Archive for the ‘Media’ Category

On the Mic with Roy Samuelson

Wednesday, January 30th, 2019

Picture of Roy Samuelson
Continueing the #AudioDescription conversation this time with Voice Over Artist and AD Narrator Roy Samuelson. Hear about his start in the business, more about the process of creating Audio Description from his perspective and our shared enthusiasm for the subject.

We’re talking;
* Process – can Blind and Low Vision Narrators participate?
* Normalization vs. Diversity – Is there room for non-white voices?
* Technology & other opportunities for growth in the field and more…

Listen

Resources

Transcript

Show the transcript

RS:
My name is Roy Samuelson, I’m a Voice Over Artist.

Audio: Multiple demos of Roy’s voice over work.

TR:
That’s up next, right here with me T. Reid
your host and producer of this podcast, Reid My Mind Radio!

Audio: Reid My Mind Radio theme Music

TR:

In 2018 I published some thoughts on Audio Description. That was followed up with an additional conversation on the subject. Today we’re continuing this exploration of Audio Description or AD. This time from the perspective of Voice Over artist and AD Narrator Roy Samuelson.

First, Roy answers the question, what exactly is a voice over

RS:

Voice over is anything you hear with a voice. That could be in a video game a character that’s talking. A commercial where someone’s introducing a product. A promo where there’s a T.V. show being advertised, someone’s introducing when it’s going to be on and what channel.

TR:
As a kid, Roy and his class was assigned the task of interviewing anyone they wanted.

RS:

I wanted to interview someone att eh radio station. When I went there one of the first things the announcer showed me was how to angle the mic so the p’s won’t pop and I thought that was the most amazing thing I had ever seen in my life. Laughs!
This little adjustment could make such a difference. So my curiosity was definitely started then.

TR:

That curiosity along with some additional experience helped lead Roy to voice over.

In his early 20’s he landed a job with then Disney’s MGM Studios theme park in Orlando Florida.

DisneyJob

RS:

I would take over as a gangster and take the audience through all of the scary scenes in movies. I’d have a microphone and in between shooting things I’d be narrating what was going on around the place.
Every 6 to 8 minutes I’d get blown up and start the thing again. So it kind of became like an exercise in just building the skill of talking to people who are paying attention to the story that they’re seeing. That kind of introduced me to voice over.

[TR in conversation with RS:]
What makes a good voice over artist?

There’s a bunch of different opinions. I like to see voice over as a form of acting. It’s a character whether it’s a narrator, a character in a cartoon or even just a commercial. It’s a character telling a story and being part of a story and sharing that with people.

[TR in conversation with RS:]

Do you have a background in acting as well?

RS:

I do yeah. I took a lot of improv classes. In school I had a lot of opportunities on stage and that’s really helped a lot.

TR:

That acting experience eventually landed Roy in a script writers group.
These meetings brought together professional script writers seeking feedback from actors who would cold read their scripts. Meaning, there was no preparation on the part of the actors.

RS:

We would read the characters and read the description and afterward the feedback was all about the writing. So the spotlight was definitely on the script and not the actors and I felt that was so enjoyable. I could play and I could have fun do these ice cold readings without a lot of preparation. The more times I practiced, the more experienced I got with cold reading. When I found out about audio description it seemed like a real segue way from what I had been doing at the script writes and even as far back as that Disney job along with all the other voice over work that I’ve been doing. It felt like a right fit.

[TR in conversation with RS:]

So how did you actually find out about Audio Description?

RS:

A friend of mine referred me and I didn’t literally knock on the door, but I knocked on the door for about two or three years just letting them know I was available and strongly interested and the response was well we’re kind of booked up right now we got everyone we need but thank you for checking in. It wasn’t a brush off it’s just that’s where it was. Every now and again there would be an opportunity where I could fill in for someone and I did. It was so exciting and so much fun and I said thank you so much any other time please let me know, oh sure we’ll let you know. Another year passed . It took a little while.

TR:

In order to get better insight on how Audio Description is made, I asked Roy to walk us through the process
from his perspective.

RS

Audio: Upbeat music…

The scripts are pre-written by, they’re called Describers.

I call myself a Narrator, Audio Description Narrator.

The scripts come to me pre-written and in it are obviously the words that I say. There’s a bunch of queues that tell me when I say what I say. For example, a queue could be time code, where I’m watching the screen and reading the script at the same time and on the screen there’s a time code (like a stop watch). When it gets to a certain point in time that’s my queue to start talking.

there’s visual cues or audio queues. Sometimes it’s the last few words of dialog that the character is saying. It could be even a pause between a long section that I’m speaking. First two sentences then there’s a 2 or 3 second pause before I start speaking again. There’s all sorts of different queues that they use.

TR:

Process makes production efficient. But
they can also unintentionally exclude people from
participating.
Visual cues for example could limit a blind Audio
Description Narrator’s ability to independently function in
such a position.
When I asked if laying down all of the voice over work and
editing at the appropriate time positions was an option,
Roy explained further.

RS:

That could be a way. I’m on a few one hour shows, when we’re all in sync and the script is ready, we’re able to finish in about an hour. They give me four hours total, just in case something can come up . For the most part, it’s not real time but it’s pretty close to real time.

TR:

Watching over the entire recording process is the AD Director. Familiar with the script, they’re listening for any mistakes including mispronunciations and time overlaps.

[TR in conversation with RS:]
So you’re sitting there watching the time code and reading the script, what happens if you go a little longer? Is it just okay, take two?

RS:

If there’s one line that I did not speak quickly enough and the last few words and maybe the last few syllables are spilling over to dialog , as you know that’s not fun for an audience member. They do their best to adjust it either by having me go a little faster or they try to change the words or they even slip the audio that I recorded and make it slide in to fit just perfectly.

TR:

Fully aware that Roy’s responsibility in the process is voicing the narration, I still had to ask;

[TR in conversation with RS:]

How do they determine which narrator is right for a movie or project?

RS:

That’s a great question. I’m learning, I’m definitely on the action adventure horror side of things. (Laughs…) You know with Criminal Minds, the upcoming Girl in the Spider’s Web, the Inspector, Jurassic World. This is the genre that is pretty narration heavy and I do my best to go as quickly as possible without sounding fast. I’ve done some other projects that are more wonderful in the sense of awe inspiring, kind of take it all in sort of thing. Those are the sorts of things that I been cast. That’s something they know I can do and I would think the people that make the decision it makes it easier for them. Oh yeh, this is something Roy’s already done before.

[TR in conversation with RS:]

One that I talked about and this was my personal opinion was Black Panther. So Black Panther ended up being voiced by what sounds like a British White Man.

RS:

Oh!

[TR in conversation with RS:]
For me as the consumer, I thought it was a little disruptive…

RS:

Sure!
[TR in conversation with RS:]

… to the whole feel and aura of the movie.

RS:

Yeh! Absolutely.

[TR in conversation with RS:]

I ended up hearing from some other people who said that same British person voiced Captain America. They were like, I didn’t like the fact that it was a British guy voicing Captain America. People felt a little upset by that. What is taken into consideration when these choices are made?

RS:
Oh it’s so exciting I have so many things I want to talk to you about with
this.

[TR in conversation with RS:]

Okay!

RS:

I remember there’s a quote by Shonda Rhymes where she talked about normalizing instead of diversifying. I’m seeing so many femal voices, people of color voices all sorts of opportunities. I hate to say it, the stereotypical white male voice that has been so common is now not as common which is great. I think there’s many more opportunities different voices to be in this. I think it can only help the story. I think you named two really great examples. When you’re in a story you don’t want to be interrupted. So when the audio description comes in it shouldn’t be out of left field.

I do think these companies are more aware of the content of the story being told and they’re taking a lot of consideration into that.

[TR in conversation with RS:]
That’s good to hear.

[TR in conversation with RS:]
One of my complaints in terms of the script and how things are determined, what are you going to describe? So if I go back to Black Panther, there was a very interesting thing that I found out because it was being discussed. It was not included in the description at all it came up like months after on a radio program I was listening to. They went into more description about the spaceship. I guess in one of the angles when the ship came down, they said how it resembled an African mask.

RS:

Hmmm! (In understanding.)

[TR in conversation with RS:]

They all look different but I get a real sense of that. Plus the fact that the spaceship was created like that , that blew my mind! But I never got access to that information.

RS:

Oh!! (In further understanding.)

[TR in conversation with RS:]

So there was a decision made. Someone didn’t think that was important. So this is why I’m always wondering well at some point it seems to me that the writers of the description should be the writers of the movie.

RS:
Oh, I see.

[TR in conversation with RS:]

They have the vision right? the Director, they’re the ones making these decisions . So some of that information of what they want that consumer to feel , whoever that consumer is Blind or sighted, that should be passed along and so I always wonder, are there conversations between the audio description company and the actual producers and writers of the film. And it doesn’t seem like it. Maybe on like an independent.

RS:

I’m not sure which film it was, but I know it was a big budget film, they definitely cared about to make sure the audio description was heard and they brought in the team. I was brought back and recorded some lines that were very nuanced.

So I think there is a genuine care for the audience for audio description. I’m not going to make a generalized blanket statement on that but I think there are people who are involved outside of audio description but still want to care about the things that you’re talking about.

I’m not sure if Haunting on Hill house on Netflix is described. There’s an element of that series, after 10 episodes I was kind of familiar with the story line. There was an element that was shared on line and as soon as I heard it it was so obvious. It was one of those things like aw wow I didn’t even notice that.

But I think what you’re talking about, back to the Black Panther spaceship is that with audio description we are limited to … if a picture is worth a thousand words , there’s 24 frames per second you know it’s like… I’m not defending it but it definitely is selective. The audio description is by its very nature limited. I’d be curious if there is a way to have like I’m just brainstorming here but out takes or something else that goes deeper into the story to allow those visual elements. How exciting that would be.

[TR in conversation with RS:]

I think there is.

For the Audio Description experience part of it is so so frustrating. It has nothing to do with what you all are doing, it’s the technical side. When you go to a movie theater chances are they’re giving you either the wrong device or the device doesn’t work. So you have to run back over and find a manager. And in my case it’s always my wife. She moves a lot faster than I’m going to move so she’s doing it! Boom, boom, boom! And I feel terrible. I feel awful because she’s missing that part of the movie, but she doesn’t want me to experience it without it.
There’s all this time during the promos. Those aren’t described so I’m usually bored. It would also be a test of the technology because if the right track is coming through that’s telling you about the movie, then you know your stuff is working, you technology is working. This is exactly what they do in a show, like a Broadway show. They introduce you to the cast beforehand. They describe their costumes, they let you get acclimated to their voices, they’ll describe the set. All of that is done before the show. So I think like hey, why not put that out beforehand. Yes the movie is limited to that time, but the experience really does go past that time.

RS:

Wow!

TR:

Listening back to our conversation, I realize a few things.

First, I think I get a little enthusiastic about the subject.

Secondly, I referred to the issues encountered in theaters when using AD only as a technical problem. And while yes sometimes the problems arise from the technology, more than often I feel as though the problems stem from uninformed theater workers.

I’m still trying to figure out why when you let them know you’re Blind and want to use the Audio Description device they translate that to mean you want the device for the hearing impaired.

Come to find out, Roy is familiar with this faulty part of the process.

RS:

My mom wanted to watch a screening with audio description, same thing happened. It didn’t work. The exciting thing with that is the manager found out apologized profusely , they said it was a glitch . There’s other technology coming out. I want to say Acti View?

[TR in conversation with RS:]
Yes Sir!

TR:
Acti View is the app that allows audio description consumers as well as those using captions and enhanced audio, with the means of directly downloading their access solution. For more on this service and how it came to be, check out the episode where we speak to one of the founders.

RS:
That kind of stuff is starting to happen. I can’t help but think that this is an opportunity. The popularity of podcasts, audio books and how easily accessible those are for this audio description is kind of in the same world. Commuters who happened to be sighted can enjoy the experience of audio description and that can only help the audience get more opportunities that look forward to enjoying it.

Aw I’m so excited.

TR:

It was nice to hear that Roy and I share a mutual excitement for Audio Description. It made for a good conversation.

Not only did I appreciate hearing his enthusiasm for the subject, listening to him accentuates his ability to employ several styles in his narration work. Roy says he tailors his voice to the genre.

RS:

I gotta be part of the stories. I can’t sound happy and joyous all the time. Laughs…

TR:

Next time you’re enjoying a television show or movie with Audio Description and you find yourself thinking that voice sounds familiar. there’s only one way to be certain. Wait until the end of the credits and you hear;

Audio: Read by Roy Samuelson. (Audio Description from “Jurassic World Fallen Kingdom”)

TR:

You can connect with Roy on social media;
On Twitter @RoySamuelson and
on Facebook you can find him as Roy Samuelson Biz or
visit Roy Samuelson.com

Audio bumper

Audio Description isn’t new. The lack of AD in movies and television programming over the years since its creation amounts to exclusion.

The result, many in the Blind and Low Vision community feel as though movies are just not for them.

In 2019 however, there’s lots of reasons to give television and movies with audio description a try.

We have
the 21st Century Telecommunications Act on our side – leading to more content.
And we have multiple accessible ways of consuming that content.

. If you haven’t yet experienced AD either at home or in a theater , I urge you to give it a try.

It’s not just entertaining television and movies, more documentaries are including description. Something I’m personally happy to see.

The process of making video accessible shouldn’t itself be inaccessible to the community it seeks to serve. Blind and low vision people should have access to these opportunities.

Blind people come from all backgrounds. We’re Black, Hispanic, Asian, Native as well as white. We’re straight, gay, lesbian transgender. As we call for television and movies to be more reflective of our society so should the voices that describe these movies to us.

How do you feel about Audio description?
Holla back!
We have the comments section on the blog, ReidMyMind.com.
The email; ReidMyMindRadio@gmail.com
The Reid My Mind Radio Feedback Line where you can leave a voice mail: 1 570-798-7343

I would really love voice messages that I can share on the podcast. If you don’t want to call, you can grab your smart phone and record a voice memo and email the finished recording to ReidMyMindRadio@gmail.com.

I’d love to hear and share the voices of those who are listening. If you want to send a message but don’t want it shared just say so and it’s all good.

We’re going to continue to explore Audio Description as we move through 2019. So my best advice for you to make sure you don’t miss that and everything else in store…

Subscribe!
Apple Podcast, Spotify, Google Podcast Sound Cloud, Stitcher, Tune In Radio or wherever you get podcasts.
Visit www.ReidMyMind.com

So there’s no confusion, that’s R to the E I D like my last name!

Audio: Dramatic closing music from Jurassic World, Falling Kingdom RS: “Cut to Black”

Audio: RMMRadio Outro Theme

TR:

Peace

Hide the transcript

Reid My Mind Radio – Master Chef Christine Ha

Wednesday, August 1st, 2018

A picture of 2012 Master Chef, Christine Ha
Christine Ha, winner of Fox’s Master Chef in 2012 never set out to be a cook. In fact, as a young girl she had no interest in cooking at all.

Hear all about how becoming Master Chef changed her life. Including launching her latest venture; The Blind Goat. A restaurant or Chef Station in a new Houston Texas Food Hall.

Christine’s story shows us how advocacy takes various forms. Plus lots of valuable information for anyone adapting to a life change.

Listen

Resources

Transcript

Show the transcript

TR:

Whats up Reid My Mind Radio family, glad to be with you again.

If you are new here, my name is T.Reid.
This podcast is my space to share interviews and profile compelling people usually
impacted by blindness or low vision.
Occasionally I include stories about my personal experiences with vision loss.

Coming up today, I had the privilege of speaking with a young lady who took the subject of vision loss prime time.

That’s right after we get a taste of some of this delicious theme music!

Audio: Reid My Mind Radio Intro

Audio: Christine Ha winning Master Chef
TR:

In 2012 Christine Ha was studying creative writing in graduate school.
Following her husband’s encouragement, she tried out for the third season
of the Fox series Master Chef.

If you’re not familiar with the show,
amateur home cooks audition for the chance to put their culinary skills
up against their peers.
They’re given the task to design and prepare all sorts of dishes
from desserts to main courses.
Well known Chef Judges crown one contestant as Master Chef –
giving the winner a chance to publish their own cookbook as well as a cash prize.
CH:
As a writer, as an artist, you are always trying to experience everything you can in life. And so I thought well there are auditions are coming to a nearby town like why not if anything I have some interesting stories to write about. I went just going for the experience not thinking that I would get as far as I did.

TR:
She won!
Along with the prizes she became synonymous with the title The Blind Cook.
CH:
I lost my vision because of an autoimmune condition called Neuromyelitis Optica or NMO for short. It’s similar to multiple sclerosis so my immune system attacks minor logical system primarily the optic nerves in the spinal cord. There were many times when I had an NMO attacks that involved paralysis. I would lose feeling in my feet or my hands I’ve had a time when my attack on my spinal cord was very bad where I was completely paralyzed from the neck down for several weeks and at the same time I was also experiencing optic nerve inflammation so I was also losing my vision couldn’t see anything, couldn’t move, couldn’t sit up by myself, couldn’t feed myself, couldn’t grip my tooth brush, hold my glass of water, lots of things. So that was a big challenge in my life and that was around the time when I was in my early twenties. Fortunately, I’ve been able to recover quite well from a lot of the spinal cord inflammation.

TR:
Christine describes her resulting vision following the NMO
CH:
As though one were to come out of a very hot shower and looked into a steamy mirror, that’s what I see. So, washed out colors some shapes some shadows very blurry vision I would say in both of my eyes. I still managed to go back to school and get my master’s degree in creative writing after I lost my vision.

TR:

Christine was never planning on becoming a Master Chef.
In fact, she didn’t begin cooking until
moving out of the dorm in college.
CH:
I realized that I had to learn to cook in order to feed myself because I couldn’t afford to always eat out. I decided to buy a cookbook and read the recipes and then just buy some cheap kitchen equipment and teach myself. And I just read the recipes word for word and experimented in the kitchen. Also the fact that I missed a lot of the food that I grew up eating, Vietnamese food, since I’m being amused by heritage my mom was a very good cook but she never taught me how to cook. She was actually very overprotective mom and wouldn’t let me near the knives or the hot stove and I really wasn’t that interested in cooking as a child. And I just thought that everyone ate good food and I took my mom’s home cooking for granted and she actually passed away when I was fourteen and I think when I was older in college I realized what I had missed out on learning to cook from her. So I started reading a lot of Vietnamese cookbooks and trying to reproduce a lot of the dishes that I recall eating growing up in her home. Knowing that I was able to create something with raw ingredients and be able to keep the people around me that I cared about and have them enjoy something that I actually created with my own two hands, that kind of ignited my enjoyment and passion for cooking. And so it was that moment on that I wanted to learn everything I could about food in cooking so I read tons of cookbooks practice a lot of different things in the kitchen just tried my hand at. All kinds of cuisines and it just kind of grew from there and it was interesting Lee end up the same time that I started losing my vision because of the enemy so I was slowly losing my vision at the same time that I was excelling at cooking it always felt like I had to really learn how to cook like every few months or every couple years I would have to really learn how to do things with less vision in the kitchen.

TR in conversation CH:
Did you ever deal with any fear as the vision was gradually decreasing? Did you ever set to say “hey now I’m a little nervous about this?”

CH:
It always felt like I had to start over every time my vision decreased so I felt defeated quite a bit throughout these years.

TR in conversation with CH:
What made you keep on going?

CH:
I think part of it was eventually I realised I just couldn’t allow myself a short time to grieve the loss of my vision and feel sorry for myself and just kind of well in self-pity. But I didn’t want to drop out of life I just wanted to live it in the best way that I can

TR:
Living life in the best way possible doesn’t mean problem free.
Challenging circumstances are inevitable.
Christine identifies some real benefits of going through adversity.
CH:
I think it’s a reminder always when I have challenges today whatever they may be to remember that oh well I’ve survived some tough things in my life so I know that if I’ve been able to survive that I’ll eventually survive this. But when you’re in the moment I think it’s hard to have that attitude. Over time your brain sort of learns that we’re much more resilient than I think we give ourselves credit for, it isn’t until we go through these obstacles or challenges and then overcome them that we realize that “hey we can do this, we can survive, we can succeed in spite of things.” It’s important to celebrate the small victories because I think often times we always focus on our failures. Yes failures are disappointing but they teach you to find new creative solutions to things and I think they help you realise that you know when you do work hard in attaining your goals there’s that much more special

TR:
Special indeed!
You can say life changing.
TR in conversation with CH:
How did it feel when you won?

CH:
My life I feel changed completely. I am grateful that I went through it as a more mature adult. I feel like just that amount of publicity I think suddenly happening in your life if you don’t have a sense of yourself a strong sense of self in a certain level of maturity I think it’s very hard to deal with. The negative part was that I was not used to being recognised and that felt really strange and especially someone who is visually impaired being out and about and having strangers come up to you suddenly and I don’t know people are approaching me and all of a sudden there’s people calling my name and I’m like “is it someone I know is it someone that watch me on T.V.?”
That was kind of a bizarre experience at the beginning and it took me a while to get used to that but the upside was I’ve had so many opportunities since winning Master Chef that have been amazing. I’ve been able to travel around the world and and do work with the U.S. embassy in culinary exchange programs, advocate for entrepreneurship women’s rights and the rights of those with vision impairment and people with disabilities, do things with Asian American focus groups so all of these things have been really amazing in just the experiences I’ve been able to have like judging Master Chef Vietnam or you know having my own cooking show geared towards the visually impaired called 4 Senses in Canada. All these things would not have happened if I wasn’t on Master Chef. I’m really excited because finally this follow opening I very first restaurant in Houston and that’s been a dream of mine and it’s finally coming true as well.
It’s called the Blind Goat it’s coming into a newly built hall that’s very chef driven in Houston so the food hall craze is finally coming to Houston I know it’s you know a thing in New York it’s a thing in L.A. and thing in San Francisco.

TR:
A Food Hall is typically a mix of local artisan restaurants, butcher shops and other food-oriented boutiques under one roof.

A food hall is not the same as food courts found in malls as that consists of fast food chains.
CH:
It’s called the Blind Goat because obviously I am vision impaired and goat is my zodiac sign in Vietnamese astrology so I’m born the year of the goat. So I thought that was kind of a cute and fun name and the cuisine that we’re going to be serving there will be largely southeast of Vietnamese style. And it’s kind of like small plates, I would call it a Vietnamese gastropod so kind of shareable small plates that consist of food that you would want to eat and share with friends over a beer or over a glass of wine. Communal eating is kind of the theme and this is something that I’ve always believed in and the food and ingredients that so I’m very excited to be opening up the place and sharing it with the world.

TR in conversation with CH:
Are you familiar with the acronym the goat?

CH:
I didn’t know but then someone said does that stand for greatest of all time and I was like that is really funny I never heard of that before but now I will have to use that. But do you have another acronym?

TR in conversation with CH:
No that was it the greatest of all time L.L. Cool J. had his whole album he refers to himself as that as the goat and some people when you talk about your top five well you know that type of thing a top five artist you say oh this was the goat.

CH:
Im totally going to have to put that in my tagline or something. [laughs]

TR in conversation with CH:
There you go, run with it [laughs].

TR:

In addition to publishing her cook book;
Recipes from My Home Kitchen – Asian and American Comfort Food,
Christine co-hosted a cooking show produced by Accessible Media Inc in Canada.
CH:
They wanted to do some original programming and of course I was the natural fit because I can cook and I’m vision impaired.
I co-hosted it with Carl Heinrich who won Top Chef Canada and he’s a fully sighted chef professional chef and I’m sort of the amateur home cook that’s vision impaired and we co-hosted the show. It’s a show that geared towards not only vision impaired cooks but also novice cooks or just anyone who wants to get back in the kitchen and learn about cooking. But of course it really was heavily year towards people who have lost their vision and want to learn to cook again or who just want to be getting learning how to cook our show had audio description embedded within the program so we were very descriptive it was almost like you could listen to radio while you were watching our show. We wouldn’t use things like “oh you put this in there” you would say you’re putting the salt inside the pot that contained the chili and of course the recipes were available online in an accessible format.

TR:

Four Senses ran for 4 seasons and is still available online.

Christine’s working on a new cookbook right now.
CH:
When I first learned to cook I would follow a recipe to a tee and if it said to put you know something in the oven for forty five minutes I would do it even if like everything was smoking and it was obviously over cooking and burning. I think that’s kind of the wrong approach to cooking, everyone’s equipment’s different ingredients or different elevation that you’re cooking and that affects like how things cook so I want to write a cookbook that helps people hone in on their own intuition and cook using all of our availale senses.

TR in conversation with CH:
I’m more of a crockpot cooker. [laughs]

CH:
Oh yeah there’s nothing wrong with that at all. It’s very convenient to just dump everything into the pot and walk away and then you’ll have a good smelling meal later.

TR:
If you’re imagining that Christine’s kitchen is full of high tech gadgetry , you may be surprised.

In addition to raised dots on the oven and microwave,
it’s really more about organization.
CH:
I have a baking bin so that will whole my baking soda, baking powder vanilla extract, vanilla pods, sugar. And then I’ll have another bin that’s my coffee bin so that will hold the coffee beans, like the Arrow press, the coffee filters. My spices are organized. I have everything in my pantry actually on a list using the our groceries app on my iPhone I can just read down the list using voiceover and know everything I have in the kitchen so I can meal plan that way. When we run out of milk or something I can move that to the grocery list and then we know when we go shopping I share the list with my husband and he can see on a list we need milk so he can grab the milk. So that’s kind of you know the adaptations I had in the kitchen. I have an Amazon echo which I love to set timers for different things I’m cooking, to do quick conversions standard measurements to metric, and of course I love listening to music while I cook.

TR in conversation with CH:
What’s the music you listen to while you’re cooking.

CH:
I actually listen to all sorts of stuff. So I listen to a lot of classic rock I grew up listening to The Beatles because my parents love the Beatles so I listen to classic rock, I listen to a lot of indie rock, alternative rock. You know I’m a child of the eighty’s and ninety’s so I do like some new wave and some eighty’s pop, British pop, ninety’s of course like the grunge rock alternative rock from that and then there’s also like ninety’s hip hop I grew up listening to quite a broad spectrum of things. Jazz to me is relaxing so I’ll put on just jazz music maybe more of the mainstream country but not like a lot of the country music and not a lot of the heavy metal stuff.

TR:

Not mad at her at all.

Continuing to Master her craft while revealing other talents;
Christine’s not only a cook, author, television host, entrepreneur and public speaker
but through her work she’s an advocate.

Using both her words and actions she’s changing some of the
half baked stereotypes about what it means to be blind.
Non apolegetically walking through life with her white cane in hand striving towards her goals.
At the same time educating society about the many issues of importance to those who are blind and
visually impaired and in general people with disabilities.

Like she does through her TEDx talks which you can see online.
TED is an acronym for technology, engineering and design.

In one such talk she was clear to inform the audience about making sure they
consider how people who are blind or visually impaired access information, websites and more.

We discussed one of her TED x Talk titled
Lets Cook By Eatting First.

In this presentation, Christine offers 4 key points to
becoming a better eatter and subsequently better cook.
1. Try everything
2. Try everything twice
3. Always be in the moment when you eat – get rid of distractions
4. Travel – opens your mind
TR in conversation with CH:

CH:
I think that’s a really good point you have there Thomas I think that I originally wrote those points for cooking but they’re definitely applicable to many other things in life. For example try everything and try everything twice. I think that’s important because you really don’t know what you like or what you prefer or what your talent could be if you don’t try everything. I had a huge fear of public speaking but I had a lot of opportunities to public speaking after Master Chef so I decided why not I should conquer that fear because you never know what it could lead to and I did. I kept doing public speaking even though at the beginning I was sweating and my voice was shaking and I was extremely nervous but I just kept doing more and more and more until it became more comfortable. And the good that’s come out of it is that my story has touched a lot of people inspired people experience life that goes hand in hand with traveling I think a lot of times especially as Americans because our continent is so large we don’t travel far. We’re fortunate that we can get so many things here within our country you know. I live in Houston which is now the most diverse city in America so I can get Mexican authentic Mexican street tacos I can get Ethiopian food, I can get the VIetnamese, Chinese food French food, whatever. All those things are available pretty much within my city so I’m fortunate in that way. But I think sometimes we’re so comfortable that we don’t want to leave our comfort zone so we choose not to travel and learn about other cultures and when I do travel and I meet other people and I learn about their culture whether it’s through their food, how they interact with others, how they live their lives, the news that they receive, way that they dress, the things that they like to do to pass their time. I learn a lot about another culture and then it teaches me that I’m quite small very insignificant dot on this earth and that you know I’m just part of this bigger world with so many other people equally as important special as I am. I think it helps you keep an open mind as well we get so hung up on our politics and our way of lives here in America that I think it’s important to remember that you know our way is not always the only way.

TR:
Beginning this fall, if you’re near Houston Texas make sure you check out the Blind Goat.
That’s her new restaurant or chef station at the Bravery Chef Hall,
a Food Hall currently being built.

In the meantime you can find 4 seasons worth of
her cooking show 4 Senses online at ami.ca .
Her cookbook Recipes from My Home Kitchen is available from Amazon in print and EBook Kindle edition.
And you can always visit her online at TheBlindCook.com where you’ll find links to her social media and her latest blog posts.

I’m Thomas Reid
For Gatewave Radio

CH:
I went just going for the experience not thinking I would get as far as I did.

Audio for Independent Living

TR:

Did you notice that when I mentioned I was a crock pot cooker, Christine didn’t make fun of me.
She showed no signs at all of putting me down or superiority.

I’ve experienced this in the past as if cooking in a crock pot made sense simply because I am blind. Christine showed no signs of that. She was cool!

I cook on a stove. Both before and after vision loss.

When it comes to cooking, I’m
pretty strict regarding my environment.
I obviously need to know where everything is and need things labeled properly.
I like it very organized and clutter free.
I also like being alone.
I don’t want to be watched unless I’m doing a cooking show.
I don’t want people budding in telling me where things are, or
I should check this or stir that.
My response will most likely be to let them have at it.
Call me when it’s ready!

As made clear from Christine’s story;
cooking is a learning process.
When learning anything you’re going to have some failures or setbacks.

Cooking as a metaphor actually illustrates this very easily.

Christine mentioned how when learning to cook in college, she threw away a lot of meals.
This Master Chef made things that weren’t edible during her early days.

What are you currently in the process of learning?
An instrument, a new function on the job?
Whatever it is you are going to cook up some meals that you are not going to want to serve to your friends and family.
You have to, its part of the early process.

This same advice applies to vision loss and the process of learning to adapt.

You are going to have setbacks at times but stay with it.
As long as you’re cooking you’re headed in the right direction.
Are you in the kitchen?

Here’s a recipe for a quick meal that is sure to satisfy.
It’s called Reid My Mind Radio Gumbo.
Just find Reid My Mind Radio wherever you listen to podcasts like
Apple Podcast, Google Play, Sound Cloud, Stitcher or Tune In Radio.
Then just hit the button that says “Subscribe”.
That’s it. The dish is served up every two weeks and I personally think they are scrumptious!
Perfect for any meal or snack.
You can even serve to others. I’m just sayin!

You smell that… somethings burning! I think I overcooked that metaphor.

Talk to you next time!

Audio: Reid My Mind Radio Outro

TR:
Peace!

Hide the transcript

Reid My Mind Radio – Full Access to Movies & Television…

Wednesday, August 16th, 2017

The Actiview  logo appears on screen in a small theater
An episode packed with goodness. First, Alex Koren one of two founders of Actiview, the new startup changing not only the way we consume audio description but the way we think of video accessibility. This episode also includes:
– A slight rant on access to Audio Description in general
– A special sneak peak into a new project I’m excited to work on with one of Hip Hop’s pioneers, Doctor Dre; an original Def Jam artist, Yo MTV Raps and Hot 97 Morning Show host & DJ
– Inspiration struck – thanks to Brooklyn’s own Notorious BIG… and if you don’t know, now you know…!

Now go ahead and hit Play and don’t forget to subscribe!

Resources

Transcript

Show the transcript

TR:
Wasup everyone!
We’re talking audio description this week.
In some sense it’s about the future of description.

In the present as you’ll hear more in the Gatewave piece, getting the audio description device in a theater can be a hit or miss.

Today, a new start up changing the paradigm as it relates to how people ith vision loss and others gain access to video content.

So let’s get it!

[20th Century Fox Theme]
[RMMRadio Theme Music ]

[Audio from John Wyck Chapter 2]

TR:
You’re listening to audio description from the movie John Wyck Chapter 2. Audio Description, well, that’s the additional narration making video accessible to people who are blind or visually impaired.

This extra information describes scenes not containing dialog or other nonverbal information that is relevant to the story.

Alex koren, a 23 year old entrepreneur originally from the New York/New Jersey area is one of two founders of Actiview. They’re a new startup company. Their product, an iPhone app, is putting more control and accessibility in the hands of the consumer.

AK:
I received a grant in two thousand and fourteen called the Theil Fellowship. It’s awarded to twenty young entrepreneurs every year to drop out of college
and pursue entrepreneurial endeavors of their choice. I moved up to San Francisco and kind of had two years to just think about ideas work on different things. Entering into the
last half year of my fellowship I felt compelled to really build something that mattered to people. Build something I probably be connected to and I had this idea for Actiview. How can I make movie theaters more accessible. Make home television more accessible.

There’s two Founders and really three partners on this project as a whole. Myself my co-founder Braun Shedd who’s actually nineteen years old. I worked with him previously on a project or two and I said I’ve got this idea come live with me let’s work on this let’s hack on this and see what we can make out of it.

And the third guy Paul Cichockihe he was at Pixar for about seventeen years. He was the post-production supervisor and he really headed up there initiative to make their audio description as high quality as possible. He was working on captions, audio description
every accessible service under the domain of a lot of things that he did. And he left Pixar and came to join us full time in September of last year.

TR:
While none of the three partners have a direct relationship with vision loss; Alex did spend some considerable time with people who are deaf.

AK:
I really enjoy and find it rewarding to work and be in a field that really helps people with blindness low vision people who are hard of hearing or deaf.

TR:
Actiview an iOS only application right now is bringing a full service accessibility solution to the smart phone.

It offers audio description, closed captions, American Sign Language, sub-titles and language translations.

Alex points out some of the ways earlier apps which tried to bring audio description direct to the consumer. differ from Actiview’s approach.

AK:
all of these had great intentions and were really viable pieces of technology except for a few things.

One we wanted to be access ability first. It was all
about making sure that we provide the best possible experience for the accessible users first. And then expand it out to the general population. And the second one is we recognize that every movie had to be accessible. It couldn’t just be a select few. And so the first piece of technology that we ended up developing was a piece of hardware
that movie theaters could install that made every movie accessible via Wi-Fi. All of the technology that we’d seen had made you download stuff in the
cloud and they had a limited selection of movies. We were trying to work in the realm of making every movie accessible. In developing this technology we spent the
better part of I think over a year reverse engineering a lot of broadcasts systems and projection booths which is really really tough work. We sat in a lot of dark rooms between a lot of you know loud and hot equipment with our computers out trying to figure this out. After we built kind of our first prototypes and demos we sort of realize that theaters unfortunately just aren’t that excited about buying more equipment to make stuff accessible. Which is a really really unfortunate truth. So we sort of started to take a different approach to all this. We said how can we still make every movie accessible
without selling something directly to the theater for them to install and work on. The first thing we did was we moved a mobile app that you could download
the content from the cloud synchronize it with the movie and basically use it anywhere without any hardware. We piloted with cars three in June of this year and everyone could download the audio description track go to see Cars 3 in the movie theater and play the track back. We had some great response. A lot of moms
and dads talking about how their blind or low vision child finally got to go to the movies. It was really really moving for us and exciting for us.

That also works in the home. And so we’re working on also adding content from providers like Netflix and Amazon Video as well as DVDs that you already have, I Tunes video all the services. The download and sync idea the download and sync solution works for you kind of anywhere. So we don’t see where this is only the theatrical only the releases where you go with the family once a year. it’s also I have a spouse who’s not blind or not Deaf who wants to watch Netflix with me and I can personally turn on the audio description in my ear and we can both watch together on the same couch. Because right now you
know Netflix and Amazon have great audio description offerings but you turn on audio description on everyone’s listening when it’s on the captions everyone’s watching them. And to have a kind of personalized experience we imagine a world where the Spanish speaking mom, the blind husband and the Deaf child are all sitting in one room watching together and that’s I think a really really special experience.

And now going forward what we’re doing is we’re taking the software that we still love that was sitting in that box that you can install in the projection booth and we’re actually trying to sell it to the projector manufacturers. so they can take the software install it directly in a projector so instead of us selling new technology to theaters it’s just a software update to projectors. And that’s really the new paradigm
of what we’re trying to solve and do here at Actiview. It’s make every projector capable of making movies accessible.
We’re just getting it from its almost last destination to its destination and that’s really just from the projection booth to your ears.

TR:
The less steps in this last phase of delivery, the better. Both people and technology introduce possible failure points.

Take for instance the current process of listening to audio description in movie theaters today.

[Audio: Movie theater atmosphere]

When purchasing your tickets, a movie goer must first request the device from the box office.

In my experience, there’s often a confusion here.
After requesting the device for the visually impaired I am asked;
[Theater Box Office Attendant]
” do you mean the closed caption?”
[Pause
TR:
“No!”

[Theater Box Office Attendant]
“Do you mean the device that makes it louder?”

[Pause]

TR:
“No!”

If you make it past this first round with the a device in your hands…
When the movie finally begins after about a half hour of previews you didn’t ask to see, you find out the device wasn’t properly configured. Meaning the movie begins and there’s no description streaming from the device through your headphones.

This requires quickly returning to the theater employee or manager to have the device fixed.

Hopefully, this is resolved the first time, but I’ve been to theaters where we had to repeat this process.

Actiview would eliminate these extra steps in the accessibility delivery process.

The Actiview team seems to understand an important fact of accessibility; one size does not fit all.
AK:
People need different levels of access and our app it’s built to be really modular in the way that you can just press buttons to use multiple ones at the same time. You can’t use all of them at the same time because there’s limitations on what the phone can do, but certainly the ones that are applicable you know you know that someone using audio description for instance would never need the sign language track so we don’t allow that combination. But certainly the ones
for low hearing and low vision or low hearing and Deaf. We do allow you to combine those and use them simultaneously.

TR:
All of these accessibility solutions in one app;
should be a reminder to advocates about the power of coalition.

To download the app visit the Apple App store.

AK:
If you download the app, you go through a quick tutorial about how to use the app and just as an head’s up you will need headphones that are wired to your phone
in order to try to go through the tutorial. It’s a requirement we have for security purposes. And once you do that there’s an option to subscribe to push notifications. And if you hit ok on the push notifications you will then be on our list to hear about when new movies get released. And so we’ll be giving constant updates with new movies new content.

[TR in conversation with AK:]

You already said you’re probably working 12, 12 plus hours a day. What help are you guys looking for from the community at this point?

That’s a great question. I think that the first clearly easiest thing is downloads are king. For every download we get we’re tracking the usage of the app and we can go over to Hollywood and say hey guys look how many people want this thing. You know for every person who watch Cars 3 it was one more point in our court. Look how well this once people are really excited about this let’s keep doing it let’s keep this going.
Download some content. Go and see a movie. We hope to have a few more on there in the coming weeks to few months that you can go and see and they might be more applicable to you if you’re not a Cars fan. And that’s the easiest way to get involved.

Second of all we’re are hiring we’re looking for more engineering talent. I
think that We want to hire both low vision blind deaf and hard of hearing people to come work at Actiview. We really want to dedicate ourselves to fully being an accessible company. We’re looking for people to come join us if you’ve got the chops we will absolutely have a look and
take a listen and see if there’s a space to have you on board.

Just being an advocate – telling friends family because downloads are really important, but also coming back to us and saying hey I have an idea or hey this isn’t really working for me I need it this way because at the end of the day Actiview is only as good as the services that it provides to its customers. And if we’re not doing something to the best of our ability and you’re not enjoying the content you’re doing then we’re not doing our job. We think we’re doing a pretty good job in surveying and asking people what they want making sure we’re building their needs but there’s certainly work to be done and we hope that people give us the kind of feedback so we can build the best possible product.

TR:
To get in touch with the Actiview team whether to learn more about the app, give feedback including suggestions or for possible employment;
Contact by:
email: team@actiview.co
Twitter @TeamActiview)
website actiview.co

I’m Thomas Reid for Gatewave Radio,
[Audio from interview: Which is a really really unfortunate truth.]

Audio for independent living!

[Audio: film Slate announcer says ” Take 1″]

Whenever I talk about audio description in the back of my mind I hear the haters.

Those who say this topic isn’t important. It’s just entertainment.

Once again, the haters are wrong, they suck!

Audio description makes information in the video format accessible.

This includes educational videos in the school and workplace.

Think of young children and adults alike who develop friendships and working relationships as a result of talking about their favorite program or movie.

At the core of entertainment is humanity and a message. Why should anyone be denied access to that information.

That descriptive information extends beyond video whether movies or television.

I can’t tell you how annoying it is to see a message in my social media feed, pick anyone! and the text refers to a image file… but there’s no way of getting that information without seeing the picture.
At least that was before the ability to add a description to the image.

Truth is the image description could be included with the post especially with FB. However, Twitter enabled the ability to add way more than 140 characters to describe the image.

Museums, galleries and other places could make their content accessible using headsets and location technology readily available today.

And I know the first thing said when the subject comes up…
Do blind people go to museums or are they on social media.

Not only are we out here, we make media.

We have families who we like to accompany to different experiences and we want to engage independently without their assistance in order for us all to share in an experience.

We might want to just alone.

That question yawl, is bullshit. Don’t accept it… in fact here you go…

simply remind people that they probably benefited from closed caption when at a sports bar.

re-directed themselves toward a ramp as opposed to lifting the functional leg up to step on to the sidewalk.

Man, don’t get me started yawl!

Just the other day I saw a tweet from someone who wished they could watch television while training for a marathon. They just find it gets boring.
I had to holla and let them know audio described movies/television are a real option.
It’s a non visual means of consuming media, that’s it.
The more that use the better for us all.
Try it on a road trip. Truck drivers could really get into it.
Bike riders and other athletes. Those doing work where it allows for active listening but not focusing on a screen.

We still have a long way until accessibility is just a normal part of how we do business.

Lots of room for expansion and growth.
Documentaries!
Many do not include description making them difficult to follow.

Audio description can impact a person’s adjustment to vision loss.

For so many people, the movies are that way to get out and lose themselves for 2 hours.

Earlier this year, I interviewed what I have come to realize is a true movie connoisseur.
In fact, he’s been in some movies himself.
Doctor Dre from Yo MTV Raps and New York’s Hot 97 Morning Show fame…
If you haven’t listened to that episode I truly suggest you do.

In fact, I’ll drop a little teaser of a project he and I are working on together that brings a different perspective and voice to the podcast game.

Here’s a taste of one around Dre’s experience with description.

This project is going to include conversations, interviews and more on lots of different topics and let me tell you right now, they can go anywhere. Dre has a gift for that and the funny thing is they tie into all sorts of subjects some very relevant today and some you may not be used to me talking about.

I hope you will join us when it’s ready but for now, I’ll probably slip some previews into the podcast feed so make sure you are subscribed so you don’t miss out.

If you’re not sure how to subscribe…

your friendly super hero has you covered.

If you have an iPhone

## 10 Subscribe Commandments
Step 1
Take out your phone, do it real fast
open the app, it’s called Podcast

In the bottom right corner, you can find the search tab
i’ll wait to you find it, Got it, Fab!

Now just type this in right on that search line
R E I D M Y, Mind

Tap on that search button, and away you go
there it is.., Reid My Mind Radio

All the episodes , appear on your screen
over 65 to date, Nahmean

a Reid My Mind button on the bottom, not sure which side
Hit it, next page, choose subscribe

Now your official, I’ll call you sis or bro
Or a non gender listener, of RMMRadio

Now , one more thing, I’d love for you to do,
give me a rating and if you could, , write me a review!

They say ratings help listeners find the podcast
It doesn’t take long, it’s pretty quick and fast

One last thing, You don’t need tech to do
Refer the show to a friend or two.

TR:
[Talking over music]
I would really like to get this information and overall message out to those who can really use it.
To me that’s everyone so we have a long way to go!

Shout out to the person who gave me a review, I appreciate you.

While you’re on the review page, hit that related tab and check out what other podcasts those who subscribe are listening to… we’re in some good company including Blind Abilities and Oprah and This American Life.

Hey Oprah, holla!

Peace.

Hide the transcript

Reid My Mind Radio – Connie Chiu – For the Love

Wednesday, July 19th, 2017

Connie dressed in white whith her hair slicked back looking upwards. The background is a bright white.

Photographed by,Ellis Parrinder


Connie Chiu, known as the first Fashion model with Albinism, has much more to offer than a pretty photo… a great attitude.
Ask her why she does it…. She does it for the love!

I had to ask myself what do I love to do… so I did it! I call it Connie’s Jam, check it out in this episode.

What do you just love to do? Are you doing it? Holla Back!reidmymindradio@gmail.com

Resources

Transcript

Show the transcript

TR:
What’s up RMMRadio family…

I have back to back episodes that touch on the topic of Fashion.

Although the last episode was really about entrepreneurship and goals…
Today’s episode is fashion related, but I think it’s more about attitude and doing the things we love to do.

I love working with audio,
talking to people with interesting stories and something to say.
Put those together and that’s a partial recipe for this podcast.

Dinner is served, come and get it!
[Audio: Dinner bell ringing, man announcing “Come and get it!”]
[Audio: Reid My Mind Radio Theme]

CC:
My Name Is Connie Chiu and I am partially sighted. I have albinism. The condition affects my eyesight, it effects my skin. Those two are the main things. I like to
look at it as a cocktail of conditions or a Smorgasbord of conditions to just make it sound a little bit more delicious

TR:
Delicious as in pleasing, agreeable or gratifying-
I get the sense this is an important theme for Connie.

Born in Hong Kong, at 7 years old Connie and her family moved to Sweden.

CC:
my parents thought you know she’s quite she’s got light skin she’s got white hair surely she would blend in better in Sweden with Swedish people. But I was just a little bit whiter than Swedish people and my hair was just so very very white. My features were still Chinese. So yes I did stand out in Sweden and yes I did stand out in Hong Kong as well. I’ve been to America and yes I stood out in America. So really I need to go somewhere with a lot of white Chinese people for me not to stand out.

TR in conversation with CC:
[Laughing] I don’t know where that it…!

CC:
[Laughing] I don’t know iether.

TR in conversation with CC:
Children are children so I’m going to assume when you went to Sweden, you said around when you were 7 years old, you obviously stood out in class so I am going to assume that some kids bullied.

CC:
Actually I was quite lucky you won’t believe it I was quite tall as a child. When I was about nine ten people thought I was twelve. So I think they were they
were all quite small, I thought all my classmates were so small you know boys girls doesn’t matter. I was like a head taller than what they were. I think that helped
I don’t know why but it kind of was a quite positive response. They sort of gave me gifts. They sort of gave me drawings. They gave me little presents here and there. They were just nice to me.

In Sweden they celebrate Italian Saint called Santa Lucia. Ideally you should be blonde to be Santa Lucia. In our class we had like a little vote. Then you dress up as Santa Lucia. It’s kind of a whole thing and you sing songs and you have a little parade. They voted me because of my white hair I guess. That was something positive.

It’s very hard for me to say why I wasn’t bullied in school but…

TR in conversation with CC:
I think I know, I think I know…
CC:
Oh, OK you tell me.

TR in conversation with CC:
Because you said you were so tall… I think you were bullying them? Were you bullying them Connie? Were you beating up these kids?

CC>
[Laughing…]
{Sarcastically} Yes. The secret part of my life that I never told anybody… [laughs…]

TR in conversation with CC:
I figured it out! Now, here’s the story!

TR:
Ok, Connie was not a bully. In fact, she says that as a child she was more like the quiet nerd, a real day dreamer.
Today, Connie is known as the first fashion model with Albinism.

CC:
The Thing is albinism is just one part of me.

I always loved beautiful images. I started actually behind a camera. I did an art foundation course and I was taking pictures of people and I had different ideas how I wanted my images and I try to make people pose in a way that I want. But then I kind of understood that well actually I knew exactly what I wanted so I started to take photographs of myself. It sounds crazy and I’m probably a bit crazy anyway so I just sent a black and white photo to a French designer with my phone number on the back. I did it because I admired his work, he’s a bit crazy to.

A few months later I ended up doing his Couture show in Paris. Even though I kind of liked modeling I knew nothing about it. I kind of didn’t know about the super models and so on. Of course they were all there doing the catwalk as well.

It’s just the passion of it drove me to modeling and you know it just in a way such an honor to be part of a beautiful image. iether it’s the catwalk or magazines or T.V. commercials … and it’s just great to work with talented people.

TR in conversation with CC:
The Catwalk, does that… the lights I am assuming that there’s a lot of lights and people taking pictures, how does that impact you?

Yes.

Well I wore my lenses, my light protective lenses and they were absolutely fine with it. Jean-Paul Gaultier and his team. Sometimes that’s all you need it’s not like big adjustments.

TR:
Accommodations that enable participation from a person with vision loss or other disability for that matter are often quite easy. The challenge is less about how to adapt but rather attitude.

despite Connie’s optimistic view on life, she still has to deal with situations where those she works with are less interested in accommodating her needs. Even when it’s something simple, like light protective lenses.

during a commercial shoot , producers ignored her request to reduce the room lighting.

CC:
I did point out to him that my eyesight is light sensitive. We’ll probably need to sort of work around the lighting so they were aware of that. So when I got there I saw that the light was too strong. I stood in the light, I stood on the set, it was too strong. I told them it was too strong. They turned the light down
a little and I said well actually it’s still a bit too strong.

In the studio a whole wall was just Windows really so there was day light on top of the studio lights you know.

So I said the them , Well actually if you could cover up the windows behind the camera that would take a bit of the light away and that would really help me. The team who did the interview all they said was actually we want as much light as possible. At that point I thought OK that’s the way it is.

TR:
She even told them she had her light protective lenses and
it would only take a moment to retrieve and put them in.

CC:
They kind of didn’t react to that whatsoever. They just said oh let’s just let’s just get started with the interview. they wanted to do quite a lot in about ninety minutes. They wanted to ask a lot of questions. They wanted me to wear different outfits. They wanted to take a lot of photographs. So I think those were the priorities.

TR:
It wasn’t just about the discomfort of the bright light; Connie was aware that her uneasiness would be reflected in the final image.

Ironically, this was a commercial where she was talking about her condition; Albinism which includes the extreme sensitivity to light.

CC:
I also thought to myself well actually I could walk out but I’m actually not doing this just for myself.

I don’t want people to fink this is how people
with Albinism usually look. This is only how people with albinism look when they are suffering from bright light.

Somehow I don’t think they realize that actually I felt like they took a bit of my dignity away. Because they didn’t listen to me.

TR:
It’s understandable how Connie would feel that way. But remember she’s an optimist. She’s all about making things sound delicious!

CC:
The situation is not ideal but there are things I can control. I can’t control the light obviously, but I could control the things I said, the way I felt, how I answered the questions.

TR:
These negative experience aren’t enough to dissuade Connie from trying. She does things for the right reason.

CC:
For me if I love something and I’ve really want to do I just do it I don’t even think about how difficult it actually is.

TR:
Connie’s currently pursuing another one of her love’s … singing!
It took her a while to build up her confidence while
pursuing her modeling career but she’s recently released an E P.

CC:

It’s Called my Huckleberry songs. In Moon River there’s a phrase my Huckleberry friend – it sort of means very good friends. My Huckleberry Songs are sort
of my friends in a way. Songs that I really like. For Moon river I’ve written my own guitar arrangement. It’s very simple but it’s kind of the way I see the song as well because I like to do something slightly different.

I perform mostly right now in the U.K. I love it performing live because that’s kind of what jazz is about to be in the moment. And things are never quite the same even though you’re sort of singing the same melody.

I think that’s another sort of common thing with my singing and modeling is daydreaming. [Sighs, as if discovering something new!]

It’s just to be able to use your imagination and you can be somewhere else. I think that that’s really what it is to be somewhere else. And I think people can feel it. it has happened when people say like you just took me somewhere else when you sang that song. I just went with you to a different place.
I tend to go to lovely places, so do come with me! [Laughs!]

TR:

If you want to travel to lovely places with Connie; you can purchase her E P from iTunes and Amazon or on CD direct from Connie…
She’s on Facebook, Twitter and YouTube…

CC:

Connie see o double n ie. My surname Chiu.
If you just search Connie and Albino on Google, it will all come up. (…my information)

TR:
I’m Thomas Reid for Gatewave Radio…

[Audio: extracted from Connie’s opening statement… Just to make it sound a little bit more delicious!]

TR:
Audio for independent living!

[Audio: Bumper – “Alright guys, I think we’re ready to lay this first track down” – Christopher Walken Saturday Night Live skit … “More Cowbell”]

TR:
Connie Chiu’s identity isn’t wrapped in Albinism or being visually impaired. That was a very clear point she made when talking about modeling.

She’s comfortable in her skin.

While she wasn’t bullied as a child and I still haven’t found the proof that she bullied the rest of the kids,
her method of dealing with those who are antagonistic is commendable.

If you are new to being the different person in the room, for whatever reason, Connie has something to offer.

CC:
I’m quite used to it now and I think the way I am as a person I don’t walk around and think about what I look like. It sounds very strange to a lot of people because “you look so different” but to me I’m just me. And it’s not until someone approach me and asked me about my hair and where you’re from When you get those questions you know that that’s oh yes oh yes by the way you know of course compared to most people I do look different. Of
course you will have a lot of people who would like to belittle you for whatever reason they can find. For me it’s quite obvious it’s like white hair and
I’m Chinese but it could also be that I’m not that tall really. So I think if someone wants to belittle you they will find a way after a while I think you learn to read people quite well and you start to understand where people are coming from. What’s behind all the things their saying. What’s behind their behavior. For me that’s quite important to me to understand for me to respond to them. So I think when some people try to belittle me or they try to make me feel different then I just embrace it. It’s like yes I’m different so what? Have you got anything else to add? I think it’s quite important of course that you have to be quite happy with who you are and being comfortable with who you are and I think it’s is that in itself it’s a learning process; ongoing process.

TR:

And then there’s something that I’m pretty sure impacts the majority… Pursuing our interests… for the right reason.

How many of us have dreamed of dancing, acting, writing or any activity, but we don’t pursue it. We have jobs, families , responsibilities…

It’s hard to justify pursuing our dreams.

When asking Connie why she decided to model, make an E P, perform on stage…

CC:
I know it sounds crazy but I did it just because I love it.

TR:
The older we get man we complicate things.

I’ll share my own experience…
I’ve always loved music.
I hear music in everyday situations… beats and melodies.
My family will tell you, I make up songs at the drop of a dime for no reason.
Yes, they’re silly… but their fun!

Ever since gaining access to a digital audio workstation;
that’s the type of software I use to record and edit this podcast;
I started recording some of these silly songs…
but honestly, not enough.
I tend to feel as though it’s a waste of time.
But it’s no more a waste of time than watching sports on TV… yeah I said it!

When the inspiration strikes, I should record..

Like during the production of this podcast, while researching Connie’s music, I came across this one song Surfing in Rio…
It was this one particular part…

Add that with Connie spelling out her name, like a rapper

Well, I had to do it! And I thought we should send a message to those commercial producers who wouldn’t listen to Connie…
Put some respect on that name!
[Audio: An original production by T.Reid using a sample of Surfing in Rio and added some Hip Hop drum beat and scratches as Connie spelling out her name (C o double n ie…) along with some quotes of hers yes, I’m different…
I call it Connie’s Jam! ]

TR:
What’s that thing you just love to do?
Are you doing it!

Seriously, holla back! reidmymindradio@gmail.com
let me know what you’re doing – I’d love to mention it here in a follow up episode…
that could be a source of encouragement for someone else.

If you’re not, consider what Connie said and do it for the love cause it’s simple…

Like subscribing to this podcast
available on Apple Podcast, google Play, Stitcher, Tune In Radio & Sound Cloud.

Now I’m off to pursue my other dream, to some a nightmare, interpretive dancing!

Don’t judge me!
[RMMRadio Outro]
Peace!

Hide the transcript

Hello, From the Other Side!

Friday, July 14th, 2017

After over two years of interviewing different people I’ve become more comfortable with the process. I think I have a long way to go to become really good at it, but one thing is certain; I much rather ask the questions.

However, recently I was interviewed for the Vision Aware blog and the process was pretty painless. Writer, Susan Kennedy asked some good questions that really gave me a chance to get into the back story of Reid My Mind Radio.

While I don’t want to put myself in a box in regards to the things I talk about in the podcast, people adjusting to any form of disability, specifically vision loss; low vision or total blindness and everything in between, those are my people! I want them to know they can come here and hang out and it’s all good! I got you!

Head over to the Vision Aware Blog and check out the article. Hopefully this piece will attract all sorts of listeners & readers (don’t forget we have transcripts for Deaf and Hearing Impaired).

Either way, the plan is to continue amplifying these experiences and having fun while I do it!

If there are any new readers/listeners finding this blog & podcast … welcome!