Archive for the ‘Descriptive Television’ Category

On the Mic with Roy Samuelson

Wednesday, January 30th, 2019

Picture of Roy Samuelson
Continueing the #AudioDescription conversation this time with Voice Over Artist and AD Narrator Roy Samuelson. Hear about his start in the business, more about the process of creating Audio Description from his perspective and our shared enthusiasm for the subject.

We’re talking;
* Process – can Blind and Low Vision Narrators participate?
* Normalization vs. Diversity – Is there room for non-white voices?
* Technology & other opportunities for growth in the field and more…

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Resources

Transcript

Show the transcript

RS:
My name is Roy Samuelson, I’m a Voice Over Artist.

Audio: Multiple demos of Roy’s voice over work.

TR:
That’s up next, right here with me T. Reid
your host and producer of this podcast, Reid My Mind Radio!

Audio: Reid My Mind Radio theme Music

TR:

In 2018 I published some thoughts on Audio Description. That was followed up with an additional conversation on the subject. Today we’re continuing this exploration of Audio Description or AD. This time from the perspective of Voice Over artist and AD Narrator Roy Samuelson.

First, Roy answers the question, what exactly is a voice over

RS:

Voice over is anything you hear with a voice. That could be in a video game a character that’s talking. A commercial where someone’s introducing a product. A promo where there’s a T.V. show being advertised, someone’s introducing when it’s going to be on and what channel.

TR:
As a kid, Roy and his class was assigned the task of interviewing anyone they wanted.

RS:

I wanted to interview someone att eh radio station. When I went there one of the first things the announcer showed me was how to angle the mic so the p’s won’t pop and I thought that was the most amazing thing I had ever seen in my life. Laughs!
This little adjustment could make such a difference. So my curiosity was definitely started then.

TR:

That curiosity along with some additional experience helped lead Roy to voice over.

In his early 20’s he landed a job with then Disney’s MGM Studios theme park in Orlando Florida.

DisneyJob

RS:

I would take over as a gangster and take the audience through all of the scary scenes in movies. I’d have a microphone and in between shooting things I’d be narrating what was going on around the place.
Every 6 to 8 minutes I’d get blown up and start the thing again. So it kind of became like an exercise in just building the skill of talking to people who are paying attention to the story that they’re seeing. That kind of introduced me to voice over.

[TR in conversation with RS:]
What makes a good voice over artist?

There’s a bunch of different opinions. I like to see voice over as a form of acting. It’s a character whether it’s a narrator, a character in a cartoon or even just a commercial. It’s a character telling a story and being part of a story and sharing that with people.

[TR in conversation with RS:]

Do you have a background in acting as well?

RS:

I do yeah. I took a lot of improv classes. In school I had a lot of opportunities on stage and that’s really helped a lot.

TR:

That acting experience eventually landed Roy in a script writers group.
These meetings brought together professional script writers seeking feedback from actors who would cold read their scripts. Meaning, there was no preparation on the part of the actors.

RS:

We would read the characters and read the description and afterward the feedback was all about the writing. So the spotlight was definitely on the script and not the actors and I felt that was so enjoyable. I could play and I could have fun do these ice cold readings without a lot of preparation. The more times I practiced, the more experienced I got with cold reading. When I found out about audio description it seemed like a real segue way from what I had been doing at the script writes and even as far back as that Disney job along with all the other voice over work that I’ve been doing. It felt like a right fit.

[TR in conversation with RS:]

So how did you actually find out about Audio Description?

RS:

A friend of mine referred me and I didn’t literally knock on the door, but I knocked on the door for about two or three years just letting them know I was available and strongly interested and the response was well we’re kind of booked up right now we got everyone we need but thank you for checking in. It wasn’t a brush off it’s just that’s where it was. Every now and again there would be an opportunity where I could fill in for someone and I did. It was so exciting and so much fun and I said thank you so much any other time please let me know, oh sure we’ll let you know. Another year passed . It took a little while.

TR:

In order to get better insight on how Audio Description is made, I asked Roy to walk us through the process
from his perspective.

RS

Audio: Upbeat music…

The scripts are pre-written by, they’re called Describers.

I call myself a Narrator, Audio Description Narrator.

The scripts come to me pre-written and in it are obviously the words that I say. There’s a bunch of queues that tell me when I say what I say. For example, a queue could be time code, where I’m watching the screen and reading the script at the same time and on the screen there’s a time code (like a stop watch). When it gets to a certain point in time that’s my queue to start talking.

there’s visual cues or audio queues. Sometimes it’s the last few words of dialog that the character is saying. It could be even a pause between a long section that I’m speaking. First two sentences then there’s a 2 or 3 second pause before I start speaking again. There’s all sorts of different queues that they use.

TR:

Process makes production efficient. But
they can also unintentionally exclude people from
participating.
Visual cues for example could limit a blind Audio
Description Narrator’s ability to independently function in
such a position.
When I asked if laying down all of the voice over work and
editing at the appropriate time positions was an option,
Roy explained further.

RS:

That could be a way. I’m on a few one hour shows, when we’re all in sync and the script is ready, we’re able to finish in about an hour. They give me four hours total, just in case something can come up . For the most part, it’s not real time but it’s pretty close to real time.

TR:

Watching over the entire recording process is the AD Director. Familiar with the script, they’re listening for any mistakes including mispronunciations and time overlaps.

[TR in conversation with RS:]
So you’re sitting there watching the time code and reading the script, what happens if you go a little longer? Is it just okay, take two?

RS:

If there’s one line that I did not speak quickly enough and the last few words and maybe the last few syllables are spilling over to dialog , as you know that’s not fun for an audience member. They do their best to adjust it either by having me go a little faster or they try to change the words or they even slip the audio that I recorded and make it slide in to fit just perfectly.

TR:

Fully aware that Roy’s responsibility in the process is voicing the narration, I still had to ask;

[TR in conversation with RS:]

How do they determine which narrator is right for a movie or project?

RS:

That’s a great question. I’m learning, I’m definitely on the action adventure horror side of things. (Laughs…) You know with Criminal Minds, the upcoming Girl in the Spider’s Web, the Inspector, Jurassic World. This is the genre that is pretty narration heavy and I do my best to go as quickly as possible without sounding fast. I’ve done some other projects that are more wonderful in the sense of awe inspiring, kind of take it all in sort of thing. Those are the sorts of things that I been cast. That’s something they know I can do and I would think the people that make the decision it makes it easier for them. Oh yeh, this is something Roy’s already done before.

[TR in conversation with RS:]

One that I talked about and this was my personal opinion was Black Panther. So Black Panther ended up being voiced by what sounds like a British White Man.

RS:

Oh!

[TR in conversation with RS:]
For me as the consumer, I thought it was a little disruptive…

RS:

Sure!
[TR in conversation with RS:]

… to the whole feel and aura of the movie.

RS:

Yeh! Absolutely.

[TR in conversation with RS:]

I ended up hearing from some other people who said that same British person voiced Captain America. They were like, I didn’t like the fact that it was a British guy voicing Captain America. People felt a little upset by that. What is taken into consideration when these choices are made?

RS:
Oh it’s so exciting I have so many things I want to talk to you about with
this.

[TR in conversation with RS:]

Okay!

RS:

I remember there’s a quote by Shonda Rhymes where she talked about normalizing instead of diversifying. I’m seeing so many femal voices, people of color voices all sorts of opportunities. I hate to say it, the stereotypical white male voice that has been so common is now not as common which is great. I think there’s many more opportunities different voices to be in this. I think it can only help the story. I think you named two really great examples. When you’re in a story you don’t want to be interrupted. So when the audio description comes in it shouldn’t be out of left field.

I do think these companies are more aware of the content of the story being told and they’re taking a lot of consideration into that.

[TR in conversation with RS:]
That’s good to hear.

[TR in conversation with RS:]
One of my complaints in terms of the script and how things are determined, what are you going to describe? So if I go back to Black Panther, there was a very interesting thing that I found out because it was being discussed. It was not included in the description at all it came up like months after on a radio program I was listening to. They went into more description about the spaceship. I guess in one of the angles when the ship came down, they said how it resembled an African mask.

RS:

Hmmm! (In understanding.)

[TR in conversation with RS:]

They all look different but I get a real sense of that. Plus the fact that the spaceship was created like that , that blew my mind! But I never got access to that information.

RS:

Oh!! (In further understanding.)

[TR in conversation with RS:]

So there was a decision made. Someone didn’t think that was important. So this is why I’m always wondering well at some point it seems to me that the writers of the description should be the writers of the movie.

RS:
Oh, I see.

[TR in conversation with RS:]

They have the vision right? the Director, they’re the ones making these decisions . So some of that information of what they want that consumer to feel , whoever that consumer is Blind or sighted, that should be passed along and so I always wonder, are there conversations between the audio description company and the actual producers and writers of the film. And it doesn’t seem like it. Maybe on like an independent.

RS:

I’m not sure which film it was, but I know it was a big budget film, they definitely cared about to make sure the audio description was heard and they brought in the team. I was brought back and recorded some lines that were very nuanced.

So I think there is a genuine care for the audience for audio description. I’m not going to make a generalized blanket statement on that but I think there are people who are involved outside of audio description but still want to care about the things that you’re talking about.

I’m not sure if Haunting on Hill house on Netflix is described. There’s an element of that series, after 10 episodes I was kind of familiar with the story line. There was an element that was shared on line and as soon as I heard it it was so obvious. It was one of those things like aw wow I didn’t even notice that.

But I think what you’re talking about, back to the Black Panther spaceship is that with audio description we are limited to … if a picture is worth a thousand words , there’s 24 frames per second you know it’s like… I’m not defending it but it definitely is selective. The audio description is by its very nature limited. I’d be curious if there is a way to have like I’m just brainstorming here but out takes or something else that goes deeper into the story to allow those visual elements. How exciting that would be.

[TR in conversation with RS:]

I think there is.

For the Audio Description experience part of it is so so frustrating. It has nothing to do with what you all are doing, it’s the technical side. When you go to a movie theater chances are they’re giving you either the wrong device or the device doesn’t work. So you have to run back over and find a manager. And in my case it’s always my wife. She moves a lot faster than I’m going to move so she’s doing it! Boom, boom, boom! And I feel terrible. I feel awful because she’s missing that part of the movie, but she doesn’t want me to experience it without it.
There’s all this time during the promos. Those aren’t described so I’m usually bored. It would also be a test of the technology because if the right track is coming through that’s telling you about the movie, then you know your stuff is working, you technology is working. This is exactly what they do in a show, like a Broadway show. They introduce you to the cast beforehand. They describe their costumes, they let you get acclimated to their voices, they’ll describe the set. All of that is done before the show. So I think like hey, why not put that out beforehand. Yes the movie is limited to that time, but the experience really does go past that time.

RS:

Wow!

TR:

Listening back to our conversation, I realize a few things.

First, I think I get a little enthusiastic about the subject.

Secondly, I referred to the issues encountered in theaters when using AD only as a technical problem. And while yes sometimes the problems arise from the technology, more than often I feel as though the problems stem from uninformed theater workers.

I’m still trying to figure out why when you let them know you’re Blind and want to use the Audio Description device they translate that to mean you want the device for the hearing impaired.

Come to find out, Roy is familiar with this faulty part of the process.

RS:

My mom wanted to watch a screening with audio description, same thing happened. It didn’t work. The exciting thing with that is the manager found out apologized profusely , they said it was a glitch . There’s other technology coming out. I want to say Acti View?

[TR in conversation with RS:]
Yes Sir!

TR:
Acti View is the app that allows audio description consumers as well as those using captions and enhanced audio, with the means of directly downloading their access solution. For more on this service and how it came to be, check out the episode where we speak to one of the founders.

RS:
That kind of stuff is starting to happen. I can’t help but think that this is an opportunity. The popularity of podcasts, audio books and how easily accessible those are for this audio description is kind of in the same world. Commuters who happened to be sighted can enjoy the experience of audio description and that can only help the audience get more opportunities that look forward to enjoying it.

Aw I’m so excited.

TR:

It was nice to hear that Roy and I share a mutual excitement for Audio Description. It made for a good conversation.

Not only did I appreciate hearing his enthusiasm for the subject, listening to him accentuates his ability to employ several styles in his narration work. Roy says he tailors his voice to the genre.

RS:

I gotta be part of the stories. I can’t sound happy and joyous all the time. Laughs…

TR:

Next time you’re enjoying a television show or movie with Audio Description and you find yourself thinking that voice sounds familiar. there’s only one way to be certain. Wait until the end of the credits and you hear;

Audio: Read by Roy Samuelson. (Audio Description from “Jurassic World Fallen Kingdom”)

TR:

You can connect with Roy on social media;
On Twitter @RoySamuelson and
on Facebook you can find him as Roy Samuelson Biz or
visit Roy Samuelson.com

Audio bumper

Audio Description isn’t new. The lack of AD in movies and television programming over the years since its creation amounts to exclusion.

The result, many in the Blind and Low Vision community feel as though movies are just not for them.

In 2019 however, there’s lots of reasons to give television and movies with audio description a try.

We have
the 21st Century Telecommunications Act on our side – leading to more content.
And we have multiple accessible ways of consuming that content.

. If you haven’t yet experienced AD either at home or in a theater , I urge you to give it a try.

It’s not just entertaining television and movies, more documentaries are including description. Something I’m personally happy to see.

The process of making video accessible shouldn’t itself be inaccessible to the community it seeks to serve. Blind and low vision people should have access to these opportunities.

Blind people come from all backgrounds. We’re Black, Hispanic, Asian, Native as well as white. We’re straight, gay, lesbian transgender. As we call for television and movies to be more reflective of our society so should the voices that describe these movies to us.

How do you feel about Audio description?
Holla back!
We have the comments section on the blog, ReidMyMind.com.
The email; ReidMyMindRadio@gmail.com
The Reid My Mind Radio Feedback Line where you can leave a voice mail: 1 570-798-7343

I would really love voice messages that I can share on the podcast. If you don’t want to call, you can grab your smart phone and record a voice memo and email the finished recording to ReidMyMindRadio@gmail.com.

I’d love to hear and share the voices of those who are listening. If you want to send a message but don’t want it shared just say so and it’s all good.

We’re going to continue to explore Audio Description as we move through 2019. So my best advice for you to make sure you don’t miss that and everything else in store…

Subscribe!
Apple Podcast, Spotify, Google Podcast Sound Cloud, Stitcher, Tune In Radio or wherever you get podcasts.
Visit www.ReidMyMind.com

So there’s no confusion, that’s R to the E I D like my last name!

Audio: Dramatic closing music from Jurassic World, Falling Kingdom RS: “Cut to Black”

Audio: RMMRadio Outro Theme

TR:

Peace

Hide the transcript

Reid My Mind Radio: Black on Audio Description

Wednesday, August 15th, 2018

Earlier this year I posted an episode discussing my thoughts on Audio Description. While I’ve been consuming and thinking about description for some time, it was Marvel’s Black panther that sparked me to share some thoughts and ideas.

I decided to continue a discussion on the topic. This time it’s really a conversation. I called a listener who sent me feedback regarding the episodes question. Why didn’t Black Panther have a Black person narrating the description?

And as a bonus, the listener just happens to be someone I’d like to interview for RMM Radio!

So yes, we’re back on that subject or better yet, we’re Black on Audio Description. Let’s get it!

Listen

Transcript

Show the transcript

TR:
What’s up Reid My Mind Radio family? For anyone new to the podcast, my name is T.Reid.

This podcast more than often focuses on issues of adaptation and adjustment through interviews with people who have been impacted by vision loss – from low vision to blindness. I should say severe low vision because personally I’m tired of people telling me how blind they are without their glasses.

You Sir/Madam are more then welcomed here, but if you can put on your corrective lenses and get into your vehicle and drive off – you are not impacted by vision loss.

The people mainly profiled here are indirectly challenging stereotypes about what it means to be blind.

I’m always hopeful that listeners learn something new. Maybe it’s an unfamiliar subject or a new way of looking at or solving a problem.

Occasionally , I share my own experiences around becoming blind as an adult. These are influenced by all aspects of identity – including
gender, socioeconomic status, age, demographic location and of course so called race.
I mean, this is America!

A few episodes ago I discussed an aspect of blindness that can intersect with race.
Audio description!

Audio: “What” – From “Jay Z “Jigga what, Jigga Who.”

Well that could be two whats…

Audio: “What, What” – From “Jay Z “Jigga what, Jigga Who.”

Don’t be nervous! Let’s get into it…
After the intro…!

Audio: Reid My Mind Radio Theme

## TR:

Back to the questions.
What is audio description & what does race have to do with it?

If you don’t know audio description, let me really welcome you to the podcast. Audio description or AD is the additional narration distributed with a movie or television show that describes scenes without dialogue,
enabling a person to non visually follow or access the content.

That other what?
What does being black have to do with audio description?

On the technological level , nothing! But as we know, race is complex. It’s ingrained into the fabric of this country. The complexity though, isn’t tied to the tech, rather its the subtle aspects of language, decisions about what is relevant and the voice of the narrator that impact some viewers experience

In the earlier episode on audio description, I was specifically referring to the Marvel hit movie and what many Black people looked forward to as a cultural event; Black Panther.

Following that piece I received a bit of feedback.
If you go to the episode blog post at ReidMyMind.com you can see one commenter’s response and I encourage you to follow the link to her blog
where she shares more. She is a person who herself is involved in the description process. Self described as a white lady she was appreciative of the issues and questions raised and thought they deserved to be discussed. Shout out to you for the link love and being in the accessibility field. I think sometimes we forget that AD is accessibility.

I also received an email from a young lady – who closely identified with the issues raised in the episode.

She was pleased to know that she was not the only one who felt that the description included with Black Panther, well sucked! My words, not hers.

No shots to the gentlemen who described the film, you sound like you’re probably a very nice person and quite honestly, I’d love to speak with you. In fact, I reached out to Deluxe, the company who created the description for Black panther but I never heard back. I really wanted to begin a dialogue.

It seems fair that a consumer would have something to say about a product or service.
And personally I think it could be helpful to have a bit of input from those who consume your product or service. And well that’s today’s focus.

Audio: James Brown: Black & I’m Proud – Instrumental

That email expressing agreement with my opinions, was from a young lady named Denna Lambert. Like me she experiences blindness as an African American.

She black yawl!

I don’t often get the chance to meet new people who are blind and who are people of color. So I’m not gonna lie, I was looking forward to the conversation. I had questions.

So, let’s get black on Audio Description.

Audio: James Brown: “Say it loud, I’m Black & I’m Proud”

TR in conversation with DL:
You heard the podcast, what was it that jumped out to you to write the email and say “Hey I feel this too, I get it!”

DL:
Well being blind, sometimes just getting audio description feels like a luxury and your happy that somebody did it and it came out at the same time as everything else and I can just shut up and be happy. But at the same time with you being really thoughtful in what you were saying like “hey this was a mismatch” And I was like “Oh, you voiced what I was thinking!” Just knowing that I’m a consumer of a service and we should have a voice in how that service is implemented. If it’s missing a mark we can help take it to the next level. Yes people have fought and probably sued some theaters to make sure the equipment is functional and that is there from day one. But let’s take it to the next level to make sure that it is culturally confident. And it was like Oh Snap I got to support this too. I think that is why I reached out because I was thankful for being silently dissatisfied at some level. I felt like I didn’t get the full Wakanda experience.
TR in conversation with DL:
I’m still lacking some Wakanda experience myself. [laughs]

TR:

That Wakanda experience was what drove millions of Black people to get excited about the movie.

Some indeed were fans of the Marvel franchise, some may have even been fans of the comic book. But many were simply looking forward to a movie with strong diverse images of Black people on screen.
I talked a bit more about that in the original episode of the podcast on this subject.

Denna herself was anticipating the movie just as much as many others and got a bit more into it than I did.
DL:
I was in the hype just like everyone else when the trailer first dropped which didn’t even have audio description. I called my mamma and said let me get my dashiki so I got my dashiki and I was ready and had my headdress. When i heard voices of Andrea Bassett i was like “Yes!” So I went and thankfully the movie theater I went to they had the audio description devices ready and they were fully operational. From the first introduction where they were talking about how Wakanda was created with the different tribes and the describes voice coming up I was like “Who?! Who is this?!” But I’m still excited. So it was kind of a mismatch from everybody who was in the theater. Some people brought their gymbays and people had their dashikis and you know just black power. And you can hear the describer’s voice and not to say you can sum up a movie by their voice but it was like “huh.” The descriptions were definitely okay but that’s the piece as a blind viewer. But there was so much content for any viewer whether they were sighted or blind. I have to wonder what did i miss. Could there have been different words used that would have more aligned with the culture and the theme of the movie.
I started using AIRA and now i started seeing more AIRA agents of color. Im seeing Antonio and Annika and all them. And I’m like “Okay I’m going to need yall and come and describe some movies for me.”

TR in conversation with DL:
MMM you just made me think about something hold on one second. That takes that whole idea of description out of the movie theater because that’s the whole purpose of AIRA and then cultural inclinations about various things that you are doing.

DL:
Yeah. I’ve seen Black Panther abot 3-4 times just because anybody who wanted to go I wanted to go with them. There’s probably so much mystery and thoughtfulness that was put into it. SO like the scene where T’Challa and Nakia were in the club and they were trying to go after the main guy and they were in their attire. I don’t think the person described the attire, he described her movements but i was watching a video from one of the directors and he intentionally used the colors; green, black, and red to symbolize their african pride. And that’s something that just one little sentence could have brought that out. While I was very happy and thankful that the description was available since day one because that certainly was not the case 10-15 years ago that i could just show up whenever i wanted to. But i think there is some growth that could happen with this area of accessibility.

Tr in conversation with DL:
SO went you went a bunch of times with different people, did you go with anyone that was blind or no?

DL:
No actually no it was just with different sighted friends who just wanted to go.

Tr in conversation with DL:
Did you compare notes with them or anything at all?
DL:
A little bit because I went with some friends that were black and then I went with some friends that were white. And you know they were asking me what was this and what was that and i was like well I don’t know. [Laughs]

Tr in conversation with DL:
“I don’t live in Wakanda!” [laughs]

TR:

There are definitely some overlaps in this conversation around audio description that transcend cultural Competence.

Feeling as though audio description is a privilege, I’m sure is something many blind people have felt.

Going to a theater and the device doesn’t work, well you may not want to trouble the person you’re with to quickly exchange the device. That means missing part of the movie and chances are you don’t want someone to have to do that.

Shout out to ActiView and their audio description solution that puts more of the power in the consumers hands. You can check out the Reid My Mind Radio archives for that interview on that service that I personally hope begins to get more movies in their app.

Audio: Public Enemy: Party for Your Right to Fight

Privilege or a right?

If audio description is access to content, then I believe it’s a right. Like everyone else who has the right to pay money to watch a film or television show, people with disabilities have the right to audio description, captions and physically accessible theaters.

What makes our lack of excitement about Black panther’s audio description
so confusing is the lack of consistency between the big and small screens.

Watching the Marvel franchise on Netflix with audio description is vastly different from Black panther.

For the sake of comparison, I asked Denna about her thoughts on Marvel’s Luke Cage.

Luke Cage is the black superhero who calls Harlem home. He can’t be hurt. Bullets bounce off and knives can’t penetrate his skin.

The person describing Luke Cage, who by my account sounds like a white man, describes the other shows in the series, Daredevil, Jessica Jones, The Punisher and more.

DL:
He’s been consistent through the marvel comic series as netflix has been rolling it out. So it was almost embedded in brain that this was the dude that’s going to bring it. There was definitely some awareness in hearing when they would say things like “he’s wearing a fedora.,” or “he’s swaggering down the sidewalk” or “he did a dab” or the hair. And I don’t know if just anybody can point these things out.
With Luke Cage there was nothing apologetic about how this is the blackest comic that you are going to get. What I really loved is that the describer, I don’t know if it was apparent to the visually to whomever was viewing it, but I love that they reference the specific artists as they came up in the Paradise Lounge.
So to me that was showing respect and it gave me the experience of thinking “okay let me go look for some of these people.”
Tr in conversation with DL:
It’s not only the ones who are actually performing, they also are good at including people who are just around and even in other scenes.

DL:
Yeah so even like the picture of Biggie, he described his expression, his crown and how it was kind of laid to the side. To me that, I don’t know, it just seems…

Tr in conversation with DL:
Just culturally confident.

DL:
And I think with you were saying earlier, it wasn’t like two different scripts. It felt like there was one different script with the description being apart of the verbalizations too.

Tr in conversation with DL:
I almost don’t even think of the description as description while watching netflix.

DL:
Right!

TR:

That term truly encapsulates what should be a part of the audio description checklist.

Is the description culturally competent – meaning are we informing the blind viewers about the subtle references that will make sense to them? This would probably require input from the films creator if there’s no one in the know involved in the process.

This idea is already relevant to the movie or television show’s dialog and choices made regarding character development.

It’s one thing being black and looking for true representation in Hollywood. What about as a woman? As a black woman with a disability.
Tr in conversation with DL:
What do you think about the role of the black woman in Luke Cage.

DL:
Oh now that was pretty sweet! I was really proud that Luke Cage he’s like the strong Black man. Hes caring. I was really glad to see his girlfriend, Claire. And she was holding on to that no this behavior of holding on to your anger, she grew up with that and she was not going to tolerate it.
I loved Missy. I loved that she was this strong woman who was feminine. She
Didn’t lose not just her sexuality bit sensuality.
There was so many different aspects of black women in this. You had Mariah.
Tr in conversation with DL:
[laughs] She was crazy.

DL:
She was great! She played that! I loved seeing Luke’s father.

Tr in conversation with DL:
I didn’t realize that he passed, I totally forgot he passed away.

DL:
Yeah! Because he was in House of Cards and I was so happy to see he was in there. SO there were so many examples, a whole spectrum of what blackness in. You know you don’t have to be the thug or the jessabella. There were so many different examples of black women in there that i was really impressed.
I love how Missy called out all of her coworkers cause they were staring at her prosthetics. SHe was like “let’s just get a look at it, im here, im not going away, this happened.” And i was just glad that she called it out. That was a way of handling disability, it became a part of who she was. She even described on when she was using her prosthetic arm or robotic arm and when she wasn’t. Which I don’t know if that was so important for me to know but the describer pointed that out.

Tr in conversation with DL:
I think the whole idea was that shes statint to use it more and it’s even more of a part of her, she’s getting accustomed to it. And so I’m wondering if she’s going to get her own thing.

DL:
Yeah you know what, she was doing some things that were like humanly impossible so I was wondering if she’s going to get some superpowers.

Tr in conversation with DL:
Yeah because isnt that a Stark arm?

DL:
Yeah yeah.
I loved the complexity of them having different territories; the choinese, the russians. They pulled in references for Katrina and showing that there can be disagreement. Like the judge who said “i had a family in louisiana who lost everything, don’t use this as an example for your shadiness. I don’t know I loved it I felt it was pretty cool. The ending ended with I think he changed the picture from Biggie to Mohammed Ali. But that’s the thing! I think the way that the description was, we noticed those things but we don’t know what we missed in Black Panther.

Tr in conversation with DL:
What i liked about it was how they would say it because the director meant for it to be. For example when Mariah and Shades were standing in front of the picture and the crown aligned to Mariah’s head to show she was the queen.

TR:

As we see with Luke Cage it doesn’t specifically mean the narrator has to be black. Or does it?

TR in conversation with DL:
What would you think about a woman describing that? A black woman doing the description in Luke Cage.

DL:
Ohh. Oh.

Tr in conversation with DL:
You think it could work?

DL:
It would have to be the right voice because I’ve seen on Netflix the Unbreakable Kimmy Schmidt because it wasn’t really for me. But the person’s voice on there, I don’t’ know if she’s’ white or not, but no she could not do Luke Cage. [Both laughs] We don’t want her! She can do some other shows but she can not do this.
If Octavia Spencer or, why am I forgetting her name.

Tr in conversation with DL:
I know who you’re talking about you’re talking about the woman from How to Get Away with Murder.
DL:
Yes!

Tr in conversation with DL:
Yeah she has a great voice.

DL:
Yeah if she wanted to describe it, then yes.

TR:
For those who are fans of How to get away with murder… my apologies. The star of that show is the incredible Academy award winning Viola Davis.

Whether the description is voiced by a man or woman, Denna says:

DL:
It has to be somebody who follows that it was Harlem so you have to have somebody who has that Harlem… I don’t know.

Tr in conversation with DL:
That texture in their voice, I know what you’re saying.

DL:
It cannot be a very thin voice it’d have to be a full bodied voice.

Tr in conversation with DL:
I think it could work. That is if they don’t give me the job because I’ve put it out there before that I wanted that job. Although I like the guy who does it, I’m fine with him but if he’s going im going to jump in there because that’s Harlem. I’m not from Harlem, Im from the Bronx but I can take Harlem.

DL:
Yes! You could do it. [Both laughs]

TR:
Hey, there’s nothing wrong with trying to speak things into existence. But come on, , how cool would it be to have a person who is actually blind, from New York… born just a few miles away from Harlem, my Daddy’s from Harlem. And I’m blind. Universe, do you hear me talking.

#NetflixCallTReid

There’s much more to this discussion. Hopefully like the original episode, this will attract some feedback. I’d love to hear from others on this subject. Maybe you are a person of color and have some other examples of both disappointing and enjoyable audio description experiences. let me know. In fact, if you’re not a person of color and
was disappointed in the Black Panther description I’d like to hear from you.

When it comes to movies and television, Ultimately, , I think we all want the same thing; the right to enjoy the experience.

I’m interested in all experiences of blindness and disability in general, but I would really like to hear more from other people of color. I know there are some compelling stories out there .

For instance, corresponding with Denna prompted me to be even more nterested in her experience.
Let me show you what I mean.

Audio: Screen reader reading Denna’s email signature…
TR:
If you don’t speak screen reader, that was her email signature. Denna is a project manager at NASA.

Now, this wouldn’t be Reid My Mind Radio if we didn’t find out more about her journey. We’re going to get into that next time on the podcast.

So, if you’re new or if you haven’t just yet, may I encourage you to subscribe to the podcast. Reid My Mind Radio is available on
Apple Podcast, Google Play, Sound Cloud, Stitcher, Tune In Radio. If you’re using a podcast app you can find it there.
Go on over to ReidMyMind.com for links to subscribe as well as a transcript of the show.

Remember that’s R E I D like my last name.

If this was your first time here I know what you’re thinking…
It happens all the time…

DL:
happens all the time…

TR:
Wait until you hear what more is coming up!

Audio: Reid My Mind Outro

Peace

Hide the transcript

Reid My Mind Radio – Master Chef Christine Ha

Wednesday, August 1st, 2018

A picture of 2012 Master Chef, Christine Ha
Christine Ha, winner of Fox’s Master Chef in 2012 never set out to be a cook. In fact, as a young girl she had no interest in cooking at all.

Hear all about how becoming Master Chef changed her life. Including launching her latest venture; The Blind Goat. A restaurant or Chef Station in a new Houston Texas Food Hall.

Christine’s story shows us how advocacy takes various forms. Plus lots of valuable information for anyone adapting to a life change.

Listen

Resources

Transcript

Show the transcript

TR:

Whats up Reid My Mind Radio family, glad to be with you again.

If you are new here, my name is T.Reid.
This podcast is my space to share interviews and profile compelling people usually
impacted by blindness or low vision.
Occasionally I include stories about my personal experiences with vision loss.

Coming up today, I had the privilege of speaking with a young lady who took the subject of vision loss prime time.

That’s right after we get a taste of some of this delicious theme music!

Audio: Reid My Mind Radio Intro

Audio: Christine Ha winning Master Chef
TR:

In 2012 Christine Ha was studying creative writing in graduate school.
Following her husband’s encouragement, she tried out for the third season
of the Fox series Master Chef.

If you’re not familiar with the show,
amateur home cooks audition for the chance to put their culinary skills
up against their peers.
They’re given the task to design and prepare all sorts of dishes
from desserts to main courses.
Well known Chef Judges crown one contestant as Master Chef –
giving the winner a chance to publish their own cookbook as well as a cash prize.
CH:
As a writer, as an artist, you are always trying to experience everything you can in life. And so I thought well there are auditions are coming to a nearby town like why not if anything I have some interesting stories to write about. I went just going for the experience not thinking that I would get as far as I did.

TR:
She won!
Along with the prizes she became synonymous with the title The Blind Cook.
CH:
I lost my vision because of an autoimmune condition called Neuromyelitis Optica or NMO for short. It’s similar to multiple sclerosis so my immune system attacks minor logical system primarily the optic nerves in the spinal cord. There were many times when I had an NMO attacks that involved paralysis. I would lose feeling in my feet or my hands I’ve had a time when my attack on my spinal cord was very bad where I was completely paralyzed from the neck down for several weeks and at the same time I was also experiencing optic nerve inflammation so I was also losing my vision couldn’t see anything, couldn’t move, couldn’t sit up by myself, couldn’t feed myself, couldn’t grip my tooth brush, hold my glass of water, lots of things. So that was a big challenge in my life and that was around the time when I was in my early twenties. Fortunately, I’ve been able to recover quite well from a lot of the spinal cord inflammation.

TR:
Christine describes her resulting vision following the NMO
CH:
As though one were to come out of a very hot shower and looked into a steamy mirror, that’s what I see. So, washed out colors some shapes some shadows very blurry vision I would say in both of my eyes. I still managed to go back to school and get my master’s degree in creative writing after I lost my vision.

TR:

Christine was never planning on becoming a Master Chef.
In fact, she didn’t begin cooking until
moving out of the dorm in college.
CH:
I realized that I had to learn to cook in order to feed myself because I couldn’t afford to always eat out. I decided to buy a cookbook and read the recipes and then just buy some cheap kitchen equipment and teach myself. And I just read the recipes word for word and experimented in the kitchen. Also the fact that I missed a lot of the food that I grew up eating, Vietnamese food, since I’m being amused by heritage my mom was a very good cook but she never taught me how to cook. She was actually very overprotective mom and wouldn’t let me near the knives or the hot stove and I really wasn’t that interested in cooking as a child. And I just thought that everyone ate good food and I took my mom’s home cooking for granted and she actually passed away when I was fourteen and I think when I was older in college I realized what I had missed out on learning to cook from her. So I started reading a lot of Vietnamese cookbooks and trying to reproduce a lot of the dishes that I recall eating growing up in her home. Knowing that I was able to create something with raw ingredients and be able to keep the people around me that I cared about and have them enjoy something that I actually created with my own two hands, that kind of ignited my enjoyment and passion for cooking. And so it was that moment on that I wanted to learn everything I could about food in cooking so I read tons of cookbooks practice a lot of different things in the kitchen just tried my hand at. All kinds of cuisines and it just kind of grew from there and it was interesting Lee end up the same time that I started losing my vision because of the enemy so I was slowly losing my vision at the same time that I was excelling at cooking it always felt like I had to really learn how to cook like every few months or every couple years I would have to really learn how to do things with less vision in the kitchen.

TR in conversation CH:
Did you ever deal with any fear as the vision was gradually decreasing? Did you ever set to say “hey now I’m a little nervous about this?”

CH:
It always felt like I had to start over every time my vision decreased so I felt defeated quite a bit throughout these years.

TR in conversation with CH:
What made you keep on going?

CH:
I think part of it was eventually I realised I just couldn’t allow myself a short time to grieve the loss of my vision and feel sorry for myself and just kind of well in self-pity. But I didn’t want to drop out of life I just wanted to live it in the best way that I can

TR:
Living life in the best way possible doesn’t mean problem free.
Challenging circumstances are inevitable.
Christine identifies some real benefits of going through adversity.
CH:
I think it’s a reminder always when I have challenges today whatever they may be to remember that oh well I’ve survived some tough things in my life so I know that if I’ve been able to survive that I’ll eventually survive this. But when you’re in the moment I think it’s hard to have that attitude. Over time your brain sort of learns that we’re much more resilient than I think we give ourselves credit for, it isn’t until we go through these obstacles or challenges and then overcome them that we realize that “hey we can do this, we can survive, we can succeed in spite of things.” It’s important to celebrate the small victories because I think often times we always focus on our failures. Yes failures are disappointing but they teach you to find new creative solutions to things and I think they help you realise that you know when you do work hard in attaining your goals there’s that much more special

TR:
Special indeed!
You can say life changing.
TR in conversation with CH:
How did it feel when you won?

CH:
My life I feel changed completely. I am grateful that I went through it as a more mature adult. I feel like just that amount of publicity I think suddenly happening in your life if you don’t have a sense of yourself a strong sense of self in a certain level of maturity I think it’s very hard to deal with. The negative part was that I was not used to being recognised and that felt really strange and especially someone who is visually impaired being out and about and having strangers come up to you suddenly and I don’t know people are approaching me and all of a sudden there’s people calling my name and I’m like “is it someone I know is it someone that watch me on T.V.?”
That was kind of a bizarre experience at the beginning and it took me a while to get used to that but the upside was I’ve had so many opportunities since winning Master Chef that have been amazing. I’ve been able to travel around the world and and do work with the U.S. embassy in culinary exchange programs, advocate for entrepreneurship women’s rights and the rights of those with vision impairment and people with disabilities, do things with Asian American focus groups so all of these things have been really amazing in just the experiences I’ve been able to have like judging Master Chef Vietnam or you know having my own cooking show geared towards the visually impaired called 4 Senses in Canada. All these things would not have happened if I wasn’t on Master Chef. I’m really excited because finally this follow opening I very first restaurant in Houston and that’s been a dream of mine and it’s finally coming true as well.
It’s called the Blind Goat it’s coming into a newly built hall that’s very chef driven in Houston so the food hall craze is finally coming to Houston I know it’s you know a thing in New York it’s a thing in L.A. and thing in San Francisco.

TR:
A Food Hall is typically a mix of local artisan restaurants, butcher shops and other food-oriented boutiques under one roof.

A food hall is not the same as food courts found in malls as that consists of fast food chains.
CH:
It’s called the Blind Goat because obviously I am vision impaired and goat is my zodiac sign in Vietnamese astrology so I’m born the year of the goat. So I thought that was kind of a cute and fun name and the cuisine that we’re going to be serving there will be largely southeast of Vietnamese style. And it’s kind of like small plates, I would call it a Vietnamese gastropod so kind of shareable small plates that consist of food that you would want to eat and share with friends over a beer or over a glass of wine. Communal eating is kind of the theme and this is something that I’ve always believed in and the food and ingredients that so I’m very excited to be opening up the place and sharing it with the world.

TR in conversation with CH:
Are you familiar with the acronym the goat?

CH:
I didn’t know but then someone said does that stand for greatest of all time and I was like that is really funny I never heard of that before but now I will have to use that. But do you have another acronym?

TR in conversation with CH:
No that was it the greatest of all time L.L. Cool J. had his whole album he refers to himself as that as the goat and some people when you talk about your top five well you know that type of thing a top five artist you say oh this was the goat.

CH:
Im totally going to have to put that in my tagline or something. [laughs]

TR in conversation with CH:
There you go, run with it [laughs].

TR:

In addition to publishing her cook book;
Recipes from My Home Kitchen – Asian and American Comfort Food,
Christine co-hosted a cooking show produced by Accessible Media Inc in Canada.
CH:
They wanted to do some original programming and of course I was the natural fit because I can cook and I’m vision impaired.
I co-hosted it with Carl Heinrich who won Top Chef Canada and he’s a fully sighted chef professional chef and I’m sort of the amateur home cook that’s vision impaired and we co-hosted the show. It’s a show that geared towards not only vision impaired cooks but also novice cooks or just anyone who wants to get back in the kitchen and learn about cooking. But of course it really was heavily year towards people who have lost their vision and want to learn to cook again or who just want to be getting learning how to cook our show had audio description embedded within the program so we were very descriptive it was almost like you could listen to radio while you were watching our show. We wouldn’t use things like “oh you put this in there” you would say you’re putting the salt inside the pot that contained the chili and of course the recipes were available online in an accessible format.

TR:

Four Senses ran for 4 seasons and is still available online.

Christine’s working on a new cookbook right now.
CH:
When I first learned to cook I would follow a recipe to a tee and if it said to put you know something in the oven for forty five minutes I would do it even if like everything was smoking and it was obviously over cooking and burning. I think that’s kind of the wrong approach to cooking, everyone’s equipment’s different ingredients or different elevation that you’re cooking and that affects like how things cook so I want to write a cookbook that helps people hone in on their own intuition and cook using all of our availale senses.

TR in conversation with CH:
I’m more of a crockpot cooker. [laughs]

CH:
Oh yeah there’s nothing wrong with that at all. It’s very convenient to just dump everything into the pot and walk away and then you’ll have a good smelling meal later.

TR:
If you’re imagining that Christine’s kitchen is full of high tech gadgetry , you may be surprised.

In addition to raised dots on the oven and microwave,
it’s really more about organization.
CH:
I have a baking bin so that will whole my baking soda, baking powder vanilla extract, vanilla pods, sugar. And then I’ll have another bin that’s my coffee bin so that will hold the coffee beans, like the Arrow press, the coffee filters. My spices are organized. I have everything in my pantry actually on a list using the our groceries app on my iPhone I can just read down the list using voiceover and know everything I have in the kitchen so I can meal plan that way. When we run out of milk or something I can move that to the grocery list and then we know when we go shopping I share the list with my husband and he can see on a list we need milk so he can grab the milk. So that’s kind of you know the adaptations I had in the kitchen. I have an Amazon echo which I love to set timers for different things I’m cooking, to do quick conversions standard measurements to metric, and of course I love listening to music while I cook.

TR in conversation with CH:
What’s the music you listen to while you’re cooking.

CH:
I actually listen to all sorts of stuff. So I listen to a lot of classic rock I grew up listening to The Beatles because my parents love the Beatles so I listen to classic rock, I listen to a lot of indie rock, alternative rock. You know I’m a child of the eighty’s and ninety’s so I do like some new wave and some eighty’s pop, British pop, ninety’s of course like the grunge rock alternative rock from that and then there’s also like ninety’s hip hop I grew up listening to quite a broad spectrum of things. Jazz to me is relaxing so I’ll put on just jazz music maybe more of the mainstream country but not like a lot of the country music and not a lot of the heavy metal stuff.

TR:

Not mad at her at all.

Continuing to Master her craft while revealing other talents;
Christine’s not only a cook, author, television host, entrepreneur and public speaker
but through her work she’s an advocate.

Using both her words and actions she’s changing some of the
half baked stereotypes about what it means to be blind.
Non apolegetically walking through life with her white cane in hand striving towards her goals.
At the same time educating society about the many issues of importance to those who are blind and
visually impaired and in general people with disabilities.

Like she does through her TEDx talks which you can see online.
TED is an acronym for technology, engineering and design.

In one such talk she was clear to inform the audience about making sure they
consider how people who are blind or visually impaired access information, websites and more.

We discussed one of her TED x Talk titled
Lets Cook By Eatting First.

In this presentation, Christine offers 4 key points to
becoming a better eatter and subsequently better cook.
1. Try everything
2. Try everything twice
3. Always be in the moment when you eat – get rid of distractions
4. Travel – opens your mind
TR in conversation with CH:

CH:
I think that’s a really good point you have there Thomas I think that I originally wrote those points for cooking but they’re definitely applicable to many other things in life. For example try everything and try everything twice. I think that’s important because you really don’t know what you like or what you prefer or what your talent could be if you don’t try everything. I had a huge fear of public speaking but I had a lot of opportunities to public speaking after Master Chef so I decided why not I should conquer that fear because you never know what it could lead to and I did. I kept doing public speaking even though at the beginning I was sweating and my voice was shaking and I was extremely nervous but I just kept doing more and more and more until it became more comfortable. And the good that’s come out of it is that my story has touched a lot of people inspired people experience life that goes hand in hand with traveling I think a lot of times especially as Americans because our continent is so large we don’t travel far. We’re fortunate that we can get so many things here within our country you know. I live in Houston which is now the most diverse city in America so I can get Mexican authentic Mexican street tacos I can get Ethiopian food, I can get the VIetnamese, Chinese food French food, whatever. All those things are available pretty much within my city so I’m fortunate in that way. But I think sometimes we’re so comfortable that we don’t want to leave our comfort zone so we choose not to travel and learn about other cultures and when I do travel and I meet other people and I learn about their culture whether it’s through their food, how they interact with others, how they live their lives, the news that they receive, way that they dress, the things that they like to do to pass their time. I learn a lot about another culture and then it teaches me that I’m quite small very insignificant dot on this earth and that you know I’m just part of this bigger world with so many other people equally as important special as I am. I think it helps you keep an open mind as well we get so hung up on our politics and our way of lives here in America that I think it’s important to remember that you know our way is not always the only way.

TR:
Beginning this fall, if you’re near Houston Texas make sure you check out the Blind Goat.
That’s her new restaurant or chef station at the Bravery Chef Hall,
a Food Hall currently being built.

In the meantime you can find 4 seasons worth of
her cooking show 4 Senses online at ami.ca .
Her cookbook Recipes from My Home Kitchen is available from Amazon in print and EBook Kindle edition.
And you can always visit her online at TheBlindCook.com where you’ll find links to her social media and her latest blog posts.

I’m Thomas Reid
For Gatewave Radio

CH:
I went just going for the experience not thinking I would get as far as I did.

Audio for Independent Living

TR:

Did you notice that when I mentioned I was a crock pot cooker, Christine didn’t make fun of me.
She showed no signs at all of putting me down or superiority.

I’ve experienced this in the past as if cooking in a crock pot made sense simply because I am blind. Christine showed no signs of that. She was cool!

I cook on a stove. Both before and after vision loss.

When it comes to cooking, I’m
pretty strict regarding my environment.
I obviously need to know where everything is and need things labeled properly.
I like it very organized and clutter free.
I also like being alone.
I don’t want to be watched unless I’m doing a cooking show.
I don’t want people budding in telling me where things are, or
I should check this or stir that.
My response will most likely be to let them have at it.
Call me when it’s ready!

As made clear from Christine’s story;
cooking is a learning process.
When learning anything you’re going to have some failures or setbacks.

Cooking as a metaphor actually illustrates this very easily.

Christine mentioned how when learning to cook in college, she threw away a lot of meals.
This Master Chef made things that weren’t edible during her early days.

What are you currently in the process of learning?
An instrument, a new function on the job?
Whatever it is you are going to cook up some meals that you are not going to want to serve to your friends and family.
You have to, its part of the early process.

This same advice applies to vision loss and the process of learning to adapt.

You are going to have setbacks at times but stay with it.
As long as you’re cooking you’re headed in the right direction.
Are you in the kitchen?

Here’s a recipe for a quick meal that is sure to satisfy.
It’s called Reid My Mind Radio Gumbo.
Just find Reid My Mind Radio wherever you listen to podcasts like
Apple Podcast, Google Play, Sound Cloud, Stitcher or Tune In Radio.
Then just hit the button that says “Subscribe”.
That’s it. The dish is served up every two weeks and I personally think they are scrumptious!
Perfect for any meal or snack.
You can even serve to others. I’m just sayin!

You smell that… somethings burning! I think I overcooked that metaphor.

Talk to you next time!

Audio: Reid My Mind Radio Outro

TR:
Peace!

Hide the transcript

Reid My Mind Radio: On Black Panther Audio Description – Race, Selection & Time

Wednesday, May 2nd, 2018

More on Black Panther? Well, yes, sort of! It’s really a good movie that raises some issues about Audio Description that need to be a part of AD conversations. In fact, these issues go further and touch on so called race and disability. I thought I’d begin here… Plus some suggestions as to how we can enhance the Audio Description improving the movie experience for Blind movie goers.

Subscribe to the podcast via Apple, Google Play, Sound Cloud, Stitcher, Tune In Radio

Transcript

Show the transcript

TR:

What’s up RMMFamily!

It’s been a while since I felt the need to share some thoughts on my mind.

So here I go!

What you’re hearing is a scene from this year’s record breaking super hero movie from Marvel Studios, Black Panther.

I enjoy a super hero movie like everyone else , I’m just not one to get all fan boy about it before actually seeing the movie. I do enjoy the build up to the premier and the anticipation from those more passionate about the character and genre.

Black panther was a little different for me. It was pretty difficult to open my Twitter app and not read something about the movie. Whether television, radio or podcasts and all other media, Black Panther was a trending topic.

We planned to see the movie as a family either during the first week or soon thereafter. Unfortunately, my back problems forced us to alter our
plans.

Audio: “Doctor Says I need a backiotomy!” Dave Chappelle, “Half Baked”

Over the past few years, as Audio Description has increasingly been included in major movie releases (at least most that I’ve been interested in seeing) I find myself assuming that movies will be accessible for me.

Rather than questioning if it’s going to be included, Marvel’s Black Panther led me to be more concerned with the quality of the Audio Description or AD. To some extent we can probably consider that progress. However, improving the quality is a major part of moving to an experience closer to that of a sighted movie viewer.

My issues with Black Panther’s Audio Description begin with their choice of narrator and those scenes and elements included in the description. I propose we should think about description outside of the limitations set forward by movie’s start and end time.

The AD included in Black Panther was in my opinion lacking from the beginning.

One of the reasons I was excited to see this movie is because of the predominantly Black cast. The movie mostly takes place in the fictional African nation of Wakonda. This relatively small nation appearing to the outside world to be underdeveloped was actually the most technically advanced nation on the planet. Home to vibranium which absorbs sound waves and other vibrations, including kinetic energy making it the strongest metal.

Now, yes, this is a fictional movie, but for African Americans it represented the chance to see characters that display the people and culture in a positive light on screen. Finally getting a break from the roles of thugs, domestic, the white persons best friend who’s only existence appears to be to aid the friend and the sassy Black woman. And when it comes to movies taking place in the future – we’re more than often just written out completely.

Hollywood just has a problem with representation in general outside of your able bodied white male.

For many Black Panther lived up to the hype and fulfilled the void of not seeing positive representations of people of African descent. The vibe of this movie was unapologetically Black.

For those of us watching with Audio Description, well the vibe wasn’t the same. Trying to remain in the dream nation of Wakanda was impossible when we’re being shaken awake by the narrator who by all accounts was a British White man.

Does this mean, white people shouldn’t be allowed to narrate movies with predominantly Black casts? It’s really probably more like the reverse, should narrators of color be able to narrate stories outside of their culture. Of course.

However, when the movie is so deeply associated with a culture – I think it makes sense to extend that to the audio description.

Concise and informative description is even more imperative in fictional movies such as Black Panther. Often, the technology, architecture and possibly fashion is unique to the fictional location.

So much of these things were left out of the movie, forcing blind viewers to ask for input from others. For example, the description of the city itself being described something like a mix between modern and ancient… My view of ancient or modern may be different from another person’s. It seems too subjective.
In fact, someone who has never seen modern may not get much imagery at all from that statement.

There were several other things that I learned of only from having conversations with friends and family following the movie. Some of these things I thought really helped tell the story of the people and culture of Wakanda hence the story of Black Panther.

Now maybe this seems weird to you, but I was annoyed that a decision was made to not read the credits. This is especially relevant in a Marvel movie. Those familiar with these movies know not to leave until the credits are done because Marvel includes a scene or two that’s relevant to the telling of the next story in the series – somewhat of a preview or sneak peek. I personally enjoy hearing the names of the actors in the cast and sometimes enjoy hearing the many names of those involved in the production. Without this access I’m forced to ask who ever I’m with to read or look for a certain cast member. That usually feels like too much to ask someone.

— Close —

Looking at movie making as a process you can sort of neatly put things into categories or phases.

This includes everything from the idea to the creation including pre production to post production. Writing, casting, filming, editing and distribution.

Right now the Audio Description as far as I can tell takes place right before that last distribution phase.

Movie studios contract with companies specializing in Audio Description. Many of these companies also specialize in closed captioning as well and possibly language translations.

When we talk about access to technology; software, hardware, apps & websites the goal is access from the design phase. Shouldn’t we want the same from Audio Description?

Movies, televisions programs, documentaries, theater plays..any visual medium are really works of art. Someone has a vision. With movies and television , it’s the Director who is in charge of what the consumer sees. He/She is setting up and or approving camera placement, lighting and everything involved with the final images. They’re telling the story. That’s what the consumer sees.

Audio Description being written by a third party is now including a new vision. One that to my knowledge doesn’t include any real consultation with the Director.

There are certain scenes that are designed and purposely shot in a specific way to evoke an emotion, convey some sort of meaning.

With the limitations currently in place in creating an Audio description track for a movie, most notably making use of the silent time in between the dialog, things are going to get left out. The choices made by the AD production companies may not be the same as those of the Director.

Are we really limited to just the hour and a half or two hours from the movie’s start to end?

I’ve attended live plays which begin the description early.

Blind users were invited to the theater 45 minutes to an hour earlier than the general audience. This gave us time in some instances to explore the stage and set, costumers and even become familiar with the voices of the different actors.

Currently, Audio Description doesn’t begin until the movie starts. It seems like a track could be created and either streamed prior to the movie and even be made available for listening before arriving to the theater. In the case of Black Panther a more comprehensive description of the country could have been written including their technology and more without spoiling the movie.

It could also help to have some audio streaming through the device to assure its working before the movie begins. All too often when going to a movie with my wife, as the movie began I would realize there was no description coming through the headphones. My wife would run out of the theater to find a manager in order to get it fixed.

Going back to my comparison with access to technology, from an advocacy perspective many of us have written directly to developers of software, websites and apps. At the very least, these individuals become informed about the need for access. I often wonder if director’s, screen writers, producers and others in the early Pre production phase are aware of Audio Description.

In 2016 I had the opportunity to speak with Peter Middleton, one of the directors of a film featured on Reid My Mind Radio; Notes on Blindness. The film which is sort of a documentary with reenactments of actual events lip synced to the recordings of real audio captured by Theologian, John Hull using a cassette recorder. Mr. Hull kept very detailed recordings of his experience and thoughts as his vision faded beginning in 1983

There were multiple versions of the film released including one with Audio Description and the other with what they referred to as enhanced audio. This was an experiment of sorts that used additional dialog and more audio as queues to help viewers who are blind have a more inclusive experience of the film without the need for Audio Description or negatively impacting the experience for sighted viewers.

Creative people when facing a challenge step up and figure out ways to best communicate their vision.

From everything I’ve read and watched online about Ryan Coogler, the Director of Black Panther, I think he would have been the best person to write or at least lead the process of creating AD for the movie. He was involved in every aspect of this movie from choosing an African dialect from the South African region to use as the language spoken in the fictional country of Wakanda to the look and feel of their technical innovations.

Should consumers of AD be pushing for a change in where the description takes place in the movie life-cycle?

Should AD companies be teaming up with writers in an earlier phase along the production timeline?

Should movie writers strive to include more descriptive dialog that enables a blind movie goer to independently enjoy the movie?

Could directors and others like sound designers take blind movie goers into consideration and use a combination of all their tools to better improve the movie experience?

Could consumers have more control of their AD by using apps like Actiview (also profiled on Reid My Mind Radio) – helping to eliminate the problems of uninformed theater workers who are now responsible for making sure they give out and properly configure the right device.

I’m hoping those in the Audio Description field in combination with blind consumers, are thinking about these things that I believe will greatly improve the Audio Description experience.

I’m very appreciative of the improvements made to enable access across all media. I was a pretty big movie watcher before losing my sight and I really enjoy continuing this as part of my life. It helps maintain relationships, start new ones through conversations around a shared experience and if it’s a good movie, it allows for new thoughts or even escape and just good entertainment. And there’s nothing wrong with that.

On the subject of thought provoking content or entertainment, you should subscribe to this podcast hopefully for at least one of those things.

It’s easy to do using any podcast app. We’re on Apple Podcast, Google Play, Sound Cloud, Stitcher, Tune In Radio and you can always head over to ReidMyMind.com that’s R E I D, where you can listen, read the transcript and access episode resources.

I’m T.Reid and I thank you for listening!

Peace!

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Reid My Mind Radio – Full Access to Movies & Television…

Wednesday, August 16th, 2017

The Actiview  logo appears on screen in a small theater
An episode packed with goodness. First, Alex Koren one of two founders of Actiview, the new startup changing not only the way we consume audio description but the way we think of video accessibility. This episode also includes:
– A slight rant on access to Audio Description in general
– A special sneak peak into a new project I’m excited to work on with one of Hip Hop’s pioneers, Doctor Dre; an original Def Jam artist, Yo MTV Raps and Hot 97 Morning Show host & DJ
– Inspiration struck – thanks to Brooklyn’s own Notorious BIG… and if you don’t know, now you know…!

Now go ahead and hit Play and don’t forget to subscribe!

Resources

Transcript

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TR:
Wasup everyone!
We’re talking audio description this week.
In some sense it’s about the future of description.

In the present as you’ll hear more in the Gatewave piece, getting the audio description device in a theater can be a hit or miss.

Today, a new start up changing the paradigm as it relates to how people ith vision loss and others gain access to video content.

So let’s get it!

[20th Century Fox Theme]
[RMMRadio Theme Music ]

[Audio from John Wyck Chapter 2]

TR:
You’re listening to audio description from the movie John Wyck Chapter 2. Audio Description, well, that’s the additional narration making video accessible to people who are blind or visually impaired.

This extra information describes scenes not containing dialog or other nonverbal information that is relevant to the story.

Alex koren, a 23 year old entrepreneur originally from the New York/New Jersey area is one of two founders of Actiview. They’re a new startup company. Their product, an iPhone app, is putting more control and accessibility in the hands of the consumer.

AK:
I received a grant in two thousand and fourteen called the Theil Fellowship. It’s awarded to twenty young entrepreneurs every year to drop out of college
and pursue entrepreneurial endeavors of their choice. I moved up to San Francisco and kind of had two years to just think about ideas work on different things. Entering into the
last half year of my fellowship I felt compelled to really build something that mattered to people. Build something I probably be connected to and I had this idea for Actiview. How can I make movie theaters more accessible. Make home television more accessible.

There’s two Founders and really three partners on this project as a whole. Myself my co-founder Braun Shedd who’s actually nineteen years old. I worked with him previously on a project or two and I said I’ve got this idea come live with me let’s work on this let’s hack on this and see what we can make out of it.

And the third guy Paul Cichockihe he was at Pixar for about seventeen years. He was the post-production supervisor and he really headed up there initiative to make their audio description as high quality as possible. He was working on captions, audio description
every accessible service under the domain of a lot of things that he did. And he left Pixar and came to join us full time in September of last year.

TR:
While none of the three partners have a direct relationship with vision loss; Alex did spend some considerable time with people who are deaf.

AK:
I really enjoy and find it rewarding to work and be in a field that really helps people with blindness low vision people who are hard of hearing or deaf.

TR:
Actiview an iOS only application right now is bringing a full service accessibility solution to the smart phone.

It offers audio description, closed captions, American Sign Language, sub-titles and language translations.

Alex points out some of the ways earlier apps which tried to bring audio description direct to the consumer. differ from Actiview’s approach.

AK:
all of these had great intentions and were really viable pieces of technology except for a few things.

One we wanted to be access ability first. It was all
about making sure that we provide the best possible experience for the accessible users first. And then expand it out to the general population. And the second one is we recognize that every movie had to be accessible. It couldn’t just be a select few. And so the first piece of technology that we ended up developing was a piece of hardware
that movie theaters could install that made every movie accessible via Wi-Fi. All of the technology that we’d seen had made you download stuff in the
cloud and they had a limited selection of movies. We were trying to work in the realm of making every movie accessible. In developing this technology we spent the
better part of I think over a year reverse engineering a lot of broadcasts systems and projection booths which is really really tough work. We sat in a lot of dark rooms between a lot of you know loud and hot equipment with our computers out trying to figure this out. After we built kind of our first prototypes and demos we sort of realize that theaters unfortunately just aren’t that excited about buying more equipment to make stuff accessible. Which is a really really unfortunate truth. So we sort of started to take a different approach to all this. We said how can we still make every movie accessible
without selling something directly to the theater for them to install and work on. The first thing we did was we moved a mobile app that you could download
the content from the cloud synchronize it with the movie and basically use it anywhere without any hardware. We piloted with cars three in June of this year and everyone could download the audio description track go to see Cars 3 in the movie theater and play the track back. We had some great response. A lot of moms
and dads talking about how their blind or low vision child finally got to go to the movies. It was really really moving for us and exciting for us.

That also works in the home. And so we’re working on also adding content from providers like Netflix and Amazon Video as well as DVDs that you already have, I Tunes video all the services. The download and sync idea the download and sync solution works for you kind of anywhere. So we don’t see where this is only the theatrical only the releases where you go with the family once a year. it’s also I have a spouse who’s not blind or not Deaf who wants to watch Netflix with me and I can personally turn on the audio description in my ear and we can both watch together on the same couch. Because right now you
know Netflix and Amazon have great audio description offerings but you turn on audio description on everyone’s listening when it’s on the captions everyone’s watching them. And to have a kind of personalized experience we imagine a world where the Spanish speaking mom, the blind husband and the Deaf child are all sitting in one room watching together and that’s I think a really really special experience.

And now going forward what we’re doing is we’re taking the software that we still love that was sitting in that box that you can install in the projection booth and we’re actually trying to sell it to the projector manufacturers. so they can take the software install it directly in a projector so instead of us selling new technology to theaters it’s just a software update to projectors. And that’s really the new paradigm
of what we’re trying to solve and do here at Actiview. It’s make every projector capable of making movies accessible.
We’re just getting it from its almost last destination to its destination and that’s really just from the projection booth to your ears.

TR:
The less steps in this last phase of delivery, the better. Both people and technology introduce possible failure points.

Take for instance the current process of listening to audio description in movie theaters today.

[Audio: Movie theater atmosphere]

When purchasing your tickets, a movie goer must first request the device from the box office.

In my experience, there’s often a confusion here.
After requesting the device for the visually impaired I am asked;
[Theater Box Office Attendant]
” do you mean the closed caption?”
[Pause
TR:
“No!”

[Theater Box Office Attendant]
“Do you mean the device that makes it louder?”

[Pause]

TR:
“No!”

If you make it past this first round with the a device in your hands…
When the movie finally begins after about a half hour of previews you didn’t ask to see, you find out the device wasn’t properly configured. Meaning the movie begins and there’s no description streaming from the device through your headphones.

This requires quickly returning to the theater employee or manager to have the device fixed.

Hopefully, this is resolved the first time, but I’ve been to theaters where we had to repeat this process.

Actiview would eliminate these extra steps in the accessibility delivery process.

The Actiview team seems to understand an important fact of accessibility; one size does not fit all.
AK:
People need different levels of access and our app it’s built to be really modular in the way that you can just press buttons to use multiple ones at the same time. You can’t use all of them at the same time because there’s limitations on what the phone can do, but certainly the ones that are applicable you know you know that someone using audio description for instance would never need the sign language track so we don’t allow that combination. But certainly the ones
for low hearing and low vision or low hearing and Deaf. We do allow you to combine those and use them simultaneously.

TR:
All of these accessibility solutions in one app;
should be a reminder to advocates about the power of coalition.

To download the app visit the Apple App store.

AK:
If you download the app, you go through a quick tutorial about how to use the app and just as an head’s up you will need headphones that are wired to your phone
in order to try to go through the tutorial. It’s a requirement we have for security purposes. And once you do that there’s an option to subscribe to push notifications. And if you hit ok on the push notifications you will then be on our list to hear about when new movies get released. And so we’ll be giving constant updates with new movies new content.

[TR in conversation with AK:]

You already said you’re probably working 12, 12 plus hours a day. What help are you guys looking for from the community at this point?

That’s a great question. I think that the first clearly easiest thing is downloads are king. For every download we get we’re tracking the usage of the app and we can go over to Hollywood and say hey guys look how many people want this thing. You know for every person who watch Cars 3 it was one more point in our court. Look how well this once people are really excited about this let’s keep doing it let’s keep this going.
Download some content. Go and see a movie. We hope to have a few more on there in the coming weeks to few months that you can go and see and they might be more applicable to you if you’re not a Cars fan. And that’s the easiest way to get involved.

Second of all we’re are hiring we’re looking for more engineering talent. I
think that We want to hire both low vision blind deaf and hard of hearing people to come work at Actiview. We really want to dedicate ourselves to fully being an accessible company. We’re looking for people to come join us if you’ve got the chops we will absolutely have a look and
take a listen and see if there’s a space to have you on board.

Just being an advocate – telling friends family because downloads are really important, but also coming back to us and saying hey I have an idea or hey this isn’t really working for me I need it this way because at the end of the day Actiview is only as good as the services that it provides to its customers. And if we’re not doing something to the best of our ability and you’re not enjoying the content you’re doing then we’re not doing our job. We think we’re doing a pretty good job in surveying and asking people what they want making sure we’re building their needs but there’s certainly work to be done and we hope that people give us the kind of feedback so we can build the best possible product.

TR:
To get in touch with the Actiview team whether to learn more about the app, give feedback including suggestions or for possible employment;
Contact by:
email: team@actiview.co
Twitter @TeamActiview)
website actiview.co

I’m Thomas Reid for Gatewave Radio,
[Audio from interview: Which is a really really unfortunate truth.]

Audio for independent living!

[Audio: film Slate announcer says ” Take 1″]

Whenever I talk about audio description in the back of my mind I hear the haters.

Those who say this topic isn’t important. It’s just entertainment.

Once again, the haters are wrong, they suck!

Audio description makes information in the video format accessible.

This includes educational videos in the school and workplace.

Think of young children and adults alike who develop friendships and working relationships as a result of talking about their favorite program or movie.

At the core of entertainment is humanity and a message. Why should anyone be denied access to that information.

That descriptive information extends beyond video whether movies or television.

I can’t tell you how annoying it is to see a message in my social media feed, pick anyone! and the text refers to a image file… but there’s no way of getting that information without seeing the picture.
At least that was before the ability to add a description to the image.

Truth is the image description could be included with the post especially with FB. However, Twitter enabled the ability to add way more than 140 characters to describe the image.

Museums, galleries and other places could make their content accessible using headsets and location technology readily available today.

And I know the first thing said when the subject comes up…
Do blind people go to museums or are they on social media.

Not only are we out here, we make media.

We have families who we like to accompany to different experiences and we want to engage independently without their assistance in order for us all to share in an experience.

We might want to just alone.

That question yawl, is bullshit. Don’t accept it… in fact here you go…

simply remind people that they probably benefited from closed caption when at a sports bar.

re-directed themselves toward a ramp as opposed to lifting the functional leg up to step on to the sidewalk.

Man, don’t get me started yawl!

Just the other day I saw a tweet from someone who wished they could watch television while training for a marathon. They just find it gets boring.
I had to holla and let them know audio described movies/television are a real option.
It’s a non visual means of consuming media, that’s it.
The more that use the better for us all.
Try it on a road trip. Truck drivers could really get into it.
Bike riders and other athletes. Those doing work where it allows for active listening but not focusing on a screen.

We still have a long way until accessibility is just a normal part of how we do business.

Lots of room for expansion and growth.
Documentaries!
Many do not include description making them difficult to follow.

Audio description can impact a person’s adjustment to vision loss.

For so many people, the movies are that way to get out and lose themselves for 2 hours.

Earlier this year, I interviewed what I have come to realize is a true movie connoisseur.
In fact, he’s been in some movies himself.
Doctor Dre from Yo MTV Raps and New York’s Hot 97 Morning Show fame…
If you haven’t listened to that episode I truly suggest you do.

In fact, I’ll drop a little teaser of a project he and I are working on together that brings a different perspective and voice to the podcast game.

Here’s a taste of one around Dre’s experience with description.

This project is going to include conversations, interviews and more on lots of different topics and let me tell you right now, they can go anywhere. Dre has a gift for that and the funny thing is they tie into all sorts of subjects some very relevant today and some you may not be used to me talking about.

I hope you will join us when it’s ready but for now, I’ll probably slip some previews into the podcast feed so make sure you are subscribed so you don’t miss out.

If you’re not sure how to subscribe…

your friendly super hero has you covered.

If you have an iPhone

## 10 Subscribe Commandments
Step 1
Take out your phone, do it real fast
open the app, it’s called Podcast

In the bottom right corner, you can find the search tab
i’ll wait to you find it, Got it, Fab!

Now just type this in right on that search line
R E I D M Y, Mind

Tap on that search button, and away you go
there it is.., Reid My Mind Radio

All the episodes , appear on your screen
over 65 to date, Nahmean

a Reid My Mind button on the bottom, not sure which side
Hit it, next page, choose subscribe

Now your official, I’ll call you sis or bro
Or a non gender listener, of RMMRadio

Now , one more thing, I’d love for you to do,
give me a rating and if you could, , write me a review!

They say ratings help listeners find the podcast
It doesn’t take long, it’s pretty quick and fast

One last thing, You don’t need tech to do
Refer the show to a friend or two.

TR:
[Talking over music]
I would really like to get this information and overall message out to those who can really use it.
To me that’s everyone so we have a long way to go!

Shout out to the person who gave me a review, I appreciate you.

While you’re on the review page, hit that related tab and check out what other podcasts those who subscribe are listening to… we’re in some good company including Blind Abilities and Oprah and This American Life.

Hey Oprah, holla!

Peace.

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