Archive for the ‘Advocacy’ Category

Reid My Mind Radio – Who is Joe Capers

Wednesday, February 15th, 2017
A picture of Joe Capers, an African American man seated on a couch staring into the camera with sunglasses!

Joe Capers

En Vogue, Tony Tony Tone and more musical artists from Oakland could help answer this question. In this  episode we meet two gentlemen creating a documentary that will help others do the same.

The second part of today’s podcast explores Hip Hop from two angles you may have not known existed.
* Krip Hop Nation, an international network for artists with disabilities.
* Hip Learning,  using the rap element of Hip Hop to help children learn science and more!

So stop what you’re doing
Prepare to hear the words they say
The only way to do it…
Press on the button that says Play!

… Oh snap, #Bars son!


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Resources

  1. Alternative Minds
  2. Krip Hop Nation
  3. The Best of Krip-Hop Nation on CD Baby

4. Hip Learning

Transcript

Show the transcript

TR:
What’s good family!
Happy Black History Month to everyone…
even if you don’t feel that’s something you celebrate or even really acknowledge.
The simple truth, if you are on this planet,
chances are great that you have been impacted by African American people. There’s so much from the world of invention, science and culture. An unfortunately, that’s not discussed during the other 11 months of the year.

Today’s episode includes a recent piece for Gatewave Radio that shows how sometimes people are like pieces in a puzzle. If one piece is missing, that full puzzle can never be complete.

Following the Gatewave piece you will hear more from two brothers who in their own way are expanding Black history. And ,  making sure we know, that includes people with disabilities.

Are You ready?
[Audio: “I know you’re gonna dig this!”]
[RMMRadio Intro]

[Audio Mix: “En Vogue, Tony Tony Tone, Digital Underground and MC Hammer!]
TR:
Today, the question, Who is Joe Capers?

In the 1980’s and 90’s  artist’s like , En Vogue,
Tony Tony Tony,
Digital Underground,
MC Hammer
all had a few things in common.
They all were based in Oakland,
each made their way to the top of the charts
and Joe Capers.

In order to find out who is Joe Capers,
I spoke with two gentlemen from California’s Bay Area.
First up, Leroy Moore, originally from the east coast, raised in Connecticut and New York City.

LM:
I’m an activist, journalist and author. I also started what’s called Krip-Hop Nation with a K. It’s an international network of musicians with disabilities. My disability is Cerebral Palsy. I had it since birth.

I found out about Joe Capers when I was doing radio. KpFA out here  in Berkley. They had a radio show about people with disabilities. Joe Capers was blind African American man here in Oakland in the 70’s, 80’s and 90’s. He had one of the first accessible home studios at that time.
TR:
That’s a full recording studio in the basement of his home. All sorts of Oakland artists from MC Hammer to En Vogue and others you may have never heard of recorded at Joe’s studio

Leroy learned of another person who could help further answer the question… who is joe capers?

Naru:
I got a call from Leroy one day, he said “Naru you knew Joe Capers?” I was like yeah Joe?

TR:
Meet Naru Kwina , an Oakland California  based artist and teacher. .

Naru:
Joe was just the coolest guy with the biggest smile.
Joe played the base, the drums the keyboards so he was a master musician.

TR in conversation with Naru:
Was Joe doing more of the production? Was he just kind of the studio owner? What was he actually doing?
***

Naru:
Listen brother! His studio was called “J-Jams Studio: Joe did everything.  He had his mix board in Braille. He recorded, he engineered he mixed, he produced. He did everything that you could every possibly do in the studio. And he had the greatest ear I have ever been around and I’ve  been doing music over 40 years of my life. If you had one note or one little thing off he knew and he would call you on it. You know because he was blind you thought you’d  get away with stuff.

TR:
Joe was a professional and  demanded that those  in his studio acted the same. Naru, who is also a rapper, and went by the name Quick back then, recalls the time when Joe instructed him to memorize his lyrics and not use written notes in the recording booth.

Naru:
I’m in the booth one day and I had my little paper… like nah he ain’t gonna know… [laughs] he was like bruh, I could hear the paper rattling in the booth. And he sent me home. He sent me home and told me not to come back until I knew my lyrics.

So he was really dedicated to the music and that dedication is still with me and when I started having my own studio and production I always said nope don’t come in here with no paper, learn your lyrics.
[Laughs] So I got that from Joe!

TR:
Learning more about Joe, Leroy was surprised others didn’t know him.

LM:
Oh my god, this man needs to be recognized in Oakland because he really changed the Oakland sound of Hip-Hop and Soul.

TR:
During that conversation between Naru and Leroy the idea was sparked.

Naru:
When I said you know somebody outta do a film about Joe, he [Leroy] said why don’t you do it. I said man, I’m not a film maker man… he said but  yeah you know people. Reluctantly, I took that upon myself.

TR:
there’s lots involved in the process.

Naru:
I just contacted people who had cameras, mics and I had to contact all the artists. I literally probably have  6 or 7 hours of interviews. Everybody from MC Hammer, Digital Underground, Dwayne Wiggins from Tony tony Tone and other people who just knew Joe on a personal level or recorded with Joe… who were closer with Joe. Some of the more interesting interviews are from people you would never heard about who Joe touched in a particular  way. I could just say that he’s still here with us because all the people he touched and how many people still  think about Joe.

TR:
What began as a 15 minute documentary about the career of Joe Capers has morphed into much more. Running his own studio known as J-Jams wasn’t solely a business venture. This was back in the error when recording music professionally required significant investment.
Large studios charged hundreds of dollars an hour for studio time.

Naru:
Joe was changing like between $20 or $25 an hour r. The quality of sound was on par with anything coming out of these big studios. Joe knew the music that we were doing.  He understood it better than some of the engineers who were  in these big studios who were used to . doing rock music or folk and country. Joe  understood the R&B  and the Hip-Hop… the need for that bottom.

TR:
While the music might be about that base, for Joe it included the chance to offer help and encouragement.

Naru:
He was also a teacher. He would take young kids off the street from time to time. Some people were actually living with him. He would teach young kids  to engineer. Pretty much gave at least  two people I know roofs over their heads until they got their act together. They might have been out doing some street business and he didn’t really want that.  So he was trying to teach people another way to make money and be successful.

LM:
Joe Capers taught newly blind people independent living skills.

TR:
Making a documentary takes a lot of patience and research. It also takes creativity. Not only in the traditional sense as in the filming and writing, but also in the approach to resolving real  challenges that inevitably arise.

In order to make up for a lack of video footage of Joe and artists in the recording studio, original animation is being incorporated into the film.

And I am pleased to report that plans are included for audio description, making the film more accessible to those with vision loss.
When complete the film will be distributed by way of local public television, online, film festivals and live screenings.
Events developed around the release of the film will include a live concert focusing on emerging artists including those with disabilities. The concert will be an annual event taking place in August. in Oakland, this now has significant meaning.

Naru:
I wouldn’t say we, I helped but Leroy was the most instrumental…

LM:
Every August is now Joe Capers month in Oakland. That’s the first  Black Disabled man that’s been recognized  by the city of Oakland.

TR:
Here’s how you can help contribute to the success of this film

Naru:***
I’m working on some more funding  right now that’s why  it’s slow going. Everything’s been like a labor of love  out of my pocket. And Leroy put some money in as well.

I have a nonprofit, it’s called Alternative Minds Foundation and so all our stuff is going through there with this film. It’s a 501-3C so everything is a tax write off for people who want to do that.

LM:
www.alternative-minds.com

Naru:
And just later on just telling people about it when it comes out. That’s probably the best way you could help spread the word.

TR:
It sounds like these two are the right   choice for telling Joe’s story.
Leroy, through his work with Krip Hop nation, an international network of musical artists including
rappers, dj’s, producers, dancers, spoken word artists and others, all with disability; have already presented an award in recognition of Joe’s contributions. This award was presented to his family in Georgia.

Naru who had a personal relationship with Joe, while not as familiar with blindness, did gain what some may see as a simple lesson, but in fact is one that advocates have spent a life time trying to convey.

Naru:
My understanding about a person who was blind  is very limited and probably very skewed. Being around Joe was very refreshing. He was just a regular person, did regular things. Loved to joke and laugh, play tricks on you  and all of that stuff. He was just like we say, a regular Oakland Cat!
[Laughter fades out]

TR:
This is Thomas Reid,

LM:
Oh my God, this man needs to be recognized.

for Gatewave Radio.
Audio for independent living!

[Audio: Taken from Rap Battle on MTV
“There’s no charity in a rap battle!”, Sway]

TR:
The first time I thought about Hip Hop and disability was just prior to me losing my sight.  It was the fall of 2003, I believe it was MTV2 who was airing a rap battle. One of the contestants included young rapper by the name of Blind Fury.  I remember thinking his opponent was corny. He got stuck on the blind and disregarded the fury.

Blind Fury by my account was indeed better and should have won that battle.  He was more lyrical,
had a method for finding out visual details about his opponents and  he had multiple flows.  I realized the perception of Blind Fury’s talent was based on his disability.

Why would blindness limit the ability to rap? It’s vocal, what’s the big deal.
Yes, battle rap might require the ability to quickly gain information about your opponent, but Blind Fury was making that happen too.

Eventually Blind Fury took his place in history with his success on  BET’s 106 and Park’s Friday Freestyle.

[Audio: From Wild Style… “South Bronx Subway Rap”, Grandmaster Caz ]

The truth is people with disabilities have been involved with hip hop since its origins.

Leroy prior to his interest in rap was into rock and heavy metal.

LM:
Ozzie Osbourne, Metallica, ZZ Top…
***

TR:
He was then introduced to Rapper’s Delight, from the Sugar hill Gang.

[Audio: rapper’s Delight, Sugar Hill Gang]

LM:
Back then you bought the record and tried to learn all the lyrics.

This is gonna be cool!

At that time I had a walker . So picture me  with my walker going to the subway to the Bronx. Here I am this skinny guy with a walker and everybody around me has muscles,  break dancing and all that stuff.
I was just a writer back then . I dabbled in poetry.  I always told myself that I want to get in the cypher
TR:
If you’re not familiar  with the ciphers,  rappers would get together to rhyme  with one another. A time to test your newly written verse or maybe freestyle. Picture a circle of rappers passing the imaginary microphone to one another. It’s a meticulous process. You wait your turn. And you better be ready because you are going to get instant feedback on your 16 bars, or your verse. This is the place where you truly hone your skills.
While the ciphers were often about seeing who had the better skills, these
groups of mainly African American and Latino young men attracted the attention of the police.
Becoming more familiar with Leroy’s presence, he was soon declared “The  Watch Man”.

LM:
Because you’re disabled  you can watch out for the cops. The cops won’t do nothing to you . When the cops came  I used to yell you know, “po po”  and they used to scatter.  They’d just leave me there with my walker  and the cops used to get so pissed off.

TR:
Leroy played his position . He listened to more and more music.

LM:
When Run-DMC came out and did “Walk this Way”  and mixed rock with rap I was like alright this is it!

TR:
[Audio: It’s Like That, Run-DMC]

Right before I was scheduled to speak with Leroy, I read an interview he did with Daryl McDaniel’s better known as DMC of Run-DMC fame.

Now, when I heard [It’s Like That] as a young teenager, I lost my  [Censored Beep] mind!

TR in conversation with Leroy:
What was that like meeting DMC?

LM:
Oh my God, you know, I told him I grew up with you… he’s like no no we grew  up together!
For me it’s one of the highlights of my journalism career.

I saw that DMC had a book out about his depression. I also knew that back in I think the late 80’s he had a voice disability. I was like ok, DMC needs to know about Krip-Hop.

TR:
And more people need to know about Krip Hop.

In general, people are uncomfortable with disability. They don’t understand what to say to a person, how to act, maybe there’s some fear of even thinking about disability…
You know what I’m talking about because chances are you experienced it from at least one side or both.

Leroy never did participate in any of those early Bronx ciphers, but Hip Hop did get into him.

One important aspect of art and culture, is seeing yourself represented on the screen, on the canvas or stage and in the music.

As a black disabled man, that doesn’t happen that often.

LM:
My father had a huge Blues record collection and of course as we know Blues artists were blind… like Blind Willie Johnson.
[Audio: “It’s Nobody’s Fault but Mine”, Blind Willie Johnson]

My father liked Robert Winters. Robert Winters had Polio  and walked with crutches…
[Audio: “Magic Man”, Robert Winters]

Wow,  there’s disabled Black  men that do music!

I think it played a really big part of where I am today with Krip-Hop.

This year is our 10th Anniversary and we have loose chapters…

TR:
These include countries within Africa, the UK, Germany and Spain.

[Audio: “Tales of the Krip-Hop”, Rob da Noize Temple]

With the network formed by Leroy and co-founder Keith Jones, the two being disabled activists, the focus continues to be on education and advocacy.

LM:
So we saw Krip-Hop as a way to bring awareness around the history of disabled musicians from the Blues to Hip-Hop and really educate and to push the Hip-Hop arena  around Ableism thinking around disability and to really say that disabled musicians have been here since the Blues.

TR:
Krip Hop Nation produces live events featuring all sorts of artists with disabilities including; dj’s, emcee’s, spoken word artist, dancers and more.
They have put out 4 CD’s including their latest.

LM:
Our 10th Anniversary CD just came out on CDBaby.com. It has Wonder Mike  from the Sugar Hill Gang, DMC from Run-DMC.

TR:
Two names you are probably familiar with, but some might be new…like;

George Tragic
[Audio: “Industry Epidemic”, George Tragic]

Wheelchair Sports Camp

[Audio: “Hard out Here for a Gimp”, Wheelchair Sports Camp]

Toni Hickman
[Audio: “Cripple Pretty”, Toni Hickman]

Rap music and hip hop culture ironically was birthed to some degree from
exclusion and isolation.
Young kids from the South Bronx who  didn’t have access to much
including instruments so turn tables and beat boxing became its  replacements.
Barred from the downtown discos and night clubs; the community centers and parks became their place to party.

[Audio: “This Can’t Be Life”, Prinz D]

Hip Hop is a culture that created an outlet for expression.
It’s common themes consist of stories about overcoming adversity,
rebelling against  oppression, yet the disability experience goes mainly unheard.

Obviously this isn’t exclusive to rap ,
but this music with its infectious beats and rhymes is perfectly suited for Communicating all types of information with
the intention of educating.
Whether changing commonly held beliefs or getting young students to recall all types of information.

[Audio: “Hip Science”, Naru Kwina]

That’s where Naru saw a way to use his love for hip hop and combine it with his love of teaching.

While working as an assistant teacher he had the challenge of trying to teach science to kindergartners.

Naru:
The kids were like “uh!”

At recess I heard them all outside, they were singing this song off the radio; the lyrics were horrible. [Laughs…]
But, man, they knew the whole song….
And a lightbulb went off like huh!…
If I could turn these lessons into music like that and get these kids excited I wonder if they would learn these lessons like they learned that song?

So I did a series of songs  about the body and gave them to my students, the CD’s to the parents  to take home and listen to and then we did some in class. I mean they caught it so fast, it was amazing.

And so I was just using it in class and people kept telling me you need to market  this… you need to do this you need to do  that…
I ended up applying for my first grant. It’s a grant called  the Creative Work Fund. It was a partnership with this organization called the African Scientific  Institute out here in Oakland. We got the grant. $35,000 grant. I was able to produce a play, the CD and pay a lot of people in my community as well to perform  and got other artist involved to  record with me. That’s about 10 years ago. I’m still doing it to this day. Outperforming , online sales. It became half of my career. I’m still an after school teacher but I do a lot of Hip Science. I enjoy it!

TR in conversation with Naru:
What was that reaction like from the other teachers? Were they cool with this or did you get any negative feedback from them?

Naru:
They were amazed. First of all I don’t think any of them knew I rapped. I don’t know why but I kind of kept that part of my life separate  from working with the children and never realized that was one of my strengths.
I should have been using it all along.
I never even thought it would be anything like that. I just wanted my kids to learn.

TR:
And it wasn’t just his kids that were learning.
Shortly after releasing the CD series he received a call from a company interested in the product.
Naru:
This company, it’s called Overbrook Entertainment and they wanted to buy [laughter] my whole business. I’m like what? I’m not selling my business. And it turns out that was Will Smith’s company. He was in town  in San Francisco  shooting the Pursuit of Happiness  and I don’t know how  he got my CD’s  but his kids were listening  to it. I never finished the negotiations because  they were talking about they wanted to have all the marketing … I wasn’t looking to sell. It was like  this  is my baby right here!

I was like wow, I know I’m doing something now if their trying to buy  my company man! [Laughs fade away…]

***

TR:
Doing something now, well that sounds like Naru’s default mode…
He creates music with his daughter who herself is a singer and rapper at the Oakland School for the Arts.

Naru:
Matter of fact, the first song she ever wrote with me  she was 3. It was called love is the thing It’s featured on Rosie O’Donnell Family is a Family documentary. We did a video for it and everything. It was real cool!

TR:
Over several summers, the two have written a book that’s now complete and he and his daughter are creating an accompanying soundtrack.

Naru:
It’s called Panela’s Journey. It’s a very fanciful tale of a young girl who’s struggling with her identity  in the world and  her place in the world and wondering why the world is the way it is. She seeks refuge in a fanciful place.
That  one should be coming out soon as well. We’re gonna have some augmented reality, apps that go along  with the book.

TR:
Continuing to put out his own music, his latest project should be out soon.

Naru:
Naru and Strong Soul and we are The Living Room Legends!

TR:
I have some links on the blog… Reid my mind .com if you want to check out more on both Leroy and Naru.

Salute to both of these brothers for the good work their doing, truly expanding the culture.

I don’t know about you but I feel like I have to start producing some    more content!

n that note, make sure you subscribe to this podcast.
Go to your podcast app of choice and search for Reid My Mind Radio… that’s R E I D.
You can also follow me on Sound Cloud soundcloud.com/t-Reid.

[Audio: RMMRadio Theme]
Thanks for listening.

Peace!

Hide the transcript

Reid My Mind Radio – Who is Girl Gone Blind

Wednesday, November 30th, 2016

This episode features the latest Gatewave Radio piece answering the question; Who is the Girl Gone Blind?
Immediately following the piece, check out what happens when I run with a bit of inspiration from something I heard in my conversation with Maria Johnson, aka, A Girl gone Blind.

Picture of Maria Johnson

If you haven’t yet, make sure you Subscribe to RMM Radio bit.ly/RMMRadioSubscribe
– In the meantime, hit the Play button below!

 

Resources:

 

*Girl Gone Blind
*Girl Gone Blind on Twitter
*Leber’s Hereditary Optic Neuropathy

 

Transcript

TReid:
What’s good everybody, it’s me T to the R E I D!

I’m feeling good today and that’s by choice not by circumstance… let that marinate.
And in this latest episode of Reid My Mind Radio I’m featuring a piece I did for Gatewave Radio…

Check this out!

[RMMRadio Intro]

TReid:
Going blind is a real challenge.
Different for anyone who goes through the experience. It involves adjustments for almost every aspect of a person’s life.
Education, Employment mobility and independence.

Today you will meet someone sharing some of her experiences online, on the internet via her blog.

 

TReid:
Girl Gone Blind, is Maria’s space on the internet, her blog where she’s been sharing experiences, observations and information about her life as a, well, girl who has gone blind.

Her story begins in April 2013.

MJ:
I was working as a fitness instructor. I was working at three different locations and I was also running my own Boot Camp as well as doing the mom things – running around taking my kids everywhere you know volunteering and all that stuff. And I noticed there was a blurry spot in one of my eyes but I didn’t really think too much about it cause I was busy and After a month or two it really wasn’t going away.

TReid:
TReid
With no changes in her vision, she sought an answer.
Multiple optometrist, ophthalmologists ; all trying different tests…
MJ:
… many scans, MRI’s spinal taps, steroid treatments, they could not figure out what was wrong. I was completely healthy except there was a problem with my optic nerve.
>

TReid: Finally, she found a neuro Ophthalmologist who tested her DNA. In September 2013 Maria was diagnosed with LHON.

MJ:
Leber’s Hereditary Optic Neuropathy. It is a mitochondria mutation that is passed down from the mother’s side. When the mutation is triggered you start to lose central vision. It can spread into the peripheral a bit, but most of the time your peripheral is saved.

Treid:
Within a month of receiving the diagnosis, Maria was legally blind.
Her response?!

MJ:
Ok, Now what?

TReid in conversation with Maria:
So you started experiencing vision loss and then you decide three months later you know what, I’m going to do this in public! [Laughter from both]

MJ:
Yeah, I know right!

TReid in conversation with Maria:
What made you do that?

MJ:
I thought about righting a blog previously as a health and fitness Guru if you will, but I never did. And so I always had that little bug in me I think.
When my vision loss came to a point where I had to deal with it, I thought you know maybe I should write about this?
Come January I basically wrote about what I’ve been going through and what actually was going on with my vision and what it was called.
I remember clicking publish and thinking uh [exhale] my gosh I hope, I hope somebody reads this. Well I got the hugest response. Positive response on this blog and people loved it!
They loved it and they were appreciative of my vulnerability and my openness to share what had been going on with me over almost the last year. I got the bug right then and there and said you know what I’m going to keep going with this because people like it.

TReid:
There’s no one size fits all plan for adjusting to blindness.
Chances are if a person is losing their vision and seeks assistance, they will learn of the vision rehabilitation system. For those fortunate enough to receive services, it would include personalized training to aid that person to remain as independent as possible.
That can mean getting back to work or school, learning how to perform all of the tasks they once did like cooking, traveling using a computer and more.
Maria figured out what she needed to go through the process.

MJ:
I realized I needed to get my head wrapped around this whole “I’m now blind” thing!
Before I could even attempt to figure out how I was going to you know cook or you know knit or [giggles] all the other things they wanted to teach me.
I thought I need to get my head wrapped around this. I actually need therapy, and I need counseling.

TReid:
Counseling to help work through the barrage of both feelings and thoughts about the loss not only of her sight, but all that comes with that;
her independence, her perception of herself, trying to figure out what it means to be blind.
Loss, is painful!

MJ:
I would lay on my bed you know crying and crying and crying and think [uh, gasp] how am I going to be a good blind parent?
How am I going to be the mom that I was.
How am I going to be the mom that I expect myself to be?

[Soft sad piano music]

MJ:
I honestly was planning on how I was going to exit this world.
And when I would do it.

MJ:
I thought, but you know I can’t leave my kids.

MJ: So I actually did therapy and group therapy weekly for about a year and a half. It helped me to know that all of my thoughts and feelings were totally normal. The things I was doing to propel myself forward everyday were the right things.
I will rank therapy as the number one thing that has helped me adjust to this new life.

TReid:
In addition to the emotional, Maria was trained in orientation and mobility.

I assumed Maria was proficient with technology and probably received training in either magnification or screen reading software.
So I had to ask about something I read on one blog post.

TReid in conversation with Maria:
You use dictation. Is that still your choice of input?

MJ:
It is, it is, it is.

TReid in conversation with Maria:
Do you do any keyboarding?

MJ:
Ok, here’s the back story on all of that!
alright, so I was always a pretty good typist when I was sighted.
Then I’m telling you Thomas, when I lost my vision and I could not see my keyboard any more….

[Fades out and Narration over MJ…]
>
TReid:
I am a big proponent of technology for all. Especially people with disabilities.
In some sense I’m an Access Technology evangelist…
I’ll tell anyone who will listen about the benefits it affords to people with vision loss or other disability.
I’m also a strong believer in the need to be proficient enough with a keyboard if physically possible
in order to have maximum control over your technology.

I did give Maria a bit of a hard time about her reliance on dictation.
But I’m not judging her!

Judgement, that’s one of the things that’s scary about
sharing personal stories.

TReid in conversation with Maria:
Have you regretted anything you published?

MJ:
I’ve made it a real point to keep it to just my own experiences. What I’ve been through. The good the bad and the ugly and the and the crazy , the funny, but then you know there’s nothing to regret.

TReid:
So is keeping an online journal helpful to the adjustment process?

MJ:
I think where it helped me is I was able to put my emotions and my story out there and I knew inside that maybe it would help somebody else either relate or understand what I was going through. And on the other hand, I do feel it hindered me a bit because I was drumming up all these emotions that were really quite difficult for me.

TReid:
Girl Gone Blind has lead Maria to other outlets

MJ:
I knew that if I wanted to start making something of Girl gone Blind I probably needed to get on Twitter and I needed to start reaching out to all of these other avenues. And that’s where RNIB Connect Radio discovered me.
Now I do a weekly segment for them ; chatting with Girl Gone Blind as a Lifestyle Blogger. We talk about different issues and different situations that we encounter.
I also do a podcast, we call it the LHON Report. We do interviews with people in the LHON community and we also talk about our experiences.
This has turned into this wonderful place that I have set myself in and I absolutely love doing it and it’s so weird for me to say that I love what I do and it’s all because I lost my vision.
It’s been a crazy three years but I’m headed to a good place I just know I am and I’m just going to keep that arrow pointed that way and see where it goes.

TReid in conversation with Maria:
Sounds like a great plan

MJ:
Oh And I’m going to learn how to type Thomas…

TReid in conversation with Maria:
Yes! Yeah!

MJ:
Giggles… Goals, Blind goals.

TReid:
There it is! Hash tag Blind Goals. (#BlindGoals)

[Laughter from both and MJ claps her hands!… audio fades out]

TReid:
Maria Johnson is journaling her way through her adjustment to blindness. She’s a girl gone blind, but she’s not traveling alone.

She’s inviting those with LHON , those experiencing vision loss and others to ride along. Hopefully relate to the experiences and maybe even be inspired to continue on their own paths.

Remember that thing about Maria not using the keyboard?
The truth is Maria didn’t let that become an excuse for not starting or maintaining her blog.

She held on to three words that she says can help her through most things…

MJ:
IGotThis! That was my mantra. I got this!

For more on Maria?

MJ:

My website is girlgoneblind.com.
I’m on Facebook at Girl gone Blind
and on Twitter a@Girl_Gone_Blind
And on Instagram @GirlGoneBlind.

TReid:
I’m Thomas Reid

[MJ: It is, it is, it is!]

TReid:
for Gatewave Radio,
[MJ: Ok, now what?]

TReid:
audio for independent living!

Following the Gatewave story, I included a “song” created using Maria’s words specifically “I got this”.

Reid My Mind Radio – Are Blind Conferences Fantasy

Wednesday, November 2nd, 2016

Back from another Pennsylvania Council of the Blind Conference. This is not a recap.

After all of these years, this was the first time I recall hearing that such conferences  have been described as fantasy. Fantastic! Yes, but I never heard them described as being a fantasy.

Unicorn with Sunglasses

You could say this is my opinion on  the idea or you could just say it’s what was on my mind!

If you haven’t yet, make sure you Subscribe to RMM Radio
– In the meantime, hit the Play button below!

 

 

Transcript:

Just about two weeks ago now, I attended my 11th conference of the Pennsylvania Council of the Blind.

My first conference was in 2006. I attended with a group representing the newly formed Monroe County  Council of the Blind or as we called it MCCB. We were considered a young, energetic  and extremely enthusiastic bunch of new comers to the organization.

Most of the group were newly adjusting to blindness. The MCCB itself was formed after we met at a local support group and decided we wanted to do more with our energy than talk about the issues.
Don’t get me wrong, I am all for talking and sharing our stories to help one another better manage the experience, but for many of us we were used to doing more and had a need to put our energy to good use.

I’m sure each of us who attended that first conference had our own expectations. I don’t fully remember what I expected, but I know I was open to learning. I can definitely recall trying to process so many different emotions throughout the weekend and during the first few weeks to follow.

Even today some things really stand out from the experience.

Like when one of our members Mary Ann,  was given a Braille menu at an Olive Garden during dinner on our first night at the conference.

Her excitement was infectious! It was just a menu! In fact, it was just Olive Garden – no shots, I enjoy the breadsticks and salad!

As the only proficient Braille reader in the group, Mary Ann immediately designated herself as the official menu reader for the rest of the group who did not read Braille, but even for those who could read print.
And the group honored that request, not as though they had a choice!

As a new advocate at the time, I was both excited for her but yet upset that she was still so surprised by the availability of the menu. Obviously something she did not experience often.

The next morning, I got my first glimpse of an accessible tour of what I recall was a train museum.

The tour guides used descriptive language as opposed to assuming everyone could see and recognize various features about the characteristics of these historic trains.

Some of the materials were available in alternative formats to standard print including Braille and large print for those with low vision

This may not seem like a big deal for those in the know, but when you’re new to blindness and beginning to believe you have to get used to just missing out on certain things;
observing that it doesn’t really take that much effort to be included, well it’s a real awakening.

I recently heard these types of tours and activities or even the conferences themselves  described  as fantasy.
The idea is that this is not and will never be the real world. The real world I guess in the minds of those who believe this is fantasy will always  exclusively cater only to those with sight and forever exclude people with vision loss.

At various times  throughout my journey with vision loss I came close to believing things can’t change. My struggle with cynicism was only made worse  with the random encounters with those who remind me that they see me first as a blind man and their definition of that goes beyond my inability to see.
For them it’s the subconscious stereotypes and misperceptions that create their image of who I am. the things I do or don’t do are viewed through a lens painted with layers of misinformation that so much of society has been lead to believe about blindness and disability.

Being conscious of that  comes with a price.
I can sometimes put more pressure on myself to   do something “right” believing that if I veer off course or make a simple mistake I may confirmed a false truth about blindness.

The fantasy world of blind conferences or conventions actually provided me a place to practice all of my blindness skills in a friendly atmosphere.
These conferences also  offered me a chance to relieve myself of the burden of believing I had to represent every blind person in the world.

There are times when I can get up from my chair during a conference  and almost perfectly walk out of the room using my white cane and easily navigate my way to my destination.

Then there are the other times when I get a little side tracked for various reasons.

These conferences have over the years taught me that both results are okay.
There’s no perfection.
People with all levels of  Orientation and mobility skills have and do both.  People with 20/20 vision do both.

it’s not my responsibility to explain how my cane tapping against  a planter or some obstacle in the middle of the room is not a sign that I am lost, but rather me gaining access to that information to determine which is the best course to avoid that obstacle.

I can’t change what someone else sees. This is determined by their experience and knowledge , not me. I know there are those who will lump all people who are blind together.
We share the experience of blindness, but for many that’s it! We’re different in so many ways.

Maybe these conferences are considered fantasy based on the cooperation and the way people tend to work together.

Since that first conference, I watched how people with all different levels of vision loss could help one another.

The person in the elevator who has low vision searching for the right button extends their gratitude to the person with no sight whatsoever who quickly identifies the button using Braille.

the teamwork of one gentleman using his white cane while  supporting a man with both vision loss and mobility challenges , slowly losing his strength, make his way to his hotel room.

Throughout the weekend, I witnessed people  all in support of one another. I saw more to blindness than I did prior to the conference. It confirmed that  not only was I right in thinking my vision loss didn’t have to mean more than I can’t see. It didn’t reduce who I am as a person. it didn’t put me in another class of people. It didn’t in any way impact my competence, my manhood my spirit. It simply means my eyes no longer work and I need to figure out other ways to get the information that I need to do certain things.

Since 2007 I’ve been a part of the conference planning team and I have been the coordinator  since about 2010 . My hope each year is that those newly adjusting to blindness will walk away from the conference  believing  that what some see as a fantasy is really inevitable.

There are changing demographics that make accessibility  a much more mainstream term today than even in 2004 when I was first introduced to that word.

Companies like Apple have committed to accessibility  making so many things usable for people with disabilities.
Smart phones and their apps
Television and movies along with audio description
indoor navigation which basically brings  GPS inside.

All of this progress is real!
We can touch it,  put it to use today and measure its effectiveness.

However, we’re not able to count the degree in which the attitudes are changing.

For many people the last few years have been an awakening to things that have existed since this country’s beginning.

The police brutality against people of color
Law enforcement’s corruption and cover ups of these incidents
Racist ideologies and behavior throughout society.

Camera’s and demagogues like Trump bring all of this to the forefront for all to see and confront.

Meanwhile those in the communities effected have been raising their voices in protest forever. The larger society not wanting to believe it or refusing to believe this could be true simply lowered the volume control and went on with their lives.

Blindness according to multiple surveys is ranked as America’s greatest fear… even more than death.

Some of these surveys are as recent as August 2016.

We know that people fear what they don’t know or understand.

This level of ignorance in 2016 is not surprising  but also not excusable.

The other side of this ignorance are those who are overly amazed by blind people living their lives every day.

Successfully living lives shouldn’t be considered amazing.

Maybe then we raise the bar for what we expect from people with vision loss and others with disabilities. And there’s no doubt that these expectations would be met.

In no way will I frame my perspective as a fantasy. It’s in progress. The more access gained the more people will have a chance to hear our voices, learn of our stories and rid themselves of their fears. It’s happening, just watch!

Reid My Mind Radio: Structured Negotiation – Not Just For Lawyers

Wednesday, September 21st, 2016

This episode of Reid My Mind Radio is brought to you by  The RAE of Hope; Shining a light  on a rare childhood eye cancer.
Watch the stories of people impacted by Retinoblastoma, a rare childhood eye cancer. Then share in order to help us spread awareness!

A picture of Attorney Lainey Feingold standing at a microphone

 

Getting back from the break and looking forward to producing  some new stories. I have some ideas but like most things I need to figure out some creative ways to gain access. I’m talking both physically and even virtually…

Today’s Gatewave Radio piece features Lainey Feingold who herself has done much to improve accessibility in the real and virtual world. Her book Structured Negotiation: A Winning Alternative to Lawsuits is now available and as you will hear in today’s piece, it offers so much to those outside of the legal community.

Resources:

 

Transcript

TR:
1, 2, 1, 2 is this thing on
1, 2, 1, 2 is this thing on!
[laughs]

Back again, after a brief hiatus during the summer. Unfortunately, not a summer vacation rather a working, very working summer.
Before we get into this latest piece for Gatewave Radio I wanted to share just a quick note and bring your attention to something that we do every year here on the Reid Compound – that’s my family and I, the whole Reid family. We used to call it pennyPushUps but now it’s actually now called The RAE of Hope and you can go check that out a at Facebook.com/TheRAEOfHope. And the RAE is  R A E  of hope The RaE of Hope.It’s an awareness and fundraiser campaignsupporting children with eye cancer as well as the organization World Eye cancer Hope.

It’s stories about people who have been impacted by this eye cancer.
These stories are in video format however they are fully accessible, the stories are told fully in audio. And this year I am happy to say we  are also including closed captions on the videos that are on YouTube. It’s just a little easier of a process to get the captioning on YouTube than it was for Facebook.

So again, Facebook.com/TheRAEOfHope . You can check out our playlist on YouTube using the short link bit.ly/TheRAEofHope2016. All the links are included with this post.

I’ll be back after this latest piece for Gatewave Radio , Structured Negotiation, it’s Not Just for Lawyers.

TR: In any advocacy movement, you have a number of people who to most remain nameless. they’re not the face of the movement, they don’t have the loudest voice, but they make things happen.

Meet Attorney Lainey Feingold (LF). When it comes to some very noteworthy advocacy success stories, she’s  been involved. In fact, she developed the blue print to a method for reaching agreements called structured negotiation.

LF: Structured negotiations is a way to resolve legal claims without filing a lawsuit.
It grew out of the blind communities desire for accessible technology. Specifically it grew out of the quest for the talking ATM’s back in the 1990’s.

TR: The banks all agreed and not only was that the beginning  of structured negotiations, it was also the beginning of talking ATM’s.

TR: [Asking in conversation during recorded interview,  not narration]
So  how exactly does it work?

LF:  It first starts with the group of people who would be called plaintiffs in a law suit. In structured negotiations their called claimants.
In my work with the  blind community that means individual blind people or blind organizations that have a legal claim but would like an alternative method for resolving it.

TR: To make the process even more clear, Lainey walked me through  a real life example of the process using  a case that is as American as apple pie

[Sounds of baseball stadium including applause, organ music and bat hitting ball followed by cheers!]

TR: Unable to access key features on the MLB website, blind baseball fans
contacted Lainey and her longtime colleague Linda Dardarian.

LF: <> We wrote a letter to Major League Baseball. Bay State Council of the Blind was the core organization behind that effort. We introduced the organizations we introduced the individuals. We said to Major League Baseball you know there’s a lot of blind baseball fans out there they don’t have access to the online games, they can’t access the statistics because you haven’t coded your web site properly. This violates the ADA, but rather than file a lawsuit we’d like to work with you and get the problem fixed. Major League Baseball answered our letter and that was the start of a really great relationship that  continues to this day.

TR: Once all the parties agree to move forward with structured negotiations the next step is agreeing and signing a ground rules  document.

LF That just acknowledged that we’re  doing this process instead of a lawsuit, protected certain confidential information, made sure no one would be penalized.

Then we started a process of meetings. Most of them were on the phone.

TR: Teleconferences made it possible for all the parties located on both coasts to be involved .
The next step is identifying and agreeing on the experts which Lainey says can lead to lots of battles in a lawsuit.

LF: Major League Baseball worked with experts that we recommended. They worked with blind baseball fans around the country, they improved their website, they improved their mobile app, we did testing along the way and  at the end of the process we negotiated a settlement agreement just like an agreement that would have been negotiated had a lawsuit been filed.

TR: Similar to a lawsuit settlement, built into the agreements are methods for monitoring and enforcement.
But unlike a lawsuit, both of these parties are working together and actually  building a relationship with shared goals.

LF: we run into problems with enforcement but when we do we have the relationships to make sure those problems are fixed.

Until I got involved in the issue, I had never really thought about how do blind people access the print information on a standard prescription

Some people use rubber bands to distinguish .
One rubber band is this prescription two rubber bands is that prescription. Or they’ll keep the medication in different places and try to remember which is which.
without talking prescription labels it is a very dangerous situation for blind people.

Even in some of the companies that we worked with, because there are so many stores it’s possible that even with a company that offers talking labels, a blind person can walk in and the person behind the counter doesn’t have any idea what they’re talking about.
So, I do have a post on my website that details what all the companies are doing in the United states with phone numbers to contact if there’s a problem.
TR: Working on more than 70 cases over the past 20 years, Lainey is clearly passionate about the issues.

LF: I  really just wish I could broadcast this from the rooftops!

TR: I guess she could do that, but people would think she’s a bit off. rather, she wrote a book detailing what she learned after 20 years’ worth of cases.
It’s called structured negotiation: A Winning Alternative to Lawsuits.
published by the American Bar Association

LF:  I wrote so that advocates and potential clients and organizations could read it and understand that this is an alternative to filing a lawsuit that could be used for lots of different kinds of cases.

I’m not the only person who uses it. We have a wonderful disability rights bar association that’s national. Other lawyers  have started to use the process.
TR: Despite the success, Lainey says, lawsuits have their place.

LF: Lawsuits can be very important to moving society forward. I give some examples of cases; marriage equality or Olmstead. There’s a tremendous number of cases that needed to be filed..

TR: The book isn’t just for lawyers and advocates
Lainey writes about the back story to cases she has worked on over the past 20 years focusing on accessible technology.
It’s also a resource for those who want to get an understanding and develop the mind set to work in collaboration.

LF: You need to have an attitude of cooperation. Which is different from the attitude you need to  be fighting with somebody.

TR: [Asking in conversation during recorded interview,  not narration]
You’ve been working with the blind community for over 20 years now, what sort of things have you taken away from relationships that you’ve built?

LF: you know I wasn’t familiar with disability issues at all until I somewhat randomly took a 4 month position as the Disability Rights Education & Defense Fund (DREDF) in 1992.
I was planning to stay for 4 months instead I stayed for 4 years .
So it’s really just been an amazingly great way to be able to practice law  and have clients that are friends and to understand the disability community from inside of it.

TR: The next time you’re completing a transaction at a store  using an accessible point of sales terminal to process your  credit or debit card, or you’re making use of a talking prescription label or ATM, keep in mind that those things came about because of people like Lainey  developing relationships making a more accessible world for all.

To reach Lainey you can visit her on her web page which
by the way is a great example of a well-organized accessible site.
She’s at LFLegal.com
You can send her email directly at lf@lflegal.com.
She also posts about accessibility on Twitter at @lflegal.

her book, Structured negotiation: A Winning Alternative to Lawsuits is currently available via the American Bar Association’s website. For those with print impairments it is available on Bookshare.org.

Big thanks to you Lainey for helping to make the real and virtual world more accessible.

I’m Thomas Reid, for Gatewave Radio

[LF: “I  really just wish I could broadcast this from the rooftops!”}

Audio for Independent Living!

TR:

A few months ago, I began incorporating transcripts into  all of the audio  I produce for ReidMyMind Radio. I made sure that this year’s Retinoblastoma Awareness & Empowerment campaign for Childhood Cancer Awareness Month included closed caption.

Lainey actually had a big influence on that.

It was during our conversation that she mentioned  how she pays for the production of transcripts in order to make sure anything she is doing is accessible.

<RMM>

I had to think about that for a while…

As an advocate for access, I want others to realize why things should be accessible to people with vision loss, but I’m creating things that are inaccessible to a segment of the population.
Plain and simple, I had to check myself.
Yes, it’s a little extra work, but it actually improves my process… once again proving that accessibility has benefits that go beyond the community receiving access.
I’m in no way patting myself on the back – because I don’t deserve that.
I am thanking  Lainey for helping me become better at accessibility.

Peace!

Reid My Mind Radio: Her Voice is Her Business

Wednesday, July 13th, 2016

 

Satauna Howery in the booth

With the unemployment rate among people who are blind or visually impaired said to be somewhere between 50 and 75 percent, owning your own business can be a great way to control your own financial freedom.

Today meet voice over artist Satauna Howery. She’s one of the winners of the Hadley Forsythe Center for Entrepreneurship and Employment’s New Ventures Competition.

For that and more make sure you Subscribe to RMM Radio
Can’t wait? Hit the Play button below!

 

Resources:

Check out the talking baby commercial as mentioned in the piece…

 

Transcript:

 

TR:
There are some real advantages to operating your own business.
Besides being your own boss;
– You are doing something you enjoy!
– You can make your own schedule
– You have the potential for significant financial reward

The Forsythe Center for Employment and Entrepreneurship, part of The Hadley Institute for the Blind and Visually Impaired, recently awarded a total of 25thousand dollars  to three winners of their first New Venture Competition.

I spoke with Colleen Wunderlich, the director of the  Forsythe Center who says the goal of the competition was to incentivize their students to move forward with their business plans.

CW:
We had about 20 applicants. Students had to submit a business plan with all the components; financial plan and the market research. We had a panel of three judges. One of our judges is blind and was in the rehab field for much of his life. He was an entrepreneur. Our other two judges  were entrepreneurs as well. I wanted our judges to be people who have lost and won in business because that’s really were the lessons are learned.

TR:
Three finalists were chosen and flown out to Chicago for one last in person interview with the judges.

Meet one of the winners of the New Venture Competition

SH:
My name is Satauna Howery and I’m a voice actor, so I talk all day for a living which is really fun! [Fading giggle!]

TR:
It’s fun, but her voice is her business.

SH:
I work for anybody who needs a voice. When you walk in the store  and you hear those people come over the intercom sometimes there people and sometimes it’s just a commercial telling you what the specials are for the week. Somebody said that! And somebody got paid to say that. Voice works spans the gambit of all sorts of things. Audio books, I do radio and TV ads… I do “crazy video game characters [Said in a high pitched cartoon voice]or animated cartoon kinds of things. Audio description, that’s gotta be voiced. I’ve done “Mosha and the Bear”, “F is for Family” and “Lego Friends” for Netflix. I do a lot of corporate work. So people will want to explain their products through video. There’s a lot of E-Learning out there, I’ve read more Conflict of interest resolution manuals.
TR:
And just how exactly does she accomplish all of this?

SH:
I get the script via email on a Braille display. I have this four by six Whisper room booth that I sit in and I’m in front of a microphone which is connected to my computer and I record directly into the computer and I edit and clean it up and I send it to the client.

With natural gifts and interests, Satauna was well equipped for a career as a voice over artist.

SH:
My parents brought a piano home when I was two and I started playing with my thumbs…[Giggle] then I went to nursery school and I came home and figured out that I could play with all my fingers. I didn’t start formal training  until I was about seven. And I only took about four  years of formal classical training before I came to my parents and decided I wanted to just quit and be my own person.

When I was a kid I had my own recording studio. My Dad built that. It was actually a separate building from our house. I engineered and arranged for other people and I certainly wrote music on my own.
It actually took me a while to come into the digital world, but I eventually got there . So doing voice over I had the skills to do all of the editing and that kind of thing. I understood how to make all of it work.

TR:
As a teen Satauna dabbled in voice over related projects ,

SH:
But for the most part I did music growing up and I thought about doing a voice over demo and I thought about it for many many years as an adult. And I kept saying yeah yeah I’m gonna do it someday.

TR:
And then?

SH:
A friend of mine showed up one day and she was all excited. She was going to go do a voice demo and she had just gone to a local studio that did voice coaching and I thought wow! I have all these skills, she’s starting out with absolutely none of them and she’s just gonna go do this?
I should just go do this!

TR:
Demo in hand, Satauna signed up with casting websites connecting voice over artists with companies and organizations seeking a voice.
Two or three days of submitting auditions with no offers,  she realized the process was a bit harder than she expected.
Learning that others already established in the field had more auditions under their belt than she did, she came to the understanding…

SH:
I gave up too soon!
So I went back to auditioning and within three days I had my first job.

[Demo of Satauna here]

TR:
And her business has been growing ever since!

One requirement for entry into the New ventures competition was completion of a course in Hadley’s forsythe Center.

SH:
I took marketing research, , the marketing plan and the financial plan. Thinking that those would give me insight as to what they were looking for when I wrote up my business plan. And they certainly did … I’ve been doing this for little over three years now and I just never sat down and actually tried to write anything up because I never gone to a bank or an investor and attempted to get money. So I’ve just been flying by the seat of my pants.

TR:
Actually, that time in the industry is extremely valuable. Colleen Wunderlich from Hadley explains.

CW:
You have to work in an industry to know what’s needed what works, what doesn’t … Three to five years of industry experience to launch a successful business… unless you’re a person who started so many businesses that you really understand how to start businesses and make them succeed.

But voice over is more than just speaking into a microphone…

SH:
Right now I do everything on my own. From all of the admin and marketing to the actual voice work and then the production of that voice work.

TR:
Production includes editing and manipulating audio.

This is the business plan…
Satauna recognizes the opportunity to expand and employ part time editors and others who can perform some of these production related tasks.

Can this include others who are blind or visually impaired?

SH:
Sure, absolutely. I know there are blind people out there who have the kinds of audio skills that I have.

TR:
there are some real advantages to a voice over business especially for someone who is blind or others with disabilities

SH:
I don’t have to think about transportation… Most of the time my clients don’t know I can’t see, they don’t need to know, there’s no reason. It’s so flexible and I get to be somebody different every day. I really get to set my own hours and work with people all over the world. It’s so much fun!

TR:
While you may not get recognized in public, there are times you can enjoy and even point others to  some of your work.

SH:
I worked with Delta Airlines… I’ve done some of their overhead promotional work.
I was on a plane from Minneapolis to Los Angeles… so we’re sitting on the runway and all of a sudden it’s me talking to everybody…[laughter] about Delta Wi-Fi and you know you should download the Delta app…

There was a T.V commercial for Empire Today were I was a talking baby. That was fun cause I could say to people this is where you’ll find me …
TR:
I think I still know that jingle…
[Together Satauna and Thomas recite the jingle!]
“800 588 2300 Empire…
TR:
Today…
SH:
That’s exactly right!
[Both laugh to a fade]

TR:
C’mon now, don’t act like I’m the only one who sings that commercial.

[In the background Thomas is singing the Empire jingle to himself]

TR:
Available in every state and internationally Hadley has a lot to offer.

CW:
We have a high school program so if someone is trying to finish a high school diploma …
We still do offer courses  in Braille and large print and audio, but the business courses primarily are online. We believe if you can’t be online then you can’t really be in business in today’s world.

TR:
If you are a budding entrepreneur or business owner with an idea and want to participate in a future New Venture Competition Hadley is planning another in the Winter of 2017.

To find out more on that or available classes, you can contact student services.

CW:
800 526-9909
You can also reach us online at Hadley .edu.

TR:
For more on Satauna or to find out where she is in the process of growing her support staff, stay tuned to her website or follow her via social media…

SH:
www.satauna.com [Spells name phonetically]
I’m also emailable at info@satauna.com.
I’m on Twitter @SataunaH. You could search for me on Facebook or Linked In too.

This is Thomas Reid
[]SH:
“I started playing with my thumbs”]
For Gatewave Radio, Audio for Independent Living!

RMM:
When producing stories for Gatewave, I try to edit down to what I think would be of interest to the most listeners.
However, , there was much more to the conversation. Put me in ear shot of another audio geek and I’m asking about gear…

Now, I know I’m not supposed to be jealous and I’m definitely not supposed to admit it, but man she had her own recording studio as a teen… that’s so dope!

I remember making my pause tapes and thinking I was really doing something special…
I simulated a four track recorder by using two cassette recorders and an answering machine to make my own answering machine greeting that included an original beat. It was just me tapping out something on my wooden desk, a sample from some song and original vocals…

Last year I took an interest in audio imaging and voice over and took a shot at creating my own movie trailer.
voice over/Imaging project last year… PCB
This was done for the Pennsylvania Council of the Blind conference which  was including an original play…

You can say it’s my hat tip to the movie trailer legend , Mr. In a world… Don LaFontaine.
[Audio Trailer audio including
TR: “In a world of glamor, glitz and fame  … everything that glitters isn’t always gold!”]
That’s just a quick sample…

My voice is not as deep and is probably better suited for something else…

I do have a few characters but sharing here may put me at risk of offending a lot of people.
Maybe another time!

BTW, Reid My Mind Radio is going on a summer hiatus. I’m actually in production on another project that I’ll be sharing soon. I’ll be sharing via the podcast so make sure you are subscribed which you can do via iTunes or whatever podcatcher you use. Also go ahead and follow me on twitter at tsreid where I may drop a few details along the way.

Thanks for listening and Peace!