Posts Tagged ‘Blind’

Young Gifted Black & Disabled – The Price of Blind Girl Magic

Wednesday, November 10th, 2021

Jeanetta Price is an advocate, writer, spoken word artist and the CEO of Blind Girl Magic. She’s using her talents and experience to reach out to women adjusting to vision loss.

Blind Girl Magic Logo: Blind girl written in black bold letters, outlined in white. The white cane is in between the "G" and the "R" Symbolizing the letter "I" in Girl. Magic is written in bold red letters outlined in black  and white accompanied with black stars

I can’t think of a better way to kick-off this final season of 2021 than with a bit of magic! Not that hocus pocus stuff. Rather the kind of magic that we all possess somewhere inside

In this episode, we’re taken on a magical journey that includes some familiar experiences, unexpected turns, and some passionate spoken word poetry.

I’m not a magician, but today, please allow me to show you one of my hidden talents; I can Reid your mind!

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Transcript

Show the transcript

TR:

Greetings Reid My Mind Radio Family!
Welcome back to the final series of 2021. We call this one: Young, Gifted, Black and Disabled.

Shout out to my brother AJ Murray who co-hosted and produced an episode with me last year with that same title. It is the inspiration for this series.

Young: Well, that’s relative. It’s up to each of us to define how we feel.

My maturity level has probably never passed 5 years old. I’m extremely silly, y’all!

I’ve been working on the gifted part since the other areas are undeniable. I’d like to share with you today and let you judge my progress.

I’ve been enhancing my own ability to read minds. I know, it makes sense right, Reid my mind. Now, I’ll attempt to read yours.
But first, I need your full attention.

If you’re walking on a treadmill, don’t stop, I don’t want to be your excuse. Just listen carefully and follow along.

Choose a number between 1 and 10.
Now multiply that number by 2. I’ll wait! Come on y’all I shouldn’t have to wait this long.
Again, choose a number between 1 and 10 and then multiply it by 2.
Ok, add 8 to that number. That’s right, 8.
Now, I need you to divide that number by 2.
Ok, you with me?
Subtract your original number from that number.
Ok, Braille users should get this part quickly, take the corresponding letter from the alphabet where A is equal to 1. B is 2 and so on.
Now think of a country that starts with that letter.
Now take the next letter in that country and think of an animal that starts with that letter. What color is that animal?

Now just say, out loud, “Reid My Mind Radio is my favorite podcast!”

Got it, You are thinking of a gray elephant!

If I got it right, well you need to show a brother some love. Head on over to ReidMyMind.com and hit that link that says survey. It only takes a few minutes. Or hit that link that says Shop and get yourself some of our cool Reid My Mind Radio inspired merch.
Or give us a shout out on social media. @tsreid on Twitter and check us out on InstaGram at ReidMyMindRadio.

Ladies and gentlemen, my name is Thomas Reid. I’m your host and producer and I’m really not a magician. But we are about to hit you with some magic!

AbraCadabra baby!

— Reid My Mind Radio Theme Music —

Jeanetta:
I am Jeanetta Mary Alice Price, founder and CEO of Blind Girl Magic.

I am a chocolate voluptuous sister with a big ol curly Chaka Khan looking black wig that really compliments my outfit, which is a black dress.
It’s a little, but I guess we don’t need to know that. It goes down to my knees.

TR in Conversation with Jeanetta:
Alright! That was a very nice image description. That Chaka Khan’ thing, that paints an image for somebody who knows what Chaka Khan look like.

— “Chaka Khan… From “I Feel for You”–

TR:

Chaka Khan represents a strong, confident, proud Black woman. In fact, she said she’s every woman, and it’s all in her.

— “Woh, woh!” Chaka Khan, “I’m Every Woman” —

Confidence we know can be tested. Blindness, disability that’s like a graduate level exam.

Jeanetta: 02:02
At the age of 25, I began to lose sight due to aggressive glaucoma and also Cornea disease.

After the cornea transplant, the glaucoma became uncontrollable. So glaucoma is the primary cause of me losing sight.

TR:

The causes of blindness are unique to everyone, but there are some common reactions: like isolation.

Jeanetta:

When you isolate yourself, then, you know you allow the negative thoughts. A lot of the misconceptions just begin to take over.

I lost my fiance, but finding out losing him was a game. So that was because he was not my husband. But we was engaged and this is what I said.

I was having my procedures back to back. And I was like, Oh, I’m going down the aisle as no Blind woman, who does that? That’s how naive I was about blindness.

We bought our home. And I just kept pushing away and back cuz I was like, No, I can’t do this. But it took for me to really walk away from this situation to begin the healing process.

TR in Conversation with Jeanetta:
Did you have any sort of experience with blindness and disability?

Jeanetta:

You never know when you’re looking at your destiny. When I was younger, like say, junior high school. There was a blind man in my community. I used to see him walking with his white cane.
I recall being on a school bus, sometimes just staring at this man. He was independent. But when it came to younger, blind women, I’m 25 I felt like I was at the prime of my life. I didn’t see that. I’m from a small community, Beaumont, Texas about an hour and a half away from Houston, Texas.

TR:

Of course blind skills training is crucial, but one of the most important aspects of adjusting to blindness is meeting the people like you or those you can relate to who have similar experiences.

Jeanetta:

One of my professors introduced me to the Federation. And I went out for a scholarship. I did not receive the scholarship. But I did gain a community. And I knew I wasn’t alone. So that was the game changer.

I was using my resources with division of blind services locally but to be able to begin to network and build sisterhood with other blind sisters. That was priceless for me. Because I knew if they can do it, then I can do it as well.

TR in Conversation with Jeanetta:

How’d you find them? Other blind sisters?

Jeanetta:
I went to my first national convention, with the National Federation of the Blind. It was in Texas at the time in 2012.

I never seen that many blind people in my life.

I don’t do dogs. I’d just never seen blind people, and they moved so fast. And they was a little rude too. They would run you over! I’d tell anybody, it’ll make you gain blind skills, because you have to protect yourself.

I begin to just go to the different seminars. They had a talent show. And I was like, I don’t do talent shows, but they asked me to do a poem, and I did.

Once I became open, then I began to meet other blind people

I believe in networking, and the Federation allowed me to meet other blind people my age and people that I could connect with as well.

I love networking with my blind brothers and sisters. I believe it’s priceless. Because if there’s something I don’t know, then I can tap into one of my resources, and they can definitely help me out.

TR:

When we talk about adjusting to blindness and other disabilities, so much of the conversation focuses on learning to accept help. It can take some time to recognize the other side of that coin. That is, you too, as a person with a disability, have a lot to offer others.

But after all, it’s called an adjustment process, because it takes time.

Jeanetta:
From 25 to 29, I suffered with severe depression.

Everything that I’ve always associated blindness with, like losing my job, just not able to drive, everything was negative. I didn’t want anything to do with blindness.

Long as you’re in denial, your healing cannot start.

I’m a writer, I didn’t write from 25 to 29. I didn’t pick up a pen. I didn’t do anything. I was angry. I was bitter. I was non productive.

TR:

That desire to write and create seems to be a part of Jeanetta’s identity.

Jeanetta: 17:14

My fifth grade teacher actually told me I had a gift from God. She placed me in theater arts when I was in sixth grade.

Everybody in class, they used to say she don’t really read, she reads! (Strong emphasis on the latter “reads”)

When it comes to expressing myself, I’ve always been very vocal, very bold.

Ever since then, not only did my school embrace me, my church, my family, everybody embraced my gift.

TR:
An obvious challenge for a writer new to blindness is access.

Jeanetta:
I use all tools.

I’m on my computer if the spirit Hits me, two or three o’clock in the morning, I’m on my phone, I do voice audio.

Sometimes I get up real early, in the morning that’s a time where I love to write and I just pull up my laptop. Sometimes my Victor Reader Stream, you know, it’s whatever I have my hands on at that time will serve as my tool of writing.

I tell people, whatever your style of writing is, just embrace it. Before I became knowledgeable of different tools I used to just get a sharpie. But even though I really couldn’t see, I was still releasing what I was feeling. That was my way out.

As I begin to just really grow in my blindness, then here come the poetry, where now I can write from a healing place.

TR:

Notice how for Jeanetta the act of writing soon after blindness wasn’t really about editing her own words as much as it was an opportunity to purge some heavy emotions.

Her passion for writing was obviously strong enough where she wasn’t deterred from finding new ways. Proving when it comes to the art it’s just never really about the tool.

Jeanetta:

I was always a paper queen. I wrote everything. It was definitely hard. But once you accept what you’re going through, then you start finding ways.

I was like, Okay, well, I can’t do this. But what can I do? So I stopped focusing on the I can’t and the I can’ts became my best friend. I never forget that same fifth grade teacher. Miss Maduro, we used to call her Miss Mad when we worked her nerve. She said she gave us those 10 two letter words if it is to be it is up to me.

As I began to lose sight, I thought about my fifth grade teacher so much. And how she really changed my life because she helped me find my purpose.

TR:

That ability to accept what you’re going through is so important to really understand the challenge. A very common experience is to blame blindness. Therefore it’s natural to reject any association with it.

Jeanetta:

I don’t know if they thought it was a compliment. And maybe they’ve done this to you before.

“Are you blind? You don’t look blind!” Okay, what does blindness look like?

So when people would tell me, Are you blind, like, No, I’m not blind. But then, when I began to embrace my blindness, I begin to just walk in my purpose in my truth, and I knew all the time that blindness is a mindset.

TR:

I think we should really hear Jeanetta express how she feels, in her way.

Jeanetta:

Are you blind?
That’s the question at hand. Before they even shake my hand. The only thing that they see for sure is not me, of course, is my b l i n d. Standing bold and beautiful as I tap across the room shoreline and with a burst of confidence.
Excuse me, ma’am. You don’t look blind? Well, could you please explain to me how blindness look? See, blindness is not the presenting problem. The lack of knowledge and misconceptions of blindness serve as society blindfolds. Low expectations, create social barriers that prevent us from reaching our goals.
Excuse me, ma’am? Why do you walk with that stick? That is the question. Correction. This is not nor would it ever be a stick. It’s my cane. And in the Blind community, we name our cane. So please, show some love for my bestie. She never leave my side. And a matter of fact, she’s my eyes. I walk with faith into a world of possibilities. Believing that I can tap into my vision. Faith that detects roadblocks allowing me to overcome life obstacles, change direction and discover the impossible.
Excuse me, ma’am. Are you blind? That is the question at hand before they even shake my hand. Are you blind? Yes. Once I finally said it with no shame I took back my name is Jeanetta Price and I am blind. That’s when I realized that the question all this time was not for me. But for you who have sight but no vision. Are you blind?

— Music begins – an energetic, upbeat bouncy Hip Hop beat–

— Sample: “: Now wait a minute” “Shout”, The Isley Brothers–

TR:

Hey did you know;
Reid My Mind Radio, is now on Facebook and InstaGram.
We’re going to do some things on these platforms so stay tuned.
You can find us on each platform @ReidMyMindRadio.

Don’t forget you can also ask your smart device to play
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Make sure you say that full statement including, T.Reid.

Finally, you know we’re on most podcast platforms so why not just follow or subscribe there.
That way, you’ll never miss an episode.

Tell a friend to do the same. Let them also know that we have transcripts and more at ReidMyMind.com. Now you’re already family so you know, that’s R to the E I D!
(“D” and that’s me in the place to be. Slick Rick)
Like my last name.

Now back to the episode.

— Music comes to a slow end.–

TR in Conversation with Jeanetta:
So tell me what is Blind girl magic?

Jeanetta:

Oh, I thought you’d never ask? (Spoken in an ultra innocent tone with a Southern twang!)

TR in Conversation with Jeanetta:

(A very hearty laugh in recognition of her surprised response!)

TR:

That right there is a part of Blind Girl Magic. It’s subtle, but not really!
Like her eye catching fashionable t-shirts.

Jeanetta:

My last shirt was in May, my mother’s day edition. It said “I got it from my mama”

It’s A beautiful teal turquoise shirt with a shimmery I. The M, one of the legs was the white cane. And the letters were shimmery and purple. And it was like Mama was big. I sold over 200 shirts all over the world.

Blind Girl magic is for everybody. Not only do I rock Blind Girl Magic, my niece’s, my co-workers. It’s not just a blind thing, it’s a movement.
TR:

A movement that’s about starting conversations.

Jeanetta:
Many people tell me how when they out and about in the community and they rock in Blind Girl Magic it’s an eye catcher, because the shirts are beautiful. We are beautiful.

We don’t have to force feed people when we want to share about blindness. But if we rockin’ Blind Girl Magic gear, and they looking at all this like is that a white cane?Yeah, my cane is symbolic for independence and blindness. We can have those conversations and we don’t have to feel alone. I felt alone in my community.

TR:

Starting conversations not only through random encounters, but
by partnering with peers and hosting events within our community that embrace and highlight blindness.

Like one titled I Am Black History.

Jeanetta:

It was a total of 20 blind and sighted Individuals which did monologues. Each monologues were like five minutes. And each person was able to pick somebody in the past or present in history. At the end of that monologue, they flipped it. And they began to say, I am black history and began to share about themselves. We are history makers as well.
So many times we don’t acknowledge I know, I’m bad at it, you know, people like, “Jeanetta, I didn’t even know you had a master’s in counseling, or I didn’t know you did, you know. So many times, we don’t really acknowledge our greatness.

TR:

Part of Jeanetta’s greatness is using her talents and experience to help those who as she mentioned earlier feel alone as a result of blindness.

Blind Girl Magic offers workshops that provide an opportunity to explore the inner emotions through words. It’s called the Write to Heal.

Jeanetta:
That’s W R I T E.

I believe in the power of writing. God poured in me that there’s healing in your words, not just for you, but for others as well.

What we have is a line up of poets. So I’ll have some of my poetic Blind sisters with me. We’ll perform, we’ll share our truth. And because we want to be vulnerable, so people can feel comfortable and share their truth.

People think, Oh, she got this “S” on her chest. And they don’t even have a clue of some of the things that I went through. I’ve been there. And every day is healing for me.

TR:

After performances and Q&A, participants are encouraged to take about 30 minutes to write.

Jeanetta:

Maybe 20 minutes to write and I’m gonna put a little heat on them. I don’t want them to think about it. I want them to write about it. Because if you have too much time to think then you might try to change some things and just allow it to flow. And so, afterwards, if those who participated, they want to recite the spoken word they can, but sometimes it’s personal. I respect that too.

We can also encourage them and then you know that you’re not alone.

TR:

These workshops aren’t just for those experiencing blindness.

Jeanetta:

I’ve worked as a behavior specialist for like, four years. My Master’s is in clinical mental health counseling. Writing was a way that I was able to help my students to express themselves without using profanity and end up being suspended from school.

I used to do the Write to Heal seminars. I made them write. They say, “Miss Price we write more here than we write in English.”

One of my most recent was for a school in New Jersey. I did the Write to Heal seminar for the administrators and the teachers.

If I have a teacher that’s real with me and just sharing, you know, not afraid to be open as well then they respect that as well. You know, so more of your kids are coming to talk to you.

TR:

Jeanetta says student’s can feel when authority figures are authentic and encourages teachers and staff to recognize that.

Getting them to be vulnerable is part of accessing their authentic selves. Jeanetta was kind enough to share some of that vulnerability with the Reid My Mind Radio Family. She calls this one: My Left Eye.

Jeanetta:

My left eye left me long time ago.
My left eye is lazy. It drives me crazy, baby.
My left eye, always causing problems.
Attention seeker.
Stop sighted people in their tracks stare at the glare of my left eye.
I wish I was invisible like air.
Can you feel me?
My left eye just refuse to be a right eye.
Never following procedure, failed attempts after failed attempts.
See my left eye is clouded with insecurities.
My left eye sings the Blues clueless of the melody rocking and rolling.
My left eye has no rhythm, grove to his own beat.
My left eye left me numb to the pain of the spoken words in the curiosity of the unknown.
I should have known not to write this poem about my left eye.
As I recite I want to punch the lights out my left eye!
See, I’m not mad that you left, but it’s how you left.
No warning signs or trace of evidence in sight.
I swear my left eye left me in the darkest place, spiritually blind, my left eye.
Trust me, I tried to resuscitate my left eye performance, see people realize that I am hiding behind my designers.
Blinded by the bling, my left eye is a shady queen.
I’m taking back my crown.
My left eye do not define me.
I am a queen perfectly designed by the King.
See, my left eye is beautifully created.
Ocean blue scenery mixed with the clouds of joy.
My left eye is my testimony.
How I gained vision on my journey of losing sight.
See, my left eye is the center of attention.
Did I mention?
Today starts the shades off movement.
This is not just about me.
Let’s take our shades off together on three.
You will no longer have power over me, two.
I am perfectly designed by the King, one.
Today I removed the shades of self hate, doubt, and negative self talk.
Remove it!
Generational curses, addiction, physical and mental abuse.
Remove it!
Dream snatchers, haters, envy, jealousy.
Remove it!
Remove the mental mass and join the movement by setting yourself free and share with the world boldly, your beauty.

So that’s what you’ll get at the Write to Heal.

TR in Conversation with Jeanetta:

Wow. (in awe)

TR:

Blind Girl Magic is the fashionable gear, the workshops and events, the healing. Ultimately though, it’s about that movement or journey.

Jeanetta:

At the age of 21, I had a brain aneurysm. I don’t know if I shared that with you.

They told my mom that I wasn’t gonna live. If I did, I’d be a vegetable and I wouldn’t be able to walk or talk and you know. And you know I aint stop talking now, right.

TR:

So by 25, when the vision loss occurred, Jeanetta was once again really just finding her stride.

Jeanetta:

I took it pretty hard. And I remember just for days not getting out of bed not wanting to live. I was too afraid due to my Christian background to take my life but I will wake up and ask him Why did you still give me life? I used to sleep a lot because I actually just wanted to just leave this place. I just thank God for not listening to me right? Because I was blinded by my blindness. I had no clue that I could live my best life out of sight.

TR:

We don’t often talk about these feelings when it comes to adjusting to disability. Here or elsewhere.
I’m guilty of wanting to promote positivity and optimism.
But I want to also be honest and these feelings are real.

If you find yourself struggling with these thoughts, call this number;
1-800-273-8255. There’s no shame.

Things get better. And our feelings change. This is Blind Girl Magic!

— From
Jeanetta:
Blind girl magic is the type of magic that struts in a row with her white cane extended.
Her hips shift like the motion of the eyes of the sighted.
Who would have guessed that this blind girl possessed magic.
Abracadabra.
Now you’re convinced that I have some magical superpowers with a supernatural S on my chest
Well, that will be yes for success.
As I leap over obstacles in life, dodge negativity, slam misconception of society, slap our kids in the face when I did that is a fact that blind girl magic goes back to Helen Keller.
Way back to Harriet Tubman, born into slavery escaped the freedom but she did not stop. She went back and back and back to leave us the freedom.
Blind girl magic is built off the shoulders of phenomenal women.
Blind girl magic is the independent movement that is leading our blind sisters to freedom of depression, low self esteem, lack of confidence, anger, bitterness, rejection, Abracadabra, You are set free, blind girl magic lives within me.

TR:

Sometimes I think I should stop and give you a bit of audio description of what was taking place during the conversation. Hmm, I’ll call it Audio ReidScription”

— Rewind —
— Portion of Jeanetta’s poetry begins and is lowered as “Audio ReidScription” begins. —

Jeanetta’s audio:

Way back to Harriet Tubman, born into slavery escaped to freedom but she did not stop. She went back and back and back to lead us to freedom.

Audio ReidScription over Jeanetta’s audio:

All of a sudden, as if driving with a diamond in the back, sun roof top…, Thomas leans back in his chair with a big toothy grin.

Jeanetta’s audio:
…that is leading our blind sisters to freedom of depression, low self esteem, lack of confidence, anger, bitterness, rejection,

In a comic strip thought bubble hovering over his head, text appears : Go head Sis!

Jeanetta:

I recall when you couldn’t say “Jeanetta” and “Blind” in the same breath, now I have the nerve to own a company, Blind Girl Magic. I took back the power.

In my blind journey, I accomplished much more as a blind woman than I ever did as a sighted woman. I went back to school and received my bachelor’s, my masters have my own company.

I always tell people it took for me to lose sight to gain vision and once I gained vision God allowed me to see better.
But then I knew it wasn’t just about blindness.

TR:
At first I thought that was poetic or a metaphorical way of seeing her blindness.

For years, Jeanetta was in and out of surgeries and eye procedures. Her doctor offered different specialized contact lenses. They did nothing to provide more sight. In fact, the left eye only offered a bit of light perception, but the doctor determined there was more available in the right eye. Jeanetta just didn’t want to experience the eye pain.

Jeanetta:


Doc I have blind skills. Leave me alone.

But my doctor knows I’m a little feisty or whatever. But he knows that I trust him and I follow his lead.

TR:

The doctor wanted to try a new contact lens

Jeanetta:

They say the older you get, and people of color, our glaucoma begins to simmer down.

My doctor, he was just like, you still have something there and your Glaucoma is stable at this time. So he was super excited about it.

It was a challenge getting the contact in. Because my eyes were pointed, it was just a struggle, and I was crying, and everything.

My doctor said, Now look at your face. I haven’t seen my face in over 15 years.
So the doctors expected me to see better. But they did not expect me to see 2040.

I receive a special contact collar square lens that I put in, insert every day and take out every night. But sometimes, I don’t use my contact lens. I don’t ever want to lose, is my blind skills.

TR:

I’m sure there were all sorts of thoughts and feelings taking place, plus Jeanetta had to learn how to use vision once again.

Jeanetta:

I had to train myself not to trust my eyes, because I always had enough sight to get me in trouble if I ended up falling off the curb and stuff like that.

TR in Conversation with Jeanetta:
That’s a really interesting sort of twist, but I think that says a lot because you could have bounced, you could bounce you could be like, I’m out of here. (Chuckles)

Jeanetta:
I’m gonna be honest with you.

I know a young lady, we had the exact same condition, she received that contact, and we have not heard from her in the Blind community at all.

Everybody wasn’t happy for me. Sighted or blind.

So now it’s like, oh, you’re not blind enough to be a part anymore. It was bittersweet.

God had to remind me like who I am, and I have to walk in my purpose.

I’m going to continue on my journey of where he want me to be. Yeah, I could have bounced. But I’ll never, never this, this is who I am. And just like He gave it to me, He could take it away. And if you take it away today or tomorrow, I know, I’m okay.

My thing is this, I know that I can do it without sight. Because that’s what I did for years.

TR in Conversation with Jeanetta: 52:00
Okay, I believe you, and you reppin, that Blind Girl Magic. You rocking it. You can’t get away from it. You don’t want to get away.

TR:

I’m really not sure how one could just give up what has become a strong part of their identity. Especially, when you can see the impact it has on those you care about. For Jeanetta, working as a school Behavioral Specialist, those were her students.

Jeanetta:

Our kids were victims of their environment, a lot of violence, crime, everything. However, for my kids, to see me tap into this school as a blind woman. And then to see me to be able to drive to school as a blind woman that’s been gifted an opportunity to see better again, that gave them hope that it’s not over.

As the behavior specialist at the school, I worked with all the kids at risk. I really was having a hard time, cuz, I see the greatness up on my kids and I see some of my kids drop out and just give up. My story, my testimony. It gave them hope. They like for them to witness that was priceless.

TR:

Jeanetta’s whole story is poetic.
Meaning it’s a chance for all of us to interpret for ourselves.

This was sort of a challenge for me.
Not on a personal level but rather as someone who is thinking of the listener who’s possibly in the early phase of their adjustment.

I hope you didn’t in any way check out.
I need you to know that I know hearing this can spark all sorts of feelings that don’t necessarily equate to jealousy of another person, but maybe questioning your own worth or value.

For me, the hope in Jeanetta’s story isn’t really about her getting access to some vision. That’s another tool. Similar to the way I wouldn’t be jealous of someone who has a fancy powerful computer or gadget nicer car. What it really comes down to is, whatcha gonna do with it!

Jeanetta’s continuing to find ways of spreading her magic to help heal.

She was a finalist in the 2021 Holman PrizeContest. This conversation was recorded prior to the announcement of the winners.

Unfortunately, she wasn’t selected. But don’t get it twisted, she definitely won!

Jeanetta:

When I made it to the final list, that opened my eyes that being real with you and sharing your truth. People will respect that.

There’s so many times that we, especially as an African American woman, we’re frowned upon. You’re too loud, or you’re too big, or you’re too this.

It’s okay to be you.

It took me a while to get here to be unapologetically Jeanetta Price and to have people to just really embrace me and appreciate my truth.

TR:

Understanding and accepting that what makes us different should be appreciated, well yeah, that’s priceless.

Jeanetta

I am a bold, black, voluptuous, advocate not only for the blind, but for beyond. I stand in my truth.

I am healed from insecurities and I am healed from negative self-talk.

Every time I get in front of the audience, I have that white cane. I’m tapping and making room for the next Jeanetta .
Everybody else that come behind me that you don’t look like the norm. We all have a purpose on this earth. It’s okay to be you.

TR:

You all can reach out to Jeanetta Price as she rocks that Blind Girl Magic and serves her purpose.

Jeanetta:

Facebook and Instagram and also Club House Jeanetta Price, Blind Girl Magic either one, it’ll pull up.

TR in Conversation with Jeanetta: 1:01:39
Jeanetta Price. Let me tell you right now, you are definitely now an official member of the Reid My Mind Radio family!

Jeanetta:

(Giggles)

TR:

Not only did she share her journey with us, but she even gave a little something extra, check this out

Jeanetta:

It’s called I’m From.

I’m from double dutch to hopscotch.
From what your mama gave you a hoola hoop?
I’m from what cartoon said yabba dabba do not. Screw you.
I’m from pressing combs to Jheri curls from skipping just for me.
Graduating straight to Super TCB.
I’m from 123, red light, Duck Duck goose, hide-n-go-seek what?
I’m from mayonnaise sandwiches and syrup sandwiches and peanut butter, Mama where is my jelly at sandwich.
I’m from grandfather hustle selling 25 cent cool cups.
I’m from when grown folks talk children shut up.
I’m from when your mama made you go to church every Sunday, Monday, Tuesday, Wednesday, Thursday, Friday, Saturday.
You was there too.
I’m from what a church folks did the holy dance and now they TikToking.
Well, chicken thunder, that reminds me I’m from a family of big mouths that cause big fights and Big Mama stepping and everybody got right.
I’m from God first family next in line come on down to the price is right even when we wrong. I’m from box fans in the windows of the projects .
I’m from my sister sitting on the front porch doing my crochet braids drinking Thunderbird mixed with a pack of cherry Kool Aid.
I’m from finders keepers losers weepers.
I’m from one size fit all but not all this.
I’m from when stripper poles hung our clean clothes.
I’m from stop, everybody get down, it’s a stick up. Psych. That’s just my cam folks running from the popo. My brother on the dice with his pocket swole. Baby daddy in jail, sister on the corner selling fruit cocktails.
I’m from telling on big sister and hiding behind big brother.
I’m from begging my siblings to please take me to the playground because that’s where all the kids hung around.
Question: when the last time you seen some children at the playground?
I’m from when it ain’t gonna cost you a dime to stay out of mines?
I’m from ain’t no ones where we come from and adversity don’t want none.
I’m from losing sight to gaining vision. Rewind I’m from losing sight to gaining vision.
I’m from where my brother reid My Mind and my sisters feel my words.
It’s not about the sight loss but the vision gain.
I’m from when we get up, dress up, and show up.
I’m from backstroking in the river of faith.
I’m from what a blind is the new vision.
I’m from living my best life out of sight, let the truth be told I am chosen.

TR in Conversation with Jeanetta:
Huh! See, that’s how you do it! That’s how you do it right there. Appreciate that, look at that, look Ma. I made it, I made it.
Jeanetta:

You so crazy!

TR:

Holman Prize, y’all missed out! From my humble perspective, you had two dynamite opportunities. One with Ms. Jeanetta Price and another with Reid My Mind Radio alumni Dena Lambert.

Her ambition, archive the experiences of the remaining Black & Blind men and women who grew up in segregated Blind schools. Here, in the United States.

That to me sounds like an exploration that is truly worth supporting.

Coming out of 2020 when it was fashionable and safe to say Black Lives Matter. I guess in 2021 it’s back to playing attention.

I didn’t grow up Blind, but I do know that those who were Blind before me gave me the opportunity to have what I do. They were Young Gifted Black and Disabled and to them, I dedicate this episode.

Audio: Reid My Mind Outro

Peace!

Hide the transcript

Flipping the Script on Audio Description – A Hip Hop Approach

Wednesday, September 29th, 2021

Nathan Geering, a mixed race man of afro carribean and British descent is wearing an orange sweat shirt with a patchwork pocket on his chest and elbow pads that are patchwork also. He has navy blue jeans and grey shoes with red shoelaces. He is balancing upside down on his right hand with both of his knees tucked into his chest as he executes a handstand freeze on one hand.

Take the elements of Hip Hop culture; Rap, DJ’ing, Break Dancing, Graffiti and Knowledge of Self and apply that not only to Audio Description but disability in general, and you have the Rationale method.

Finding a way or a reason to bridge the disabled and non-disabled world of theater goers has been one of Nathan Geering’s goals. He’s the founder of the Rationale Method, a non-objective means of providing description that incorporates immersive artistic expressions including poetry, beat boxing and sound design to create accessible and inclusive performances for all.

His award winning short film “Still a Slave” will be a part of the 2021 Superfest Film Festival. I strongly encourage you to take advantage of this opportunity to experience this innovative approach to Audio Description.

Combining Hip Hop with blindness has always been a theme on this podcast whether you recognize it or not. It goes beyond the music, it’s in the small references, the samples … it’s in the DNA. Therefore, it’s fitting that I open this final episode of the 2021 Flipping the Script series with a hot 16 and my beatbox debut. So has we use to do it… “From the south to the west, to the east to the north, T.Reid go off, go off!”

This episode is dedicated to all the Hip Hop pioneers.

Most of my heroes don’t appear on no stamp. – Chuck D, Public Enemy

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Transcript

Show the transcript


TR:

Greetings y’all!

Before we get into this last episode of the Flipping the Script series,
I just wanted to let you know that I’ll be off in October.
The podcast will return in November for our
final season of 2021, Young Gifted Black & Disabled.

the best way to be sure you don’t miss anything is to simply subscribe to the podcast on your favorite podcast app.
The next season starts in November, but you never know, I may have something to say in October.

Let’s kick it!

— Sample: “Ok, party people in the house. You’re about to witness something you’ve never witnessed before!” Slick Rick & Doug E Fresh
— Sample “Listen carefully” Daffy Duck
— Sounds of city streets and kids playing & hanging out

TR:
Once upon a time, in the 1980’s
Kids like me, well our parents said we were crazy
Hanging in the park, or in front of the building
Doing nothing wrong, we were just children
Sometimes we had music and it would be rocking
If not, someone was beat boxing
— Beat Box begins with TR now rapping…
All of a sudden, someone would start rapping
breakout the carboard time for break dancing
These were the early days of Hip Hop
Back then Most adults said it would stop
Today, please, it’s an unstoppable force
Fashion, Movies, and entertainment of course
Ladies & Gentlemen may I have your attention
This episode has a whole new dimension
Pump up the volume I need you to listen
Flipping the script on Audio Description

– Reid My Mind Theme Music

Nathan:

I’m a firm believer that wherever possible, we should be having audio description as part of the main soundscape for any kind of artistic endeavor, not just for television or film.

TR:

That’s Nathan Geering, Accessibility Innovator and my guest today. He’s the director of the Rationale Method and the registered charity Rationale Arts.

Nathan:

I’m six foot one, I have an afro Caribbean heritage so from Antigua and Jamaica, and also British and Romany Gypsy heritage on my other side of the family. I have a short afro hair slightly longer on top of this tight Afro curls, I have a beard so I guess a sound that would go along with the texture, my beard is kind of like a kind of like a rough course kind of texture. I’m wearing a grade sports t shirt, which has “Move More” on one side, which is in white and yellow lettering.
The texture of the T shirt is very smooth. (Makes a smooth sounding sound)
I go by the pronouns of he or him.

TR:

Nathan didn’t mention that he’s also a Break Dancer , and that’s where this story begins. In fact, he shares some things in common with the early pioneers of the art.

Nathan:

I grew up watching old school kung fu movies with my grandmother and the rest of my family. And when I would be falling asleep, I could still picture the movements of the kung fu fight based on the sound effects from the kung fu movies. So you can tell it’s like a punch or a kick, or if it landed.

— Music begins, a dramatic intro leads into a pulsating groove.

TR:

Before we get to the sound effects, let’s hear more about the dancing.

Nathan:

I studied kung fu as a kid. And then I was a B-boy. From my early 20s, I did a couple of breaking moves as a kid, but I never really had anybody to teach me breaking. Then I went to university. And then there was like a breaking society there.

Within a couple months, because of my approach with Kung Fu, I ended up teaching the classes.

I picked up a lot of movements like really quickly.

And then from there, I ended up being an internationally touring performer. I work with a guy in the UK called Jonzi D. who runs a big hip hop Theater Festival called breaking convention. And he kind of like gave me my break into theater. And it just snowballed on from there.

TR:

He soon started his own Hip Hop Theater company called Rationale.
The company’s approach to developing their performances is interactive. It starts with what Nathan calls a scratch performance.

Nathan:
We show the audience certain scenes, and then they’ll give feedback based on those scenes. And then, based on that feedback will further develop our show.

This one particular time, we just didn’t have enough material.

TR:

So they borrowed an idea from another company called New Art Club.
It sort of creates a stop animation performance or creating what appears to be movement from still images.

Nathan:

We decided to remix that into a hip hop version. So when the audience would open their eyes we’d be stood up right and then when they close their eyes and open their eyes again, we’d be upside down spinning on our head or jumping up and down on one hand or doing freezes and poses, and the audience went crazy for it.

We couldn’t believe that we got such a profound response from just kind of taking the audience’s site away and bringing it back. So we decided that we were going to really focus on the theme of visual impairment, but sort of real superficial level.

TR:

That superficial turned to a real genuine interest after one of the members of the company explained how any of them could really be impacted by blindness.

Nathan:

And then that’s when it really hit home to me. My daughter at the time, she was about two years old. And I thought what if I was to wake up tomorrow, and I couldn’t see my daughter. And I wasn’t emotionally prepared for that, if I’m honest, I was a mess, I broke down in tears.

I was really afraid. And so with me, if I’m afraid of something, I develop a curiosity about it. And so I decided to find out as much as I could about visual impairment in depth.

TR:

We often talk about the correlation between the limited opportunities for people who are Blind or have Low Vision and the fear associated with blindness.

So I can’t help but wonder, what if the default response to that fear was more like Nathan’s.

Nathan:

I want to be able to get to know myself as a human being as best I possibly can.

I became quite aware, like in my, in my 20s, that
if I’m afraid of something, that fear can stop me living a happy and fulfilling life. And just because I’m afraid of something, it may be, because actually, I don’t know enough about it. And obviously, you can find great beauty on the other side of fear, but sometimes you just have to go through fear. Or sometimes it’s good to tolerate uncertainty.

I would say to anybody out there, if there’s something that you’re afraid of, develop a curiosity about it, because you may find some incredible things not only about yourself, but also about the thing that you’re actually afraid of, and it’ll help you grow as a human being.

we just had so many incredible discoveries that it became my life’s work.

— Music ends

The more I found out, the more I was just inspired.

TR:

In case this sounds like using disability as a gimmick.

— Sample “I don’t think so!” LL Cool J, “Going Back to Cali”

Nathan:

We worked with blind and partially sighted communities every step of the way.

It was really great that they were willing to come on this journey with us, because it meant that we were getting the information straight from the people that needed these provisions, they were helping to shape it and develop it. And we were always in consultation with them.

TR:

Nathan worked with various blindness organizations where he
met all sorts of people with varying degrees of blindness and low vision.

He asked why more blind people weren’t attending performances and what he could do about that.

Nathan:

they said, they need the dynamics of the movement to change quite abruptly from like, wide to narrow or high to low.

It’s not the case with every type of visual impairment but some kinds of vision impairment, the audience see better when you look down towards the floor, because the floor gives such a blank canvas for contrast. I was like, Okay, well, where does most breaking happen, kind of like on the floor.

We worked with a visually impaired playwright called Kate O’Reilly. She sees the world in 2d, so the world’s like a flat picture to her. And she said that when she watched my company break in person, she said, she got an experience of what it was like to see in 3d. Something gave her like a sense of depth and perception that she didn’t see in any other art form. And she thinks it’s something to do with the access, which we were spinning out with our power moves, or the kind of like, non typical positions, we put our bodies in, when we do freezes, or poses, she thinks there’s something that our brain is trying to make sense of that.

TR:

Blind people in the audience, that’s one thing. With help from Kate, Nathan sought out Blind breakers but couldn’t find any.

He wanted to do more than include Blind performers in his show. He wanted to provide value.

Nathan:

I realized that braking actually is increased my spatial awareness. And because with braking we have go down. So we go from standing to the floor very quickly, but we do that in very stylish ways, but also in very safe ways.

We teach people how to sustain the momentum and keep moving and keep rolling. And a lot of injuries happen when somebody falls and all the shock gets absorbed into one part of their body.

We teach how to sustain the momentum, therefore the force gets dissipated for a larger surface area of the body. So it means that it greatly reduces the chance of injuries and things.

TR:

In addition to schools and organizations for the Blind, He taught these lessons at the Royal Opera House.
During the pandemic, he began teaching one on one classes online via Zoom.

Nathan:

I have a blind student that can’t speak, that I teach in Italy, but we communicate through, obviously, my verbal directions and his hand signals. We’re still able to have that dialogue and to be able to teach him the techniques effectively.

TR in Conversation with Nathan:
You work with adults, and children?

Nathan:
Oh, yeah. So I think the youngest kid we work with is like six. And the oldest person we’ve worked with is about 7374.

We have them do like CCS and Zulu spins and handstands. So it’s a real life intergenerational style.

TR:

As far as attending these performances, Nathan began to learn that the Audio Description provided just wasn’t doing it for these consumers.

Nathan:

in the UK, it was common practice for the audio description to be really kind of like objective.
And the way it was delivered was almost like a science experiment, there was like, a monotone voice, it was like the dancer lifts her up, moves her head to the side. And the thing is, our art is subjective. If you have that objective voice coming in over it, it can be quite disturbing and take you out of the immersive artistic experience.

— Music begins, a slow Hip Hop groove.
— Sample, Acapella “it’s Bigger Than Hip Hop” Dead Prez

TR:

So what does Nathan do?

Nathan:

I again turned to hip hop.

What are the more vocal elements of hip hop, obviously, we have emceeing, rapping and we have beatboxing and vocal percussion.
I started to pair beatboxing sound effects with certain movements.

We got people with visual impairment to basically like physicalize each sound effects a beatboxer makes. So for example, if a majority of people were saying that (makes a sound) represents a jump, we’d always use that for a jump or (makes a sound) represents like a low spin to the floor, we’d always use that is to represent the low spin. We created our own language, which is known as RM notation. Rationale Method – a way of giving people a richer soundscape really. Within the sound effects, you can get an idea of like the speed of a movement, or if a movement is traveling from high to low, all those kinds of directional input that it would take a very long time to describe through words.

TR in Conversation with Nathan::

Explained to me the name rationale method.

Nathan:

Rationale means a reason or a way. And we were like, We always will, or we will always find a way and a reason for doing good in the world. And so, that kind of stuck. We really try and find a way to bridge the gap between disabled and non disabled artists and audiences across the world.

TR:

The Rationale Method also includes poetic elements.

The goal is to provide a choice of aesthetics for implementing immersive, non objective Audio Description.

Nathan:

So there’s tons of audio description companies that deliver objective audio description

, We’re not saying that what we’re doing is a substitute for that we’re just trying to offer choice. Everybody has different tastes, some people will prefer objective audio description, some people prefer subjective, some people prefer, like beatboxing. Some people prefer poetics some people for emotive text. And so we just tried to open up the choice of what is available to blind and partially sighted audiences within what we’re doing.

TR:

The applications go beyond dance and artistic performances.

Nathan:

It can be used to describe like sport.

If you were to have a basketball game, or a football game, or a soccer game, for example, you, you can have an excited commentator delivering the commentary. But you don’t know, for example, if a ball is being passed from one person to another How long it takes for that pass, to travel from one person to another, if it’s a high pass, or low pass, but with the sound effects that we have, you can give a person an idea of how long it takes the ball to travel from one person to another based on the sound effects used.

TR:

Nathan couldn’t speak about the details for such an application, but he’s working on something that in his words, if it comes to fruition;

Nathan:

It’s gonna be big. It’s gonna be big.

TR in Conversation with Nathan:

I know, you can’t talk about it too much. But is that something that would be over TV? Or is that live in the venue or something?

Nathan:

So we’re looking at both. Obviously, with a live element, there may be like a slight split second of delay in terms of reaction times, right? It wouldn’t be enough to disrupt the experience. But again, when we go to the post production in the Edit, we can then tighten those elements up.

— Music ends.

TR:

I don’t really watch sports, but this does sound intriguing.

— Audio from Still a Slave

TR:

Another example of the Rationale Method at work is in a short film titled Still A Slave. It pairs emotive poetry and sound effects as subjective Audio Description.

The film itself runs about five minutes and is directed, written and stars Nathan.
It comes out of the same energy as the Black Lives Matter movement and all of the trauma that was resurfaced following the murders of George Floyd and Brionna Taylor.

Nathan:

There was a lot of, I guess, throwaway comments on social media from people saying, all lives matter, slavery doesn’t exist anymore.

These were really kind of like gaslighting comments and painful comments to us and myself.

It was getting to the point where I was like this is going to consume me if I don’t transform this energy.
I decided to take all that energy and transform it into a source of power, rather than keep it as a source of pain.

TR:

Nathan incorporates break dancing, fire and rope to convey his message.
In line with his martial arts background, he redirects that negative energy from the social media comments to reveal them for what they are.

Another key element of the film is the setting.

Nathan:

I shot it in Morecambe, which is one of Britain’s oldest slave ports, and the body of the first black slave is actually buried in marking, it’s called, like Sambo’s grave.

I was harnessing the energy from that space.

TR:

Combining the art with the activism, Nathan included a live performance of Still a Slave during a peaceful protest he organized outside a venue in his home city of Sheffield. He describes this venue as institutionally racist.

Nathan:

I made sure that I audio described all of the images leading up to the protest. I wanted to ensure that the protest was accessible. There’s so many people that organize protests that don’t think about the accessibility elements of a protest. For example, if you have physical content, is that physical content audio described?
Do you have a sign language interpreter there? If there’s people with neurological differences, Is there a space that they can go to where it’s not so noisy or not so hectic? If you’re doing a march? Is it an accessible route on the march that a wheelchair user can take. within the protest.

TR:
The response from the Blind Community?

Nathan:

Thank you, we felt because of this, we were able to take part in activism in a way that we typically don’t get to take part in activism, due to the inaccessibility that some protests have.

So for me, it was really important when I did Still a Slave to ensure that it was made accessible to as many people as possible when I made the film.

I’m a firm believer that wherever possible, we should be having audio description as part of the main soundscape for any kind of artistic endeavor, not just for television or film.
It was sort of right from the inception of the production I always knew it would have audio description within that.

TR:

That’s the goal we always strive for; being considered at the point of creation or design.

In this case, the choice of aesthetic from the Rationale Method toolbox was poetry along with enhanced sound design.

Nathan:

I beefed up some of this sound effects from the fire. Just so again, you’ve got a bi t of an idea of the speed at which the fire was spinning and traveling from one point to another

we work with an incredible audio describer, Tashinga Matewe, who provided the beautiful poetry. I coached her in terms of what elements we needed to focus on to make it more accessible and the dynamics she needed to add to her voice at certain parts.

I made sure that the person I worked with to do the audio description came from African descent. I also made sure that the person that did the music, track the sound score that he came from African descent as well, just to make sure that there was authenticity running right through the entire short film in production.

— Sound of a record spinning backwards, into a scratch
— Music begins, a bouncy Hip Hop beat

TR:
What’s up family, I need to interrupt the episode for a brief moment.
I hope you enjoy these as much as I enjoy bringing them to you.
I really want to make this podcast a sustainable venture.
Will you help me?

All I need is a bit of your time.
Please, go on over to ReidMyMind.com and check out the post for this episode and hit the link that says survey. It takes about 5 minutes to fill that out.
— DJ Scratch leads into “Check it out y’all!”

TR:
Reid My Mind Radio now has merch!
T-shirts and more on sale now!
Show your support for the Flipping the Script series directly or show some love for the podcast with an Official Reid My Mind Radio t-shirt, hoodie, cap or more. Just go on over to Reid My Mind.com and hit the link that says Shop!

I appreciate you family!

And now,
— Sample: “What we’re gonna do right here is go back, …”

TR:
Back to the episode!

— Music ends

TR:

Both The Blind and the non Blind communities responded favorably never seeing this kind of approach before. The non Blind community acknowledging that it also adds an extra layer for them to understand what’s happening.

And, that venue in Sheffield, they decided to begin adding more programming from people of color on their main stage. And that includes locally within the city of Sheffield. This includes a performance from Nathan’s Rationale company.

Nathan:

We did a hip hop fair production called trusting care. And that production was made with young people and carers are artistic consultants on the production.
We would work with them on some artistic residencies, and then we create scenes with them, and then they’d watch the scenes back, like, Nah, that doesn’t represent me, or they’ve like, yeah, that’s, that’s exactly how I feel. So based on that, that’s how we create the production.

The audio description, again, was for everybody to hear.

TR:

No headphone and receiver? Open Audio Description?

Nathan:
We set the parameters at the beginning of the production.

TR:

That’s right, they did a pre-show for all attendees.
The cast was invited out along with the Audio Describer and British Sign Language interpreter.

Nathan:

We were like, okay, so right now, you know, you’re going to have this unique technique, this unique method, rationale method of audio description and accessibility can be fully embedded, and you may hear certain elements that you feel is like why are you stating the obvious, but we have to remember that there’s blind and partially sighted audience members here. So these elements are key in order to ensure that everybody has the same level of access. But not only that, you know, some of you sighted people may actually get a deeper understanding to some of the subtext or elements within the production as well. So it may just heighten accessibility for you as well.

We explained that the BSL interpretation was fully integrated within the performance and the production as well. So we have the sign interpreter dancing throughout the whole production,

We sold out the venue, we got a standing ovation.

It was just a massive hit.

TR:

That open Audio Description, even helped a Blind cast member who became disoriented while on stage.
— Music begins, a slow dramatic Hip Hop beat

Nathan:

The audio describer would literally be guiding her back to her space and where she needs to be to help her get a sense of direction or a sense of bearings within the audio description. It enabled the blind performer to be able to safely navigate the space without taking away from the aesthetic. So people got to see that firsthand in terms of audio description being used as a form of accessibility for performers as well as for audience members. It was incredible.

TR:

When something is new and starts to receive a level of attention and success, two things are likely to happen. First, people want to learn how they can implement it.

Nathan:

I’ve just been teaching the accessibility techniques, to some organizations out in Peru, in terms of how they can enhance accessibility not only through the rationale method, but also through creative techniques within audio description.

There’s loads of ways that people can get creative with audio description. We’re just scratching the surface.

I’m trying to give people the tools to unlock their own creativity and to try and tap into their authentic self,

Hopefully they’ll be able to unlock their own techniques.

the rationale method is just another alternative is it’s not a one size fits all. And I think there’s enough room for everybody in the more choice that we can provide for people the better.

TR in Conversation with Nathan:

Are you getting love from the other audio description companies or are they hatin’??

(Tr & Nathan share in a hearty laugh!)

Nathan:
Well, it’s really funny. It’s a mixed bag.

So we got the audio description company in Canada, the main audio description organization, they’ve given us nothing but love.

Even though the Rational Method has its roots deeply embedded in hip hop, it doesn’t mean that the aesthetic that you will get will be a hip hop aesthetic.
We’ve audio described award winning contemporary dance and like ballet and even children’s, even children’s short films.

Just because it has its roots in hip hop doesn’t mean that the aesthetic is gonna always be hip hop. Sometimes it will be if that’s what it calls for.

We have one of the main audio description companies here in the UK. I approached them when I first started out kind of like can we partner on this? And they were just like, yeah. And then nothing. I tried to reach out since and nothing good. So I’m just like, Okay, well, we can just offer choice, you know, and that’s it. For me, I’m not competing with anybody. I’m just here just trying to do my part to provide accessibility.

So, because the way I, the way I see it, you know, everybody is different. And so, like I said, before, you know, our rational method, maybe ideal for some people, not ideal for others and other organizations aesthetic may be ideal for some people and not ideal for others. So that’s, that’s where it’s at. But yeah, but yeah,

We got hate because they know what we do is dope, that’s fine. You know,

TR in conversation with Nathan:
That’s when you know you’re doing something good.

— Sample: “Play on Playa”
TR:

Haters are always gonna hate.

— Sample: “No diggity, no doubt!”

Nathan really does have greater aspirations which include visions of the future of Audio Description.

Nathan:
For example, people could turn on the TV They have a button for audio description. And they have about 10 different aesthetics that they can choose from that suits their particular personality or taste or style. For me, that would be dope because for so long, it’s always been one size fits all for audio description for when there’s a production or performance.

TR:

Talking technology!

Nathan:
There’s like an event I run called demystifying tech, where we get people to play with both cutting edge technologies and basic technologies.

There’s so many artists still scared of technology and working with it. So we just try and demystify some of these preconceptions and talk about how we can utilize them to enhance accessibility in a variety of ways.

— Music ends
— Sample: “This is a journey into sound”

TR:

Nathan’s working on incorporating the sounds into a pad that can be triggered.

Essentially, taking the language of the Rationale Method which pairs sounds to movements, and making it easily available to anyone, Blind or not, at any time.

Nathan:

Then a sighted or blind dancer can then interpret those sounds.
And then all of a sudden, you’re opening up career pathways for blind and partially sighted choreographers and movement directors. Because there’s not that many of them out there. I don’t think it’s because they don’t want to I think it’s more so because they haven’t had an accessible pathway created for them to be able to do that.

We just finished in the second stage of prototyping. And we’ve had incredible responses. We’ve had people saying that Yo, if I had this in college I would have passed my drama and dance exams.

TR:

Sounds as language, a means of communicating. Enabling a Blind choreographer to easily relay their idea or
conversely a Blind dancer to perform a desired move.

Nathan:

for example, if you were to do a Zulu spin. Zulu spin is if somebody is crouched low to the floor, and they’re spinning on the floor with both their hands and their feet in contact with the floor, but they’re keeping a tight ball. You get an idea of how fast the spin would happen.

TR:

Again, the applications go beyond dancing; maybe a Blind martial artist, actor or athlete.

Nathan:

Also, like fashion shows, if people can get a feel of the, energy of the person walking down the catwalk, and if they’re spinning around, the flow of dress on or a different style dress, the sound effect can also reflect the, you know, the movement quality of the dress as well. So, you know, there’s lots of applications that this sound pad can be used for.

I’m just in the second lot of prototyping, then hopefully, after that, we’re going to do a bit more triangulation in terms of research. Hopefully, we’ll be able to get it to production and get it out to people in the world. And yeah, hopefully, we’ll be able to have some more blind and partially sighted directors and choreographers.

TR:

Assuring value for those who are Blind and disabled was always part of Nathan’s objective.
Nathan:

Me not being disabled myself, I had a lot of skepticism from the disabled community and quite rightly so. But I think once they talk to me and understand, actually this guy’s coming from a genuine place. It’s just been nothing but love from the disabled community which I’m eternally grateful for.

– Sample: “Nothing But Love For You Baby” Heavy D

TR:

That relationship and understanding the importance of centering the community is probably one reason Nathan was selected to coordinate the opening ceremony of the 2017 Special Olympics
— Audio from Special Olympics in 20xx.

Nathan:

I was adamant that the non disabled art companies and artists, they weren’t about to impose their choreography on the disabled artist. It had to be disability led The opening ceremony.
The people with disabilities, they would take the lead on what movements that they wanted and what themes they wanted to explore.

The non disabled artists they would fit in their choreography around and it just be a real mix. But it was disability led.

There have been other breakers that had performed the opening ceremonies, like the New York City break is done in the 80s, but I think I made history is the first ever B boy to be in charge of an entire Olympic opening ceremony.

So that was kind of like a big achievement for hip hop within that kind of context.

— Sample Hip Hop Hooray

TR in Conversation with Nathan:
So it sounds like you have a lot of the elements of hip hop kind of incorporated into what you’re doing is that something that you specifically looked at?

Nathan:
Yeah! My route was hip hop. I know how hip hop can save lives.

I’d always look to hip hop first, within everything that we do and see how that can work.

We haven’t even begun to scratch the surface on what hip hop can really do.

So for me, it was really important to connect with those ways that how hip hop saved my life, and influenced me as a human being.

TR:

Through his charity Rationale Arts, Nathan’s incorporating the elements of Hip Hop
or
Rapping or Emceeing, Break Dancing, Graffiti or Street Art, DJaying and the final Knowledge of Self ) to help hospitalized children.

Nathan:

We teach them bedside beatboxing. Hip Hop hand play, hand dance movements, we teach them smashing street art, graffiti writing, and how to write their own name. And then we also have a thing called Doctor Decks where somebody dressed up in Doctor scrubs and pushes like a trolley around the ward and has like DJ Decks on them and teaches the kids how to mix and scratch

There’s so many great like accessibility elements with that.

A beatboxes best friend can be a loop station.

TR:

Okay, for those who may not be familiar, a loop station is a recording device that repeats or loops a sound at a given tempo recorded.
For example:
— beat box…

The applications can go beyond beats.

Nathan:
With people that have trouble forming speech, we can sample their voice into that. And then that can be then part of their main soundscape that we create within that loop station, then if they want to, they can trigger their voice whenever they want it to come on and off.

TR:

Working directly with the children in real situations helped Nathan really understand the value of this work.

Nathan:
We’re actually teaching these kids like distress tolerance and emotional regulation,
Beatboxing is just meditation because meditation is controlled breathing.

— Music begins, a bouncy, upbeat Hip Hop beat

We’re teaching these kids life skills through these elements of hip hop in ways that people wouldn’t normally think that hip hop can help people’s lives.

Even down to the graffiti writing. We even teach them how powerful and important it is to put in your intention, even down to how you hold your pen. We teach them that if you want to write your name, and you’re holding your pen sloppy, then your name is going to come out sloppy. Where if you put your emotional intention everything your heart and soul into it, even just that how you hold your pen, you’re going to give not only yourself, but the world, the best representation of yourself.

I’m just trying to spread as much knowledge as possible in terms of ways in how we can utilize hip hop to enhance people’s quality of life.

TR:

This truly does go back to the essence of Hip Hop culture.

Nathan:

Within Hip Hop, originality is so important. Everybody thought about original style, original flow, and all that kind of thing. But the originality of thought, is something that we’re really trying to push with this.

This is a hip hop approach to accessibility and inclusion.

TR:

Yes, and ya don’t stop!
That’s right, Hip Hop don’t stop. And Nathan Geering, you brother…

Tr in conversation with Nathan:

you are now official.!

TR:

Member of the Reid My Mind Radio Family!

— Air Horn

Nathan:

Dope, dope!

TR in Conversation with Nathan:
Give me some contact information, brother, where can people, check you out,

Nathan:

yeah. Yeah, yeah. So if you want to check out the work that my charity does all the community based work and theatrical work that I mentioned, it’s www dot RationaleArts.com

If you’re interested in the audio description, service and provision, that’s www dot RationaleMethod.com.

On Instagram it’s RationaleArts, RationaleMethod or NathaGeering.

On Twitter RationaleArts again or MethodRationale.
if y’all want to hit me up via email, hit me up at Nathan at rationale method.calm

TR:

You can check out Still A Slave during the 2021 Superfest Film Festival. You know, the premier disability film festival that you can attend online.

— We should do something on CH in conjunction with SF —

All you have to do is point that handy dandy browser of yours at SuperfestFilm.com. There are multiple options for tickets that fit in all budgets.

Just like Reid My Mind Radio! Which by the way is available for only free 99 wherever you like to consume podcasts.

Plus, we have transcripts and more over at ReidMyMind.com.

So there’s no confusion, like a true Emcee, I spell it out, that’s R to the E I D…
(“D)” And that’s me in the place to be!

Like my last name.

— Sample from Kung Fu movie “Were you just using the Wu Tang School method against me?”
Nathan:
Wicked!
— Reid My Mind Radio Outro

Peace!

Hide the transcript

Flipping the Script on Audio Description – More Than One

Wednesday, July 28th, 2021

Headshot of Alyscia Cunningham
Alyscia Cunningham is an author, photographer and film maker. Her latest book and documentary “I Am More Than My Hair” explores women’s hairloss. One of the subjects of the book and documentary is Marguerite Woods. Through this relationship, Alyscia became aware of the lack of access to the arts among Blind and Disabled people. It changed her approach to producing and thinking about art.
Yet, she couldn’t do it alone. It takes more than one…

In this latest FTS episode, we explore the power of one persons ability to spark an interest in access, help shape how we think about it and even create it. Once again, proving Audio Description is about so much more than entertainment!

Listen

Resources

Transcript

Show the transcript


TR:
Your listening to Reid My Mind Radio.
Chances are, you know that already because you pressed play!
Duh!
This is where we examine this art form that in its basic essence, is making visual content accessible to those of us who are blind or have low vision.
But in actuality it goes way beyond that.
Today, we look at the power of one.
I know it’s the loneliest number and all, but really that’s only when it chooses to stay by itself.
This experience directly led her to her second book of photographs titled, “I AM More Than My Hair”.
It tells the stories of women who are bald.
Yet, according to Alyscia, the most common cause is stress.
And that can occur earlier than we may expect.
As part of both a marketing and fundraising effort, Alyscia recorded footage of some of the women included in the book.
She applied to Docs in progress – a nonprofit organization that fosters a creative and supportive community for documentary filmmakers.
— Music begins, a slow jazzy piano Hip Hop groove
That required her to contact some of the women featured in the book and arrange to capture their stories on camera.
I am bald, My skin is Mocha. leaning towards chocolate, and about five, seven. I normally wear certain shades. And I love interesting earrings. And so I normally have those on as well. I’ve got on a black dress. It’s sleeveless.
Her first experience began with Bustin’ Loose,
A film starring Richard Pryor and Cicely Tyson.
The description Marguerite says was horrible.
— Richard Pryor saying…
so it kind of took a backseat for me for a while. But the thing that really got me with audio description was I like to go to plays and conferences and music shows and that kind of thing.
TR:
We didn’t get into that for the purposes of this particular discussion, but that to me sounds like a case of a lack of cultural competence.
— Music ends
What is more of a part of this discussion is her response.
When Alyscia was looking for women who were bald to participate in her book,
she put the word out and heard back from a friend who told her about Marguerite.
Marguerite wanted Alyscia to understand that while she herself is blind she doesn’t represent everyone.
I’m always encouraging people to go to places where there are lots of other people that may look like me, because we’re multifaceted. We’re not all the same, just like sighted people we’re not all the same we are of all manner of variables and we’re diverse and in so many things so don’t just think you really understand what’s going on with blind people cause you’ve met me.
About two months following that meeting, Alyscia premiered her documentary at a theater.
Marguerite was there.
She realized the impact of the visuals based on the audience response…
Check out the Reid My Mind Radio family connection y’all!
That documentarian was none other than 2019 Reid My Mind Radio alumni Day Al-Mohammed.
— Music Begins – an up tempo energetic, inspirational Hip Hop beat
That’s my good friend and another 2019 Reid My Mind Radio alumni,
Cheryl Green, Captioner and Audio Description Writer and Narrator extraordinaire.
It’ goes beyond Audio Description and captions in the documentary.
Alyscia created an accessible exhibit on display at Sandy Spring Museum in Maryland.
My hope for this was having the exhibit and also having a panel discussion with Cheryl and marguerite, Judy and three other women was that this will be an example of how museums and artists can incorporate accessibility in their work and into their venues.
One of the main challenges from the perspective of the museums and venues is often funding.
Unfortunately, we know that sometimes museums and other venues and businesses want to see a return on investment.
But it’s not as simple as build it and they will come.
this can’t be a onetime thing.
it’s like now that you know How could you not do anything about it because now you’re aware of it. It’s in your space.
Did you get any feedback from non-disabled people?
— Music ends.
I’m sorry y’all, but sometimes I really do just have to laugh.
Spending time and energy advocating for something can be challenging.
I was more interested in her getting a sense of, of blind people, and that we are asking for opportunities to be able to relate to our world, just like sighted people are, and that she as an artist and a creative person would do whatever she would do with it. And that would be good enough.
Marguerite: 26:36
Just interact ting on different levels, and asking people to recognize, I’m here in this space, and I want to participate.
And sometimes, because people don’t know, you got to be in there, in their mix to get your conversation in there.
Marguerite herself is an artist. She is quite thoughtful and makes some deep connections between the More than My Hair project and well,
life for example.
Marguerite: 30:51
People tend to want to treat you like you’re less then because you don’t have the same access to vision that other people had. But
As an African American?
Most of us realize that we’ve grown up in a country that has not been kind or fair to any of us. And even if we don’t have the words to speak about, it’s a heavy burden, to exist and grow in this society. And when you know that the majority of the power structure is literally walking around with disdain for us, because of the color of our skin. You can put on a happy face and move around. And that’s fine. But I think that it’s deeper than a happy face, I think that there are some natural laws of the universe, that are, are at work all the time. And it would be beneficial to get in touch with what they are, and try to work your life from there. Because if you go with the laws that this country is offering, it’s telling a story, and I’m just given a message that’s not healthy. And it’s not about wellbeing, especially for my community and for me.
Totally unrelated to that project, she’s also working on a new project in the horror genre and says she’s making sure to build in the space for Audio Description.
She’s continuing to give panel discussions on how to make art accessible based on her experience.
Whether you’re a consumer who can help someone learn about access,
a creator who can make your content inclusive or
you’re someone who can provide the funding,
we all play a part.
— “One” Sample from Public Enemy Number One, Public Enemy
— Music begins, an upbeat bright Hip Hop funk groove
The I’m More than My Hair, accessible exhibit will be on display through September 5, 2021. Unfortunately, Covid restrictions have probably been a factor in the lack of feedback from the Disabled community, but Alyscia is hopeful that the restrictions being lifted will help bring out more people.
She’s currently seeking distribution for I Am More Than My Hair the documentary,
which at some point will stream online.
This is just one example of what we know to be true.
When creators learn that their content is not accessible to an audience, chances are pretty high that they will want to do something about that.
Well at least the cool ones!
— Sample – “What the hell are you waiting for” from “Encore” by Jay Z
— Sample (“D! And that’s me in the place to be” Slick Rick)
— Reid My Mind Radio Outro

Hide the transcript

Flipping the Script on Audio Description – Going Social

Wednesday, July 14th, 2021

Kensuke Nakamura wanted to write Audio Description but couldn’t seem to get in the door with any post production companies. Rather than sitting around waiting for things to change, they decided to just start writing.

Soon after starting this journey, they were introduced to other similarly motivated people including Voice Talent Barbara Faison and a Blind AD Writer, Robert Kingett.

Yes, I said a Blind Audio Description Writer…

Add two more voice talents (both Blind by the way) and you have Social Audio Description.

A perfect way to kick off the first of our 2021 Flipping the Script on Audio Description series.

Listen

Resources

Social Audio Description
All About Image Descriptions

Transcript

Show the transcript

— Record being rewind
— Impeach the President Beat.
— “Ladies & Gentlemen”

TR:

Greetings! And welcome back to the podcast bringing you compelling people impacted by blindness and disability.

As part of this conversation, we’ve been talking about Audio Description in some capacity since 2015.
It began when Netflix launched Daredevil.
It continued with topics like;
Critiquing the selection of narrators,
promoting the idea of using pre-show for film and television
Introducing you to several narrators, writers,AD Directors and technology developers.

Over the next several weeks I want to go beyond the surface conversations and explore how AD is so much more than entertainment. More than a voice in your headphones. More than access!

So it’s time, for Flipping the Script on Audio Description!

— “Check it out y’all, check it out…”
— Reid My Mind Theme Music

Episode Intro
— Sound of theater environment

TR:

Remember going to the movies?

I mean actually going to a theater, purchasing your ticket and getting the Audio Description receiver and headphones. Maybe getting your favorite snacks (unless you’re like me and bring your own. Don’t judge me for being a conscious consumer!)

You head into the theater and find some seats.

(No not that aisle, the floor is way too sticky)

you try to hold off on the snacks because you want to enjoy them while you watch the movie.

Suddenly, the trailers for upcoming films begin. So all your attention is directed at the screen.

— Trailer without Audio Description

Despite all of your movie going experience, for a quick second, you just know that finally, this time, the trailers will be described.

— Trailer without Audio Description

Then you realize, they’re not. You struggle to figure out exactly what’s going on, you lean back in your seat and play with the Audio Description equipment just hoping it’s working properly. Again, experience may have left you a bit traumitized from all the mishaps in the past.

With nothing left to do but wait for the film, you grab your snacks and hope you don’t finish before the movie begins.

(Ah man! I finished my Nestle Bunch a Crunch!)

Ken:
My name is Kensuke Nakamura, I use they them pronouns. I’m light skinned, slightly masculine presenting person with dyed red hair to about my cheeks. I’ve got about an inch of dark roots coming in. I’m just wearing a black hoodie. And I’m an Audio Description writer and editor.

TR:

Ken saw a need for description on movie trailers. They soon began providing that description and eventually grew a team of people to help with the process.

But we have to begin with their introduction to Audio Description.

Ken:
I got interested in audio description for selfish reasons, I met this very cool person at a party. And I became friends with him on Facebook, and was wanting to get to know them better. And one of the first things they posted on Facebook was that if I was going to be friends with them on Facebook, everyone needs to post image descriptions on all of their pictures. And that was just a price of entry. I was like, Okay, I need to learn about the image descriptions.

TR:

And that’s what they did. Their friend actually posted an article titled All About Image Descriptions, (You can find a link to that on Reid My Mind .com)

Eventually, Ken and their friend began going on dates. These included of course, going to movies. As many of us know, some times the AD doesn’t work.

Ken:

I ended up doing a lot of extemporaneous audio description in the person’s ear. Or sometimes we’d watch one of my movies like at home that did not have audio descriptions. So I got a lot of experience doing just fly by the seat of my pants, audio description.

About a year ago, during quarantine, I realized that I wanted to try to do audio description professionally.

I started off by just trying to do some scripts. So I picked several movies that didn’t have audio descriptions, and just wrote some audio descriptions for them full length on a Google Doc.

TR:

Wait! we must be missing a step. There’s no mention of approvals or permission. Maybe the fancy software?

Interested in writing AD as a job, Ken submitted samples to different Audio Description creators. Unfortunately, none of them responded.

Ken sought a way to continue developing the skills while possibly making a name for them self.

Ken:

it was around the time that the trailer for the Batman came out after DC fandom. And I saw that trailer and I was like, Oh, this is a very good, very interesting trailer showing us a new take on Batman showing how this one’s going to be different from the ones that came previously.

There was just a lot of really good visual elements. I was like this needs to be audio described. And of course, I checked in it wasn’t.

@-from later in section

At the time I would search you’d find maybe a handful of audio described trailers for the past several years.

trailers are something I’ve loved for a long time.

I remember the trailer for Spider Man, two early Alien vs. Predator, I probably watched a couple dozen times just really picking it apart. So it was something I was already interested in any way.

TR:

These trailers, are no longer just relegated to in theater or during television commercial breaks. There on YouTube and and available any time.

— The Batman Trailer Described by Ken

Ken:

I started off doing just the trailers. I don’t have any interest in becoming a actual narrator or voice talent. So at first, I was just doing it by myself, because it was easier. I didn’t have to schedule with anyone, but I’m not particularly good at it.

Barbara:
My name is Barbara j Faison. I am a mindfulness and meditation ambassador and voice talent and audio description voice talent.

I am a middle aged African American woman with short salt and pepper hair very close cropped.

TR:

Officially, Barbara’s been doing Voice Over work since 2018. However she’s been using her voice for years. Whether in the performing arts in school, Toastmasters and as a 10 year volunteer for the Georgia Radio Reading service.
Yet, like for so many people, it often begins with the one question. In Barbara’s case, it was a neighbor who asked.

Barbara:
Have you considered voiceover?

If you decide you want to do it, I’ve got a coach for you.

TR:

At the time, Barbara was on a sabattical from her corporate job. Her husband suggested she use the time to investigate if this was something she’d like doing.

Barbara:

I had this conversation with God. And I said, Okay, listen, God, if this is something I’m supposed to do, you have to give me a really big sign. I meditate everyday, but you need to hit me upside the head. So I said, I need you to give me a big sign.

TR:

Soon after, Barbara drives about 45 minutes for her first meeting with a coach, upon arriving the coach says:

Barbara:

Barbara, I just got an audition for an African American woman. 50 Plus, you want to audition? I’ll coach you.

I auditioned. That was Friday. Monday, we got an email. The person wanted to have me come in I recorded on Tuesday, I was done in 15 minutes.

TR in Conversation with Barbara: 08:27
Wow.

TR:

That sign she was looking for soon became her open for business sign in 2018.

— possibly somthing here to separate…

Barbara learned of Audio Description after her husband asked her about a narration he heard accompanying a show he was watching. She did a bit of research and found out it was called Audio Description. Further research led her to Roy Samuelson and ADNA.org the Audio Description Network Alliance

Barbara:

I reached out to Roy and it was like, I want to do this because it reminds me so much of my radio reading service days, and I had forgotten how much I really enjoyed doing that volunteer work, right. Although, of course, I want to get paid to do this as well. I just enjoyed that service and being able to offer something with my voice that was beneficial because my personal mission is to use my voice to heal, educate and inspire not just sell stuff.

TR:

She completed the AD Retreats training with Reid My Mind Radio alumni Colleen Connor.

Roy later suggested that she reach out to Ken to possibly contribute her voice to the effort of creating AD trailers.

Barbara:
I was like, Okay.

Ken:

And so she reached out and said, Hey, I’m interested in getting into audio description narration Can I work with you on these trailers? And I was like, Oh, yeah, absolutely love to have that work, take it off my plate. And that it that made it so much easier, because I would just write it up and then send it over to her. And then like a day or two later, it would come back. And she did, she did it in so many fewer takes. So it was a lot easier to edit her sound quality was much better. So I really loved working with her.

Barbara:

We did Aunty Donna’s big ol funhouse, which was hilarious.

The hillbilly elegy, definitely more of a somber tone versus anti Donnas funhouse versus the 355, which was an action adventure. So we also did the witches, which you know, was kind of more of a fun kids kind of thing. But you still had a little bit of foreboding in some of it. So I tried to have those tones, but not over play, you know, because I think of audio description as I’m walking you into a door, and here’s what’s going on, and the things that you can’t necessarily take from what you’re hearing, I want to just add a little bit of dimension to that for the listener.

TR:

The team continued to grow. It now includes two additional narrators, both of whom are Blind.

Ken:

There’s been a lot more awareness made of audio description, as you know, as a service as something that people can get and as something that people can do as a profession. So I think there’s a lot of people who are interested in getting into it. And I’m really glad that there’s a lot of blind folks who are interested in participating as well, because it shouldn’t be something that like sighted people do without the input or the hard work of blind folks.

TR:

This seems like a great time to either inform or remind you… Blind people created Audio Description and have been involved from the beginning.

That involvement can go as far as our own ingenuity. I’ve said in the past, Blind people can write Audio Description.

(Silence)

Yes, that’s often the response, silence! But maybe you just don’t have the right perspective.

Robert:

My name is Robert Kingett I am a white male, I am five feet six inches.
My pronouns are he him or them, whichever you prefer.
I’m a avid reader and writer of short fiction and novels, which I think really benefits me in the writers room when working on these audio description scripts.

TR:

Robert was introduced to Audio Description as a student at The Florida School for the Deaf and Blind.

He was assigned the task of writing essays where he would discuss the plots and themes of described movies.

Robert:

I didn’t know it was a career path that I could genuinely pursue. Number one because I do have a speech disability. So, I thought that I could never become a narrator. And number two, I thought that you had to have a perfect 2020 vision to write the audio description scripts, so I thought that I could never get in to the industry.

At the time I wanted to become a movie critic. So I would write mock reviews of audio described documentaries.

At the same time, I also thought that I could not make this into a long standing career. because I learned very quickly that the general population did not know aboutAudio Description.

TR in Conversation with Robert:

tell me how you actually started working with Ken.

Robert:

I wrote them on Facebook. Because I atempted to reach out to a lot of Audio Description companies. I asked them if I could become either a script writer or a script editor.

TR in Conversation with Robert:
So you said, you told them you were blind at that point? Why did you choose to do that?

Robert:

I chose to do that, because I thought that the Audio Description industry was relying too heavily on sighted experts.

I was hoping that these companies would kind of make the leap from providing a service for the blind and visually impaired to let’s hire a blind or visually impaired person to work with us to him prove our product. That did not happen.

The only person who wrote me back was Eric at IDC and we talked for quite a bit.

TR:

Unfortunately, there were real budget constraintsthat prevented Robert from being hire. With no other responses, robert took that as a sign.

Robert:

Okay, they don’t want me as a Blind writer, so why don’t I try to form some independent experiment.

So Ken was doing trailers, and I just had a hunch that they would accept me so I wrote them without any expectations at all. And they wrote me back and said, Yeah, sure!

TR:

The addition of Robert brings the Social Audio Description Team to five people.

Team Process>
Ken

I think of it as a cooperative, and I would like it to be like a non hierarchical collage collaborative. I currently do the writing with Robert. I’ll do a pass on it, and then send it over to Robert, and he’ll send me suggestions or corrections.

Then I send it along to the voiceover artist. They’ll record the narration on their own. And occasionally, I might send some things back and say, like, Hey, I just need to another pass of these lines. And then I do the editing, but I’m currently thinking about getting some other writers and editors maybe to join in.

TR:

I asked Ken, Barbara and Robert to describe what they would like to see come out of this work both for the group and for them individually.

First Ken, who says it began with a way to both practice and get his name out there, but describing trailers can have a real benefit.
Ken:

Blind audiences should have just as much access to trailers as a way of gauging whether they want to spend $20, $5, depending on where you’re seeing it on a movie, and spending, like, you know, 90 minutes, two hours of their lives watching a film.

There’s so many movies and TV shows that I’ve never seen, but I know plenty about and I have a general idea of what the story is, what the tone is, who the characters are, like lines from the movie, and I can get meems . I can participate in conversations . situations where like, if somebody makes some sort of reference to a thing, I can generally understand what they’re talking about. And it creates like a sense of camaraderie.

TR:

For Ken, this is also about starting a trend, but not just for his own benefit.

I don’t want to have a monopoly on this. I would love for like movie studios to pick up like, first of all, I love for them to hire me. But if not, that I would love for them to just be like, we’re just going to take what they’re doing and do that ourselves.

TR:

You hear that, the Social Audio Description team is open for business.

In fact, they’ve been hired to produce description for a webinar series and hopefully more to come.

Next up, Barbara.

Barbara:

What I would like to see from us as a team is us to become a team that is a resource for people that are interested in having projects audio described, I mean, I think we all know that there is a ton of available projects that could happen so I would love to see us as a team take on some more projects across the board from education to film and television.

I would love to get more exposure and experience and have some projects where I am working with people that are really looking at making audio description the best it can be because people deserve to have the accessibility that people who have vision have. So, plug anyone needing an audio description voice over talent (laughs) reach out to me because I would love to be involved with some projects.

TR:

Stay tuned, I’ll have contact information coming up. First, Robert.

Robert:

I would like to see our guidelines, same techniques used across the industry. I want us to sort of be the innovators of Audio Description.

I want content creators to think about accessibility as they’re creating the content.

I also want quality to become more of a conversation

I want the creator to be excited about soon hiring a very skilled visually impaired Audio Describer to make their content accessible.

TR in Conversation with Robert:
Now because you yourself are visually impaired? Correct?

Robert:

Yes.

TR in Conversation with Robert:

Okay,

Robert:
totally blind.

TR in Conversation with Robert:

Can you be given a film/some sort of content and write it independently?

Robert:

Given the chance Yes, I absolutely could write a full length Audio description script.

Okay, how would you do that?

Robert:

I would use my Wordsmith ability to mesh a bunch of amateur descriptions.

What I mean by that is a sighted person and I would watch the movie together I find that three people is an ideal number for me.

TR:

These are three friends. Think of it sort of like when you ask some friends to help you paint a room or move some furniture. You cover the cost of beer and pizza and they help you do some lifting. In this case their watching some content.

While their watching, Robert pauses the film and asks what they see. He records all of their answers.

Robert:

I would take all those amateur descriptions and then craft a sentence that fits in to that time code.

TR:

Robert ended up reaching out to another Audio Description provider, X Tracks and has since worked on multiple projects available on Netflix;
Brian Regan On the Rocks
Tiffany Haddish Presents They Ready
Fearless

Also happy to report that since recording these converssations, Ken has written an AD script for Good on Paper currently streaming on Netflix.

TR:

Three people, all from very different backgrounds. Each with a genuine interest in creating Audio Description but for whatever reason, unable to get access. So they do it themselves. At first, it sounds like that classic pull yourself up by your own bootstraps ideology. But it’s not that.

Rather, it’s team work. Each playing a position with a common goal. Yet, individually, they each have the chance to work on their strengths. Plus, they bring all of their experiences from marginilized groups which to me means even more added value for the final product.

Robert:

We all work collectively together. We provide Audio Description that reflects the real world.

For example, whereas others may refrain from describing ethnicity or skin tone we absolutely describe skin tone and ethnicity.

We tried to be as conscientious of our biases as humanly possible.

Ken
Obviously, I’m not the first person there are like other companies who are, you know, hiring blind voice talent and blind writers to help out with the creation of audio description. You know, they say nothing about us without us and I think It’s important, and I’m glad I can be part of that. And hopefully, you know, giving, giving marginalized folks the same stepping stone that I’m having to hopefully get into the industry.

TR:

That right there!

That’s what I respect and appreciate!

A big shout out to the Social Audio Description team. Ken, Barbara, Robert you know you each are official,
— Audio – Airhorn!

Reid My Mind Radio Family!

If you want to submit a suggestion for a trailer to be described or maybe you want to hire the Social Audio Description team to add value to your project, you can do that via the Audio Description Discussion Group on Facebook or via Twitter or YouTube.

Ken:

My Twitter handle and my YouTube handle is Kensukevic K E N as in Nancy S as in Sally, U K E v I C. And that’s a combination of my Japanese first name and my Polish heritage.

TR:

There’s Barbara

Barbara:

B A R B A R A F A I S O N S V O I C E.com that’s my website and
they can reach me at Barbara at Barbara faces voice anytime they’d like to I’m happy to talk with them.

TR:

And Robert.

Robert:

The social audio description, our website is
ADComrade.word press.com.

My web site is is blindjournalist.wordpress.com.

TR:

The Social Audio Description team, well they flipped the script didn’t they. They saw a need and began filling it. While they continue to do that, we as consumers need to support this effort by watching the videos.

I’m sure many Blind consumers are so used to not having access to movie trailers that you may not see the value of including Audio Description.

But consider sitting in that theater. If you want to feel fully included throughout the experience, supporting the effort of The Social Audio Description team could be a part of making that happen.

To make sure you don’t miss any of the upcoming episodes in the Flipping the Script series, be sure you follow or subscribe to Reid My Mind Radio wherever you get podcasts.

Transcripts and more are available at ReidMyMind.com.

And yes, that’s R to the E I D…
(“D! And that’s me in the place to be.)
Like my last name.

— Reid My Mind Outro

Peace!

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A Season for Honoring Ourselves

Wednesday, May 26th, 2021

To conclude this first season of the podcast which fully focused on those adjusting to blindness, I share a few thoughts from guests featured so far in 2021. Some of these comments were not included in the original episodes.

This episode also includes some of what’s in store for the next season beginning in July. Plus, I too am personally headed into a new season of my life.

Please rate & review Reid My Mind Radio on Apple Podcast. It helps more people learn what we’re doing over here!

Listen

Transcript

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TR:
Greetings! My name is Thomas Reid, host and producer of this here podcast called Reid My Mind Radio.

We’re just about half way through the year. And this year has been full of emotions. I’m realizing now that 2021may be the start of a new season in my life.

Later this year, I’m sort of joining that category of parents known as empty nesters.

Both of my baby girls are moving on in their education in pursuit of what I hope is their passions. my oldest is headed to grad school. Shout out to Temple University and just a few miles away, her little sister will be at Villanova. Proud Dad in full effect.

Things are really going to be different around here.

— Audio – Knock on the door

TR:

Uh, come in.

Marlett:

I need you to come wash these dishes please!

TR:

Okay, I’ll be right there.
Maybe not that different after all.

I’ll be right back y’all!
Audio: Reid My Mind Theme Music

TR:

Creating content for people adjusting to blindness and disability has some inherent obstacles to overcome.

For example, much of my targeted audience may not even be online. After all, they need to learn how to use the Access Technology assuming they were familiar and comfortable using computers prior to their loss of sight. If they were not, well that could be a very frustrating challenge that not everyone is willing to take.

Then there are those who don’t even want to see themselves as Blind and definitely not disabled so why in the world am I including that in my description. Compelling people impacted by all degrees of blindness and disability?

I’m sure some may not even think that’s possible. “What’s compelling about a person with a disability?”

In this first part of 2021 I really wanted to highlight exactly that. I wanted to really make sure this podcast is being a resource for all those new to blindness. When I say a resource, I don’t mean providing steps 1 through 10 on completing a specific task. I mean the sort of resource that stimulates that confidence and belief in the idea that it’s possible. not by me shouting at you and telling you you are a winner and coming up with a cool slogan but rather, introducing you to the cool people who are either doing it or have done it already.

One great example of what’s possible when we change our perspective is my friend Cathy Kudlick. Among many things, she discuses the important role history played in her moving from denial to where she is today.

Cathy:
I direct the Longmore Institute, it’s a cultural center that tries to put disability at the center of all culture and academics. It celebrates scholar activism, and tries to get people to think about disability as a creative, generative force for change, and to really revolutionize social views around disability.

We believe in a world where everyone thinks that disabled people, they get better, and that the world is better because of disabled people. And that’s a very radical idea, but we do it through the film festival, we do it through lot of online programming over the past year with different cultural groups and trying to look at intersections and look at convergences and all of these ways that di sability is not just pity and tragedy and trauma and terror and all of those, but to really see it as a creative force.

TR:

Where we get to in our thinking about disability is going to be based on a variety of factors.
Like how we process information and our ability to be self-aware.

Pramit Bhargava, founder of the Louie app, was so generous with his sharing. He admitted he never considered disability because he was caught up in his own climb up the corporate ladder.

He also realized how he wasn’t putting in the work that he needed to do which included learning how to use a screen reader as well as other blindness skills.

Pramit:

In fact, If I can Thomas add to that, sometimes what happens We process somebody as low vision, or no vision as saying, oh, he cannot see. But I think important thing is what is going on in that person’s mind. Right, and how do we process it? How do we deal with that condition? I think that’s the bottom line.

TR:

In this season of Reid My Mind Radio, I really wanted to bring you a different idea of what many people often consider when they think of blindness and disability.

Disability impacts across race, gender, sexuality. However, so often in the media we only see a specific white cis gender privilege experience.

Similarly, we often see a very specific version of success. Usually that is based on financial statements, awards and recognition.

Well, either I’m going to be a part of the problem or I’m going to set out to actively do something about that.

In March I was really happy to bring you an episode featuring Lachi. She’s a musician, producer and just someone who does whatever she wants to do and of course I say that with the ut most respect.

During our conversation she shared a bit on success and it’s definitely something I can rock with!

Lachi:

And when I say success, I mean, right now people would consider me successful just because, you know, I’ve been doing international songs and touring and I’m all over the place and do a lot of great things with a lot of spins. And being on the Grammy panels, but honestly, my success started when I was just able to come out of my shell and showcase to everybody that I’m really good.

TR:

Similarly when I met young brother Envizion who in his own words said he owns everything about his blindness. We saw how he made a clear decision based on what was important to him immediately after losing his sight. That continues as he pursues his passion. To me, that’s an important level of success that needs to be recognized.

Embracing every part of yourself and staying focused on your goal.

Envizion:

I have this tag where I say (singing…) I don’t see nobody.

It’s a hater blocking term. Yeah, really. I’m blind. It’s all of that. And when you’re on your way to the top two, you don’t want to be focused on everybody.

— Applause …
— “We interrupt this program for a special news bulletin!” (Classic News Announcer)
— Applause continues… “Can you feel it?” (The Jacksons, Live in Concert)

TR:

That’s the message that we’re sharing!

— Applause continues… “Can you feel it?” (The Jacksons, Live in Concert)

TR:

I’m talking about this podcast!

— Music begins, Cool up tempo Hip Hop beat

TR:

For whatever reason, rating and reviewing the podcast on Apple Podcast actually helps.

Right now, we have a 5 star rating. That means if this was food being cooked up twice a month, it’s considered delicious.

Then there’s the actual reviews. Check out what people are saying:

Pioneer 94 says: Love the AJ episode it’s so well produced. Can’t wait to listen for more.

Angel Sweetheart says: Download and start listening now!
This podcast is very well put together. A strong activist in our community. Face with heart shaped eyes, grinning face
Grinning face with starry eyes, hands with medium dark skin tone raised in celebration, thumbs up with medium dark skin tone, flex bicep with dark skin tone

Thank you so much and I love the emoji’s.

shnupperdoodlez says; Great podcast
Engaging light hearted and fun, even when talking about the tough stuf. I enjoy popping in to learn more. your voice is needed out here

Hey Shnuppledoodlez, I appreciate you, but I’m going to need a bit more commitment from you. You are family so I’d expect you to be here on a regular basis. I miss you when you’re gone too long!

Blind Widow says This man knows his topic
I highly recommend this podcast to help people learn about disability and blindness and become comfortable with it and in all aspects of it.
It affects every aspect of our lives.
Ffor me a woman who is blind, acceptance in the arena of online dating as an older adult, the more normal people see us the better it is for everyone.

Blind Widow, I see you as super intelligent, powerful and go ahead with your bad self in the online dating arena. You’re a Gladiator, but don’t hurt them out there too badly love.

I hope I’ll be able to see more 5 star ratings and even more cool reviews. And go ahead and feel free to throw those emoji’s up there. You know that fire, raised fists, hearts and all that.

— Music ends abruptly.

— Now we return back to our show (Classic News Announcer)

TR:

Success is getting to know yourself and being comfortable with that person. Acquiring a disability later in life can feel as though you have to do this all over again.

It goes beyond the emotional. Catarina Rivera aka Blindish Latina recognized a real need to consider her blindness when moving through life.

Catarina:

I just started to see disability as something that I would incorporate into my life decisions, but not let it dictate my life.

When I was in college, the first thing that was happening to me with night blindness, and I had some issues with peripheral vision, as well. And I remember that I decided not to drink alcohol, because I didn’t want to impair myself any further, I saw that people were really cutting loose and partying. I remember thinking to myself is it’s every person for themselves here, I’m not gonna, I’m not gonna get caught unaware, because, you know, I was a freshman.

My friends would help me navigate parties, I would dance, I would focus more on dancing, because I couldn’t hear people when the music was loud, and I love to dance. It didn’t stop me from having a good time. And making friendships and living life.

TR:

Whether disabled or not, chances are we experience something in life that changes our course. Most people I know had different plans for their lives. Yet, looking deeper, you may realize that your life contains the things that you were actually seeking. Love, friendships, opportunity

These episode make up the first season of 2021. All focused on that adjustment experience.

Lawyer and fellow podcaster Qudsiya Naqui beautifully wrapped up her episode and the season with some thoughts that can only come from someone who has been through their own adjustment experience.

Qudsiya:

Everyone has their own journey and their own experience and their own way of going through those stages of grief and getting to the other side, or whatever the other side looks like, and that’s okay. And you have to be kind to yourself, but know that there’s a community waiting for you. And there’s a lot of possibility and that you are a whole person. And your blindness is a part of that. And it is a really beautiful part of that. That’s something that you should honor about yourself.

TR:

Honor about yourself. I really like that.

Do you ever consider the decisions that we make that actually dishonor ourselves? It could be decisions based on money alone, how we spend our time or how we perceive our own value.

Honoring ourselves, that’s what this podcast is all about!

If you missed any of the episodes this year, I truly encourage you to take a listen.

Going forward in 2021 , we’re touching on topics. We’ll start with Audio Description. Now, at first you may think, wait, what more can we talk about with AD?
Well, I guess you’re going to have to wait and see. You know, it’s right there, but in order to really get into it, you have to Flip the Script.

I’m taking the month of June off. The podcast will be back in July
To make sure you don’t miss anything, my suggestion is that you follow the podcast on your favorite platform. Apple, Spotify, Google, whatever man!

You can also find it at ReidMyMind.com where we have all the transcripts and other resources too.

Now all that’s left is for you to properly spell that. Let me help you… it’s R to the E I D
(“D! And that’s me in the place to be!” Slick Rick)

Like my last name.

Audio: Reid My Mind Outro

Peace!

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