Archive for the ‘Advocacy’ Category

Reid My Mind Radio: Black on Audio Description

Wednesday, August 15th, 2018

Earlier this year I posted an episode discussing my thoughts on Audio Description. While I’ve been consuming and thinking about description for some time, it was Marvel’s Black panther that sparked me to share some thoughts and ideas.

I decided to continue a discussion on the topic. This time it’s really a conversation. I called a listener who sent me feedback regarding the episodes question. Why didn’t Black Panther have a Black person narrating the description?

And as a bonus, the listener just happens to be someone I’d like to interview for RMM Radio!

So yes, we’re back on that subject or better yet, we’re Black on Audio Description. Let’s get it!

Listen

Transcript

Show the transcript

TR:
What’s up Reid My Mind Radio family? For anyone new to the podcast, my name is T.Reid.

This podcast more than often focuses on issues of adaptation and adjustment through interviews with people who have been impacted by vision loss – from low vision to blindness. I should say severe low vision because personally I’m tired of people telling me how blind they are without their glasses.

You Sir/Madam are more then welcomed here, but if you can put on your corrective lenses and get into your vehicle and drive off – you are not impacted by vision loss.

The people mainly profiled here are indirectly challenging stereotypes about what it means to be blind.

I’m always hopeful that listeners learn something new. Maybe it’s an unfamiliar subject or a new way of looking at or solving a problem.

Occasionally , I share my own experiences around becoming blind as an adult. These are influenced by all aspects of identity – including
gender, socioeconomic status, age, demographic location and of course so called race.
I mean, this is America!

A few episodes ago I discussed an aspect of blindness that can intersect with race.
Audio description!

Audio: “What” – From “Jay Z “Jigga what, Jigga Who.”

Well that could be two whats…

Audio: “What, What” – From “Jay Z “Jigga what, Jigga Who.”

Don’t be nervous! Let’s get into it…
After the intro…!

Audio: Reid My Mind Radio Theme

## TR:

Back to the questions.
What is audio description & what does race have to do with it?

If you don’t know audio description, let me really welcome you to the podcast. Audio description or AD is the additional narration distributed with a movie or television show that describes scenes without dialogue,
enabling a person to non visually follow or access the content.

That other what?
What does being black have to do with audio description?

On the technological level , nothing! But as we know, race is complex. It’s ingrained into the fabric of this country. The complexity though, isn’t tied to the tech, rather its the subtle aspects of language, decisions about what is relevant and the voice of the narrator that impact some viewers experience

In the earlier episode on audio description, I was specifically referring to the Marvel hit movie and what many Black people looked forward to as a cultural event; Black Panther.

Following that piece I received a bit of feedback.
If you go to the episode blog post at ReidMyMind.com you can see one commenter’s response and I encourage you to follow the link to her blog
where she shares more. She is a person who herself is involved in the description process. Self described as a white lady she was appreciative of the issues and questions raised and thought they deserved to be discussed. Shout out to you for the link love and being in the accessibility field. I think sometimes we forget that AD is accessibility.

I also received an email from a young lady – who closely identified with the issues raised in the episode.

She was pleased to know that she was not the only one who felt that the description included with Black Panther, well sucked! My words, not hers.

No shots to the gentlemen who described the film, you sound like you’re probably a very nice person and quite honestly, I’d love to speak with you. In fact, I reached out to Deluxe, the company who created the description for Black panther but I never heard back. I really wanted to begin a dialogue.

It seems fair that a consumer would have something to say about a product or service.
And personally I think it could be helpful to have a bit of input from those who consume your product or service. And well that’s today’s focus.

Audio: James Brown: Black & I’m Proud – Instrumental

That email expressing agreement with my opinions, was from a young lady named Denna Lambert. Like me she experiences blindness as an African American.

She black yawl!

I don’t often get the chance to meet new people who are blind and who are people of color. So I’m not gonna lie, I was looking forward to the conversation. I had questions.

So, let’s get black on Audio Description.

Audio: James Brown: “Say it loud, I’m Black & I’m Proud”

TR in conversation with DL:
You heard the podcast, what was it that jumped out to you to write the email and say “Hey I feel this too, I get it!”

DL:
Well being blind, sometimes just getting audio description feels like a luxury and your happy that somebody did it and it came out at the same time as everything else and I can just shut up and be happy. But at the same time with you being really thoughtful in what you were saying like “hey this was a mismatch” And I was like “Oh, you voiced what I was thinking!” Just knowing that I’m a consumer of a service and we should have a voice in how that service is implemented. If it’s missing a mark we can help take it to the next level. Yes people have fought and probably sued some theaters to make sure the equipment is functional and that is there from day one. But let’s take it to the next level to make sure that it is culturally confident. And it was like Oh Snap I got to support this too. I think that is why I reached out because I was thankful for being silently dissatisfied at some level. I felt like I didn’t get the full Wakanda experience.
TR in conversation with DL:
I’m still lacking some Wakanda experience myself. [laughs]

TR:

That Wakanda experience was what drove millions of Black people to get excited about the movie.

Some indeed were fans of the Marvel franchise, some may have even been fans of the comic book. But many were simply looking forward to a movie with strong diverse images of Black people on screen.
I talked a bit more about that in the original episode of the podcast on this subject.

Denna herself was anticipating the movie just as much as many others and got a bit more into it than I did.
DL:
I was in the hype just like everyone else when the trailer first dropped which didn’t even have audio description. I called my mamma and said let me get my dashiki so I got my dashiki and I was ready and had my headdress. When i heard voices of Andrea Bassett i was like “Yes!” So I went and thankfully the movie theater I went to they had the audio description devices ready and they were fully operational. From the first introduction where they were talking about how Wakanda was created with the different tribes and the describes voice coming up I was like “Who?! Who is this?!” But I’m still excited. So it was kind of a mismatch from everybody who was in the theater. Some people brought their gymbays and people had their dashikis and you know just black power. And you can hear the describer’s voice and not to say you can sum up a movie by their voice but it was like “huh.” The descriptions were definitely okay but that’s the piece as a blind viewer. But there was so much content for any viewer whether they were sighted or blind. I have to wonder what did i miss. Could there have been different words used that would have more aligned with the culture and the theme of the movie.
I started using AIRA and now i started seeing more AIRA agents of color. Im seeing Antonio and Annika and all them. And I’m like “Okay I’m going to need yall and come and describe some movies for me.”

TR in conversation with DL:
MMM you just made me think about something hold on one second. That takes that whole idea of description out of the movie theater because that’s the whole purpose of AIRA and then cultural inclinations about various things that you are doing.

DL:
Yeah. I’ve seen Black Panther abot 3-4 times just because anybody who wanted to go I wanted to go with them. There’s probably so much mystery and thoughtfulness that was put into it. SO like the scene where T’Challa and Nakia were in the club and they were trying to go after the main guy and they were in their attire. I don’t think the person described the attire, he described her movements but i was watching a video from one of the directors and he intentionally used the colors; green, black, and red to symbolize their african pride. And that’s something that just one little sentence could have brought that out. While I was very happy and thankful that the description was available since day one because that certainly was not the case 10-15 years ago that i could just show up whenever i wanted to. But i think there is some growth that could happen with this area of accessibility.

Tr in conversation with DL:
SO went you went a bunch of times with different people, did you go with anyone that was blind or no?

DL:
No actually no it was just with different sighted friends who just wanted to go.

Tr in conversation with DL:
Did you compare notes with them or anything at all?
DL:
A little bit because I went with some friends that were black and then I went with some friends that were white. And you know they were asking me what was this and what was that and i was like well I don’t know. [Laughs]

Tr in conversation with DL:
“I don’t live in Wakanda!” [laughs]

TR:

There are definitely some overlaps in this conversation around audio description that transcend cultural Competence.

Feeling as though audio description is a privilege, I’m sure is something many blind people have felt.

Going to a theater and the device doesn’t work, well you may not want to trouble the person you’re with to quickly exchange the device. That means missing part of the movie and chances are you don’t want someone to have to do that.

Shout out to ActiView and their audio description solution that puts more of the power in the consumers hands. You can check out the Reid My Mind Radio archives for that interview on that service that I personally hope begins to get more movies in their app.

Audio: Public Enemy: Party for Your Right to Fight

Privilege or a right?

If audio description is access to content, then I believe it’s a right. Like everyone else who has the right to pay money to watch a film or television show, people with disabilities have the right to audio description, captions and physically accessible theaters.

What makes our lack of excitement about Black panther’s audio description
so confusing is the lack of consistency between the big and small screens.

Watching the Marvel franchise on Netflix with audio description is vastly different from Black panther.

For the sake of comparison, I asked Denna about her thoughts on Marvel’s Luke Cage.

Luke Cage is the black superhero who calls Harlem home. He can’t be hurt. Bullets bounce off and knives can’t penetrate his skin.

The person describing Luke Cage, who by my account sounds like a white man, describes the other shows in the series, Daredevil, Jessica Jones, The Punisher and more.

DL:
He’s been consistent through the marvel comic series as netflix has been rolling it out. So it was almost embedded in brain that this was the dude that’s going to bring it. There was definitely some awareness in hearing when they would say things like “he’s wearing a fedora.,” or “he’s swaggering down the sidewalk” or “he did a dab” or the hair. And I don’t know if just anybody can point these things out.
With Luke Cage there was nothing apologetic about how this is the blackest comic that you are going to get. What I really loved is that the describer, I don’t know if it was apparent to the visually to whomever was viewing it, but I love that they reference the specific artists as they came up in the Paradise Lounge.
So to me that was showing respect and it gave me the experience of thinking “okay let me go look for some of these people.”
Tr in conversation with DL:
It’s not only the ones who are actually performing, they also are good at including people who are just around and even in other scenes.

DL:
Yeah so even like the picture of Biggie, he described his expression, his crown and how it was kind of laid to the side. To me that, I don’t know, it just seems…

Tr in conversation with DL:
Just culturally confident.

DL:
And I think with you were saying earlier, it wasn’t like two different scripts. It felt like there was one different script with the description being apart of the verbalizations too.

Tr in conversation with DL:
I almost don’t even think of the description as description while watching netflix.

DL:
Right!

TR:

That term truly encapsulates what should be a part of the audio description checklist.

Is the description culturally competent – meaning are we informing the blind viewers about the subtle references that will make sense to them? This would probably require input from the films creator if there’s no one in the know involved in the process.

This idea is already relevant to the movie or television show’s dialog and choices made regarding character development.

It’s one thing being black and looking for true representation in Hollywood. What about as a woman? As a black woman with a disability.
Tr in conversation with DL:
What do you think about the role of the black woman in Luke Cage.

DL:
Oh now that was pretty sweet! I was really proud that Luke Cage he’s like the strong Black man. Hes caring. I was really glad to see his girlfriend, Claire. And she was holding on to that no this behavior of holding on to your anger, she grew up with that and she was not going to tolerate it.
I loved Missy. I loved that she was this strong woman who was feminine. She
Didn’t lose not just her sexuality bit sensuality.
There was so many different aspects of black women in this. You had Mariah.
Tr in conversation with DL:
[laughs] She was crazy.

DL:
She was great! She played that! I loved seeing Luke’s father.

Tr in conversation with DL:
I didn’t realize that he passed, I totally forgot he passed away.

DL:
Yeah! Because he was in House of Cards and I was so happy to see he was in there. SO there were so many examples, a whole spectrum of what blackness in. You know you don’t have to be the thug or the jessabella. There were so many different examples of black women in there that i was really impressed.
I love how Missy called out all of her coworkers cause they were staring at her prosthetics. SHe was like “let’s just get a look at it, im here, im not going away, this happened.” And i was just glad that she called it out. That was a way of handling disability, it became a part of who she was. She even described on when she was using her prosthetic arm or robotic arm and when she wasn’t. Which I don’t know if that was so important for me to know but the describer pointed that out.

Tr in conversation with DL:
I think the whole idea was that shes statint to use it more and it’s even more of a part of her, she’s getting accustomed to it. And so I’m wondering if she’s going to get her own thing.

DL:
Yeah you know what, she was doing some things that were like humanly impossible so I was wondering if she’s going to get some superpowers.

Tr in conversation with DL:
Yeah because isnt that a Stark arm?

DL:
Yeah yeah.
I loved the complexity of them having different territories; the choinese, the russians. They pulled in references for Katrina and showing that there can be disagreement. Like the judge who said “i had a family in louisiana who lost everything, don’t use this as an example for your shadiness. I don’t know I loved it I felt it was pretty cool. The ending ended with I think he changed the picture from Biggie to Mohammed Ali. But that’s the thing! I think the way that the description was, we noticed those things but we don’t know what we missed in Black Panther.

Tr in conversation with DL:
What i liked about it was how they would say it because the director meant for it to be. For example when Mariah and Shades were standing in front of the picture and the crown aligned to Mariah’s head to show she was the queen.

TR:

As we see with Luke Cage it doesn’t specifically mean the narrator has to be black. Or does it?

TR in conversation with DL:
What would you think about a woman describing that? A black woman doing the description in Luke Cage.

DL:
Ohh. Oh.

Tr in conversation with DL:
You think it could work?

DL:
It would have to be the right voice because I’ve seen on Netflix the Unbreakable Kimmy Schmidt because it wasn’t really for me. But the person’s voice on there, I don’t’ know if she’s’ white or not, but no she could not do Luke Cage. [Both laughs] We don’t want her! She can do some other shows but she can not do this.
If Octavia Spencer or, why am I forgetting her name.

Tr in conversation with DL:
I know who you’re talking about you’re talking about the woman from How to Get Away with Murder.
DL:
Yes!

Tr in conversation with DL:
Yeah she has a great voice.

DL:
Yeah if she wanted to describe it, then yes.

TR:
For those who are fans of How to get away with murder… my apologies. The star of that show is the incredible Academy award winning Viola Davis.

Whether the description is voiced by a man or woman, Denna says:

DL:
It has to be somebody who follows that it was Harlem so you have to have somebody who has that Harlem… I don’t know.

Tr in conversation with DL:
That texture in their voice, I know what you’re saying.

DL:
It cannot be a very thin voice it’d have to be a full bodied voice.

Tr in conversation with DL:
I think it could work. That is if they don’t give me the job because I’ve put it out there before that I wanted that job. Although I like the guy who does it, I’m fine with him but if he’s going im going to jump in there because that’s Harlem. I’m not from Harlem, Im from the Bronx but I can take Harlem.

DL:
Yes! You could do it. [Both laughs]

TR:
Hey, there’s nothing wrong with trying to speak things into existence. But come on, , how cool would it be to have a person who is actually blind, from New York… born just a few miles away from Harlem, my Daddy’s from Harlem. And I’m blind. Universe, do you hear me talking.

#NetflixCallTReid

There’s much more to this discussion. Hopefully like the original episode, this will attract some feedback. I’d love to hear from others on this subject. Maybe you are a person of color and have some other examples of both disappointing and enjoyable audio description experiences. let me know. In fact, if you’re not a person of color and
was disappointed in the Black Panther description I’d like to hear from you.

When it comes to movies and television, Ultimately, , I think we all want the same thing; the right to enjoy the experience.

I’m interested in all experiences of blindness and disability in general, but I would really like to hear more from other people of color. I know there are some compelling stories out there .

For instance, corresponding with Denna prompted me to be even more nterested in her experience.
Let me show you what I mean.

Audio: Screen reader reading Denna’s email signature…
TR:
If you don’t speak screen reader, that was her email signature. Denna is a project manager at NASA.

Now, this wouldn’t be Reid My Mind Radio if we didn’t find out more about her journey. We’re going to get into that next time on the podcast.

So, if you’re new or if you haven’t just yet, may I encourage you to subscribe to the podcast. Reid My Mind Radio is available on
Apple Podcast, Google Play, Sound Cloud, Stitcher, Tune In Radio. If you’re using a podcast app you can find it there.
Go on over to ReidMyMind.com for links to subscribe as well as a transcript of the show.

Remember that’s R E I D like my last name.

If this was your first time here I know what you’re thinking…
It happens all the time…

DL:
happens all the time…

TR:
Wait until you hear what more is coming up!

Audio: Reid My Mind Outro

Peace

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Reid My Mind Radio – Master Chef Christine Ha

Wednesday, August 1st, 2018

A picture of 2012 Master Chef, Christine Ha
Christine Ha, winner of Fox’s Master Chef in 2012 never set out to be a cook. In fact, as a young girl she had no interest in cooking at all.

Hear all about how becoming Master Chef changed her life. Including launching her latest venture; The Blind Goat. A restaurant or Chef Station in a new Houston Texas Food Hall.

Christine’s story shows us how advocacy takes various forms. Plus lots of valuable information for anyone adapting to a life change.

Listen

Resources

Transcript

Show the transcript

TR:

Whats up Reid My Mind Radio family, glad to be with you again.

If you are new here, my name is T.Reid.
This podcast is my space to share interviews and profile compelling people usually
impacted by blindness or low vision.
Occasionally I include stories about my personal experiences with vision loss.

Coming up today, I had the privilege of speaking with a young lady who took the subject of vision loss prime time.

That’s right after we get a taste of some of this delicious theme music!

Audio: Reid My Mind Radio Intro

Audio: Christine Ha winning Master Chef
TR:

In 2012 Christine Ha was studying creative writing in graduate school.
Following her husband’s encouragement, she tried out for the third season
of the Fox series Master Chef.

If you’re not familiar with the show,
amateur home cooks audition for the chance to put their culinary skills
up against their peers.
They’re given the task to design and prepare all sorts of dishes
from desserts to main courses.
Well known Chef Judges crown one contestant as Master Chef –
giving the winner a chance to publish their own cookbook as well as a cash prize.
CH:
As a writer, as an artist, you are always trying to experience everything you can in life. And so I thought well there are auditions are coming to a nearby town like why not if anything I have some interesting stories to write about. I went just going for the experience not thinking that I would get as far as I did.

TR:
She won!
Along with the prizes she became synonymous with the title The Blind Cook.
CH:
I lost my vision because of an autoimmune condition called Neuromyelitis Optica or NMO for short. It’s similar to multiple sclerosis so my immune system attacks minor logical system primarily the optic nerves in the spinal cord. There were many times when I had an NMO attacks that involved paralysis. I would lose feeling in my feet or my hands I’ve had a time when my attack on my spinal cord was very bad where I was completely paralyzed from the neck down for several weeks and at the same time I was also experiencing optic nerve inflammation so I was also losing my vision couldn’t see anything, couldn’t move, couldn’t sit up by myself, couldn’t feed myself, couldn’t grip my tooth brush, hold my glass of water, lots of things. So that was a big challenge in my life and that was around the time when I was in my early twenties. Fortunately, I’ve been able to recover quite well from a lot of the spinal cord inflammation.

TR:
Christine describes her resulting vision following the NMO
CH:
As though one were to come out of a very hot shower and looked into a steamy mirror, that’s what I see. So, washed out colors some shapes some shadows very blurry vision I would say in both of my eyes. I still managed to go back to school and get my master’s degree in creative writing after I lost my vision.

TR:

Christine was never planning on becoming a Master Chef.
In fact, she didn’t begin cooking until
moving out of the dorm in college.
CH:
I realized that I had to learn to cook in order to feed myself because I couldn’t afford to always eat out. I decided to buy a cookbook and read the recipes and then just buy some cheap kitchen equipment and teach myself. And I just read the recipes word for word and experimented in the kitchen. Also the fact that I missed a lot of the food that I grew up eating, Vietnamese food, since I’m being amused by heritage my mom was a very good cook but she never taught me how to cook. She was actually very overprotective mom and wouldn’t let me near the knives or the hot stove and I really wasn’t that interested in cooking as a child. And I just thought that everyone ate good food and I took my mom’s home cooking for granted and she actually passed away when I was fourteen and I think when I was older in college I realized what I had missed out on learning to cook from her. So I started reading a lot of Vietnamese cookbooks and trying to reproduce a lot of the dishes that I recall eating growing up in her home. Knowing that I was able to create something with raw ingredients and be able to keep the people around me that I cared about and have them enjoy something that I actually created with my own two hands, that kind of ignited my enjoyment and passion for cooking. And so it was that moment on that I wanted to learn everything I could about food in cooking so I read tons of cookbooks practice a lot of different things in the kitchen just tried my hand at. All kinds of cuisines and it just kind of grew from there and it was interesting Lee end up the same time that I started losing my vision because of the enemy so I was slowly losing my vision at the same time that I was excelling at cooking it always felt like I had to really learn how to cook like every few months or every couple years I would have to really learn how to do things with less vision in the kitchen.

TR in conversation CH:
Did you ever deal with any fear as the vision was gradually decreasing? Did you ever set to say “hey now I’m a little nervous about this?”

CH:
It always felt like I had to start over every time my vision decreased so I felt defeated quite a bit throughout these years.

TR in conversation with CH:
What made you keep on going?

CH:
I think part of it was eventually I realised I just couldn’t allow myself a short time to grieve the loss of my vision and feel sorry for myself and just kind of well in self-pity. But I didn’t want to drop out of life I just wanted to live it in the best way that I can

TR:
Living life in the best way possible doesn’t mean problem free.
Challenging circumstances are inevitable.
Christine identifies some real benefits of going through adversity.
CH:
I think it’s a reminder always when I have challenges today whatever they may be to remember that oh well I’ve survived some tough things in my life so I know that if I’ve been able to survive that I’ll eventually survive this. But when you’re in the moment I think it’s hard to have that attitude. Over time your brain sort of learns that we’re much more resilient than I think we give ourselves credit for, it isn’t until we go through these obstacles or challenges and then overcome them that we realize that “hey we can do this, we can survive, we can succeed in spite of things.” It’s important to celebrate the small victories because I think often times we always focus on our failures. Yes failures are disappointing but they teach you to find new creative solutions to things and I think they help you realise that you know when you do work hard in attaining your goals there’s that much more special

TR:
Special indeed!
You can say life changing.
TR in conversation with CH:
How did it feel when you won?

CH:
My life I feel changed completely. I am grateful that I went through it as a more mature adult. I feel like just that amount of publicity I think suddenly happening in your life if you don’t have a sense of yourself a strong sense of self in a certain level of maturity I think it’s very hard to deal with. The negative part was that I was not used to being recognised and that felt really strange and especially someone who is visually impaired being out and about and having strangers come up to you suddenly and I don’t know people are approaching me and all of a sudden there’s people calling my name and I’m like “is it someone I know is it someone that watch me on T.V.?”
That was kind of a bizarre experience at the beginning and it took me a while to get used to that but the upside was I’ve had so many opportunities since winning Master Chef that have been amazing. I’ve been able to travel around the world and and do work with the U.S. embassy in culinary exchange programs, advocate for entrepreneurship women’s rights and the rights of those with vision impairment and people with disabilities, do things with Asian American focus groups so all of these things have been really amazing in just the experiences I’ve been able to have like judging Master Chef Vietnam or you know having my own cooking show geared towards the visually impaired called 4 Senses in Canada. All these things would not have happened if I wasn’t on Master Chef. I’m really excited because finally this follow opening I very first restaurant in Houston and that’s been a dream of mine and it’s finally coming true as well.
It’s called the Blind Goat it’s coming into a newly built hall that’s very chef driven in Houston so the food hall craze is finally coming to Houston I know it’s you know a thing in New York it’s a thing in L.A. and thing in San Francisco.

TR:
A Food Hall is typically a mix of local artisan restaurants, butcher shops and other food-oriented boutiques under one roof.

A food hall is not the same as food courts found in malls as that consists of fast food chains.
CH:
It’s called the Blind Goat because obviously I am vision impaired and goat is my zodiac sign in Vietnamese astrology so I’m born the year of the goat. So I thought that was kind of a cute and fun name and the cuisine that we’re going to be serving there will be largely southeast of Vietnamese style. And it’s kind of like small plates, I would call it a Vietnamese gastropod so kind of shareable small plates that consist of food that you would want to eat and share with friends over a beer or over a glass of wine. Communal eating is kind of the theme and this is something that I’ve always believed in and the food and ingredients that so I’m very excited to be opening up the place and sharing it with the world.

TR in conversation with CH:
Are you familiar with the acronym the goat?

CH:
I didn’t know but then someone said does that stand for greatest of all time and I was like that is really funny I never heard of that before but now I will have to use that. But do you have another acronym?

TR in conversation with CH:
No that was it the greatest of all time L.L. Cool J. had his whole album he refers to himself as that as the goat and some people when you talk about your top five well you know that type of thing a top five artist you say oh this was the goat.

CH:
Im totally going to have to put that in my tagline or something. [laughs]

TR in conversation with CH:
There you go, run with it [laughs].

TR:

In addition to publishing her cook book;
Recipes from My Home Kitchen – Asian and American Comfort Food,
Christine co-hosted a cooking show produced by Accessible Media Inc in Canada.
CH:
They wanted to do some original programming and of course I was the natural fit because I can cook and I’m vision impaired.
I co-hosted it with Carl Heinrich who won Top Chef Canada and he’s a fully sighted chef professional chef and I’m sort of the amateur home cook that’s vision impaired and we co-hosted the show. It’s a show that geared towards not only vision impaired cooks but also novice cooks or just anyone who wants to get back in the kitchen and learn about cooking. But of course it really was heavily year towards people who have lost their vision and want to learn to cook again or who just want to be getting learning how to cook our show had audio description embedded within the program so we were very descriptive it was almost like you could listen to radio while you were watching our show. We wouldn’t use things like “oh you put this in there” you would say you’re putting the salt inside the pot that contained the chili and of course the recipes were available online in an accessible format.

TR:

Four Senses ran for 4 seasons and is still available online.

Christine’s working on a new cookbook right now.
CH:
When I first learned to cook I would follow a recipe to a tee and if it said to put you know something in the oven for forty five minutes I would do it even if like everything was smoking and it was obviously over cooking and burning. I think that’s kind of the wrong approach to cooking, everyone’s equipment’s different ingredients or different elevation that you’re cooking and that affects like how things cook so I want to write a cookbook that helps people hone in on their own intuition and cook using all of our availale senses.

TR in conversation with CH:
I’m more of a crockpot cooker. [laughs]

CH:
Oh yeah there’s nothing wrong with that at all. It’s very convenient to just dump everything into the pot and walk away and then you’ll have a good smelling meal later.

TR:
If you’re imagining that Christine’s kitchen is full of high tech gadgetry , you may be surprised.

In addition to raised dots on the oven and microwave,
it’s really more about organization.
CH:
I have a baking bin so that will whole my baking soda, baking powder vanilla extract, vanilla pods, sugar. And then I’ll have another bin that’s my coffee bin so that will hold the coffee beans, like the Arrow press, the coffee filters. My spices are organized. I have everything in my pantry actually on a list using the our groceries app on my iPhone I can just read down the list using voiceover and know everything I have in the kitchen so I can meal plan that way. When we run out of milk or something I can move that to the grocery list and then we know when we go shopping I share the list with my husband and he can see on a list we need milk so he can grab the milk. So that’s kind of you know the adaptations I had in the kitchen. I have an Amazon echo which I love to set timers for different things I’m cooking, to do quick conversions standard measurements to metric, and of course I love listening to music while I cook.

TR in conversation with CH:
What’s the music you listen to while you’re cooking.

CH:
I actually listen to all sorts of stuff. So I listen to a lot of classic rock I grew up listening to The Beatles because my parents love the Beatles so I listen to classic rock, I listen to a lot of indie rock, alternative rock. You know I’m a child of the eighty’s and ninety’s so I do like some new wave and some eighty’s pop, British pop, ninety’s of course like the grunge rock alternative rock from that and then there’s also like ninety’s hip hop I grew up listening to quite a broad spectrum of things. Jazz to me is relaxing so I’ll put on just jazz music maybe more of the mainstream country but not like a lot of the country music and not a lot of the heavy metal stuff.

TR:

Not mad at her at all.

Continuing to Master her craft while revealing other talents;
Christine’s not only a cook, author, television host, entrepreneur and public speaker
but through her work she’s an advocate.

Using both her words and actions she’s changing some of the
half baked stereotypes about what it means to be blind.
Non apolegetically walking through life with her white cane in hand striving towards her goals.
At the same time educating society about the many issues of importance to those who are blind and
visually impaired and in general people with disabilities.

Like she does through her TEDx talks which you can see online.
TED is an acronym for technology, engineering and design.

In one such talk she was clear to inform the audience about making sure they
consider how people who are blind or visually impaired access information, websites and more.

We discussed one of her TED x Talk titled
Lets Cook By Eatting First.

In this presentation, Christine offers 4 key points to
becoming a better eatter and subsequently better cook.
1. Try everything
2. Try everything twice
3. Always be in the moment when you eat – get rid of distractions
4. Travel – opens your mind
TR in conversation with CH:

CH:
I think that’s a really good point you have there Thomas I think that I originally wrote those points for cooking but they’re definitely applicable to many other things in life. For example try everything and try everything twice. I think that’s important because you really don’t know what you like or what you prefer or what your talent could be if you don’t try everything. I had a huge fear of public speaking but I had a lot of opportunities to public speaking after Master Chef so I decided why not I should conquer that fear because you never know what it could lead to and I did. I kept doing public speaking even though at the beginning I was sweating and my voice was shaking and I was extremely nervous but I just kept doing more and more and more until it became more comfortable. And the good that’s come out of it is that my story has touched a lot of people inspired people experience life that goes hand in hand with traveling I think a lot of times especially as Americans because our continent is so large we don’t travel far. We’re fortunate that we can get so many things here within our country you know. I live in Houston which is now the most diverse city in America so I can get Mexican authentic Mexican street tacos I can get Ethiopian food, I can get the VIetnamese, Chinese food French food, whatever. All those things are available pretty much within my city so I’m fortunate in that way. But I think sometimes we’re so comfortable that we don’t want to leave our comfort zone so we choose not to travel and learn about other cultures and when I do travel and I meet other people and I learn about their culture whether it’s through their food, how they interact with others, how they live their lives, the news that they receive, way that they dress, the things that they like to do to pass their time. I learn a lot about another culture and then it teaches me that I’m quite small very insignificant dot on this earth and that you know I’m just part of this bigger world with so many other people equally as important special as I am. I think it helps you keep an open mind as well we get so hung up on our politics and our way of lives here in America that I think it’s important to remember that you know our way is not always the only way.

TR:
Beginning this fall, if you’re near Houston Texas make sure you check out the Blind Goat.
That’s her new restaurant or chef station at the Bravery Chef Hall,
a Food Hall currently being built.

In the meantime you can find 4 seasons worth of
her cooking show 4 Senses online at ami.ca .
Her cookbook Recipes from My Home Kitchen is available from Amazon in print and EBook Kindle edition.
And you can always visit her online at TheBlindCook.com where you’ll find links to her social media and her latest blog posts.

I’m Thomas Reid
For Gatewave Radio

CH:
I went just going for the experience not thinking I would get as far as I did.

Audio for Independent Living

TR:

Did you notice that when I mentioned I was a crock pot cooker, Christine didn’t make fun of me.
She showed no signs at all of putting me down or superiority.

I’ve experienced this in the past as if cooking in a crock pot made sense simply because I am blind. Christine showed no signs of that. She was cool!

I cook on a stove. Both before and after vision loss.

When it comes to cooking, I’m
pretty strict regarding my environment.
I obviously need to know where everything is and need things labeled properly.
I like it very organized and clutter free.
I also like being alone.
I don’t want to be watched unless I’m doing a cooking show.
I don’t want people budding in telling me where things are, or
I should check this or stir that.
My response will most likely be to let them have at it.
Call me when it’s ready!

As made clear from Christine’s story;
cooking is a learning process.
When learning anything you’re going to have some failures or setbacks.

Cooking as a metaphor actually illustrates this very easily.

Christine mentioned how when learning to cook in college, she threw away a lot of meals.
This Master Chef made things that weren’t edible during her early days.

What are you currently in the process of learning?
An instrument, a new function on the job?
Whatever it is you are going to cook up some meals that you are not going to want to serve to your friends and family.
You have to, its part of the early process.

This same advice applies to vision loss and the process of learning to adapt.

You are going to have setbacks at times but stay with it.
As long as you’re cooking you’re headed in the right direction.
Are you in the kitchen?

Here’s a recipe for a quick meal that is sure to satisfy.
It’s called Reid My Mind Radio Gumbo.
Just find Reid My Mind Radio wherever you listen to podcasts like
Apple Podcast, Google Play, Sound Cloud, Stitcher or Tune In Radio.
Then just hit the button that says “Subscribe”.
That’s it. The dish is served up every two weeks and I personally think they are scrumptious!
Perfect for any meal or snack.
You can even serve to others. I’m just sayin!

You smell that… somethings burning! I think I overcooked that metaphor.

Talk to you next time!

Audio: Reid My Mind Radio Outro

TR:
Peace!

Hide the transcript

Reid My Mind Radio: On Music & Identity with Graham Norwood

Wednesday, June 20th, 2018

Full body picture of Graham in all denim in front of a brown wooden background with a white framed door.
“It’s been a long time coming…” and we’re finally here. Back with another episode and finally bringing you a request from a listener. NYC based Musician Graham Norwood spoke with me about his music, the process of becoming a part of the disability community and more. Plus hear some samples of his music and become a fan!

Resources

Transcript

Show the transcript

TR:
Hello RMM Radio family.
I hope you all are doing well.
And I mean that with real sincerity.
I honestly miss you!
Before we get into this week’s episode I feel as though I should apologize. I’m truly committed to producing this show so when things get
reprioritized in my life I still want to make it happen.
Missing the last installment really bothered me but we’re back today with a new episode and a special one at that.
This one itself is long over do
Last year I received a request from a listener of RMM Radio asking me to interview a musician she followed on Instagram.
I know, it sounds like I am a private investigator for hire minus the fees. Actually, I think it’s pretty cool. She wanted to know more about this person and thought he would be a good fit for the podcast. She was correct and for that I send a sincere thanks.
It took some time for he and I to find some common ground in our schedules, but because it was a request, I couldn’t drop the ball on this one.
So here we go.
Audio: RMMRadio Intro
TR:
You’re listening to Graham Norwood, a New York City based musician.
He currently also serves as the Director of Foundations and
Corporate Relations for the Partnership for the Homeless a
New York City based nonprofit.
GN: I grew up a town called San Mateo which is about twenty miles south of San Francisco. I have a condition called L.C.A. Labor’s congenital amaurosis which is similar to R.P. Actually I thought I had R.P. my whole life until I had genetic testing a couple years ago and they said it was actually L.C.A.
TR:
LCA or Leber’s congenital amaurosis
has similarities to RP or retinitis pigmentosa and many
eye doctors consider it to be an early-onset form of RP.
Just like RP or retinitis pigmentosa,
LCA is a slowly progressive condition that
also has several forms, each with
different genetic causes.
As Graham experienced this all of his life it was his normal.
GN:
I honestly didn’t give it that much thought. All the schools I went to really kind of were willing to provide whatever accommodations were necessary but I don’t know I didn’t really need a ton of accommodations. Growing up my sight was a little bit better. I was able to kind of follow along okay, so wasn’t it wasn’t that big of a deal.
TR:
Music came pretty natural to Graham.
Starting with the piano around 7 or 8 years old, moving on to the guitar at 10.
He later realized he could sing and since then music was a central part of his life.
GN:
Music is kind of like a level playing field where whether you can see or not is pretty irrelevant. If you sound good then it’s not that big of a deal. I don’t think I was ever consciously aware of that but you know looking back that’s very true. I think I was able to meet and play with a lot of you know really pro level musicians and they were very accepting of me there was never any sort of like “well you’re blind you can’t do this.” That’s not always the case, I mean, there are certain professions in careers where even if you maybe do have a work around and people are still kind of suspicious and the joblessness rate in the blind and low vision community is seventy percent. It’s very hard for people with low vision to build careers for themselves and they deal with a lot of prejudice even just sort of unconscious bias they really don’t have a sense of what the technological adaptations are how people go about their lives they try to empathize and try to put themselves in someone else’s shoes. But if you don’t have the experience of being blind and figuring out the work arounds and having a good problem solving skills then you have you know your first thought is like “oh my God if I couldn’t see I couldn’t do anything.” So they don’t realize how adaptable people are and how they come up with ways to get around all that stuff and be successful in spite of the little vision
TR in conversation with GN:
Do you find that that was in all aspects of music? So do you get involved in the recording side of it as well?
GN:
You know, I honestly don’t really I’ve never really been that good with kind of recording myself. Certain programs like Reaper, an audio software program that’s pretty good and pretty accessible for low vision people, but I’ve honestly never gotten too far down that road I’ve always worked with other engineers. I really like the kind of studio atmosphere being able to focus in on the performance and having somebody else kind of worry about the engineering side of it.
TR in conversation with GN:
I am recording you through Reaper right now. (laughs)
GN:
(Laughs) Right on! Yeah it’s cool I just spent six months at Colorado Center for the blind and they showed me a little bit of how to use Reaper. And yeah it was cool. I did a little bit of recording on that it’s a pretty cool program.
TR:
The Colorado Center for the Blind is located south of Denver.
Taken from their website;
the center provides innovative teaching techniques and philosophy
that continues to have Far-reaching effects on
the lives of blind people, taking them to new heights of independence.
I was a little surprised to hear that he just returned from the center since he has experienced vision loss his entire life.
His explanation made total sense and gives a bit of insight into his character.
What sounds like the type of guy who will fix a perceived flaw.
GN:
There were certain things that I didn’t really learn when I was growing up. My domestic skills were pretty limited. I didn’t really know how to cook I didn’t really learn that much about like how to clean you know keep an apartment clean and things like that. I got to a point where I really wanted to learn those things. Colorado school teaches that stuff they also teach Braille, they teach mobility assistive technology. Some stuff I found more immediately useful than other things. I mean, I’ve had a cane training, I’m pretty mobile so the mobility stuff I felt like I had a pretty good handle on. Certainly, the home management stuff was really helpful to me and you know has made a pretty big difference.
TR in conversation with GN:
Did you have a lot of contact with other people who are visually growing up?
GN:
No I didn’t at all. That’s a good question because that was actually the thing I think that was most beneficial to me or made of the biggest impression when I did finally get the Colorado school. It was the first time really that I had been around a lot of other blind and vision people. It’s really only been in the last maybe five years maybe not even maybe four years, that I’ve kind of become much more involved and aware of that blind and low vision community and also the larger kind of people with disabilities community. When I was going up I was the only blind person I knew. I think in a lot of ways it was it was great for me in the sense of I never really thought of myself in those terms and I kind of when I would come to a situation where it would be harder for me to do something than a sighted person I would just sort of figure it out. I didn’t put any barriers or restrictions on myself in terms of what I could do. But I think what I didn’t get was it was the vision thing was something that I always kind of marginalised and I never really embraced it as a part of who I was. At the end of the day it’s a pretty big thing. It’s certainly not what defines me but it’s definitely a significant piece of that identity. And so I met some people maybe starting four or five years ago I started working as a grant writer at The National Organization on Disability and getting more and more interested in the sort of employment issues for people with disabilities. I met a few pretty cool blind people and the best advice I got actually was that you know you got to meet other cool blind people and you know see these other blind people that are doing really interesting stuff. So I found that very inspiring to start meeting other people in the community.
TR:
And that’s exactly what he did.
By volunteering with Team Sea to See.
GN:
S E A to S E E. It’s for kind of very successful business people who are also blind who are athletes and they’re taking part in this crazy bike race. Basically the world’s toughest bike race for blind people and then for sighted people riding tandems coast to coast in nine days. I’ve been helping them with fundraising we got funding from Google and the American Foundation for the Blind. Gatorades helping us out and some other pretty cool sponsors. And it’s basically to raise awareness of this godlessness issue. That’s kind of indicative of my transition over the past few years to really feeling more a part of the blind and low vision and people with disabilities community and wanting to be more involved in that. I think the biggest issue that people have, people with disabilities have, in a lot of ways is visibility and just getting out there. I don’t think people without disability see enough of that. One in six Americans has a disability I think something like one to two percent of the population this is low vision. It’s not like one in fifty people that you know are blind that’s not true for most of the population. People just don’t have a sense of how blind and low vision people or people with other disabilities can really thrive and succeed in and do amazing stuff. I’m much more aware of this idea now and I’m wanting to get the word out and just wanting to live my life in public as a low vision person so that other people can kind of be aware of you know the fact that they we’re out there and we’re doing awesome stuff and people can just sort of revise what they think is possible for people with disabilities.
TR in conversation with GN:
Was there any one thing that made you go that way? Was there something that occurred in your own experience?
GN:
I don’t think strictly so. I had a long term relationship and I think on a very practical level I went from living with this person for eight years to suddenly living on my own again for the first time in a long time. And I think you know on a very practical level that was a wake up call in terms of like the things that I took for granted that this woman helped me out with suddenly I had to do myself. Honestly, it was just maturing a little bit and realizing that I had been marginalizing this big component of my identity because I was so I was so paranoid of the idea that someone would just label me as like “oh the blind guy” you know and I never wanted to be that I wanted people to think of me more broadly and see the whole person as opposed to just the disability. That was something that I intuitively felt even from a very young age and so I just never wanted to make a big deal out of it and never want to be engaged with it and as I got a little bit older I think I realised that, I understood why I did it and I see you know the motivation behind feeling that way but ultimately I thought “this is kind of silly.” I need to own this more and be proud of who I am and you know not ignore this one thing but really embrace it and turn it into a positive. In addition to starting to work for the National Organization of Disability I went to National Federation of the blind, a national convention in Florida one year. I don’t know if you’ve ever been it was like completely overwhelming to me it was like twenty five hundred blind people in a convention center just like absolute chaos you know people like crashing into each other and just like (laughs). It was it was so overwhelming when I first got there. But then it really struck me because it was basically just a bunch of people who were like “you know what screw it like I this is who I am and this is this is how I get around and this is the way I live my life.” I hope this doesn’t come across the wrong way but one of the takeaways for me was you know blindness isn’t always elegant, right? Like you use a cane to feel what’s in front of you and you know sometimes you whack a trash can and it’s like super loud. But that’s what the cane supposed to do and that’s how you get around and it may not be the most aesthetically beautiful way but it’s how we operate. I think I also felt like maybe I had been I had been trying to minimize those kinds of situations but I was going to such great lengths to not have those situations that I wasn’t authentically being myself and you know being just a person with a visual impairment who is out in the world and being independent and so that was my other, I think, turning point was seeing so many other blind people just living their lives and doing their thing and and being proud of it and not ashamed of it. So that was another thing that happened around the time that I started working for a National Organization of Disability that just made me realize you know this is how it is and there’s nothing to be ashamed of there’s nothing to avoid. I came away thinking this is a really beautiful thing that I haven’t been authentic and I haven’t been embracing and I want to start being more more real about being a person with a visual impairment. I don’t think there was any real like turning point that brought me to that it was it was a slow process and I really kind of started by like dipping my toe in the water and starting to reach out individually do a couple in the vision people and then it built from there. Then you know I had these these moments where I was like oh I get this now and I want to be more apart of this.
TR in conversation with GN:
I know I met so many people with low vision who straddle that line. And I’m not saying that they need to make a decision and go one way but it sounds like what you chose was the best for you to continue on and be your authentic self and sometimes I don’t think that people necessarily make that their choice I don’t think they’re being really authentic. And you know I’m trying not to judge necessarily but I’m also just saying like I see them that they’re not doing everything that they can and they’re hoping they holding on are grasping on to something. Do you understand what I’m saying?
GN: Oh absolutely and it’s hard because especially you know like I said I was born and grew up with this. And I think it’s probably really hard if somebody has you know normal or relatively normal vision and then they have to navigate that transition. Because you know let’s face it there’s a lot of stigmatization out there and you don’t necessarily want to suddenly identify as being a, well I avoid the term disabled person I was always say person with a disability because like smoke alarms get disabled and people are still people whether they have a disability or not. But yeah I mean you know I think I’ll always probably straddle that line. But the important thing for me was was the realization that I could exist on both sides of it and I didn’t have to make a choice and when I want to I’m fully qualified to be part of the blind and low vision community and there’s nothing wrong with that and people except me there and I didn’t know if they would it and then I realize that they totally do. And if I want to just hang out with all of my sighted friends and I don’t want to talk about or think about blindness I can do that too. For the longest time I felt like I didn’t belong in either world and then eventually I realized that I belonged in both.
TR:
It’s pretty obvious that raising awareness of blindness and disability issues is a high priority for Graham. I can respect that.
Learning to self-identify as a person with a disability is a process.
It begins with real self-examination and truthfulness.
Based on those I have spoken to who have gone through the process, it appears it leads to a greater level of comfort in one’s own skin.
In a way, Graham’s relationship with music is mirroring his life.
He traditionally played a more supportive role as a musician.
Playing in bands and producing records for others.
He’s currently working on his own album and he hopes will
get picked up by a label and released later this year.
You can learn more about his upcoming album, show dates and more.
GN:
My website is just my name Graham Norwood Music dot com (spells out grahamnorwood.com ). Custom tracks up on there I put my upcoming gigs on there know we will be putting up some announcements about the album when it comes out later this year people can email me through that and that’s that’s probably the best way.
TR:
Producing this episode probably began sometime last summer. It took some time to actually reach Graham, then scheduling problems, then my back issues and more recently my other commitments.
With certain people I interview, I can’t help but think how effective it would be to have the opportunity to really hang out with the person and observe them in their environment.
I suspect I would have seen relationships between his day job,
his self-discovery and acceptance of his identity as a person with vision loss and his music of course.
I couldn’t help but hear some of my own story in Graham’s.
I always mention the impact attending the state conference of the Pennsylvania Council of the Blind had on my life.
While it wasn’t as large as the national conferences and conventions it was impactful.
Meeting the cool blind people who were living productive lives.
Observing their level of comfort in their own skin made me know it was possible that I too could attain that.
I’m reminded of hearing about these cool blind people from
prior guests on Reid My Mind Radio including Josh Miele, Chancey Fleet and more.
I know Using my white cane to navigate effectively may not look very smooth at times.
Occasionally, I might mess up but that’s ok. I get better. Most importantly I’m better at accepting when I get a bit thrown off.
Like I did with this podcast.
Just to let you know I have some episodes coming up in the next few weeks so please stay tuned.
Remember, 2BlindMics; the number 2 capital B, lind capital M, ics.
This is the show I co-host with my podcast partner Doctor Dre. It’s right down the block on your local podcast app. Give it a listen and feel free to let me know what you think good or bad. I’m interested in hearing from the RMMRadio listeners. We have a lot of interviews with some of the rap artists and others involved in the Yo MTV Raps experience.
I really do appreciate feedback. it’s the only real way to improve…
Even if it’s something I disagree with, I can decide to not do anything about it but at least I was informed.
Sort of like Graham making the decision to go to the Colorado center to improve his own skills. You have to respect that. We’re supposed to fix our flaws and become the best person we can be.
You can do the same by subscribing to this podcast – Reid My Mind Radio – remember that’s R E I D.
It’s available just about wherever you get podcasts plus Sound Cloud, Stitcher and Tune In Radio.
And I plan to talk to you soon!
Peace!
Audio: Graham:
Whether you can see or not is pretty irrelevant, if you sound good it’s not that big of a deal.

Hide the transcript

Reid My Mind Radio: On Black Panther Audio Description – Race, Selection & Time

Wednesday, May 2nd, 2018

More on Black Panther? Well, yes, sort of! It’s really a good movie that raises some issues about Audio Description that need to be a part of AD conversations. In fact, these issues go further and touch on so called race and disability. I thought I’d begin here… Plus some suggestions as to how we can enhance the Audio Description improving the movie experience for Blind movie goers.

Subscribe to the podcast via Apple, Google Play, Sound Cloud, Stitcher, Tune In Radio

Transcript

Show the transcript

TR:

What’s up RMMFamily!

It’s been a while since I felt the need to share some thoughts on my mind.

So here I go!

What you’re hearing is a scene from this year’s record breaking super hero movie from Marvel Studios, Black Panther.

I enjoy a super hero movie like everyone else , I’m just not one to get all fan boy about it before actually seeing the movie. I do enjoy the build up to the premier and the anticipation from those more passionate about the character and genre.

Black panther was a little different for me. It was pretty difficult to open my Twitter app and not read something about the movie. Whether television, radio or podcasts and all other media, Black Panther was a trending topic.

We planned to see the movie as a family either during the first week or soon thereafter. Unfortunately, my back problems forced us to alter our
plans.

Audio: “Doctor Says I need a backiotomy!” Dave Chappelle, “Half Baked”

Over the past few years, as Audio Description has increasingly been included in major movie releases (at least most that I’ve been interested in seeing) I find myself assuming that movies will be accessible for me.

Rather than questioning if it’s going to be included, Marvel’s Black Panther led me to be more concerned with the quality of the Audio Description or AD. To some extent we can probably consider that progress. However, improving the quality is a major part of moving to an experience closer to that of a sighted movie viewer.

My issues with Black Panther’s Audio Description begin with their choice of narrator and those scenes and elements included in the description. I propose we should think about description outside of the limitations set forward by movie’s start and end time.

The AD included in Black Panther was in my opinion lacking from the beginning.

One of the reasons I was excited to see this movie is because of the predominantly Black cast. The movie mostly takes place in the fictional African nation of Wakonda. This relatively small nation appearing to the outside world to be underdeveloped was actually the most technically advanced nation on the planet. Home to vibranium which absorbs sound waves and other vibrations, including kinetic energy making it the strongest metal.

Now, yes, this is a fictional movie, but for African Americans it represented the chance to see characters that display the people and culture in a positive light on screen. Finally getting a break from the roles of thugs, domestic, the white persons best friend who’s only existence appears to be to aid the friend and the sassy Black woman. And when it comes to movies taking place in the future – we’re more than often just written out completely.

Hollywood just has a problem with representation in general outside of your able bodied white male.

For many Black Panther lived up to the hype and fulfilled the void of not seeing positive representations of people of African descent. The vibe of this movie was unapologetically Black.

For those of us watching with Audio Description, well the vibe wasn’t the same. Trying to remain in the dream nation of Wakanda was impossible when we’re being shaken awake by the narrator who by all accounts was a British White man.

Does this mean, white people shouldn’t be allowed to narrate movies with predominantly Black casts? It’s really probably more like the reverse, should narrators of color be able to narrate stories outside of their culture. Of course.

However, when the movie is so deeply associated with a culture – I think it makes sense to extend that to the audio description.

Concise and informative description is even more imperative in fictional movies such as Black Panther. Often, the technology, architecture and possibly fashion is unique to the fictional location.

So much of these things were left out of the movie, forcing blind viewers to ask for input from others. For example, the description of the city itself being described something like a mix between modern and ancient… My view of ancient or modern may be different from another person’s. It seems too subjective.
In fact, someone who has never seen modern may not get much imagery at all from that statement.

There were several other things that I learned of only from having conversations with friends and family following the movie. Some of these things I thought really helped tell the story of the people and culture of Wakanda hence the story of Black Panther.

Now maybe this seems weird to you, but I was annoyed that a decision was made to not read the credits. This is especially relevant in a Marvel movie. Those familiar with these movies know not to leave until the credits are done because Marvel includes a scene or two that’s relevant to the telling of the next story in the series – somewhat of a preview or sneak peek. I personally enjoy hearing the names of the actors in the cast and sometimes enjoy hearing the many names of those involved in the production. Without this access I’m forced to ask who ever I’m with to read or look for a certain cast member. That usually feels like too much to ask someone.

— Close —

Looking at movie making as a process you can sort of neatly put things into categories or phases.

This includes everything from the idea to the creation including pre production to post production. Writing, casting, filming, editing and distribution.

Right now the Audio Description as far as I can tell takes place right before that last distribution phase.

Movie studios contract with companies specializing in Audio Description. Many of these companies also specialize in closed captioning as well and possibly language translations.

When we talk about access to technology; software, hardware, apps & websites the goal is access from the design phase. Shouldn’t we want the same from Audio Description?

Movies, televisions programs, documentaries, theater plays..any visual medium are really works of art. Someone has a vision. With movies and television , it’s the Director who is in charge of what the consumer sees. He/She is setting up and or approving camera placement, lighting and everything involved with the final images. They’re telling the story. That’s what the consumer sees.

Audio Description being written by a third party is now including a new vision. One that to my knowledge doesn’t include any real consultation with the Director.

There are certain scenes that are designed and purposely shot in a specific way to evoke an emotion, convey some sort of meaning.

With the limitations currently in place in creating an Audio description track for a movie, most notably making use of the silent time in between the dialog, things are going to get left out. The choices made by the AD production companies may not be the same as those of the Director.

Are we really limited to just the hour and a half or two hours from the movie’s start to end?

I’ve attended live plays which begin the description early.

Blind users were invited to the theater 45 minutes to an hour earlier than the general audience. This gave us time in some instances to explore the stage and set, costumers and even become familiar with the voices of the different actors.

Currently, Audio Description doesn’t begin until the movie starts. It seems like a track could be created and either streamed prior to the movie and even be made available for listening before arriving to the theater. In the case of Black Panther a more comprehensive description of the country could have been written including their technology and more without spoiling the movie.

It could also help to have some audio streaming through the device to assure its working before the movie begins. All too often when going to a movie with my wife, as the movie began I would realize there was no description coming through the headphones. My wife would run out of the theater to find a manager in order to get it fixed.

Going back to my comparison with access to technology, from an advocacy perspective many of us have written directly to developers of software, websites and apps. At the very least, these individuals become informed about the need for access. I often wonder if director’s, screen writers, producers and others in the early Pre production phase are aware of Audio Description.

In 2016 I had the opportunity to speak with Peter Middleton, one of the directors of a film featured on Reid My Mind Radio; Notes on Blindness. The film which is sort of a documentary with reenactments of actual events lip synced to the recordings of real audio captured by Theologian, John Hull using a cassette recorder. Mr. Hull kept very detailed recordings of his experience and thoughts as his vision faded beginning in 1983

There were multiple versions of the film released including one with Audio Description and the other with what they referred to as enhanced audio. This was an experiment of sorts that used additional dialog and more audio as queues to help viewers who are blind have a more inclusive experience of the film without the need for Audio Description or negatively impacting the experience for sighted viewers.

Creative people when facing a challenge step up and figure out ways to best communicate their vision.

From everything I’ve read and watched online about Ryan Coogler, the Director of Black Panther, I think he would have been the best person to write or at least lead the process of creating AD for the movie. He was involved in every aspect of this movie from choosing an African dialect from the South African region to use as the language spoken in the fictional country of Wakanda to the look and feel of their technical innovations.

Should consumers of AD be pushing for a change in where the description takes place in the movie life-cycle?

Should AD companies be teaming up with writers in an earlier phase along the production timeline?

Should movie writers strive to include more descriptive dialog that enables a blind movie goer to independently enjoy the movie?

Could directors and others like sound designers take blind movie goers into consideration and use a combination of all their tools to better improve the movie experience?

Could consumers have more control of their AD by using apps like Actiview (also profiled on Reid My Mind Radio) – helping to eliminate the problems of uninformed theater workers who are now responsible for making sure they give out and properly configure the right device.

I’m hoping those in the Audio Description field in combination with blind consumers, are thinking about these things that I believe will greatly improve the Audio Description experience.

I’m very appreciative of the improvements made to enable access across all media. I was a pretty big movie watcher before losing my sight and I really enjoy continuing this as part of my life. It helps maintain relationships, start new ones through conversations around a shared experience and if it’s a good movie, it allows for new thoughts or even escape and just good entertainment. And there’s nothing wrong with that.

On the subject of thought provoking content or entertainment, you should subscribe to this podcast hopefully for at least one of those things.

It’s easy to do using any podcast app. We’re on Apple Podcast, Google Play, Sound Cloud, Stitcher, Tune In Radio and you can always head over to ReidMyMind.com that’s R E I D, where you can listen, read the transcript and access episode resources.

I’m T.Reid and I thank you for listening!

Peace!

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Reid My Mind Radio: Chancey Fleet Assisting with More than Technology

Wednesday, April 4th, 2018

Returning from a medical leave (see the last episode and post for an update) we resume where we last left off…

We were looking at employment of people with disabilities. Continuing with the theme, today’s episode explores one person’s experience with lessons that are applicable to everyone not only people with disabilities.

Chancey Fleet is the Assistive Technology Coordinator for the Andrew Heiskel Talking Book Library in New York City. We hear all about how she landed that position and how she continues to expand her role while aiding the community.

When you’re done listening make sure you subscribe to the podcast and tell a friend to do the same!

Resources

Transcript

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TR:

Today, I’m further exploring the topic of employment of people with disabilities through the experience of one young ladies career. We find out how she made her way into her current position and how she continues to expand it and grow benefiting not only herself and her employer, but the community which she serves.

As usual, I believe there are lessons that go beyond disability, but that’s really up to you the listener to decide.

Before we get into it, you know what I need to do…

[Scratch]
Drop it!
[Reid My mind Radio Theme Music]

TR:
[City Sounds]

If you walk across 20th street In New York City, between 5th and 6th Ave tucked in among the various commercial buildings is a library

TR in conversation with CF:
Andrew Haskell? Heiskel?

CF:
Andrew Haskell.
So here’s the thing . The technically correct pronunciation is Andrew Heiskel, but when you say it correctly you suddenly have a ton of people looking for the high school.

TR in conversation with CF:
[Laughs…]

CF:
So there’s just this wave of convenient wrongness where we all kind of say Andrew Haskell now, but you can avoid all of that by just remembering our web address which is talkingbooks.nypl.org, nice and easy.

We’re kind of two libraries in one. We are a full brand of the NYPL which means this is a place where all types of members of the community come to pick up their holds pick up their books and DVD’s. Use the Wi-Fi get some studying done take advantage of our computer labs and gather together.

We got story time for kids, we got programs for teens and adults. Opera concerts creative writing you name it.

The one things that you won’t find in this building that you find in most public libraries is a whole lot of print because as well as being part of the NYPL, we are a sub-regional location for the National Library Service for the Blind and Physically Handicapped. And what that means is that we’re also an operations that sends out tons of Braille and audio books by mail and folks could come in and pick those up as well.

TR:
Meet Chancey Fleet. She’s the Assistive Technology Coordinator at that library.

Chancey says to her knowledge she is the first Assistive Technology Coordinator for the library.

While working as an Assistive Technology Trainer in a Vocational Rehabilitation Agency she became frustrated when she was unable to assist those who weren’t eligible for services.
CF:
sometimes the consumer would have a question about Twitter or Facebook or taking pictures outside and I would be dying to answer it but I would know that that was just outside of my scope of work. and it would need to just stay that way. And at the same time folks would come up to me knowing me from activism from outside of the place where I worked and they’d need help with computers and technology and if they were undocumented or they were homemakers or retired or happily employed or had vision issues or print issues that didn’t add up to legal blindness they wouldn’t be eligible to come see me. And all of that started to feel a little limiting and a little frustrating and I guess I started to think about why we have the structures that we have. And I think the structures that we have are great a lot of the time and I would never want to see them replaced but sometimes we need more than one way to do things.

TR:
In 2010 Chancey found that other way at the library. She approached the leadership at the Andrew Heiskel library and asked if she and some friends could offer a free computer clinic on Saturdays. And by free she meant F R E E, free…

CF:
Free one on one instruction. Free of eligibility, requirements, free of paperwork and free of charge at the library.

And we started out with just three or four volunteers. I was one of them,
my friend Nihal my friend Walei and lots of other folks joined us over the years.

we got the information into the library newsletter and quietly , slowly it started to take off.

What we do is totally peer supported, informal learning. So we’ll never replace comprehensive training right. Just like you wouldn’t go to the library to take a Chemistry class, but you might come to the library to get help on some specific Chemistry problem or finding a study group or finding the right resources. We do kind of the same thing.

TR:
The assistance includes some real world challenges related to vision loss.

CF:

I think one of the scariest or daunting things about losing your vision or about being blind without access to information is people are telling you things that might be good for you or not all the time and if you have a way to write things down and if you don’t have a way to refer back to things and decide on your schedule when you can sit down and figure out what’s important for you, it can be really overwhelming.

We’re here at the library so we have the digital talking book machines that are totally free of charge and we have flash drives and if nothing else,

if someone is super new to technology and they don’t have a way to write in Braille or write in print we can just record what we do here on a flash drive and they can play it back on the free players at any time. And that’s how we can scaffold them until they can get to that point where they can use their personal technology to take notes.

TR:
What started out in 2010 as a volunteer position offering 3 hours a week grew to the library providing about 150 hours of training a month in 2014.

That volunteer position, became a full time paid position that Chancey was perfectly suited to fill.

CF:
A job posting showed up at the end of 2013 and I was happy to see it. My Saturday’s at the library had become the highlight of my week and I saw an increasing number of volunteers and patrons coming to learn gathering at the library and really getting important work done in kind of a low key informal setting.

And sometimes the conversation would stray outside the boundaries of technology. and I’d walk in and somebody would be talking about how it is they sort their mail or sort their laundry or what it was like to take the subway for the first time instead of taking Access-A-Ride. And that peer to peer informal learning that might be about technology but touches all sorts of threads of importance in our lives. I thought that was really special and I wanted to see that continue to grow

TR:

It grew into more programming for the city’s blind and visually impaired community. In addition to providing individual help with Braille the, library offers some cool progressive programming. Like a class in photography and videography.
taught by Judy Dixon, Consumer Relations Officer of the NLS.

CF:

So folks learn about composing photos and videos . We learned about perspective and glare and how lighting conditions and distance affects things. And Judy shared with us a bunch of her favorite apps and strategies. We’ve done all sorts of social networking workshops. We’ve done an introduction to coding and electronics with Arduino.

TR:
We covered the Blind Arduino Project and its founder Josh Miele on a past episode which you should really check out.

CF:

So Arduinos are really small portable affordable computers that run essentially one program at a time and you can design your own super accessible tool.

because the components are so affordable and portable and because it’s so widely popular in kind of the mainstream community of makers and enthusiasts there’s a lot of great advice and code samples , kind of like recipes if you will that are out there so that even if you’re a total novice you can find all kinds of online instructions and code to work from and you can find components to do whatever you
may need.

TR:
Chancey and the library teamed up with DIY Ability a midtown Manhattan company offering workshops geared to serving people with disabilities, like
toy hacking workshops that help families retrofit or hack toys to become more accessible for people that have fine motor impairments
workshops teaching people with all different types of disabilities how to code and use electronics.

CF:
So our introductory Arduino workshops we call them “eyes free” or non visual Arduino workshops are a place to learn about the very basics of working with Arduino and working with code in a place where non visual techniques are well respected and well understood.

So it’s a safe space for starting out. It’s a community space for gathering and exchanging ideas and we hope it gives folks a foundation they can build on.

We’ve done that with both youth and adults. And we’re launching now into a program that teaches folks how to come in and use the tactile graphics embosser and tactile graphics design software as well as a 3D printer to create non visual spatial representations of the graphics and objects they need to understand. Things in their work school and leisure lives.

TR:
Chancey’s interest in the accessibility of graphical or visual information began with a request from a library patron.

CF:
Somebody called me and asked me where they could possibly get a map
that related the 5 boroughs of New York City to one another and their water ways. He just moved to New York City and he wanted to get the lay of the land sort of speak.

TR:
For a sighted person, this is an easy task, just launch Google maps or find an old fashioned printed map.
It’s much more challenging to access this information non visually.

Receiving grant funds, the library was able to purchase the necessary equipment. With this the Dimensions Project was off and running.

CF:

our premise is that we will teach community members sighted and Blind alike about some of the fundamental best practices around creating tactile images that are meaningful useful and legible. And then we’ll provide the equipment the space and mentorship that people need to create the images and the 3D objects that they’d like to experience.

TR:

The Dimension Project includes three workshops. Two specifically focusing on working with the equipment and the other on best practices for effective tactile graphics.

CF:

Tactile Tactics, taught by Annie Lease from the Department of Cultural Affairs.

Annie is an artist with low vision who also has a ton of museum education experience and she is no stranger to crafting meaningful and well-rounded tactile experiences for people.

she goes over the basics. For one thing if you’re creating a tactile graphic the first thing that you think about is purpose. Why does the person want it? What information are they hoping to have? So what needs to be on that map?

Annie also talks about scale. She talks about using labeling effectively and kind of introducing people to the graphic once it’s been created – creating the context for it.

It’s been exciting . I kind of designed and got funding for this project and started rolling out the workshops wondering if the community would really respond because at first I would tell library patrons coming in for computer instruction about it and I’d ask them if they would like to be able to make their own images and pictures and maps and they would throw it back at me and say for what? I would throw it back at them and say well what do sighted people use images for? What do sighted people care about? And they would kind of wrap their brains and come up with things.

TR:
One of the most challenging parts of this project is convincing people who didn’t grow up in image rich environments that tactile graphics have something to offer.

Real world examples can prove helpful.

CF:
One of our volunteers has a small business and he had to design a logo for his business. He had certain kind of Values or parameters that he gave to a sighted designer to have his logo designed. And first thing that he wanted to do when he came in and used the tactile graphic software was to find out what his logo actually looked like.

He had hoped that the letters would relate to each other in a certain way and it would kind of imply motion. So that was something that he was already really ready to connect to. I think part of what made that successful is that it was a tactile graphic that was expected.

I think street maps and floor maps are another place where we can start with something that’s familiar. So I think using something that someone already knows both for context and motivation is a powerful thing.

TR:

Available maps include;
* Tactile street maps
* Floor maps of the Heiskel branch – enabling customers to locate computer labs, training and community rooms and more.

* a prototype map of the five boroughs as requested so many years ago.

CF:
I was so happy that we got our first real live request in the fall to reproduce a floor map for the NFB of New York state convention.

We enlisted a sighted volunteer who has graphic design but next to no tactile graphic experience. And we paired her up with a few blind volunteers who don’t have graphic design experience but who have lots of experience with Braille and tactile graphics.

TR:

The collaboration worked well. Chancey and the other volunteers provided valuable input and feedback making the end result a usable map that was distributed to about 30 people.

CF:

I think we are on the edge of a new golden age in tactile literacy. In the same way that two hundred years ago we were on the edge of something spectacular in terms of textual literacy.

Now although we still have trouble convincing folks that Braille’s important and sometimes affording the Brail technology that we need broadly we have better access to texts than ever before thanks to electronic conversion into Braille and even text to speech and we are in a better place with regard to textual literacy than we’ve ever been.

TR:

Chancey speaks of a benefit she has seen in her own life after beginning to think more spatially.

CF:

I’m a person that never took chemistry or physics or calculus and a person that never really engaged to actively with the arts or coding.

And it’s only now that I’m working in the community of support such awesome collaborators across the city and across the country that I feel free to explore

TR:

Creative exploration like origami. And Chancey is now bringing this paper art form to the Talking Book library patrons.

CF:

Origami is paper craft.

origami is using a single sheet of paper or maybe even building lots of different
modules together and using different folds and most to create.

Most of the Origami instructions say hey check out figure E or it’s a totally silent You Tube video that just shows somebody’s hands. And so our Origami club that we’re launching in collaboration with the Origami Therapy Association here in New York here is a chance for Blind folks and say to folks to get together and use really clear descriptive language to explain step by step what you need to do to get to a certain origami model. If you check out YouDescribe.org and search for origami you actually
see some students from San Francisco State Universities TVI Preparation program have put up quite a few Origami instructional videos that are accessible, they all have a descriptive track. So we’re lucky to have them as collaborators as well as a few blind folks around the country help us learn new models and get them into clear descriptive language.

TR:

In a sense, Chancey began preparing for her role at the library at an early age back in Mechanicsville Virginia.

CF:
I went to a mainstream school in the 80’s and my folks always made sure that I had basically equal access to information and one of the most important ways they did that is by pushing for the school system to incorporate technology into my life from an early age. I remember having a Toshiba laptop in the first grade.

I could play text adventure games and I could get my word processing done. And one of the most powerful things that I still remember is that people could write notes to me and I could read over them and I could write out my assignments and send them to a printer which meant that I could get feedback from my teacher without having to wait for the vision teacher to come around and transcribe things.

So I learned really early on that having technology at my fingertips, mainstream technology that everybody could use together was going to be a key that would let me interact directly and not wait on a third party to grant me the access that I need.

TR:
While attending William and Mary College Chancey had the opportunity to work as a peer Access Technology Trainer. Providing one on one training to other Blind and visually impaired individuals.

After graduating with degrees in Sociology and Psychology she felt more connected to Access Technology. A member of the National Federation of the Blind ever since receiving a student scholarship, Chancey began beta testing the first KNFB Reader – an early device to portably scan text to speech.

CF:
Little did I know that one of the times I was at a conference demonstrating , there was a recruiter in the audience from a place called Integration Technologies and the next thing I knew I was flying around the country training Federal employees with disabilities on how to use their tech and that’s kind of how I got my start.

It was fun to fly from office to office and see how lots of different types of people worked. I got to work with transcriptionists, IRS agents, judges, veterans and all kinds of people and it was a great first post college job.

TR:
technology isn’t just a 9 to 5 thing with Chancey.
She says it permeates her life.
Using apps to help her improve her ability to understand and speak Spanish, accessible ways of finding and cooking new recipes,
using GPS apps for travel
these are just examples of technology in her daily life.

She also thinks about the social implications of technology. Like Aira, the glasses and app that are connected to a live attendant who can serve as a blind users virtual eyes. Describing and assisting in navigation at any time. The service begins at about 90 dollars per month.

CF:

Aira is a premium product and it lets us get around a lot of accessibility problems and perhaps giving an accessibility workaround to the folks that are privileged enough to be able to pay for Aira, might not always be a good thing because if I have had my accessibility problem solved by Aira will I take the time to do the boring paper work and the advocacy follow up that’s required to make the bigger accessibility problem that I encounter go away or will I just hitch a ride with Aira and forget about it? I hope I won’t. I hope we can all have a conversation about how we can incorporate these tools into our
lives in a way that doesn’t keep us from being a good community advocates for accessibility that is for everyone.

##
Clearly, Chancey sees the bigger picture when it comes to the purpose of technology. It’s not what the tech does that makes it cool, it’s about how it can impact a person’s life.

CF:
One of my favorite stories is about a young lady that came from Syria and
when she first came to us she came because she wanted to learn to type. She didn’t really have much of a Goal beyond that. In addition to being blind and being newly new to technology she also has a speech impairment. She has a lot of trouble communicating especially with people with people that she doesn’t know or who don’t really slow down to listen to her.
So first she came in very quietly barely said anything and booked lots of time with talking typing teacher. When she finished with that she started to learn to use the Internet. She got a computer from Computers for the Blind, the refurbished computers out of Texas, and slowly she started to talk to us more because she had more specific questions about how to do different things on the internet and her personality started to emerge.

one of the first things that she wanted to do online was go on You Tube and look for makeup tutorials and we did.

Then she got an I Phone And with that I Phone we recommended that she get a Bluetooth keyboard. Fortunately she was able to afford to do that.

I’ll always remember the first big milestone with her. She. Typed out to me in one day hey could I take this keyboard in and type out what I want my doctor to know before I meet with my doctor? And I just like wanted
to do a fist bump like yes that’s exactly what this technology is for. She figured out for herself how it was going to help her. How it was going to empower her.

## That young lady not only continued learning Braille, but she began providing support for others new to technology and is now continuing her education in preparation for entering the workforce.

Looking back on Chancey’s career path a few notable milestones stand out.
There’s the technology experience and that early opportunity to travel and meet a wide array of people with vision loss that seemed to prepare her for her later work. Including serving as one of the first Holman Prize judges.

Chancey says her involvement with the National Federation of the Blind was also instrumental.

I first joined the National Federation of the Blind in two thousand and one and I came in the way that a lot of people do which is that they got me with
a scholarship.

So I came to a convention for a scholarship and I stayed for the philosophy.

it was Carla McCuillan that gave the first banquet speech. She is a pretty distinguished educator – I think she runs a
Montessori school. I remember the energy and I remember her addressing
the low expectations that the public often has for us and you know immediately I connected with that message that that that’s not a normal thing that we can do better for ourselves.

I think the National Federation of the blind is. Pretty unique in the amount of investment and trust that it puts in its ordinary members who become volunteers.

It is one of the greatest ways that I have
found to get work experience while I was waiting for actual work to come along beginning when I was in college.

TR:
It was an earlier volunteer experience working the phones at a women’s crisis shelter that helped Chancey realize a career in Psychology wasn’t for her.

That discovery Chancey says was just another benefit of volunteering.

CF:
It’s a way to develop skills and self-confidence meet people in the community give back but it’s also frankly
sometimes a way to find a job.

TR:

Like I said, lessons in Chancey’s experience once again go beyond disability

If you live in New York City or find yourself visiting head on down to the library and check out all they have to offer.

For more information on services and upcoming workshops visit Talking Books.NYPL.ORG

To reach out to Chancey directly you can find her at @ChanceyFleet on Twitter.

Remember to subscribe to the podcast; Apple Podcast, Google Play Stitcher, Tune In Radio and Sound Cloud.
Tell a friend!

CF:
… and quietly , slowly it started to take off.

[RMMRadio Theme Outro]

TR:
Peace!

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