted, intelligent and beautiful young ladies I was drawn to this story.

I understand the value of speaking with someone who has walked in your shoes.

Graduating high school is the time when you look to a future hopefully full of opportunity
. For Young Ant and anyone faced with the loss of their sight or any disability for that matter,
it’s natural to think that the opportunity has faded away.

All it takes though, is a glimpse of chance or hope to peek through.

That could be a small success.

Young Ant is only one year into her adjustment process.
Honestly, to some extent I think that process is lifelong. Not like a life sentence, but rather like a commitment.
A commitment to living the best life possible;
seeing happiness not as a destination but a daily process.

Now, you know what’s not a daily process?
subscribing to this podcast, Reid My Mind Radio…
For real though! All it takes is a couple of steps;
go to your podcast app, search for Reid My Mind Radio… that’s R E I D
and then hit subscribe.

Then become a fan!
I ‘m talking about young ant, but feel free to become a fan of the podcast too!

Seriously, I hope you all heard the character, strength and maturity like I did and become a fan of both the young lady, Antynette and of course, the rapper Young Ant!

[Song Roxanne Shante: “Got the party people screaming… “Go on Girl.!”… from “Have a Nice Day”}
Reid My Mind Outro Music

TReid:
Peace!

Peace!

Hide the transcript